The body of pear shape with a faux bois ground. The front face and the reverse – medallion superbly enamelled. The interior and the base of the vase white glazed. Iron-red Shengdetang – Mark to the base of the vase. Exactly written iron red Shengdetang – marks were common during the Daoguang period ( 1821 – 1850 ) and were used until the Republican period. The Shengdetang marks of the Republican period. were written in a poor quality...

Rare Tang Dynasty Henan ( 618 - 906 ) vase. Stoneware with a dark brown glaze. H : 15,6 cm. Very good condition ! IMPORTANT AND HIGHLY UP-TO-DATE INFORMATION REGARDING ALL OUR ANNOUNCED PRICES FOR CHINESE CERAMIC ITEMS : SINCE I`M NOW ENJOYING MY RETIREMENT PENSION NOW IT IS A MATTER OF SELLING OFF MY STOCK OF CHINESE CERAMICS...

Turn-of-the-century French Rococo gilt bronze and pink guilloche enamel picture frame. Rectangular window in same surround with beading and leaf-and-dart ornament. Window bordered by diaper with applied flowers and leaves, and open block corners over wraparound pink guilloche enamel. Floral wreath and ribbon crown with torch and quiver. With glass, silk lining, and hinged wire support. Very good condition apart from a few lines in enamel.

Dimensions: Overall frame: H 19 1/8 x W 13 3/4 in...

Smart and tailored gutta percha necklace or collar, tie it on and walk away. Gutta percha is a black or brown hard rubber like material made from the sap of a Malayan tree. In the late Victorian period it was molded in various forms to make jewelry. This necklace measures 13" long by 1 1/4" at its widest

Napolean III amethyst necklace individually claw set in 18k yellow gold with gold spacers in the archeological taste. An extra amethyst gem link is available to lengthen the chain should this be desired. There is a safety chain for additional security. The necklace is 15.5 inches in length.

A matching pair of massive pottery horses with riders, Chinese, Tang Dynasty (AD 618-907).

This matching pair from the same tomb comes with a TL test from Ralf Kotallas lab, dating them to ca. 800 AD - so 1200 years old.

The set consists of a two similar horses brown coloured with details in red and white, lovely long dressed manes and large sadles, with a female and male rider. The female rider with her right hand thrown back and seated in a relaxed pose...

Large porcelain charger decorated in underglaze blue with a map of Japan, as drawn in the Edo period. The map (Gyoji type) shows the main islands of Honshu, Shikoku and Kyushu, divided into the 63 provinces. The names of the provinces are written in kanji. Here and there a name of a city (i.e. Edo) is added...

These 10 crystal champagne glasses were produced in Bohemia, part of the Austro-Hungarian Empire in the late 19th century. The specific maker is unknown. The glasses are 5 11/16 inches high and have a diameter of 3 ¾ inches. They are hand blown crystal and have hand cut stems. The stem of the glass is hollow for a reason. When champagne is poured into this type of glass the bubbles come up like a volcanic eruption...

These 12 porcelain cream soup cups and saucers were produced in England by the Royal Cauldon Factory around 1900. The saucers measure 5 ¾ inches in diameter and the cups are 6 inches across the handles and 2 inches high. The cups feature graceful scalloped pedestal bases and split branch handles. All pieces are decorated with elaborate gilding that nearly covers the entire surface. There are knots of colorful hand painted flowers accenting the gold decorations...

This porcelain plate was produced in England by Wedgwood around 1850. It has the name “Wedgwood” impressed in block letters. It measures 8 ½ inches in diameter. It is made of fine bone china that has the design molded in high relief. The design has stylized fruits and berries hand painted in metallic colors and colorful enamel...

This porcelain plate was produced in England by Aynsley in the mid 19th century. It is not marked but we recognize the specific style of design on the border that Aynsley used. The plate measures 9 inches in diameter. It is made of fine bone china. The center of the plate is hand painted with a landscape of the English countryside. The view of mountains, water and suggestion of buildings is dreamlike with a lone figure sitting in the forefront. The celeste blue enamel border is decorated...

This porcelain plate was produced in Germany by the Ambrosius Lamm Dresden studio in the 1880s. It is titled “Vierte Nachtstunde” or Fourth Hour of the Night after Raphael. The plate is 9 ½ inches in diameter. It is hand painted with the night goddess holding an owl while suspended on clouds. The hand painting is finely detailed and the coloring is vivid. The border is hand gilded with an elaborate design containing lyres. The plate has similarities to some done by Royal Vienna or ...

Wedgwood between 1878 and 1890. They are 4 ½ inches high with a diameter of 9 ½ inches. The design is from the aesthetic period in Imari style. Rich gilding, rust red florals and cobalt blue trim are combined to create these elegant porcelain serving pieces. The octagonal shape is uniquely suited to the pattern of decorated panels of cream and gold. Having the opportunity to own a pair of these compotes for perfect balance on a table or breakfront is rare. Condition: Excellent ...

This porcelain trinket box was produced in Germany by the Koniglich Porzellan Manufactur, or KPM, in the 1890s. The box is signed under the glaze with a blue scepter and a red orb over the glaze. There are hand painted numbers and a symbol. The porcelain is framed with gilt bronze ormolu. The lid is hinged to the bottom portion. It is decorated with an Art Nouveau design of swirling gilding and translucent enamel jewels in shades of peach and amber. The side panels repeat this design all t...

A Thai polychrome enamel decorated stoneware offering dish. Similar porcelains were made in China for the Thai market. Primitively painted decoration in yellow, green white, red and blue enamels. It is not clear to us whether this is imported production or domestic production. Two Chinese characters appear within rectangular, impressed seal mark on the base. Diameter, about 9 1/8 inches. Height, about 3 5/8 inches.

Very rare cast bronze sculpture of the Chinese monk Xuanzang with a pile of Buddhist scriptures rolled up and stacked in the pack on his back and a lotus leaf over his head from which dangles an incense burner, as he returns to China from India.
In his hands he was holding a scroll and a fly whisk that are now missing. Figure stands on an irregularly shaped base. Japan, mid Edo period, 18th century.
Height incl. base ca. 5.25 inches (13.3 cm).
Hands slightly damaged.

Genjo ...

19th century Japanese ceramic chawan (tea bowl) for tea ceremony with light cream glaze and underglaze blue decoration of a moon rising over a Buddhist mountain temple. Inscribed in underglaze black with 3 characters which translate as ISHIYAMA-DERA (“Stone Mountain Temple”) - a Shingon temple in Otsu (Shiga Prefecture) and the thirteenth stop of the Kansai Kannon Pilgrimage. Superb free painting with strong Zen feeling, wonderful potting of shiro Raku (white Raku) body. Stamped by the foot ...

19th century Japanese ceramic chawan (tea bowl) for tea ceremony with crackled orange / cream glaze and underglaze blue decoration of torii gates among pines and birds in flight. Superb free painting, Raku pottery produced in the Kyoto region. Beautiful potting with spiral line on the bottom of the bowl showing the way potter finished turning the piece. Stamped with potter’s seal on the lower body. Well-used, in great condition, 3 old Japanese gold lacquer repairs on the rim testifying to the ...