An intricately carved soapstone wine (or tea) pot with attractive "Chicken Blood" red inclusions. This item was made in China, circa 1870-1900, during the late Qing dynasty. Condition - the spout has been broken and re-glued; there are minor chips to the prunus branch decoration and to the tip of the spout 19cm (7.5 inches) long; 10cm (4 inches) high...
Xuande mark, but ca. 1600s
This incense-burner was originally lacquered a reddish brown tone with traces remaining, and has small areas of verdigris on the base and handles. The interior has some verdigris and encrusted ash. The base is cast in the center with an archaistic style six-character Xuande mark. The overall surface is darkened and has worn unevenly from age and use. A design of two opposing phoenix birds wraps around the body in shallow incising work. Overall good condition...
A blue and white kraak dish
Late 16th century – early 17th century
Wanli period, Ming dynasty
Porcelain with underglaze cobalt blue; Jindezhen ware
D: 14.5 cm
Perfect condition; some typical rim fritting
From a New Canaan, Connecticut private collection
Description & Notes
This particular dish features underglaze cobalt blue painting that is swift, confident, and well-done...
Punchbowl with pheasants and flora
Mid-18th century
Late Yongzheng - Qianlong period, Qing dynasty
Porcelain with famille rose enamels; Jingdezhen ware
D: 26.2 cm H: 11 cm
Three repaired hairlines in the back unpainted section of the bowl
From an old Brunswick, Maine estate near Bowdoin college
Description & Notes
Punchbowls such as this would have been status symbols for wealthy society wives in America and Europe during the 18th century...
Imari-Verte Plate
Early 18th century
Kangxi period, Qing Dynasty
Porcelain with overglaze enamels; Jingdezhen ware
D: 22.2 cm
A star shaped hairline radiating from the center, but rather invisible and displays fine
From a Sandwich, MA estate
Description & Notes
Jingdezhen's monopoly on porcelain production was broken in 1616 when Japanese potters at Arita figured out how to produce their own porcelain wares...
Famille Rose Bowl in millefleur pattern
Late 19th century
Guangxu Reign, Qing Dynasty
Porcelain with overglaze famille rose enamels, Jingdezhen ware
D: 10.7 cm H: 6.1 cm
One tiny & faint hairline in bowl interior; no further damage
From a Columbus, Ohio estate
Description & Notes
This bowl bears a six-character Qianlong seal mark in iron red, but its shape and pattern suggests that it was made during the late 19th century Guangxu period...
Canton enameled vase
Mid 19th century
Daoguang-Tongzhi period, Qing dynasty
Porcelain with overglaze famille rose enamels
H: 18 cm
Chip and old repair at rim; no other damage
From a Columbus, Ohio estate
Description & Notes
Decorated in Canton, “rose medallion” wares were made strictly for export...
Of elegant pear shaped form. 18th. century, unmarked. Unfortunalely on all the images of the piece the blue color of the vase is much too light. In nature the vase has an wonderful very intensive blue tone. H : 18,8 cm. Condition : Perfect. Provenance : Old German collection.
This tripod censer has an extremely well potted rare shape. The censer is covered with an superb opaque glaze of finely mottled turquoise and purplish-blue tone. A piece of superlatives. The Mark on the piece is the Mark of the legendary Imperial Supervisor Tang Ying but the piece probably is from the nineteenth century. Diameter : 14,8 cm. H : 7,4 cm. Condition : Perfect. Provenance : Old south German collection.
Ca. 1800s
This jade pendant is well-carved with a design of peony flowers and leaves in low relief. The carving extends to the back, though simpler and flatter. It is a deep green with areas of lighter mottling, but when held to the light, it shows a brilliant translucent apple-green. It has an old probably 14k gold jump ring for attachment.
Length: 1 ½ in., Width: ¾ in., Thickness: 1/16 in.
1700s / early 1800s
This white jade is of an even pale celadon-white tone with a few small veins of light russet. It is carved in the form of a six-lobed melon standing upright and supported by four large leaves that emanate from a vine that runs beneath it. The vine is carved all the way through and flattened on the bottom to provide a stable surface for the stone to stand vertically. This white jade has an overall soft, even polish and is in good condition...
Xuande mark, but ca. 1600s
This incense-burner has a flaring rim form raised on three ogee feet and has its original patina and considerable carbon incrustation from many years of use. Two lion's head handles embellish the body and the cast Da Ming Xuande mark is centered on the base. The interior is darkened from use and the exterior shows small areas of darkened bronze where not obscured by blackish patina. There is a slight dent to the rim. The condition overall is very good...
A small underglaze blue decorated stem dish painted inside with three 17th/18th Centuty style cranes and outside with three bats. The stem is decorated with buddhist knots and stylized plantain leaves. To the inside of the base is the four character mark of the Kangxi emperor (1662-1722) but this item was probably made later, during the 19th Century. Condition - there are two repairs to the rim, each with an associated short hairline. No further damages or restoration...
1800s
The wood appears to be old jichi wood that is exceptionally well-carved with twisting tree trunks of pine and plum intertwined to form the body, while stylized pine needles and plum blossoms encircle the perimeter. The pine and plum trunks are carved to show their contrasting textures. The piercing and depth of the carving give an energetic quality to the piece. Based on the carving, this stand was not intended as a fitted stand for a particular vase or sculpture...
Ming Dynasty, Jiajing Period, 1522-1566
This vase is glazed white overall with a subtle fine crackle and has two horizontal luting lines very slightly raised on the body...
Chinese miniature quartz sculpture of a a woman with an attendant from the 19th century. The woman is robed and holding a flowering branch in her right hand, a basket in her left. The figure to her right is kneeling, with agate base. It measures 2" long, 1.25" deep, 2.5" tall.
A well potted Kraak ( Ming Wanli ) style jar with an underglaze Cobalt blue Dragon and Phoenix decoration. The rim glazed in brown colour. Probably from the Qing Dynasty, it even could be that this very decorative jar was made during the late Qing Dynasty.
H : 23,8 cm. Condition : Perfect. ( One chip to the inside of the unglazed footring which is not to see from the outside. )
Beautifully carved houngmu wood stand. It measures 7" by 1.5" with a 4.5" opening. Late 19th, early 20th century.
Antique chinese stand made of zitan wood. It is carved from one piece of wood. circa 1910. it measures 3" by 6.5" by 1.5".
Antique Chinese inlaid lacquered hexagonal box on a stand. The box is from the late 18th century, the stand is an early 20th century addition. It is inlaid with mother of pearl in a floral pattern. The lid has a landscape scene with mountains. The inside of the lid has a small scrolling flower inlaid with mother of pearl. The front has a bronze bat under the lock. Above the lock is a hinged roundel with a chinese character that has been hammered on. It measures 14.5" long 20" tall with stan...
A large mounted carved Chinese Fu-dog with child and a ball. Carved architectural elements are often used in Taoist and Confucian temples. The carvings often depict the important symbolism and ideals representing the religion the temple houses. Age: 19th century. Size: Length: 13" Width: 9" Height: 35"
Right side of a carved wooden architectural panels that were once used in a temple. The panels are carved with a pair of smiling figures set near a tree. The panel may have been placed under the corner eaves of the roof above the pillars. Elaborate carvings became popular during the Qing Dynasty (1644-1912) various motifs and designs were created often seen in Taoist and Confucian temple architecture. These motifs is thought to represent the central philosophy of the religion. Age: 19th century...
Unusual longquan celadon jar decorated with two dragons chase each other. 6,5cm high. 14th-15th century. Good conditions.
Superbly potted porcelain body, covered with an extraordinary nice " Guan " glaze.
Qing Dynasty, Qianlong period ( 1736 - 1795 )
Diameter : 8,5 cm.
Condition : Perfect.
Please compare this piece with an absolute similar piece shown in the "Qianlong-section" at GG-Art ( the Chinese museum site )
1800s
This circular box is well-carved with cranes and clouds in low relief on the lid and covered with an even, sea-green, translucent celadon glaze that highlights the carving. The bottom half of the box is incised with lines radiating from the base and representing the petals of a chrysanthemum flower. The base is glazed and the footring is unglazed exposing the white paste – somewhat soiled with use. The interior of the base and lid is also glazed with an even sea-green celadon tone....
Chinese Bronze Vase. Height approximately 42 cm (with stand). Weight approximately 7000 g. In good condition.
An Early Famille Rose Plate, the centre finely decorated with flowering Prunus the rim with further plants. C1720/30. Diameter 24.5 cm. Condition: perfect.
True conneusseurs do know how rare is the opportunity to buy a genuine painted Jizhou ware vase like this. Southern Song Dynasty ( 1127 - 1279 ) The long necked vase is painted with wave and flower pattern. H : 12,6 cm. Condition : The body in perfect condition with no chips and cracks. Glaze losts to the uppermost part of the neck ( below the rim, please look at the last enlargement )
Kangxi period, 1700s / 1800s
The lid is decorated in underglaze cobalt blue with a depiction of Liu Bing, the founder of the Han Dynasty, attacking a snake, which was considered to be an omen predicting the founding of the Han Dynasty. This particular scene, probably from a woodblock printed book illustration, is seen from time to time on Shunzhi Period – early Kangxi transitional wares. The base is glazed and displays the classic six-character Kangxi mark. The paste is exposed on the fo...
A fine southern Song - Yuan dynasty longquan celadon large carved dish, rounded side with rising rim and glazed base, dish decorated with clear and fine carved of flower motif, covered with good green color celadon glaze, good high ping sound with finger tip.
Dish is in very good condition no chip, no crack, no restoration.
Size: 34 cm diameter.
Up for sale is a large antique Chinese embroidered silk panel taken from the front and back of a red dragon robe, Qing dynasty; very intricate embroideries executed in Peking knot/forbidden stitch, gold wrapped thread couching, and other embroidery techniques; six 5-claw dragons & medallions with Shou characters couched from gold threads; together with clouds, bats, peonies, sea waves, and other buddhist auspicious objects. overall the panel is in good condition, repaired at one time, fraying, ...
Up for sale is a large antique Chinese embroidered silk panel taken from the back of a Qing dynasty imperial prince's brown dragon robe, Jifu, late 1700's, Qianlong period; very intricate embroideries with gold wrapped thread couching, and other embroidery techniques; three 5-claw dragons together with colored clouds designated for imperial family members only, bats, peonies, sea waves, and other buddhist auspicious objects; backed with light brown lining. Overall the panel is in excellent cond...
A Chinese Very Rare/Fine Ceramic Seated Buddha/Mandala and Lotus Stand-16th C.:
China, Wanli Mark and of period, dated 1585 (Wanli 12 year)
The Buddha figure is in 3 parts, Buddha, Mandala and Plinth, with seated Buddha raising his right hand in a form of vitarka mudra while his left hand rests on the bented knee as he sits dhyanasana on a separately high double lotus octagonal plinth, the Buddha figure painted with brown, Mandala glazed with brown and green with 2 chracters on the back, and i...
Antique chinese jade snuff bottle with a beautiful engraving of a water bird standing amid lotus. There are bats carved on each side. The opposite face of the bottle has an inscription derived from the noted Tang Dynasty poet, Cao Song. The poem is from the Quan Tang Si collection of Chinese poetry and the poetry is five character four line verse which ends midway. The poem in approximation reads: The color of the water still reflecting, the mist gradually letting light shine in. The weight of...
