Pair of Chinese export silver vases, ca 1910. Each: Flat and round moon body on domed foot; animal-head handles mounted to shoulder. On front and back is chased dragon—a horned and taloned serpentine serpent on hand-hammered ground. Marked Wang Hing & Co., an early 20th-century retailer active in Canton and Hong Kong. Very good condition. Handwork visible on foot underside.

Dimensions: H 4 1/2 x W 3 1/2 x D 2 in. Total weight: 7.5 troy ounces. #BY228

Stylish Italian 800 silver lighter. Large apple with naturalistic irregular form and striated skin. Leafing stem. Underside has inset lighter. Italian maker’s mark (1944-68) as well as script Buccellati stamp. Good condition with deep patina. Lighter not detachable or in working order.

Dimensions: H 4 1/4 x W 4 1/4 x D 3 3/4 in. Gross weight: 6.3 troy ounces. #BZ547

German Rococo 800 silver casket, ca 1900. Rectangular with straight sides and sharp corners. Cover hinged with curved top. Chased scenes of frolicking cherubs in nature. Hanau marks. Very good condition.

Dimensions: H 1 5/8 x W 2 1/2 x D 1 3/8 in. Weight: 1.8 troy ounces. #BZ624

Austrian Biedermeier silver gilt casket, 1846. Bellied, lobed, and rectangular. Hinged cover same and concave with raised center and swing-mounted scroll bracket cast handle with flowers. Hardstone mounts including porphyry and lapis lazuli as well as cabochon jewels. On front two turquoise cabochon beads of which one a push button for opening cover. At ends carved intaglio heads, one a Classical soldier and the other a philosopher. Corner paw supports. On exterior the gilding is deeply toned; ...

German Biedermeier Classical silver tray, ca 1860. Plain oval well. Sides have open border in form of leaves set in ovals. Cast leaf-and-dart rim on lined ground. A practical serving piece with lots of Mitteleuropa charm. Marked. Very good condition.

Dimensions: H 1 3/8 x W 18 x D 12 3/4 in. Weight: 37 troy ounces. #BY866

Pair of Antique Russian Classical Silver Candlesticks, ca 1888. Each: Round socket; flared rim mounted with pierced and scalloped border. Baluster spool socket with floral garland knop and leaf flanges on domed foot mounted to square base. Chased and tooled leaf-and-dart ornament. Marks include assayer’s stamp (Josef Sosnkowski) dated 1888, city stamp (St Petersburg), and 84 alloy stamp (that is, 84/96 or 875 silver). Very good condition.

Dimensions (taller): H 14 x W 4 5/8 x D 4 5/8 in. To...

Pair of Chinese export silver mustard pots, ca 1890. Each: Cylindrical with fixed and entwined ratan-style handle; cover chained with inset and engraved diaper top. Applied wraparound horned and taloned dragon. For piquant condiments. Marks include stamp for Tien Shing, who was active in Hong Kong in the third-quarter of the 19th century. Very good condition. One pot has a detachable clear glass liner.

Dimensions: H 3 1/2 x D 1 in. Total weight (silver only): 2.3 troy ounces. #BZ583

German 800 silver cow creamer, ca 1910. A sweet beast with flexed ears, stubby horns, and slightly agape mouth spout. A stocky body with spindly legs and firmly planted hooves; flicked-back tail handle and hinged flap for refills. Marked. Very good condition.

Dimensions: H 4 x L 5 3/4 x W 1 7/8 in. Weight: 5.3 troy ounces. #BZ349

Set of 6 Japanese silver shot glasses. Each: Straight and tapering sides; applied horned and taloned dragon. For the strong stuff. Unmarked. Very good condition.

Dimensions: H 1 5/8 x D 1 3/8 in. Total weight: 5 troy ounces. #BY231

Pair of German silver birds, ca 1920. A rooster and hen with downturned wings and flamboyant flouncy tails. The rooster has a shaggy crown and raised talon and looks down while the hen, who has a small trim crown and scaly wattles, looks up. Cawing beaks suggest a barnyard tiff. Marked. Very good condition Gilt wash traces.

Dimensions: Rooster: H 6 x L 6 1/2 x W 2 1/2 in. Hen: H 4 3/4 x L 6 3/4 x W 2 1/2 in. Total weight: 10.6 troy ounces. #BZ417

Classical coin silver basket. Made by Haddock, Lincoln & Foss in Boston, ca 1860. Round and curved with four cast leaf-mounted leaf supports. Beaded mouth rim and c-scroll swing handle. Marked with maker’s stamp. Very good condition with nice patina.

Dimensions: H (without handle) 3 3/8 x D 5 in. H (with handle) 6 3/8 in. Weight: 8.2 troy ounces. #BZ390

We are delighted to present to you this remarkable pair of candlesticks in the shape of Athenian women, real jewels inspired by the drawings of the illustrious artist Jean-Charles Delafosse. These 18th century candlesticks harmoniously combine functionality and aesthetics, offering a unique experience. Each candle holder, in addition to being a magnificent candle holder, is also a refined perfume burner. The combination of these two functions makes them versatile and elegant pieces, bringing a ...

Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Drum form with spread base; cover raised. Cast egg-and-dart and floral rims. Heart engraved with single script letter monogram set in flower wreath on cover top and body. Sumptuous Return-of-the-Bourbons luxe from the Ancien Regime do-over years. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 1819. Very good condition with nice toning.

Dimensions: H 2 1/4 x D 1 5/8 i...

Classical silver butter dish. Made by Vilhelm Christensen in Copenhagen in 1890. Globular; cover hinged side disc and barbell mounts. Cast double-scroll mounted brackets for tongs and four lion head monopodium supports. Engraved fretwork and stylized pendant flowers. Danish restraint from the perfervid fin-de-siecle. Three-letter script monogram engraved on underside. Marked with maker’s stamp, assayer’s stamp (Simon Groth), and Copenhagen Three Tower mark dated 1890. Very good condition. La...

Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, Nakazato inherited a rich legacy of craftsmanship dating back over 400 years. He trained extensively in traditional ceramic techniques under his father, and later pursued further studies at the Kyoto City Arts and Crafts Institute. Nakazato's work is deeply rooted in the aesthetics of Karatsu-ware, known for its earthy tones an...

Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens. The creation of Mugiwara pottery involves a process of hand-building or wheel-throwing clay pieces—typically serving dishes, vases, and teaware items—and then meticulously applying a straw-r...

Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics. In 2007 he opened his own workshop and since that time he has been actively creating and exhib...

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sake flask, it was recovered from the estate of a tea-practitioner who reportedly cherished it as a vase that would hold colorful flowers and various grasses throughout the seasons.

Thanks to the dedication and passion of a researcher by the name of Katsura Matasaburo (1901-1986) we can be assured that this vase is a...

Japanese bamboo crafting, known as "Takezaiku," is a traditional art form that involves the skilled manipulation of bamboo to create various functional and decorative objects. Craftsmen trained in this art carefully select bamboo of appropriate size and quality, then use specialized tools to cut, shape, and join the bamboo pieces. Techniques such as splitting, bending, weaving, and binding are employed to achieve intricate designs and durable structures. Bamboo crafting encompasses a...

During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony. These kettles were prized not only for their practicality in boiling water bu...

Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Rectangular with straight sides and leaf-and-dart base rim. Cover flat and hinged with same as well as leaf-and-flower border. Cover top has central heart engraved with single script letter monogram set in flower wreath; leaf and flower border. Sumptuous Return-of-the-Bourbons luxe from the Ancien Regime do-over years. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 18...

Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Rectangular with straight sides and leaf-and-dart base rim. Cover flat and hinged with same as well as leaf-and-flower border. Cover top has central heart engraved with single script letter monogram set in flower wreath; leaf and flower border. Sumptuous Return-of-the-Bourbons luxe. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 1819. Very good condition with nice ton...

Set of 6 German 800 silver figural open salts, ca 1920. Each: A swan with erect neck and down-turned bill and pointy tail; body hollow. With fluted and scalloped frosted glass liner. Fully marked including maker’s stamp attributable to Martin Mayer. Numbered 2 (1), 42 (2), and 88 (3). Very good condition. One liner has bottom crack.

Dimensions: H 2 x L 2 1/4 x W 1 1/4 in. Total weight (silver only): 2.5 troy ounces. #BZ325

A pair of blue topaz earrings. The pear shaped stones measure 1/2" x 3/8" while the setting measures 3/4" x 5/8". The butterfly clutches are marked 14k.

Victorian silver baby cup. Made by S. Kirk & Son in Baltimore. Straight sides with allover floral repousse on stippled ground. Cast and capped leaf scroll handle and pointille foot border. Fully marked including maker’s stamp (1846-61) and alloy “11 OZ.” (that is 11/12 or 916 silver). Very good condition.

Dimensions: H 3 3/8 x W 4 x D 2 3/4 in. Weight: 4.8 troy ounces. #BY966

German Renaissance 800 silver wine bottle coaster, ca 1890. Round and deep well. Central rondel (vacant) in engine-turned frame radiating leaf and scroll ornament on lined ground. Wide and flat rim with embossed curvilinear scrollwork and ovals (vacant) between beaded borders. Fully marked including maker’s (Koch & Bergfeld) and retailer’s (Gebrüder Friedländer) stamps. Very good condition with deep patina.

Dimensions: H 1/4 x D 6 1/2 in. Well diameter: 4 in. Weight: 3.5 troy ounces. #BY...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

As can be seen here, this piece is of the green variety and looks to be from the mid-to-early Edo period as can be determined ...

German 800 silver figural bird spice box, ca 1900. A raven with hunched shoulders, tucked-down wings, and spindly legs; detachable head downturned with pensive eyes and long pointed beak. A brooding desk ornament guaranteed to ensure stately solitude. Marks include Hanau maker’s stamp (Neresheimer). Very good condition.

Dimensions: H 11 x W 6 1/2 x D 3 3/4 in. Weight: 18 troy ounces. #BZ289

German 800 silver playing card box, ca 1920. Rectangular with straight sides. Cover hinged with chamfered tab; top flat with two glazed windows faced with a King of Hearts and Queen of Spades. Interior wood-lined and partitioned with ribbon tabs. Leather-lined bottom. With cards. Perfect for a quiet evening at home. Marks include maker’s stamp HB (probably Hermann Bauer). Very good condition.

Overall dimensions: H 1 1/2 x W 5 5/8 x D 4 1/2 in. Gross weight (box only): 11 troy ounces. #BZ291 ...

German 800 silver figural bird spice box, ca 1900. A hen with neat feathers and firmly planted talons. Detachable head tilted to side with intent glass eyes and small crown. A sweet barnyard helpmate with funny, flouncy tail. A desirable table ornament from all angles. Hanau marks. Very good condition with nice patina.

Dimensions: H 8 3/4 x L 9 x W 4 1/4 in. Weight: 22.5 troy ounces. #BZ290

Pair of pretty Austrian Biedermeier Classical silver candlesticks, 1863. Each: Tapering socket with turned-down rim and overhanging base mounted to knopped baluster shaft on domed and curvilinear foot with stippled flowers at corners. Fluting and lobing. Perfect for reading Goethe by candlelight. Marks include dated Viennese assay stamp indicating 13 loths (that is 812.5 silver) and maker’s initials IC. Very good condition.

Dimensions: H 11 5/8 x D 5 3/4 in. Weighted. #BY787

German 800 silver box, ca 1910. Rectangular with straight sides. Cover flat and hinged; tapering sides applied with flower head border. Embossed Olden Days scenes of merrymaking with dancing and flirting by men in neck ruffs and women in laced bodices. On front are massed soldiers carrying swords and pikes. Gilt interior. Corner leaf-mounted scroll supports. Marked “800” with Hanau maker’s stamp (Karl Söhnlein & Söhne). Very good condition.

Overall dimensions: H 4 x W 4 x D 2 7/8 in. ...

Pair of Edwardian Classical silver-plated wine bottle coasters. Made by Tiffany & Co. in New York. Each: Round well with concentric rings. Sides have open scrollwork. Flared rim with applied scrolls and scallop shells. Fully marked including maker’s stamp, pattern no. 11743 (first produced in 1893), director’s letter T (1892-1902), and phrase “Silver-Soldered-E.P.”. Very good condition.

Dimensions: H 2 1/4 x D 6 3/8 in. #BY797

Set of 4 European gilt 935 silver and glass figural Buddha place card holders, ca 1925. Each: Contemplative and cross-legged figure of the Zen-man himself in molded glass. For a Siddhartha serene dinner party. Colors are green, blue, orange, and clear. Chamfered rectangular base and u-form back support. In leather-bound case with fitted velvet and silk lining. Marked. Very good condition.

Dimensions: H 1 5/8 x W 7/8 x D 3/4 in. Case: H 1 1/2 x W 5 3/4 x D 2 5/8 in. #BY940

Modern carving pair with knife and fork. Made by Christofle in France, ca 1970. Tapering easy-grip silver-plated handles. Knife blade and 3-tine shank are stainless steel. Handy for the holidays and all the days in between. Marked. Good condition.

Dimensions: Knife: H 12 3/4 x W 1 1/2 x D 1/2 in. Fork: H 10 1/8 x W 1 1/8 x D 1/2 in. #BX127

Edwardian Classical glass vase with engraved silver overlay. Made by La Pierre Mfg. Co. in Newark, ca 1910. Faceted cone with scalloped rim; round flat foot with star cut to underside. Overlay in form of garlands threaded through interlaced arches (body) and star (foot); scrolled frame (vacant) also on foot. Marks include maker’s stamp. Very good condition.

Dimensions: H 11 1/8 x D 5 in. #BY773

Edwardian Classical glass vase with engraved silver overlay. Made by La Pierre Mfg. Co. in Newark, ca 1910. Faceted cone with scalloped rim; round flat foot with star cut to underside. Overlay in form of garlands threaded through interlaced arches (body) and star (foot); scrolled frame (vacant) also on foot. Marks include maker’s stamp. Very good condition.

Dimensions: H 11 1/8 x D 5 in. #BY772

German 800 silver cow creamer, ca 1910. A sweet bovine with upturned horns, flexed ears, and smiley mouth spout. Sturdy sagging body with ring-handle tail and hinged back cover with fly finial. Stands on firmly planted hooves. Unidentified Hanau marks. Very good condition.

Dimensions: H 4 1/8 x L 5 1/2 x W 2 in. Weight: 5.6 troy ounces. #BY777

Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can incorporate centuries of experiential knowledge and technique into producing new and interesting forms are oh so valued. Though this Bizen jar fits into the category of mizusashi, a vessel central to tea ceremony that holds fresh water, it seems to transcend this narrow category and stands as an independent art object all its own....

Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone. Inlaying as a technique is thought to have originally derived from practices in metal and ...

In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature. Blending elements seamlessly, a canvas is created that complements the beauty of the floral elements in glossy contrast across the s...

With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi” or what we might call in English a “tribute piece.” Such pieces are typically made by all Raku potters, regardless of the kiln and tradition, and seek to emulate famous works from the early masters over 400 years ago—in this case, a tea bowl created by the brother of the second Kichizaemon, Tanaka Somi, born sometim...

First presented at the Ishikawa Traditional Crafts Exhibition, this fine mizusashi crafted with extraordinary precision is a testament to the generational knowledge, skill, and dedication of one of Japan’s top traditional craftsman. Its tapered polished sides have a beautiful texture and luster that compliment perfectly with the hand-crafted custom lid adorning the top. Truly an exceptional artwork fused with the aesthetics of tea culture that gives it a sense of stability, calm, a...

A beautiful old Kyo-ware tea bowl slightly elongated on one end producing an interesting and unique effect. The collector who furnished the box labeled it as being by the legendary potter Ninsei (17th C.). Though the potter’s mark suggests this could be the case, there is no way to confirm for certain other than by its age and undeniably elegant craftsmanship. Believing it to be quite precious, the previous owner bestowed it with the poetic name "Ibitsu" which means "warped" or "cu...

A beautiful and very old Hagi tea bowl; showing signs of long use and appreciation. The gold repairs add to the overall composition and highlight the important role this piece played in someone’s tea practice. Though still functional to be used as a ceremonial implement, this would fit much better as a treasured display object.

In excellent condition this tea bowl is 5.1 inches in diameter at its widest point (13cm), and stands 3.1 inches tall (8cm). It comes with a pe...

A delightful Hagi tea bowl from the Jōzan Kiln in Yamaguchi Prefecture. Very representative of the genre with its milky glaze and ido-shape. This piece is a step above their typical offerings as can be discerned not only from the lovely composition but also from the quality of the box and the silk pouch that was also custom furnished. For those interested in getting better acquainted the world of Hagi without spending the thousands of dollars typical for works by better known artist...

Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s premier Hagi potters.

Born in the famed pottery town of Karatsu in 1942, Zenzo Hatano spent a number of years learning the various styles particular to his region before taking up an apprenticeship under well-known Hagi potter Yoshiga Taibi. Winner of a number of awards including the Japan Crafts Exhibition Award in 1977, Hatano�...

Large and pretty silver tray. Round and plain well and wide shoulder with engraved and repousse garland; applied rim with leaf border. Marked. Visible handwork on underside. Good condition.

Dimensions: H 7/8 x D 16 in. Weight: 39.5 troy ounces. #BW804

Set of 3 Midcentury Modern shot glasses. Made by Schofield Co. in Baltimore. Each: Straight and tapering sides. Engraved presentation from the Tred Avon Yacht Club in Oxford Maryland. All awarded in 1950s for a comet class boat, which was a snug 2-crew vessel developed in Maryland in the 1930s. One has the boat name, the Eisenhower-era cozy domestic-sounding “We Two”. At top engraved crisscrossing burgees of which one for the club. Fully marked including maker’s stamp and no. 540. Very goo...

Italian Neoclassical silver coffeepot, ca 1820. Baluster; cover hinged and domed with leaf-mounted acorn finial. Applied c-scroll spout and scroll handle with ribbed tail. Handwork visible on interior. Marked. Good condition with deep patina.

Dimensions: H 10 x W 7 1/2 x D 5 in. Weight: 25.4 troy ounces. #BY635

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze. The texture and shape evoke a sense of rustic charm, reflecting the profound harmony between human creativity and the organic world. Now several centuries old, this piece continues to serves not only as a functional display piece, but also as a symbol of the enduring leg...

During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this symmetrical and elegant flower vase. Crafted from locally sourced Bizen clay, this vase embodies simplicity and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze. The texture and shape evoke a sense of rustic charm, reflecting the profound harmony between human creati...

The poem accompanying the artwork on this antique scroll reads: Fishing little trout—Precious drops of dew glisten—Flowing with the blossoms—The mountains and rivers of spring ( Rengetsu, age 78 ). A rather later and mature work by Rengetsu, this piece was created right as Edo ended and Meiji began, marking a major turning point in Japanese history and culture.

Ōtagaki Rengetsu (1791-1875) was born into a Samurai family but soon after adopted by the Ōtagaki fam...

Pretty Classical Silver tray. Octagonal. Sides tapering with repousse leafing scrollwork and flowers; rim beaded. Marked “Silver”. Very good condition.

Dimensions: H 3/4 x W 13 1/2 x D 12 1/2 in. Weight: 22.9 troy ounces. #BY065

Special Offer: Reduced from $1200. now $700. Impressive Ming Dynasty pottery “sancai” green and amber glazed wedding bed. There are two repairs: appears to have been cut in half and then glued back together and there is one on repair at the top of the roof façade- all noted in last enlargements. H: 47cm18.5in and W: 35.5/13.9in x 20cm/8in.

Federal Classical silver ladle. Made by Gould & Ward in Baltimore, ca 1820. Upturned fiddle terminal engraved with script monogram. Marked “Gould & Ward Baltimore” with “11-12”, which was the Baltimore alloy. Gould & Ward succeeded Gelston & Gould and was in turn succeeded by Gould, Stowell & Ward. A genealogy of Baltimore silver embodied in a useful serving piece. Very good condition with nice patina.

Dimensions: H 13 x W 4 3/8 x D 3 3/4 in. Weight: 6.2 troy ounces. #BY489

Chinese silver mug, ca 1910. Straight and upward tapering sides and c-scroll handle. A spare form enlivened with applied wraparound dragon chasing its tail. Marks include stamp for Wang Hing, a maker and retailer in Canton and Hong Kong. Very good condition.

Dimensions: H 5 x W 5 x D 3 1/4 in. Weight: 10.8 troy ounces. #BX461

Pair of Portuguese Classical silver candlesticks, ca 1840. Each: Globular socket with turned downleaf-and-dart rim; knopped and baluster shaft on domed foot mounted to shaped square base with applied leaf rim and splayed corner paw supports. Dentil, diaper, pointille, guilloche, and gadrooned ornament. Marked. Very good condition with deep patina.

Dimensions: H 8 3/8 x W 3 7/8 x D 3 7/8 in. Total weight: 22 troy ounces. #BV975

The term “tenmoku” (heavens eye) refers both to a shape of tea bowl popularized in the Song Dynasty dating back almost 1,000 years, and also to a style of glaze that these pieces are renowned for. In the case of tea bowls themselves, the troughs often have darker coloration with radiating colored rays and, depending on the style, often resemble the iris of a human eye. In the case of the glaze, the individual oil spots that appear on the walls of the vessel can sometime also rese...