Japanese Edo period woodblock print kakemono (vertical diptych) by Utagawa Kuniyoshi (1797-1861) depicting a full figure Heian beauty, Lady Shizuka-gozen, dressed in shirabyoshi (court dancer) costume appearing under a rolled screen, preparing to dance before Yoritomo. Published by Izumiya Ichibei circa 1840. Signed Kochoro Kuniyoshi ga. The publisher's seal is at the bottom of the image...

Artist: Utagawa Kuniyoshi (1798-1861). Subject: Mitate-e; “Eikyoudai Mitate Sanjuu Boku Kuisen” (Mirror Selections of 30 Trees & Flowers). Signature: “ichiyuusai Kuniyoshi ga”. Artist Seal: “kiri” (paulownia). Nanushi Censor Seal: “watari” (Watanabe Jiemon). Publisher: Joushuu-ya Kinzou. Date: ca...

Kunisada (1786-1864) collaborating with Hiroshige (1797-1858)

From the series: “Kannon Reigen Ki” (Account of the miracles of Kannon) issued 1860. Main image by Kunisada depicting the miracle occurance

Signed Toyokuni (III), publisher’s seal and censor’s seal on left margin, very good impression and color, very minor wear and light stains on the margins.

Oban tate-e: 10 x 14 ½ in.

A pair of two different paintings depicting different views of people either engaged in different activities. One scene appears to show a soldier like figure coming back or meeting a lady and another scene is depicting a family at leisure. Particular elements have elements similar to Chinese theatrical costuming and designs. The techniques are more Western since these works were made in Guangzhou in the Canton concessions. Age:19th century Size: Length 15.5" Height 19.75"

19th century netsuke of a puppy wearing a collar with a bell and lying on an old straw sandal. Wonderful quality carving - see its right front paw lifting a straw rope that it is about to chew, its chubby body and perfectly rendered texture of woven straw of the sandal. Signed KAIGYOKUSAI in rectangular reserve on the bottom for Masateru, whose more common signature is KAIGYOKU MADO MASATERU (Kaigyoku’s grandson, Masateru)...

An Iranian tinned copper plate, of saucer form. Chased decoration of calligraphic cartouches. Base with maker's mark. Condition: some traces of usage, rubbing to tinning, slightly warped. Dimension: diameter 26 cm, 4.2 cm high.

Hiroshige print, please contact for details

19th century Chinese soapstone seal of classic square section carved with raised characters. First catalogue photo includes the image of the printing surface flipped left to right to show what the imprint of the seal will look like. Beautiful buff to red to brown stone with attractive veining giving depth to the surface, old dried red seal paste in the grooves. Overall in good condition, nice scholar’s object. Height 1 1/8 inches, base 13/16 square.

Late 19th century netsuke of resting Hotei leaning on his bag of gifts and holding a fan in his hands. Hotei was a historical Chinese monk allegedly living in Wuyue kingdom in the 10th century and known for his jolly nature and love of children, he is considered to be an incarnation of Buddha Maitreya - the Buddha of the Future. Excellent strong carving, great face, beautiful depiction of the folds of his robe, wonderful wear and patina...

Width: 6.1 cm (2.3 in)
Height: 2.3 cm (0.8 in)

Fine Japanese Satsuma lidded pot by Kinkozan; features a circular panel of polychrome figures in a domestic scene surrounded by millefleur; raised gilt work; two internal panels of florals and figures; Kinkozan impressed mark; good condition

Strong, vivid and colorful Ukiyo-e woodblock print of famous Toyohara Kunichika.

It is titled Nishike-e, Oban tate-e, and it shows an Kabuki theatre actor portrait.

Sign of Toyohara Kunichika hitsu with Toshidama seal from 1865. Great condition with only little traces of use.

Toyohara Kunichika (30 June 1835 – 1 July 1900) was a Japanese woodblock print artist...

Height: 4.7 cm (1.9 in)
Width: 4 cm (1.6 in)
Depth: 4.4 cm (1.8 in)

Fine wooden netsuke of a man sitting with a turtle between his feet; he is busy tying up the animal; quality carving throughout; good condition

Japanese Meiji period woodblock print depicting the journalist Fukuchi Gen'ichiro (1841-1906) reporting live at the battle front as government troops assaulted the rebels during the 1877 Satsuma Rebellion by Kobayashi Kiyochika (1847-1915). This image is number 45 from the series "Instructive Models of Lofty Ambition" published by Matsuki Heikichi in 1885...

A large silver tray of oval form with applied scrolling handles. The sloping sides of the salver with repousse decoration in the Turkish baroque style. Tughra and two other marks to either end of the tray, each handle with two hallmarks. Condition: traces of usage, the sides with two short cracks, one old repair with crack near the attachment of one handle (pic. 9). Dimension total: 41.5 cm long x 26.7 cm wide, weight: 760 g.

Height approximately 26.6 cm. There is a little bit slight different color on the neck. In good condition.

A Leaf from the album “Keinen Kacho Gafu” issued 1892

Published by Unsodo Co., title and printer’s name on left margin, good impression and color, margins somewhat trimmed, minor wear, very slight wrinkles, dated in Arabic numerals for export

Overall size: 9 ½ x 14 in.

Early 19th C bronze Southeast Asian betel nut cutter in the anthropomorphic form of Garuda, a bird-like creature in Hindu, Buddhist and Jain mythology. Garuda is believed to be a powerful ever watchful protector with the ability to swiftly go anywhere. The blade is slightly bent from years of use, otherwise in very good condition, this cutter measures 6" long, 5" high, and 1.75 inches across the wings.

From our Chinese Polychrome Collection, a very rare and seldom seen Peranakan Chai Hup or ceremonial vegetable box, 19th century, used for food offerings to Tiangong, the God of Heaven, during traditional Baba Weddings.

The terms "Peranakan" or "Baba Nyonya" or "Straits Chinese" are often used interchangeably to describe the descendants of Ming Dynasty Chinese immigrants who settled along the Malay Peninsula, which encompasses parts of Malaysia, Indonesia, and Singapore...