Edo period (1603-1868) White Glaze Kyo Ware Tea Bowl for tea ceremony
This is rare Kyomizu work from the late Edo period.
A white glaze tea bowl inspired by the white Nanjing ceramics of the Qing dynasty in China.
It is a tea bowl with a unique taste which combines the hard body fired at a high temperature and the beautiful white glaze...
Sculpture in chiselled and stained wood representing a hare lying down.
In Japanese, the hare and the rabbit are designated by a single word: usagi. The hare occupies an important place in Japanese legends and superstitions. Like many other animals, it is supposed to reach a fabulous age and become blue at five hundred years old...
Wooden netsuke of the demon Oni hiding in a foot warmer (anka) in order to protect himself from the bean seeds that are thrown at him. The beans are represented by two inlaid stones. His right arm stands out, a part of his head is visible through a small hole in the foot warmer.
The Setsubun festival came from China it is introduced in Japan around the 8th century. Its celebrates the arrival of spring...
19th Century, Japanese nicely hand-carved boxwood Netsuke depicting a character of a Japanese folk tale 'The story of the old man who made withered trees blossom': Hanasaca Jiisan. Here, Hanasaca is shown in one of the scenes of the folk tale where he is chopping down a tree to make a mortar. Hanasaca's dog who appeared to him in a dream is showing him the location of the tree...
An antique Japanese 2 part Usubata in bronze featuring a Minogame (age old turtle) base. Mounted to the shell is a flanged cloud rendering with four terminating columns that undulates to a removable wide rim water receptacle. Artist signed at the base of the receptacle. Beautiful craftsmanship including the fine stimple work to the underside of the turtle.
In Japan, the turtle is a good luck animal symbolizing 10,000 years of long life...
When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the lord of the tea ceremony for the powerful Kaga lords in 1666, the first Chozaemon came with him and established Ohi-yaki ware in Kanazawa. Chozaemon had been the chief apprentice for the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware...
Probably late 1800s
Decorated with a scene of birds and trees in the Kakiemon palette and style in overglaze enamels on a clear glazed white porcelain background. The base is slightly recessed and the footring is unglazed, exposing the hard, white porcelain paste. The shoulder is carved with a groove design that radiates from the base of the neck and is decorated with a scattered flower design in overglaze red enamel. The base is painted with an underglaze blue fuku mark in cursive script...
Japanese war fan, very thick and heavy iron frame that can be used closed as a weapon. Wooden slats (bamboo?) Maintaining the paper part. One side painted with a golden circle (sun) on the other a golden circle with a silver shade (moon?). Signed inside the frame...
Japanese small bronze censer for a Buddhist shrine, made in a squat round form with inlaid gold metal shapes in a random pattern. Cast mark on the bottom. Nice patina.
Meiji Period (1868-1912)
Dimensions: 2" high x 2 7/8" wide diameter
An Extremely Rare Reverse Glass Ukiyo-e Beauty Painting:
Japan, 18th –early 19th C. with Original lacquered wood frame
The artist name singned with a square red seal on lower right.
Offered Here is an extremely rare reverse painting of a whole figure of standing beauty
painted on reverse glass, This type of Japanese Ukiyo-e painting of a beauty is rarely existed in markets now...
Gorgeous Pair of Meiji Period Japanese Cloisonné Enamel Vases with Spectacular Phoenix and Cloud motif on a rich yellow ground. circa 1890. 6 inches (15cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.
Pristine Condition.
This late 19th century Japanese small cloisonn¨¦ vase is 3 ½ inches tall and 2 1/8 inches wide. It carries a chrysanthemum and butterfly design on a black and goldstone background. It is in good condition.
A finely decorated cloisonne censer with motif of flowers of the four seasons combined with flowers, scrolling vines, and dragon and phoenixes set in a design often seen in traditional bronze censers. The distinct colors, attention to detail, and the golden shine is often seen in Meiji period cloisonne. Age: Meiji Period Size: Height: 5.5" Diameter: 3.75"
Antique Japanese Linen Banner Commemorating the pivotal Kawanakajima War of the Sengoku Period, a period rich in samurai history. War ships are depicted bearing the crests of the Takeda, Maeda, and Kato clans. A vibrant and powerful piece of Japanese history. 70.5 x 30.5 inches, 179 x 77.5 cm.
19C Meiji period Japanese Cloisonné Enamel Vase
The long necked form spreading to a flat oval body, decorated with patterns of chrysanthemum, foliage and stem; the reverse with three butterflies.
Size: 14.5 tall, 9 cm wide.
Condition: Excellent.
Ca. early 1800s
This bowl is divided into eight petal-form lobes, with a rim painted with alternating leaves and geometric designs in underglaze cobalt blue of medium to dark tones. The well is painted with a so-called “The Friends of Winter” design of pine, prunes and bamboo, and the interior base is painted with a bird on rocks and leafy plants. The exterior sides have a scrolling peony Arabesque, and the base has a four-character Chinese Ming Dynasty Chenghua mark...
An elaborately decorated lacquered sword stand. The stand is made into a small chest with three drawers. The chest is decorated with motifs of plums, a phoenix, and a Chinese style landscape with inlaid embellishments. The interior of the drawers is done in nashiji or pear skin makie. Age: 18th/19th century. Size: length: 19.75" width: 9.5" height 20"
Tatou-gami made of recycled old washi (Japanese handmade paper) with kakishibu (persimmon tannin) for waterproof. Tatougami is used for wrapping kimono, precious items and so
on. This was used for wrapping old books. It has four cords made of washi too. The second half of the 19th century. In good condition. 62cm x 67.5cm when it is flat.