Based on telltale signs, this extraordinary Raku tea bowl likely dates to the late Edo period (200+ years old). Crafted with meticulous care, its smooth, ebony surface exudes a sense of depth and mystery while its reddish hues gracefully traverse the bowl's contours—creating subtle variations of color that evoke a feeling of warmth...

This is a a japanese antique edo Period Tsutsugaki Children's Silk Kimono of a large herd of frolicking horses. A children's kimono made in the Edo period to celebrate the men's festival of wealthy merchant families. A herd of horses with various patterns is strongly expressed in ink with Tsutsugaki for children's wear, Movement is brisk.There is a light stain, but it is not noticeable. No damage, very good condition. 　Size ::length 79cm (31.1inch) /sleeve to sleeve width 78cm(30.7inch)

A daimyo’s firefighting wool jacket with a Kiri-no-mon crest, chest protector baring the same crest. It has a silk liner decorated with old marble dye. Dated from late Edo period (1603-1868),

Japanese could not produce wool of their own during the Edo period. Totally depending on Nanban trading, wool was pretty rare and pricey commodity. The liner for this jacket is also unusual. This is our first and only antique marble dyed fabric ever...

Edo Period Sagemono Tobacco Pipe Set from the collection of a renowned author on and collector of Asian art. Kiseruzutsu (pipe case) of woven straw; kiseru (pipe) of silver, copper and bamboo with painted decorations; tobacco pouch of leather with a bronze dragon lock and a green glass Ojime (sliding button). Pipe and Case: 8 inches, 20 cm long; Pouch: 5 1/2 x 3 5/8 inches, 14 x 8.25 cm. Excellent Condition.

This is Tsutsugaki Yogi of the indigo dyeing tea service set of the Edo era. The cotton is spun by hand and is very thick. A color of the cloth is deep green. The green dyeing needs a technique higher than the dyeing only for indigo plants. Therefore it is a color required to the item of the upper class. And this was drawn in a good balance in very powerful Tsutsubiki...

This is a Jaoanese antique edo (1863) silk tyosennishiki uchishiki textile.There is discoloration and damage due to slight rubbing.They are not disturbing, and as a whole it is in very good condition. Size: Length 128 cm (50.3inch) Width 182 cm (71.6inch)

Edo Period (1603-1868) Seto ware Brown Glazed Tea Bowl (Chawan)

Lovely antique Seto chawan with skillful Kintsugi repair.

Seto pottery, dated as early as the 13th century, produced around Seto city in Aichi Prefecture, Japan.
It is also considered as one of the Six Ancient Kilns of Japan.

Size
Width 11.5cm;
Height 8cm;

Condition
Overall good.
There are repairs with gold lacquer.
Supplied with the appraisal box.

Magnificent Ki Seto Water Jar made in the Mid to Late Edo period
Supplied with the old wooden lid.


Size
Height 16cm
Width 17cm
Weight 800g


Condition
Good considering the age.
There are minor cracks but it is no problem to use.

Ki Seto ware, also known as Yellow Seto ware, is a type of Japanese pottery that originated in the Seto region during the medieval period...

This is Fukusa used in Kyoto for Edo period. As for this, two carps are expressed very boldly. As for this, a carp is expressed in a silver thread. This does not have a stain and damage. As for this, a state is complete.��Lining is a red silk. Size 74.5cm x 62.5cm (29.3 "x 24.6")

A Japanese porcelain wine ewer or Chosi of cylindrical form decorated in underglaze blue with alternating horizontal bands of flowers (auspicious gobenka)and pinnate leaves (resembling Asters). The design perhaps influenced by the Chinese Aster pattern of the Kangxi period and the later, Mid Qing, provincial Chrysanthemum pattern (see the Desaru Wreck). The ewer dates to the first half of the 19th Century. The Chosi measures 10.5cm in diameter and stands 15cm high. The foot-ring measures 7cm...

Antique Seto Guro Chawan made in the Mid to Late Edo period (18-19cc).

Size
Height 8cm
Width 12.5cm

Condition
There is a chip at the mouth. No cracks and no repair.
Supplied with wooden box

"Seto Guro" refers to a specific type of Japanese pottery known as "Seto blackware" or "Seto-guro-yaki" in Japanese...

A porcelain dish from the Nagasaki area, so not strictly “Ko Imari”, meticulously painted with an elaborate Leiwen border and a stylised Chinese style landscape in a light blue gosu. The reverse painted with three Lotus flowers with trailing Acanthus type scrolls in a contrasting dark blue gosu with a seal for the Kameyama kiln...

Late 18th, Early 19th Century Edo Period Japanese Wood Horse Sculpture in a galloping pose. The horse still has a good amount of its original colors and gold gilt. It would have been offered as a gift to a Shinto shrine from someone with the means to afford more than the usual horse plaque, but not quite the means to afford to give a real horse to the shrine, a gift only the most wealthy could afford to give. A wonderfully rendered sculpture and a special image for equestrian art collectors...

A very unusual octagonal dish in new style enamels dating to around the year 1800, featuring three figures, the main of which is a figure wearing a buttoned jacket and perhaps a klapmut style hat with distinctive slops, which identifies him as a seaman, rather than the more usual merchant; see last image no 6 a late 18th century print of a Sailor in “slops”. The tight curls of his hair betray his foreign origin, although he retains an overall oriental appearance...

A piece of Iyo-zome cloth which was futonji (bedding). It is made of hand-spun cotton and has katazome (stencil-resist-dye) pattern. The name Iyo-zome is originated from Iyo sudare (bamboo screen) since the pattern looks like wood grain by looking through two layers of them. Stripes are dyed with two katagami (stencil paper), one is vegetable indigo and the other is natural brown dye. Two katagami are dyed by displacing them so that they make wood grain like pattern...

This is an Early 19th century excellently hand-carved Netsuke depicting a standing Scholar who is holding a scepter on his right hand. By his side, there is a Karako who is looking up to the scholar and holding a Jar. Intricate detail and rich patina. Signed Genyosai (Minkoku) on an oval reserve on the scholar's back. Netsuke measures 0,76 inches (2.0cm) wide, and 1.90 inches (4.8cm) tall.

This is Japanese antique rare Edo era yuzen dye Hand-painted dye and Hand embroidery kimono. It is a gorgeous and beautiful kimono with an excellent design of dahlia, chrysanthemums, nadeshiko, running water, roses, and hagi flowers. There is a fading discoloration in the flower pattern over time. However, there is no damage and overall it is in very good condition. This kimono is from the late Edo period.(1850-1869) This kimono is an unlined kimono that is worn outside of winter. Yuze dye ...

It is yuzen-dye silk Child kimono textile of the last part of Edo era(1800-1868). It is the design which is beautiful with a mandarin duck and the beauty of the cherry tree. It has the change of a slight color. However, there is not the stain remarkably. The sleeve has slight damage. However, it is very good condition generally. size:95cm x 83cm (37.4" x 32.6")

Japanese antique shiko & benibana-dye itajime(katazome) silk child kimono yosegire(patched) edo era(1800-1867).It is shiko & benibana-dyeing of natural.It has a few thin stains. However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition. size:Length 104cm (24.9inch) sleeve to sleeve 96cm (37.7inch)

An armorer's (katshushi) tsuba by Miochin Munekane (signed.) Of smaller size associated with wakizashi. Engraved katakiri-bori flowers and vine decoration (six petals on vine, possibly clematis.) Artist line active between 1818 and 1887. Ex Robert Haynes collection. Good condition. A larger, sukashi tsuba at least by the same line, also signed Miochin Munekane, is in the Brooklyn Museum. 2 9/16 inches (6.5 cm) X 2 3/8 inches (6.1 cm) and 1/8 inch (.4 cm) thick.

Late Edo period (19cc) Shino ware Chawan for tea ceremony Wabi Sabi

The fine crackle look with natural kiln vivid cracks gives the bowl an authentic wabi sabi feel.
Overall, it is a great example of an old, beautifully crafted Shino tea bowl.

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size:
Height 7 cm
Width 11 cm

Conditio...

This is a Japanese antique edo era silk tsutsugaki natural indigo dye yuzendye fukusa textile of (iseebi)Lobster and wave pattern. Ise Lobster was drawn very precisely. It is a tsutsugaki dye and Yuzen dyeing of hand-drawn dyeing There is a slight pale discoloration. There is a small hole in the lining safflower-dyed silk. They are not disturbing, and as a whole it is in very good condition. Size:Length:47.5cm / 18.7inch Width:: 47.5cm / 18.7inch

A very fine and unusual square plate. Arita 1790 - 1820. This fits into a group of porcelains that more accurately could be called ’white and blue’ produced at the end of the 18th century and beyond. This plate features exotic figures and an elephant. See the Shibata Collection, item 3831, for an octagonal plate of similar design.

Approximately 18.6 square. Perfect condition.

Please study the photographs.

Within the UK payment by bank transfer is prefe...

Japanese Antique dark Indigo dye thick a little cotton& tsutsugaki Indigo dye jyofu(hemp) samurai dotyugi long coat of tha Edo era(1800-1867) rare.It has a few thin stains. and few remains of repair However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition.It is natural indigo dyed cotton and jyofu(hemp) and made of hand-spun . size:Length 130cm (51.1") sleeve to sleeve 125cm (49.2") Width of the shoulder 62cm (24.4")

This is Edo yosegire Patchwork itajime katazome chirimen-silk kimono in Edo period(1603-1868). This is very beautiful yosegire kimono. In the skirt part of the lining, it is cotton and there is damage. There is a little, thin stain. However, it is not remarkable. I recommend this for your collection. size:134cm x 125cm(52.8" x 49.2")

It is gosyo-katsugi(imperial palace katsugi) in the Edo age of this.This katsugi is a museum class. Please add to your collection. It is katsugi of Kyoto. This is a rare very valuable excellent article. Daimon in surroundings of the neck is tsutsugaki(frieehand paste-resist decoration). It is a dye of the indigo dye and the Indian ink. Katazome(paste-resist stencil decoration) of komon is made from dangawari. The katazome part near the chest uses the dye of thin yellow on. The material is...

This is Yogi used in a rich merchant's family of Akita for Edo period. This is drawn in good-quality Tsutsugaki. As for this, a Chinese phoenix drawn boldly is very impressive. It is very elegant. As for this, cotton is spun by hand and is thick. As for this, cotton cloth of the lining is dyed into deep green. Good-quality Tsutsugaki often uses it to lining. This does not have a stain and damage. The state is good. Size 182cm x 172cm (71 "x 67.7")

This is a Kyoto School Netsuke of a Dog. Seated, facing backwards, as if responding to a call. Its thin tail raising over its back forming a look. Finely detailed hair work. Its large eyes inlaid in dark horn. Measures 1.50 inches (3.8cm) long, and one-inch (2.5cm) high.

A fascinating Japanese shrine bell known as, Waniguchi, or directly translated as Crocodile's mouth, which resembles the wide mouth of a crocodile. The bell is usually found in shinto shrines that enshrine deities that were imported to Japan or Shingon temples. The bell contains an inscription stating that the bell was originally donated by the ancestors of the donor in 1686 and a new bell was rededicated in 1839. The bell appears to be dedicated to Sometani Shinbei. Age: Late Edo Period, 1839. ...

Extremely Rare Edo Period late 18th/early 19th Century Buraku Theater Puppet. This very large puppet was operated by three puppet masters, with an operator manipulating the head and face to create a wide variety of expressions. We think this puppet was used to portray Benkie, the 13th century warrior monk of Hieizan and trusted adviser to Yoshitsune. He wears a black velvet robe and sumptuous textiles and fiercely brandishes his nagitana weapon. It is very unusual for a Bunraku puppet of this ...

This elegant Edo Period Japanese Antique Imari Porcelain Mukozuke Cup was made about 200 years ago Imari ware has been produced in Hizen area of Saga prefecture of Japan since 17th century. Size Width 3.9in ( 9.9cm ) Length 3.9in ( 9.9cm ) Height 2.4in ( 6.1cm ) Weight 4.23oz ( 120g) Condition Overall good. Used.

This is a Japanese antique natural indigo dye cotton Excellent with rubbed and faded jacket of Indigo dye boro noragi patched and syonai-sashiko stitch Meiji (1868-1912). This noragi can enjoy both sides. Since this drifting object has been used and washed many times, it rubs well, and the indigo-dyed fading and the rubbing of cotton are very beautiful. Do patchwork and remake it to your favorite Boronoragi and enjoy. It was repaired many times, and the boro rag that were used bec...

A nagazara of conventional rectangular form with compressed indented corners decorated in underglaze blue with a Chinese style landscape featuring a small viewing pavilion on a bridge. The reverse decorated with a stylised peony and a “classic” comb border to the footring, This dish was produced at the Nabeshima fief’s official kiln at Okawachi in Arita for the Shogun in the late Edo period c.1820-60. The dish measures 20.8cm long and is 11cm wide. It stands high 4cm at the rim and weighs...

Edo Tsutsugaki Indigo Hand-spun Cotton Nobori This is Tsutsugaki cotton Nobori of Edo period. As for this, cotton is spun by hand. As for this, the cotton that the texture is very good of Edo period is used. The design is Shojyo. Shojyo is an animal in the imagination to be handed down from ancient times. This comes up in one of the representative programs of the Noh. In Japan, this has the meaning of the beast of the good luck. There is one place of small hole beside ladle.The bottom of a w...

This is tsutsugaki & handwriting fireman's cotton coat sashiko hanten coat of a splendid firefighter of the late Tokugawa period of the Edo era(1800-1867). This is a very advanced technique. And the entire surface is stitched with sashiko. The lining is indigo dyed. Song dynasty in the early 12th century Water Gate Break is a famous scene in "Suikoden".　Chou Jun, who appears in Chinese biography stories, has the best swimming talent among biographic characters and is famous for breaking e...

Edo Period (1603-1868) Mishima calendar (Koyomide) tea bowl (三島暦手茶碗) with Ogata Kenzan mark.

Mishima pottery is a slip inlay technique brought to Japan from Korea in the 16th century.

In the city of Mishima there is a Grand Shrine of Mishima that was famous for publishing an almanac/calendar with bars for describing each day with its good and bad luck connotations.

The Koyomide bowls seemed to mimic these almanacs. Sen no Rikyu, the most famous Tea ma...

This very well carved and darkly stained ivory netsuke is 3” high, 7/8” wide and half of an inch thick. It is dated early 19th century and is not signed. It depicts an islander with curly hair and beard holding his hands in front of his half naked chest. It is in excellent condition.

This is Indigo dye cotton tsutsugaki furoshiki textile of the Edo era(1800-1867). It is a very beautiful crane and a lucky design of the tortoises.It is a characteristic of tsutsugaki of the Edo era that the ear of the tortoise is expressed like a dragon. There is a thin stain. There is not damage. It is in a very good state. It is made of hand-spun cotton and natural dyed. size:141cm x 142cm (55.5" x 55.9")

This is tsutsugaki & handwriting fireman's cotton coat sashiko hanten coat of a splendid firefighter of the late Tokugawa period of the Edo era(1800-1867). A fight of kawanakajima is a design. It is a very high technique. A samurai (takeda shingen and uesugi kenshin) and a horse are drawn and are also the uplifting feeling and the excitement which seem to begin to move shortly. And there is sashiko stitch on the entire surface by hand. As for it, length is longish with 92cm. There are no stain...

An Edo period Oribe sake bottle of simple but full proportions and with classically Japanese Zen decoration - austerely yet sensitively placed grass and blooms decoration in iron oxide on the softly crackled opaque off-white glaze ever so slightly scorched in the kiln on two sides where the body is almost slightly exposed and oxidized to a buff tone at those points. The cut foot also glazed save for a crescent reserve around the center where the warm gray body is exposed. The rim and neck glazed...

Kuro Hirosawa (1772-1840) Shino ware Chawan for tea ceremony with appraisal box. The name "Kuro" is carved near the foot ring.

Kuro Hirosawa was a samurai of Nagoya clan and a potter in the late Edo period. He enjoyed the tea ceremony and made tea utensils of Ko-Seto, Shino, Karatsu style in his free time. His works have a unique appearance and often called Kuro ware.

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick...

This is an excellently hand-carved netsuke depicting a Japanese Legend Hero wrestling, and about to strike a fierce Shishi. He holds a long ribbon tie that loops over the tail of the dog and wraps around his arms ending in a loop at his waist. The man has a determined expression and his fits are clenched. The Shishi has fine detail to its paws ,its fierce face and fluffy tail. Signed Nagasada on the sole of the Hero’s right shoe, a carver who worked in the late 18th / Early 19th century,...

This is good-quality Noren used in the merchant's family of the Yamagata Shounai district for Edo period. The figure pattern of a wave and the plover means a good combination of attractive harmony. Merchants of Shonai thought about the harmony with local people to the first. And there was the harmony of a merchant and the farmer there. The good-quality hemp was dyed in Tsutsugaki. This does not have a stain and damage. The state is complete. Size 164cmx 178cm (64.5 "x 70"). Six width

This is Coat which Shugendo Gyojya of Edo wore. As for this, upper hemp is used. This is dyed in persimmon juice. And light brown is very rare and is very impressive. This has one hole of around 1cm on the part of the shoulder. The sumi dyed in Hangi has the part which soaked. However, They are not disturbing, and as a whole it is In very good condition�.You can wear this item. Size 96cmx 128.5cm (37.7 "x 50.5")

A small pair of Japanese Imari porcelain bowls (or small, deep dishes) with Namban (or Nanban, Southern barbarian) subject bowls. Imari palette decoration in three reserves, each of a figure among blossoming karakusa, in the cavetto. The center with blue underglaze decoration of Shishi with auspicious objects. The verso also with decoration in blue underglaze of precious objects around the raised, glazed ring feet surrounding a recessed, unglazed band around glazed, further recessed center. Edo ...

The old Edo to the Meiji hem pattern silk yuzen dye kimono: It is a pattern of scenery of sparrows in the snow during bamboo digging and bamboo. It has very slight stain , but it is hardly noticeable. It has no damage. I recommend adding very valuable items to your collection. The family crest attached to this kimono is a mark of bamboo and sparrow Digging bamboo shoots in the snow is a story of China and the Three Kingdoms era. There is no bamboo shoot in winter. However, he is a s...

Edo Period late 18th/early 19th Century Japanese Ningyo of Yamauba, the Forest Goddess, half woman and half spirit. She found Kintaro abandoned in the forest by his father, and saved his life. She raised him, and he became the Hercules of Japan. For sure one of the rarest of all Ningyo. Also the rarest of female images. Only a few of these may actually exist. She bares her breasts to nurse Kintaro, as seen in Japanese woodblock prints as a popular subject by artists such as Utamaro. She is holdi...

This is Fukusa used in Kyoto for Edo period. It is very beautiful fukusa.This has a line of delicate Tsutsugaki and embroidery and a delicate sumi painting. This is produced by a bold design. This has a few stains, but does not stand out.However, there is no damage.They are not disturbing, and as a whole it is in very good condition. Size:Length 49cm (19.2inch) Width 52cm (20.4inch)

Edo Period (1603-1868) Antique Shino Ware Chawan (Tea Bowl)

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size
3.3in. (8.4cm.) high;
5.1in. (13cm.) diameter;
440g weight.

Condition There are repairs and cracks due to age. The bowl doesn't leak and can be used for tea ceremony.
Please see the photos for details.

This is chirimen-silk yuzen-dye and Embroidery yogi kimono in Edo period(1800-1867)Very rare.This yuzen-dye yogi kimono is a museum class.It all is expressed with embroidery and yuzen-dye. It is wonderful beautiful kimono. It does not have a stain. There is a small hole in several places. There is the part which a thread of the embroidery came off. However, it is excellent condition. size:186cm x 156cm(73.6" x 61.4")

A fine Imari bowl and cover decorated with a pattern composed of Autumn flowers, akikusa de, and Banded hedges, shibagaki. A wheel cut Johanneum inventory number incised to the interior of the foot-ring of the bowl indicating that it belonged to the collection of Augustus the Strong, and was acquired before 1722. Both cover and bowl marked with an enamelled choji motif. The bowl and cover are in superb condition, no cracks, chips or restoration. The porcelain and the enamelling are of excellent...

This is a 17th century Karatsu ware tokkuri made of oldest Karatsu clay.

It gives a perfect impression of wabi-sabi..

It has no water leak, no repairs and no damage.

Size: 14 cm x 8,5 cm height / width

Shipping is included

Startled to enlightenment, this is a large Edo period figure of a Rakan (Sanskrit: Arhat), a Buddhist saint kozutsucarved in the Yosegi-zaiku method of joined blocks of wood. Originally covered in polychrome colors, much has grayed and flaked away with time, a fitting aspect of the image. He has glass eyes which seem to burn violently with realization. The image is 43 x 36 x 51 cm (17 x 14 x 20 inches) and is in solid condition. The head is removable, slotted into the body at the collar. For ...

We like to present you today an early Edo Period Karatsu Yaki Guinomi (Sake cup) with aesthetic silver repair (kintsugi) made around 1700.

The Guinomi has a hira-gata shape, refering to the Kamakura Period. Fantastic item!

It comes with a tailor made wood box.

Size: 3,8 cm height x 6,1 cm width.

Rare form of Japanese KO IMARI Porcelain Charger Size : 12" Dia x 2 1/8" OSHIDORI(Mandarin Ducks) and GENROKU Figures design with fine gold Decoration Old Imari pieces. The quality of this charger is superb as I ever seen the combination of fine brush handpainting, the motif design with the gold as well as the shape and quality of porcelain itself. The condition of charger is very good considering the age of charger. There is no chips and cracks anywhere except noting that there are two area of ...

An intriguing and rare dish that borrows its overall arrangement from a Chinese export Kangxi precedent, but given a distinctly Japanese twist. It is a parody on the theme of the Four Gentlemanly or scholarly accomplishments, Kinkishoga or Siyi, calligraphy, painting, reading poetry and playing music, mitate-e. Here the scholars are replaced by Bijin, elegant ladies at leisure, set in a large Garden arranged in a continuous frieze that is adapted from a Chinese export plate of the Kangxi period...

A fine old ceremonial sake pourer, hisage, hand made from copper and decorated with shochikubai (pine, plum and bamboo), minogame and cranes. Also present are two prominent Tokugawa family crests and on the handle three 16 petalled chrysanthemum crests and another on the rear handle mount. 19th century or earlier. Fine work.

The body of the pourer has probably been raised from one sheet of copper. It is quite thick-walled and notabley the section grows thicker at the edges, as does the ha...

This antique Seto piece features a warm matte ash glaze with several patches of darker and lighter pigmentation. The molded clay shows striations that resemble textured wood grains—highlighted by a soft patina developed over many decades of use.

Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style chawan—which were hard to come by in Japan at the time. Later, during the Muromachi period, Seto potters es...

A Karatsu ware tea bowl with silver mending (gin-tsugi) which is mending technique, broken pieces are put together with urushi and then silver powder is applied. It has simple painting which is called E-karatsu. Karatsu ware has been produced in the east part of Saga and the north part of Nagasaki prefectures in Kyushu since late 16th century. This one is made of four fragments of Karatsu-yaki (yobi-tsugi). Probably 17th century. Diameter:13cm, H:4 to 5cm