Late 18th to early 19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in seed shape with multicolored spiral lines around the body. Beautifully made, wonderful feel of age, very pleasant patina. Diameter 0.75 Inches.

19th century Japanese bronze tea ceremony hibashi (long metal chopsticks for handling charcoal in hibachi brazier) with bronze working ends and handles covered in lacquered wood. These hibashi are for use in the winter time - summer ones are made entirely of metal. Finely made of bronze with high copper contents, beautiful lacquering with gold sunspots, superb patina, beautiful wear, pleasantly heavy. Length 10 inches.

Japanese black lacquered woven Bamboo Trunk, Meiji period, early 1900's, 11" high, 25" x 15" wide, with large and heavy black iron handles supported by wooden board on both side, paper lining inside and metal hinges on top to open one side of the top cover. This Bamboo Trunk is good to storing Dolls and other necessary light weight items. There are some black lacquer loses on the surface.

A Japanese woodblock print from Ukiyo fuzoku Yamato nishiki-e (Japanese colour prints in Ukiyo style). The portrait is by Kabukido Enkyo, active 1796, of the Kabuki actor Ichikawa Yaozo III as Umeomaru.

This print is from the celebrated set of reproductions of the best of ukiyo-e art published in 12 large vols. 240 woodblock-printed reproductions of famous ukiyo-e prints. 1914. The project was overseen by Hashiguchi Goyo, 1880-1921, who also provided text and cover designs...

The size of Plate: 7 1/4" Dia x 1 1/4" High. Fine quality Japanese Ko Imari Porcelain Plate. The plate has three section window divided by Gold and red Karakusa design. There is Crane design in circle. Well control Yoroke design in gold green lavender colors. Window has Japanese flower in enamel work and butterfly. The center of plate with blue underglaze landscape design accented with gold. Well done plate. The shape and also the glazing is fine quality porcelain body...

Tatougami which was used at the pawnshop for wrapping pawned items. The name of the shop is "koyama Shichi-ten" and it has the shop's logo "小" in the square. It is a few layers of old washi (handmade paper) pasted together and painted with kakishibu (persimmon tannin) for strength and waterproof. Shichiya (pawn shop) appeared in Kamakura period and developed much in Edo period. 19th century. Top:82cm x 32cm, Bottom:82cm x 56cm

A Japanese Arita porcelain Kakiemon style dish, circa 1720~1750 The square dish with indented corners, the rim with a deep kuchibeni brown rim, the centre with a gobenka motif. The cavetto is decorated with flowers and grasses amongst rocks. Tiny touches of coloured enamels have been applied to the design, a style first seen in the early 18th century. Within the foot-rim can be found a six-character imitation of a Chinese Ming Chenghua reign mark ‘Daimin Seika Nensei’...

An unusual Arita dish of typical scalloped rinka form decorated with a variant of the so-called “Sweet Pea” pattern. A Chinese export pattern largely produced for the South East Asian Market and in particular for Chinese communities living there. This dish was probably made for the Japanese domestic market as a novelty, or it may possibly have been made for the Asian export Market. The elaborate vine arabesque is painted in pencilled style. The reverse is decorated with stylised sprigs...

A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790. A similar design to Chinese examples of the Yongzheng period.

Approximately 14.4 cm diameter. Perfect condition.

Please study the photographs.

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The Size of Tea Pot: 6 1/2" Long x 5 1/2" Wide x 5 1/4" High. This very unusual Japanese Porcelain Tea Pot in Sometsuke (Blue and White). It is all handpainted design of Botan (peony) with Chrysanthemum flowers as well as some relief works on flowrs. The condition of Tea Pot excellent. Please note the handle area with little tiny glaze bubbles bursted. Other than this the condition of Tea Pot excellent. There is Kamadashi ato ( kiln spots) on the bottom edge as photos showing...

Cup and saucer with decoration of pine trees and flowers in Imari colours and gilt. Japan, Arita c 1920, with mark for Aoki Brothers / Aoki Kyodai-Shokai. Diameter of saucer "5 ¾ / 14.3 cm, height of cup "1 ¾ / 4.5 cm. Condition: rim of cup with small glaze bubble.

A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790...

A pair of wine cups, Japanese, Edo, c 1700. Decorated in iron red, gilt and some green. Diameter "2/ 5 cm, height "1½/ 3,8 cm. Condition: one cup re-glued (cf. pics). Price: $110, including worldwide SH & I

Late Meiji (1890s to 1912) Japanese boxwood seal set consisting of the seal itself, seal holder and seal paste container, all fitting very well. Excellent quality crisp carving, old red seal paste in the grooves of the seal and in the paste container. Metal stud on the side indicates the position of the top of the imprint. Beautiful patina, grime accumulation on the surface. The impression of the seal is shown on Enlargement 1 (photo is flipped left to right to present the image as it will actua...

The size of Plate: 5 7/8" Dia x 1 1/8" High. This is beautiful Japanese Ko Imari Porcelain plate with polychrome colors with Fence Design and flowers. All flowers and fence design has gold works around. All designs are intricately hand painted. Backside plate with Karakusa design around the border. Inside foot rim has "Taimin Seika Nensei" (Great Ming Chenghua Nian Zhi) in Japanese; Kanji letters. The condition of plate as following, three hairlines as photo showing (two are in glaze, one can fe...

A bowl or cup of unusual Klapmuts form with an angled everted rim decorated in under-glaze blue with Auntumn grasses, akikusa. Shards of identical cups have been excavated from the Okawachi kiln site and dated to the late Edo period and the first half of the Nineteenth century. The bowl measures 9.8cm in diameter and stands 6.8cm high and the foot-ring measures 3.4cm in diameter. It is in good condition with no cracks, chips or restoration. The cost of shipping within the UK is included in t...

Silver Japanese hinged cigarette case, made for export to the US... Excellent pierced work forms different kenji on front and rear of box.

In 1881 Kintarō Hattori opened a watch and jewelry shop called "K. Hattori" in the Ginza area of Tokyo, Japan. Eleven years later, in 1892, he began to produce clocks under the name Seikosha (精工舎), meaning roughly "House of Exquisite Workmanship" The beginnings of the Seiko watch company...

Taisho (1920s) lacquered wood kogo (box for incense during tea ceremony), its top decorated with gold lacquer pine cones and needles. Elegant object in Japanese taste, perfect lacquer work, two parts fit perfectly, beautiful surfaces, in excellent condition. Diameter 1.88 inches.

Early 19th century small Japanese cloisonne plate decorated on the front with two black ground roundels containing various flowers on a light blue “crackled ice” background interspersed with cherry flowers, all surrounded by a brocade border. Back is decorated with cherry flowers among karakusa (scrolling vines) on light blue ground. Most probably was used for tea ceremony, rare and early piece in terms of Japanese cloisonne, from the period of transition from Chinese to Japanese style, gre...

Pair of 19th century Japanese bronze vases of a kind used on top of an altar for holding incense sticks. Elegant shape with broad shoulders and splayed mouth and foot. Pleasantly heavy, wonderful patina on the metal, beautiful devotional objects. Height 4 3/4 inches.

Blue and white bell-shaped inkwell of molded lotus leaf design. Japanese, Hirado Mikawachi, late 19th century. Height with lid "4 ¾ / 12 cm. Condition: chips to upper and lower rim, glass liner (not original) as seen in pics.

A high quality Arita porcelain dish decorated with an auspicious pattern composed of a central motif made up of three shippo or cash symbols bound together by a stylised Peony leaf vine; a variant of the more usual ribbon tied cash see EW3193. The cavetto decorated with a Tako-karakusa ground and the rim with a diaper band. The reverse is meticulously painted with a band of stylised lotus pattern to the base of the footrim. A design typical of higher quality porcelain of kenjo presentati...

A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790. A similar design to Chinese examples of the Yongzheng period.

Approximately 14.6 cm diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal. I will accept payment only by bank to bank...

A Japanese scalloped rimmed bowl with a janome, bulls eye base, decorated wth three lotus form reserves each containing an auspicious somewhat rotund karashishi with a ribboned cash symbol inset against a rather unusual budo karakusa, grape vine arabesque. The base decorated with a stylised lotus pattern and the rim with a pattern of alternating double crested waves and gobenka. The interior decorated with a shochikubai-mon; the Three Friends of Winter. The form and style of the bowl is typical ...

19th century coral ojime (slide bead for tightening the cord going from netsuke to inro) of simple barrel shape. True coral of beautiful deep red natural color (not stained), nice patina on the surface. Height 3/8 inches.

A real cute, Kawai miniature Kyusu style teapot for green tea with a side handle, made in the tradition of (Otagaki) Rengetsu yaki, from Okasaki production center, Kyoto. Chamotte with a nice craquelure glaze. Size L 10 x h 4 cm. Otagaki Rengetsu (1791–1875) was a Buddhist nun, famous for her calligraphy but also for her production of ceramics for tea appreciation which she would embellish with her poems. Meiji 1868-1912. Good condition.

Japanese Totai Cloisonne Vase, enamel with silver wire work on Earthenware, signed in red "Kinkosan" under the high foot base, Ca. late 1800's, late Meiji period, 12" high, 4 3/4" wide-maximum width. The main body has colorful floral design enamel work divided by silver wire inside two(2) cartouches on each side on powder blue background, and more individual enamel floral design on the green Turquoise color background outside the cartouches. Around the neck and bottom part is black enamel work...

First edition Japanese Meiji Period woodblock print titled "The Curtain and the Announcements" from the series "The Calendar of Events in Edo Theater" co-designed by Adachi Ginko (1874-1897) and Torii Kiyosada (1844-1901). Three editions of this series are known. This print is from the first edition and contains the publisher's information and date of Meiji 30 (1897) 1st month 11th day in the left margin. Ginko's red seal is on the bottom of the curtain. This series is unusual in that it depi...

Late Meiji (1890s to 1912) Japanese temple boxwood seal of square section. Excellent quality crisp carving in seal script, old red seal paste in the grooves. Gentle horizontal groove on one side indicates the position of the top of the imprint. Beautiful patina on the surface of wood, signs of use adding to the presence of the object. The impression of the seal is shown on Enlargement 3 (photo is flipped left to right to present the image as it will print on paper). Height 2.45 inches, base 1.43...

Late Meiji (1890s to 1912) Japanese temple boxwood seal of square section. Excellent quality crisp carving in seal script, old red seal paste in the grooves. Metal stud on the side indicates the position of the top of the imprint. Beautiful patina on the surface of wood. The impression of the seal is shown on Enlargement 1 (photo is flipped left to right to present the image as it will actually print on paper). Height 2.4 inches, base 0.93 inches square.

First edition Japanese Meiji Period woodblock print titled "Pubic Reading (Yomitate)" from the series "The Calendar of Events in Edo Theater" co-designed by Adachi Ginko (1874-1897) and Torii Kiyosada (1844-1901). Three editions of this series are known. This print is from the first edition and contains the publisher's information and date of Meiji 30 (1897) 4th month in the left margin. Kiyosada's signature can be found on the billboard at the upper left. This series is unusual in that it de...

Small furoshiki, made of hand spun cotton and vegetable indigo dye. It has tsutsugaki auspicious motifs, "Sho-Chiku- Bai", the pine tree, the bamboo and the plum bloom. In excellent condition. Late 19th early 20th century. W:69cm, L:77cm

Japanese Meiji Period woodblock print from the series "The Calendar of Events in Edo Theater" by Adachi Ginko (1874-1897) dated in the left margin Meiji 30 (1897) 1st month 11th day. The series depicts various scenes and events surrounding kabuki theater. This image depicts several actors and musicians on stage. One actor, holding a fan above his head, dances in bare feet. The red fish peering from behind his back suggests he might be a fisherman. Four actors sitting in a row behind him are al...

19th century Japanese bronze / brass tobacco pipe with flattened body inscribed with a lengthy poem on one side and 4 characters on the other. Smoking end has characteristic small bowl - Japanese used finely shredded tobacco and usually made just 2-3 puffs. Four characters seem to read AKA KOKORO HO KUNI, which possibly can be translated as “Red heart rewards the land”, Wonderful quality delicate engraving, very pleasant patina conveying the age of the object, top of the body by the bowl sho...

Japanese Wood and Staghorn Ojime, 19th C. Meiji period, 3/4" wide in the center widest part, 3/4" high, front and back is Staghorn, center is wood, round bead shape with deep carved lines, 2 holes on both side where cord go through between Netsuke and Inro.

Late 18th to early 19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in flattened ball shape with continuous flower decoration in yellow and green. Beautifully made, wonderful feel of age, very pleasant patina. Diameter 0.8 Inches.

Taisho period (1920s) lacquered wood kogo (box for incense during tea ceremony), its top decorated with two roundels, one containing bamboo and the other cherry flowers. Elegant object in Japanese taste, the body is made out of kiri (Paulownia tree) wood, perfect lacquer work, two parts fit perfectly, beautiful surfaces, in excellent condition. Diameter 1.82 inches.

Late 18th to early 19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape with yellow, red, blue and white herringbone pattern. Beautifully made, wonderful feel of age, very pleasant patina. Diameter 0.76 Inches.

Late 18th to early 19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape with yellow body and red/white/black “eyes”. Beautifully made, wonderful feel of age, very pleasant patina. Diameter 0.75 Inches.

19th century good size angel skin coral ojime (slide bead for tightening the cord going from netsuke to inro) of simple ball shape. Rather unusual material, nice patina on the surface, few beautiful very slight pink areas. Diameter 5/8 inches.

Elegantly decorated vase with a geometric design of 24 facets. Meiji period, late 19th century. Sparsely painted with airy flower sprigs, leaving large parts of the cream-coloured crackle-glazed surface undecorated. The mouth rim with the mon (emblem) of the Itagaki (?) family. Impressed three character mark to the base and painted signature in red. Height "6¼ / 16 cm. Condition: fine.

Cotton cloth with katazome (stencil-resist-dye) and dyed with pigments, which is called "wa-sarasa", Japanese chintz. It was produced from late Edo to early Meiji period. This one is "Sakai-sarasa", made in Sakai in Osaka. The second half of the 19th century. In excellent condition. W:34cm, L:120cm

19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) carved in a shape of a tongue-cut Sparrow. Good design, brown staining, natural imperfections in staghorn, overall in very good condition. Height 9/16 inches.

Taisho period (1920s) wood kogo (box for incense during tea ceremony), its top decorated in lacquer with uprooted flower with leaves and roots. Elegant object in Japanese taste, the body is made out of kiri (Paulownia tree) wood, perfect lacquer work, two parts fit perfectly, beautiful surfaces, in excellent condition. Diameter 1.9 inches.

Han-gappa which is a kind of jacket worn over kimono. Wefts are silk yarn and warps look cotton yarn. The collar is made of black wool which might be imported, and straps are made of wool cloth and vegetable indigo dye silk cords. In good condition except for a few moth holes in the wool collar and a rip in the shoulder. The second half of the 19th century. 129cm x 98cm

19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) of double gourd form carved and pierced with geometric designs. Nice work, pleasant feel of age, beautiful patina. Height 11/16 inches.

19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) carved in a shape of a gourd with leaf. Good design, green staining, natural imperfections in staghorn, overall in very good condition. Height 11/16 inches.

Asa (hemp) baby's kimono with hand-painted pine tree motif whose wefts as well as warps are hand-plied. It has se-mamori in the back which is a charm with silk threads and this one is boy's kimono as they are in the left as well as in the center (girl's one is in the right). Evils are believed to come from back in old days and it protects a baby from diseases. The second half of the 19th century. In good condition but some stains in front and holes in two belts made of thin raw silk. 76cm x 90cm...

19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in seed shape made to imitate layered agate stone. Beautifully made, wonderful feel of age, very pleasant patina. Length 1.18 Inches.

Cotton cloth with katazome pattern which is called "Narumi-Kongata", imitating Arimatsu-Narumi shibori pattern. It is called "Urumi-zome among craftspeople. It uses plural stencils and requires high dyeing technique. In good condition but has two mending patches for the cut which used to be the neck part and in one side of selvedges. The Meiji period (1868 to 1912). W:33cm, L:180cm

Tatougami which was used at the pawnshop for wrapping pawned items. The name of the shop is "koyama Shichi-ten" and it has the shop's logo "小" in the square. It is a few layers of old washi (handmade paper) pasted together and painted with kakishibu (persimmon tannin) for strength and waterproof. Shichiya (pawn shop) appeared in Kamakura period and developed much in Edo period. 19th century, however one of mending paper has letters "Taisho 4 (1916). Top:87cm x 32cm, Bottom:75cm x 32cm

First edition Japanese Meiji Period woodblock print titled "Otsu Inari" from the series "The Calendar of Events in Edo Theater" by Adachi Ginko (1874-1897). Three editions of this series are known. This print is from the first edition and contains the publisher's information and date of Meiji 30 (1897) 7th month 10th day in the left margin and the artist's red seal at the lower right. This series is unusual in that it depicts various events backstage with the actors, views including the specta...

Tatougami which was used at the pawnshop for wrapping pawned items. The name of the shop is "koyama Shichi-ten" and it has the shop's logo "小" in the square. It is a few layers of old washi (handmade paper) pasted together and painted with kakishibu (persimmon tannin) for strength and waterproof. Shichiya (pawn shop) appeared in Kamakura period and developed much in Edo period. 19th century. 32cm x 81cm

Late Meiji (1890s to 1912) Japanese boxwood seal, most probably used in a temple to stamp pilgrimage papers. The impression of the seal is shown on the first photo (image is flipped left to right to present the image as it will actually print on paper). Excellent quality crisp carving of 2 rows of differently sized characters, caked old red seal paste on the bottom. Metal stud on the side indicates the position of the top of the imprint. Beautiful patina on the surface of wood. Height 2 3/16 inc...

This is a rare Japanese antique handspun & natural indigo dye cotton soft tenugi fabric in meiji period (1868-1911). It is a Swallow and plum character pattern. size: Length:80cm / 31.4" Width: 30cm / 11.8"

1900s (late Meiji period) Japanese cloisonne napkin ring with decoration of various flowers on aventurine enamel background. Excellent quality work, vibrant colors, gilding to metal parts (worn from age), one stress line area - see Enlargement 5. Diameter 1 7/8 inches, width 3/4 inch.

Japanese Cast Iron Tetsubin, tall Tea Cattle, Tea Pot, Before 1900, early Meiji period, 10 1/2" high include handle, 6 1/2" wide include spout, early cylinder shape, pine cone knob, iron handle has raised design, and some low relief design on the side all around but hard to distinguish. This tea kettle is as is condition, spout was repaired sometime ago and hole on the bottom size of 1/2" x 1 1/4" long, some broken pieces are saved in the plastic bag inside the pot but need some restoration wor...

19th century Japanese good size angel skin coral obidome (sash ornament) in a shape of a natural coral branch. Obidome is worn on an obi cord that holds the obi sash together, and is the only type of jewelry worn by Japanese women on formal occasions. Simple clever design, very beautiful fat natural coral branch with subtle light pink areas. Metal fixture with cutouts in cherry petal shapes and two loops on the back for an obi cord. Length 1 3/4 inches.

Late 18th to early 19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in seed shape with blue and white starburst pattern. Beautifully made, wonderful feel of age, very pleasant patina. Height 0.86 0. Inches

This is a finely carved and lacquered wood Ojime in the form of a Double-Sided Kyogen (Japanese Theater) character masks depicting Okina on one side and Okame on the reverse, with mother-of-pearl inlays. The center cord hole or himotoshi are lined with shakudo or copper and gold alloy. It is not signed, but is attributed to Hozan, a netsuke-shi who worked in wood with metals and lacquer accents in Early 19th century. He was a pupil of Hojitsu. Ojime measures 0.66 inches (1.6cm) in diameter, and...