This is Yogi used in a rich merchant's family of Akita for Edo period. This is drawn in good-quality Tsutsugaki. As for this, a Chinese phoenix drawn boldly is very impressive. It is very elegant. As for this, cotton is spun by hand and is thick. As for this, cotton cloth of the lining is dyed into deep green. Good-quality Tsutsugaki often uses it to lining. This does not have a stain and damage. The state is good. Size 182cm x 172cm (71 "x 67.7")

Korean antique celadon bowl carved with a large flower in the center. Beautiful crackled green glaze.

Age: Koryŏ (Goryeo) Dynasty (935 to 1392)

Dimensions: 3 1/8" high x 7 5/8" wide

Provenance: From the personal collection of Frederic Cheever Torrey (1864-1935), partner of Vickery, Atkins & Torrey, interior design firm and art gallery founded in San Francisco in 1888...

A good Arita dish in shurogata hemp palm form decorated with kuri, chestnuts, in a somenishikide palette of underglaze cobalt blue with gilt outlined enamels. Dishes with this pattern were copied at the Derby factory in England in the 1770’s, and moulds of this form were used by the Kakiemon kiln in Nangawara during the period 1750-80. The Chestnut is a classic Japanese seasonal motif for the autumn...

Fine old Yao embroidery with Chinese characters, from the Kin Mun Lantien subgroup Yunnan/Vietnam. This piece is in excellent condition with no damage, but the indigo has “bled” and is circa early 20th century. It is made from all handspun cotton with an intense indigo dye. These are documented in the Jess Pourret book “The Yao”. Embroidered patch W: 14cm/5.5in and L: 20cm/7.9- with fringe 139cm/54in. Free shipping.

A FINE 16TH CENTURY PERSIAN JAMIYA, with doubled edged curved steel blade, the carved ivory handle with Arabic inscription "Made by Haji, Enthronement of the King Cumar Farug the Second 986 AH," which equates to the year 1578. It also exhibits the image of Persian mythical King with his inscribed name "Houshang". The length oh khanjar is 18 inches. Condition Report: This item is in great condition.

This late 19th century Chinese white jade (nephrite) dragon head shape buckle is 3 inches long, ¾ inch wide and ¾ inch thick. There are a few small chips and flaw on the side of the body.

Japanese woodblock print by Yoshitoshi, Tsukioka (1839-1892) entitled "The Fever of Taira no Kiymori". A triptych print, the scene is of the tyrant Taira no Kiyomori as he writhes in fever just before death. According to legend, the evil Kiyomori burned down a temple and is fetched for retribution by Emma-o the King of Hell, Kiyomori's wife and son kneel and pray for his salvation while demons and the souls of Kiyomori's victims surround him. Print date: 1883...

An extremely beautiful and a museum quality Han dynasty ear cup or erbei. The ear cup is make of red pottery and it is rare to find them in such pristine condition. The ear cup are used as burial object to accompany the dead for their after-live used.

No repairs or restorations. The glaze shows an iridescent silvery green and oxidise whitish pertina on several places...

19th century netsuke of a terrified oni protecting himself with a huge old straw hat from being pelleted by beans during a setsubun ceremony. Setsubun is performed during the New Year by throwing beans around the house to exorcise the oni. Excellent carving of its muscular limbs, wonderful distressed face, great depiction of woven hat texture and beans striking it, beautiful warm patina. Signed KOMIN in oval reserve on the back - the artist is listed on p...

This nicely translucent Rose Springs was found in Colorado. It measures 1 5/16" X 11/16". It is made from a beautiful translucent waxy agate. It comes with a Jackson COA. A very nice point.

Native Apulian single-handled jug of globular body, tapering neck and everted rim.
Remains of a brown glaze, standing on a flat base.
Ceramic
Apulian, 3rd century BC
12.5 cm (4.9 in)
Handle restored, glaze worn. Soil deposits in places.
Swiss private collection.

The authenticity of the item is unconditionally guaranteed.

19th century miniature Hirado porcelain sculpture of a reclining karako (Chinese boy) leaning on his right elbow. Excellent crisp modeling with incised details - see his superb dreamy face, well defined hands and clothing details. Beautiful glaze with numerous tiny bubbles giving it depth, unglazed bottom, in excellent condition (no chips, cracks or repairs), very pleasant to the touch. Typical Hirado underglaze blue and brown highlights. Length 2 3/16 inches.

Diameter approximately 38 cm. Few soft chips at the rim. Soft frits at the rim. There are some enamel missing. Addition of enamel can be done. A hairline at the rim. In good condition.

Japanese bronze sculpture of a coiling dragon, holding a clear quartz crystal ball in its raised claw. The foot is cast with the two character seal of the artist.

Early 20th Century

Dimensions: 7 1/2" x 6" x 7" H

This rectangular jade (nephrite) pendant (or plaque) is 3 ¼” long, 2” wide and 3/16” thick. It is an early 20th century product. It is carved on both sides as a stylized dragon surrounded by Ling Zhi (lucky mushroom). Aside from a small chip (less than 1/8” long) on the side, it is in good condition.

Antique Japanese single section mizuya (kitchen tansu). Made with keyaki (zelkova elm) wood on the front with beautiful grain. Two large storage compartments with sliding panels. One with wire for ventilation and display. The lower portion of the chest has two drawers with iron warabite shaped drawer pulls.

Age: Meiji Period (1868-1912)

Dimensions: 33 1/2" high x 35 1/4" wide x 17 7/8" deep

A " textbook " early Ming Longquan charger with a carved decoration. Originally with a extremely nice and thick Celaon glaze. The glaze is so thick that it nearly fills out the recesses of the carved decotation to the center of the piece. Unfortunately there is some wear to the actually outstanding good glaze. Otherwise the piece is in a perfect condition. Ming Dynasty, 15th century. Diameter 27,2 cm.

DESCRIPTION: A fine 19th C. Chinese ink stone, crisply carved in the form of a bamboo node with leaves at the top and root knobs at the bottom. A deep water well has been carved into the upper section. Natural inclusions, called "eyes," are highlighted within the duan stone's design, with one eye at the top carved to simulate the moon, and the other incorporated into the stone's grinding surface...