Large and pretty silver tray. Round and plain well and wide shoulder with engraved and repousse garland; applied rim with leaf border. Marked. Visible handwork on underside. Good condition.

Dimensions: H 7/8 x D 16 in. Weight: 39.5 troy ounces. #BW804

Handwoven with delicate precision, this Japanese bamboo ikebana basket showcases the beauty of traditional bamboo weaving and the elegance of classic Chinese design that much of Japanese traditional art is based on. Its sturdy construction and balanced proportions make it perfect for ikebana arrangements, merging floral artistry with cultural aesthetics.

Though little is known about this artisan, I was able to find examples of their work in several high-end Japanese g...

Large Japanese Meiji silver chalice, ca 1890. Oval bowl with irregular rim on tall cylindrical shaft flowing into raised and scalloped foot. Spout hammered ground. Double walled. Applied iris and chrysanthemum flowers and blossoming branches. Wire stem with flower head and bud wrapped around shaft. Mount Fuji-form mono plate (vacant). No cliché left behind. A wonderful ceremonial vessel for the advanced export market. Japanese marks and “Kuhn & Komor / Sterling”. Kuhn & Komor was a Hungari...

In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature. Blending elements seamlessly, a canvas is created that complements the beauty of the floral elements in glossy contrast across the s...

English Georgian sterling silver salver, 1926. Retailed by Tiffany & Co. in England. Round with molded serpentine rim. Four scroll-mounted hoof supports. Fully marked including maker’s stamp (Thomas Bradbury & Sons Ltd) and London assay stamp as well as retailer’s stamp (“Tiffany & Co / England”). Very good condition.

Large dimensions: H 1 5/8 x D 16 3/8 in. Heavy weight: 64 troy ounces. #BY289

An exceptional, pierced yellow gold slip-on bangle with floral design. For a smaller wrist, the inner diameter is 2-3/8" and it weighs 8 grams. It appears to be hollow and shows light wear on the inside band with a few very faint scratches and a very, very tiny indentation. Marked 14kt along with the Sloan hallmark.

Pair of Midcentury Modern sterling silver 2-light candelabra. Designed by Alphonse La Paglia (d. 1953) for International Silver Co. in Meriden, Conn. Two arms, each comprising two open quadrilateral scrolls inset at center with volute scroll terminating in buds overhanging sides. Each arm terminates in socket. Sockets tall and tapering with wide flat rim and stylized leaves and beads at bottom. Arms mounted to raised foot with knop comprising alternating rings and beads. Marked “International ...

Created by Living National Treasure Isezaki Jun, Bizen pieces like the one seen here originated in Okayama (south-western Japan) and have a long history that is closely intertwined with that of tea culture. Known for employing a natural-ash glazing techniques that require extremely long firing times (7-14 days) at very high temperatures, constant attention is required to ensure good results. Here Isezaki can be seen pushing the bounds of tradition Bizen orthodoxies in interesting and creative wa...

Gilt and polychrome bronze frame with exotic fronds, ca. 1910. Rectangular with colored and etched fronds, flowers, bamboo, and grape bunches. Exciting Japanese-inspired design. With glass, silk lining, brass back and hinged support for vertical display. Support is marked ‘MV’ with hammer. Excellent condition.

Dimensions: Frame: H 12 x W 7 in. Window: H 7 ½ x W 3 ¾ in. AR427

A testament to the brilliance of traditional Japanese craftsmanship, this lacquered mizusashi—skillfully handcrafted from bamboo—showcases a deep crimson hue that radiates warmth and sophistication. Its seamless design and flawless finish reflect the skilled hands of the first generation artisan who crafted it, achieving a harmonious balance between form and function. Designed for use in Japanese tea ceremony, this indispensable implement would love to be put back into service o...

Pair of German silver Renaissance hunting figures, ca 1890. The man wears doublet over baggy chemise and hose with belt hanging loosely around hips. A long hat feather drapes gracefully along his arm. The horn is raised expectantly while the other hand rests on his sword. The woman wears a bodice-revealing fitted hip-length coat over a pleated skirt. Her braids are coiled in the back and her hat sports a jaunty feather. On a raised arm perches a falcon. The figures stand on rocky mounds with sca...

Midcentury Modern jar. Made by E. Dragsted in Denmark. Thick and ovoid clear glass bowl with sterling silver grape bunches loose-mounted to ends. Flat sterling silver cover with grape bunch finial. Beautiful Jensen-inspired design. Cover fully marked and numbered 1810. Fine condition.

Dimensions: H 4 x W 6 3/8 x D 4 in. #BU374

Rare Japonesque mixed metal tray. Made by Tiffany & Co. in New York, ca 1878. Square with curved sides and straight edges. Two birds soar and glide. One is viewed from below and the other from above (that is, from bird’s eye). An original and jokey design incorporating the exotic flattened Japanese perspective. Feathers are gold, and beaks, eyes, and wispy, dangly talons are copper. Crescent frame engraved with calligraphy-style presentation dated 1879. Ground hand hammered. Corner leaf-and-sc...

A beautifully crafted vase from a studio potter in the hills of Iga, a few hours drive east of Kyoto. Iga-ware has quite a long history—by some accounts dating back to the 7th and 8th century—with the major kilns being established some time around the end of the 16th century. Similar in many ways to Shigaraki pottery, the glaze is the result of kiln ash being vitrified and melted on to the surface of the clay body at extremely high temperatures during firing, which can last many days. To add...

Large Georgian-style sterling silver serving tray. Made by Frank W. Smith in Gardner, Mass. Round with molded curvilinear ogee-arch piecrust rim. A nice traditional piece in the aptly named Chippendale pattern. This maker active until 1958. Fully marked including maker’s stamp, pattern name, and no. 218. Very good condition.

Dimensions: H 7/8 x D 16 in. Weight: 42.5 troy ounces. #BR827

George VI sterling silver salver. Made by Mappin & Webb in Sheffield in 1945. Molded curvilinear rim with ogee arches. Three hoof supports. Large and heavy in traditional Georgian form. Fully marked. Excellent condition.

Dimensions: H 1 7/8 x D 16 7/8 in. Weight: 61 troy ounces. #BU966

A key figure in the Japanese folk craft movement of the 20th century, Fujita Kyohei is credited with helping to develop a thriving glass-working community within Japan. Best known for his “dream” or “Liuli” boxes—very colorful and skillfully crafted boxes that often incorporated gold and silver leaf into their designs. Here we see a piece that would likely have been crafted earlier in his career but that demonstrates his masterful technique even then. In 1972 Fujita, along ...

George VI sterling silver tray. Made by Thomas Bradbury & Sons Ltd in Sheffield in 1946. Rectangular with molded rim and double-scroll corners; end bracket handles same. Traditional Georgian for the postwar era. Fully marked including retailer’s stamp (Peter Guille) and phrase “Made in England”. Very good condition.

Dimensions: H 7/8 x W 26 3/8 x D 16 in. Heavy weight: 120 troy ounces. #BY716

American sterling silver 5-basket garniture, ca 1890. Retailed by Bailey, Banks & Biddle in Philadelphia. There are 4 small baskets and 1 large basket. Each: Oval bowl with fixed c-scroll handle and raised oval foot. Open flowering scrollwork on rim and foot. Handle same. Bowl exterior engraved with flowers and scrolls. All baskets have silver-plated frog and 4 baskets have detachable silver-plated liner with loose-mounted rings. Perfect for floral arrangements or passing around treats. Fully ma...

Midcentury Modern sterling silver tray. Made by Tiffany & Co. in New York. Rectangular with curved corners, flat narrow shoulder and stepped rim; scroll bracket end handles. Fully marked including maker’s stamp, pattern no. 22846, and director’s letter M (1947-56). Very good condition.

Overall dimensions: H 1 1/2 x W 26 1/4 x D 16 3/8 in. Heavy weight: 112 troy ounces. #BY507

Here we have a beautiful scroll with a mounted letter penned by famed Japanese poet Kobayashi Issa (1763-1828) who is known as one of the 4 great haiku poets of Japan along with the likes of Bashō, Buson, and Shiki. As one might expect, Kobayashi’s life was one of turbulence punctuated by several tragedies including the death of his mother at an early age and a lengthy legal battle with his step-mother over the family inheritance after the death of his father. Through it all Kobay...

Large Edwardian Art Nouveau sterling silver basket. Made by Meriden Britannia (part of International) in Connecticut, ca 1910. Wide and shaped mouth and cylindrical body flowing into round foot. Hinged c-scroll handle. Pierced and engraved ornament, including flowers, leaves, and garlands. Reeding. Armorial frames on front and back engraved with interlaced script monogram. Fully marked including maker’s stamp and no. 920. Very good condition.

Dimensions: H (with handle) 23 x W 16 x D 9 in. W...

Spare and Modern sterling silver geometric centerpiece after design by Frank Lloyd Wright. Retailed by Tiffany & Co. in New York. Large and detachable shallow cone set in small shallow cone mounted to two rows of rectangular pillars in turn mounted to square base. Fully marked including post-1967 Italian maker’s stamp (Pampaloni), retailer’s stamp, and Frank Lloyd Wright Foundation stamp. Very good condition.

Overall dimensions: H 5 7/8 x D 16 in. Heavy total weight: 96.6 troy ounces. #BZ1...

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

Here is an exceptional early creation by Georg Jensen USA designer, Laurence Foss. It features square lapis stones accented by sterling floral panels with a hint of goldwash at the buds. Signed L/F Sterling, it measures 7" x 5/8" and weighs 38.1gr.

Ca 1910 A beautiful, transitional Art Nouveau-Art Deco ring by Newark jewelry designer, M.B. Bryant ( 1858-1931). The smooth bezel set stone measures 1/2" square and the ring is a size 6.5. In excellent condition, the pictures tell all. Marked 14k along with the Bryant stamp.

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

As can be seen here, this piece is of the green variety and looks to be from the mid-to-early Edo period as can be determined ...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

This piece is quite unique for its brown color which may have been produced using a copper glaze under very specific conditions. Typical o...

Olympian sterling silver centerpiece bowl. Made by Tiffany & Co. in New York. Curved and tapering bowl on domed foot. At top a dense repousse frieze of love-making, harp-stumming nymphs, gods, and cherubs. Foot rim has rinceaux border. A beautiful piece in the celebrated Beaux-Arts pattern that was conceived by French designer F. Antoine Heller and debuted at the Exposition Universelle in Paris in 1878.

Fully marked including maker’s stamp, pattern no. 6798, and director’s letter C (1902-7...

This tall and lovely Hagi chawan rests firmly on a wari kodai or “split foot” pedestal that is unglazed—displaying the coarse rich clay. The crackled milky glaze covers the curves and contours of the bowl, contrasting dramatically between the foot and the clay body. Hagi-ware such as this is part of a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi-ware is prized for its subdued colors and classical features, especially the glazing, ...

Olympian sterling silver wine cooler. Made by Tiffany & Co. in New York. Each: Round with gently tapering sides and three reeded c-scroll handles with leaf mounts and caps. Foot ring with beading and bead-and-reel ornament, and 3 paw supports with leafy volute-scroll mounts. At bottom a dense repousse frieze of love-making, harp-strumming nymphs, gods, and cherubs. Gilt-washed interior. A beautiful early piece in the celebrated Beaux-Arts pattern that was conceived by French designer F. Antoine ...

Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box. Details about t...

Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and with all of the trappings that let you know they were cared for by a devoted cha-jin can be quite challenging. Here we see all three. The shape of this tea bowl is exquisite and something I have not seen before in a Mino piece. The lacquer box, while not the original was undoubtedly custom made for this tea bowl and looks to be 100 - 200...

Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s master Hagi potters.

Born in the famed pottery town of Karatsu in 1942, Zenzo Hatano spent a number of years learning the various styles particular to his region before taking up an apprenticeship under well-known Hagi potter Yoshiga Taibi. Winner of a number of awards including the Japan Crafts Exhibition Award in 1977, Hatano’s greatest d...

Set of 3 Etruscan Revival sterling silver tureens. Made by JC Moore & Son for Tiffany & Co. in New York, ca 1865. This set comprises 1 large round tureen and 2 small oval tureens.

Each: Tapering, ovoid body on raised foot. Egg-and-dart border. Reeded bracket side handles with cast ram’s head mounts. Cover domed with cast Roman helmet finial. Beading. Super stylish midcentury design. Bold Classicism that works in a contemporary interior.

Early marks (1854-70) with Moore and Tiffany stamps...

Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style tea bowls—which were hard to come by in Japan at the time. Later, during the Muromachi period, Seto potters established kilns in Mino thus starting the period known as ko-Seto, or “old Seto.” These pieces were distinctive as they were produced in small batches and with great care. Later in Edo, the large-kiln style of production or “ogama” was introduced ushe...

Accents formed using iron pigment stand out across a backdrop of blue-green glaze. The base and a portion of the inside of this ceremonial tea bowl are unglazed displaying rich clay. Created by Shibayama Toshiya, this is an example of contemporary Japanese ceramics at its finest.

A native of Nagoya Shibayama (b. 1959) is exceptionally versatile, working in styles such as Seto, Shino, Karatsu, and Shigaraki among others. A practitioner of tea himself, Shibayama is known for crafting ...

Antique Korean chest made with beautiful burl hardwood front panels. Four drawers run along the top section, while both have central doors with decorative brass plating. The interior is lined with old paper. 19th Century original condition and finish. Size: 52" total height (23" H per section) (stand 6" H), 35.5" L, 16.5" D

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged. In this case, the gold repairs undoubtedly enhance the bea...

We are delighted to present to you this remarkable pair of candlesticks in the shape of Athenian women, real jewels inspired by the drawings of the illustrious artist Jean-Charles Delafosse. These 18th century candlesticks harmoniously combine functionality and aesthetics, offering a unique experience. Each candle holder, in addition to being a magnificent candle holder, is also a refined perfume burner. The combination of these two functions makes them versatile and elegant pieces, bringing a ...

Ca 1940 A heavy, solid sterling choker and bracelet by Jensen USA designer, Laurence Foss( 1920-2014). It features hand applied, raised sterling leaves with beading. The choker weighs 63 grams, is approximately 16" in length and just shy of 1/2" in width. Both the bracelet and choker are marked with the LF logo, sterling, 450. The bracelet weighs 29 grams and is 7"x 1/2".

Painted lacquerware in Asia is thought to have more than 3,000 years of history; originating in China and then later spreading to South East Asia, Korea, and Japan. One reason this craft has taken centuries to perfect is that the sap of the tree used is highly toxic and irritating to the skin and to the lungs. Even minor contact with the raw materials can cause serious issues, making collecting and refining it quite labor intensive. Additionally, once collected it takes on average 3-5 years for ...

Cactus sterling silver dinner plate charger. Made by Georg Jensen in Copenhagen. Round well and sloping shoulder. Applied to rim are stylized cacti set in leaves between scrolls. A gorgeous piece in the historic pattern designed by Gundorph Albertus. Fully marked including maker’s (1945-77) and designer’s stamps, and no. 629H. Excellent condition.

Dimensions: H 3/4 x D 11 in. Weight: 22 troy ounces. #BW559

George III sterling silver salver. Made by Robert Rew in London in 1769. Round and ogee well with engraved armorial in floral surround. Sides tapering, and rim scrolled and gadrooned. Four leaf-capped volute scrolls. Stylish midcentury Georgian. Fully marked. Very good condition with nice patina.

Large dimensions: H 1 3/4 x D 15 in. Weight: 48 troy ounces. #BT951

Turn-of-the-century sterling silver baby set rich in period assumptions. Made by William B. Kerr in Newark. This set comprises cup, bowl, and plate.

Cup has acid-etched frieze depicting sailor-suited, flag-holding, all-American boy with exotic coevals in native dress relegated to background. Imagery enhanced with verse: “Little Indian, Sioux or Crow, little frosty Eskimo, little Turk or Japanese—Oh! Don’t you wish that you were me?”

Ahem.

Bowl sides feature modes of transportation...

Large Classical sterling silver covered urn. Made by Currier & Roby in New York, ca 1920. Girdled bowl with leaf-capped s-scroll side handles, stepped foot and stepped and domed cover with vasiform finial. Traditional form with extra oomph. Beautiful proportions and plenty of room for engraving. Fully marked. Excellent condition.

Dimensions: H 13 1/4 x W 12 x D 7 1/2 in. Heavy weight: 71.5 troy ounces. #BV545

During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony. These kettles were prized not only for their practicality in boiling water bu...

George VI sterling silver box. Made by Robert Pringle & Sons in London in 1939. Rectangular with curved corners. Cover hinged and tabbed; top has engine-turned wave ornament and rectangular mono plate (vacant) in upper left corner. Interior cedar lined and partitioned. Underside leather lined. Fully marked. Very good condition.

Dimensions: H 2 x W 7 x D 3 1/2 in. Gross weight: 16 troy ounces. #BV167

Using local materials and traditional methods, the creator of this work Masahiko Imanishi, has brought a distinctively modern interpretation to the classical form of the tsutsu chawan. At the same time, he somehow manages to maintain the simple rusticity that Tanba-ware is renowned for. Stretching back over 800 years, Tanba is counted as one of Japan’s 6 ancient kiln sites and is known for making large pots with red ferrous clay and natural ash glazes with a distinctive greenish tinge. More re...

A delightful Shakudo brooch featuring a laughing face with exaggerated features including large copper lips as well as copper rope detail. Made in Japan. Meiji era, ca. 1880. Excellent condition with lovely patina.

Dimensions: H 3/4 x L 1 3/4 in. #1118

Antique ukiyo-e woodblock print of a woman with a look of frustration on her face, wearing a black kimono, decorated with light pink and blue sakura blossoms, and a salmon pink under robe. Behind her are several cottages with trees and mountains, and stylized signatures in the top right corner and middle left side. Ukiyo-e is a genre of woodblock print that was popular during the 17-19th centuries in Japan. The print is set behind glass in a large frame, and the back of the frame lists artist: ...

This beautiful painting from late Edo portrays Mount Fuji as a sublime centerpiece, overlooking a serene landscape below. A lush pine forest embraces the foot of the sacred mountain, its deep greens contrasting against the pristine snow-capped peak. A tranquil lake reflects the ethereal beauty of the surroundings, mirroring the image of Fuji and the towering pines. The composition captures the harmonious coexistence of nature's grandeur, inviting viewers to immerse themselves in the ...

Fairfax sterling silver tea tray, ca 1920. Retailed by Black, Starr & Frost in New York. Rectilinear with chamfered corners and shaped ends with cutout oval handles. A beautiful piece in the Art Deco pattern that was made by Gorham and Durgin. Marks include retailer’s stamp and pattern no. 04. Very good condition.

Dimensions: H 1 1/4 x W 25 3/4 x D 16 1/2 in. Weight: 104 troy ounces. #BY477

Large Palm sterling silver sugar tongs. Made by Tiffany & Co. in New York, ca 1880. U-form. Each stem tapering with scallop shell jaw; fiddle terminal with low relief palm. A rare serving piece in the simplified Classical pattern designed by Edward C. Moore and first produced in 1871. Fully marked including maker’s stamp and director’s letter m (1869-75). Very good condition. Taut and springy.

Dimensions: H 6 1/4 x W 3/4 in. Weight: 2.2 troy ounces. #BZ588

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a white translucent overcoat that beads in areas.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi-ware is prized for its subdued colors and classical features, especially the glazing, which is often clea...

An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to represent strength, freedom, good luck, and magic, dragons are a popular theme in the artwork across Eastern cultures. Interesting to note, the dragon here is portrayed in the Korean style with four claws, with dragons in China typically having five claws and dragons in Japan typically having three. Fashioned by one of the few great female Jap...

Beautiful hand-hammered sterling silver and mixed metal perfume. Made by Tiffany & Co. in New York, ca 1880. Baluster with double-scroll side handles and threaded cover. Vertical stylized vegetation and darting insects (butterflies and dragonflies) applied to honeycomb ground. With chain for hanging on a lady’s chatelaine. A small-scale confluence of Japanese inspiration and Arts & Crafts technique. Hallmark includes pattern and order numbers, director’s letter M (1873-91), and phrase “St...

The style of this vase, known in Japanese as karakane (“kara” meaning Chinese and “kane” meaning copper), has been carried on by Japanese craftsmen since its theorized introduction during China’s Tang Dynasty. Falling in and out of fashion over the centuries as Japan alternated between preferences for Chinese style tea-ware and more homegrown versions, today it remains a common fixture in many tea rooms. With beautiful red accents on a dark background, this is surely one of this artist...

Turn-of-the-century French Rococo gilt bronze and pink guilloche enamel picture frame. Rectangular window in same surround with beading and leaf-and-dart ornament. Window bordered by diaper with applied flowers and leaves, and open block corners over wraparound pink guilloche enamel. Floral wreath and ribbon crown with torch and quiver. With glass, silk lining, and hinged wire support. Very good condition apart from a few lines in enamel.

Dimensions: Overall frame: H 19 1/8 x W 13 3/4 in. Wind...

George III sterling silver epergne. Made by Thomas Pitts in London in 1774.

Reeded and beaded oval frame; at base swags threaded through fixed rings with pendant oval vase medallions, overlapping four split-mounted leafing supports terminating in pierced and scrolled oval feet. Four reeded and scrolling leaf-capped and -wrapped arms, each terminating in oval basket, mounted to frame base alternating with four reeded and scrolling leaf-wrapped arms, each terminating in round basket, mounted to ...