Box in gilded bronze, in the shape of two superimposed fans finely decorated with lake landscapes, flowers and birds. The shape is complicated and rare. Inside very beautiful gilding, carved with birds and plants. The black patinated underside bearing the workshop's signature in gold. The box rests on three short legs. There are 2 shades of gilding, yellow and greenish. Good condition, no repairs. 62mm x 28mm

Antique Japanese rootwood hibachi with a lovely textural look and feel. It has a red and black lacquered cloth rim, and a bronze interior with an interesting patina with a layering effect.

Dimensions: 7.5" height, 10.25" width, 8" depth

Three gods of fire which are unglazed earthenware made of clay. Fire has been thought as sacred and gods of fire have been put near furnaces, cooking stoves (kamado) and open fireplace (irori) for protecting from disasters and uncleanness. It is not clear where they are from, probably Tohoku district. All in good condition, no chip or crack.19th century. Height:20cm, Width:11 to 12cm

Shakudo tsuba with a relief decor representing foliage and flowers, with gilt highlights on a background of tiny dots. The tsuba is unsigned. Japan, late Edo period. Height: 7.2 cm. Very good condition despite a slight erosion all over the piece. Sold with its box.

This is a Japanese antique indigo dye cotton Shonai Sashiko noragi boro hanten jacket. A slightly thin indigo-dyed cotton cloth with two threads in one, and hand sashiko. Cotton cloth is a thin hand-spun cotton. It is an item around the end of the Meiji era...

A delicate kiri-wood tray decorated with a fledgling among grass puffed up against the cold by important 20th century artist Domoto Insho enclosed in the original signed wooden box titled Kosuzume Seifu (Small Sparrow, Pure Wind) and signed inside Insho Saku. It is 19 x 19 x 2.5 cm (7-1/2 x 7-1/2 x 1 inch) and is in excellent condition.

This is a are Banko teapot in pristine condition. This sea creature pattern is one of the most collectible ever created by the Banko factory.It has some history written on the underside that the buyer can remove or leave.

From our Sake Tokkuri collection we offer you a very old example of oldest Oribe ware, made in the mid Edo Period, around 250 years ago.

Wonderful umanome design (horse eye) and vivid Oribe glaze.

Oribe ware, type of Japanese ceramics, usually glazed in blue or green and first appearing during the Keichō and Genna eras (1596–1624)...

This is a very attractive Japanese Imari bowl. For an old Imari piece it is in excellent condition. It is also a very heavy piece potted. The bowl measures 8 1/2 inches across and 4 inches tall.

One-of-a-kind!!! This is an item sui generis.

A yellow glazed Raku chawan, dating from the Meiji Period (ca. 120 years old) with its originally signed wood box.

The chawan is in superb condition with no chips or cracks. Around the bowl are carved chinese characters. The tea bowl is very solid and fits perfectly into the palm of the hands. Great chawan!

No chips or cracks.

Size: 8,6 cm height x 11,9 cm in diameter.

Free shipping

This is a Japanese antique indigo dye cotton Boro noragi old Farmclothes Thick of patched and sashiko stitch Meiji (1868-1912). This noragi can enjoy both sides. size: Length 86cm (33.8inch) sleeve to sleeve126cm (49.6inch)

A good Kakiemon long dish, nagazara, of a wide boat, sanpan, shaped form decorated with stylised lotus karakusa. The reverse decorated with Karakusa motifs and a Fuku in seal characters within a double square. An identical dish is illustrated in the Shibata Collection, see volume 5 no 154, there dated 1690-1710. The dish is in good condition no cracks, chips or restoration. It measures 20.8cm long and is 14cm wide, standing 3.8cm at the rim. It weighs 365 grams...

Antique Izumo-Irabo Tea Bowl named "暁の月" (Akatsuki No Tsuki) with 7th Iemoto (grandmaster) of Edosenke tea school signed box.

Akatsuki No Tsuki means yellow moon which shines in the dawn.

Edosenke tea ceremony school was originated by renowned tea master Kawakami Fuhaku (1719-1807) who studied under Joshinsai Tennen Sosa (1705–51), the 7th-generation head of the Omotesenke tea school...

An exquisite pair of 19th century Sometsuke porcelain bottles decorated with butterflies among seasonal flowers. The winged creatures float effortlessly among the bamboo, Chinese bell flower, wild chrysanthemum and other seasonal flora. Each bottle is peaked by a simple rounded wooden bung, and they come enclosed in an age darkened wooden carrying box with hand forged iron handle. They are roughly 15 cm (6 inches) tall each and in excellent condition...

The end of the Edo period omijyofu indido dye hemp kasuri child kimono of charming pattern of treasure.There is no stain. There are two small holes in the sleeve. , but they don't stand out. It is a very delicate jyoufu hemp and is the best children's kimono. A hand-embroidered amulet is attached to the back. The silk waist straps on a white background are all original. It was carefully communicated and stored. I recommend it to your collection...

This is a Japanese antique indigo dye Thick hemp katazome Stripes long Roll fabric handspun & natural indigo dye katazome.There is no stain.There is no damage and it is in very good condition. Size:Length:7m15cm(23.45ft) / Width: 34cm(13.3inch)

The old Edo to the Meiji hem pattern silk yuzen dye kimono: It is a pattern of scenery of sparrows in the snow during bamboo digging and bamboo. It has very slight stain , but it is hardly noticeable...

A strong mokogata iron tsuba of tight mokume. I favor mokume work and this is a virtuous example worthy of any collection. Boar's eye sukashi decoration in the four corners. Uchikaeshi mimi. Tekkotsu evident along the mimi. Good condition with light rubbing of the patina. Edo period. 3 (7.6 cm) inches x 2 11/16 (6.8 cm) inches

Enclosed in silver wire of varied thickness, boldly enameled iris grace this deep blue 6.5" Japanese cloisonne vase.

Condition: Three tiny red cloisons under the top rim are missing, behind these are small chips. The damage is under the rim at the back of the vase above the single iris bud and is not easily seen. There are no other issues.

This is a layer of stencil-dyed cotton and indigo-dyed plain cotton, with hand-stitched stitches all over...

This is Fukusa used in Kyoto for Edo period. It is very beautiful fukusa.This has a line of delicate Tsutsugaki and embroidery and a delicate sumi painting. This is produced by a bold design. This has a few stains, but does not stand out.However, there is no damage.They are not disturbing, and as a whole it is in very good condition. Size:Length 49cm (19.2inch) Width 52cm (20.4inch)

Antique Japanese Red Raku Tea Bowl (Chawan) made by Waraku during Meiji period (1868-1912).
The seal of the potter is stamped at the bottom.

Waraku started producing Raku wares around 1830 in Kyoto and now Motoo Kawasaki is the 8th generation of Waraku.
Raku pottery is traditionally used in Japanese tea ceremony since as early as the 16th century.

Size
Width 12cm
Height 8cm
Weight 470g

Condition
Good, used...

Asa (hemp) wrapping cloth with hand-drawn tsutsugaki noshi design. Noshi is an auspicious motif which used to be flattened abalone strips and was decorated on a gift. The wefts and warps are both hand-plied. It is colored with pigments. In good condition except for some wear and stains. 19th century. 84cm x 103.5cm

Original work of Yanagisawa Kien (1703-1758) Antique Japanese Painting of Jurojin, the God of Longevity

Yanagisawa Kien was a samurai in the middle of the Edo period and a pioneer of Nanga painting style...

Furoshiki (wrapping cloth) with tsutsugaki auspicious motifs of seven treasures (takara-zukushi), which is made of hand-woven cotton and vegetable indigo dye. Tsutsugaki is paste-resist-dye and colors are added with mostly pigments. Treasures are: sacred jems, cloves, a lucky mullet, a hiding hat, a coat, citruses and so on. It is made in Kyushu in Meiji period (1868～1912)　In good condition except for three mending patches and some tiny holes. 94cm x 124cm

Kuro Hirosawa (1772-1840) Shino ware Chawan for tea ceremony with appraisal box. The name "Kuro" is carved near the foot ring.

Kuro Hirosawa was a samurai of Nagoya clan and a potter in the late Edo period. He enjoyed the tea ceremony and made tea utensils of Ko-Seto, Shino, Karatsu style in his free time. His works have a unique appearance and often called Kuro ware.

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick...

11th generation Raku Kichizaemon Keinyu (1817-1902) White Raku Sake Bottle Tokkuri.

The mark of the potter is stamped at the bottom. Keinyu used this mark after his retirement.
The red clay was used which was glazed and fired. It is a rare work that depicts the standing cranes of parents and child. He often used crane decoration in his later years such as Fukurokuju tea bowl exhibited in Kyoto in autumn 2020. (Autumn Special Exhibition...

Late Edo to Meiji period (19c) Kuro Oribe Chawan
The body covered with black dull glaze and geometrical Oribe style scenery, with unglazed foot ring and surrounding area.

Size
Height 8.3cm
Width 12-13cm


Condition
Good considering the age.
There is tiny gold repair of the rim.
There are scratches of the glaze due to age.

Supplied with the wooden box with appraisal label Kuro Oribe Chawan

Oribe ware is a form of Japanes...

Shimacho with more than 545 fragments which are mostly hand-spun cotton and vegetable indigo dye. Some of them are silk or colored yarn are also silk. Shima means stripes in Japanese but also means an island. Cotton textiles were imported from south Asian countries from mid 16th century and the were called "shima momen", cotton textiles from islands. Kasuri or check patterns were also included in shima (stripes). It has kanji characters "安政 4，Ansei 4" 1857, very late Edo period. The book h...

Japanese antique small 6-panel screen painting of five cranes flying over waves as the sun rises in the distance. Painted in mineral colors with gold flecks on paper. Signature: Morifusa.

Age: Showa Period Mid 20th Century

Dimensions: 22 1/2" high x 62 1/2" long

This is a Meiji Period nicely carved netsuke depicting a Seated Hotei, one of the Seven Gods of Fortune, the God of Contentment and Happiness, holding a fan on his right hand, and a gourd on his left hand. Very nice rounded functional form with a mellow patina. Signed Gyokuzan. Netsuke measures 1.82 inches (4.6cm) wide, 1.28 inches (3.2cm) deep, and 1.17 inches (3.0cm) tall. Netsuke is in excellent condition, as may be seen in the posted photos.

19th Century, excellently hand-carved in rare Kurogaki (Black Persimmon) Wood Netsuke depicting a realistic chunk of Driftwood that shows well rendered areas of partially turned bark and a large opening in the middle that may have been dug up by the elements. This piece is attributed to the Iwami School, because it presents all the characteristics of netsuke made by carvers of the region in Japan (See partial illustration - photo #6 - of the book 'Iwami Netsuke from the R. S. Huthart Colle...

This is a 19th Century, Dear Horn Antler Netsuke in the form of a Seated Monkey that is holding its young on its lap with both hands in a protective manner, with a tender look on its face. Impressive chimney himotoshi, common of Edo period netsuke, that starts in the back of the monkey and continues to a large opening on the bottom of it. Wonderful. rich patina. Unsigned. Netsuke measures 1.02 inches (2.5cm) in diameter, and 1.47 inches (3.7cm) tall. It is in excellent condition, as ma...

19th Century, Japanese nicely hand-carved boxwood Netsuke depicting a character of a Japanese folk tale 'The story of the old man who made withered trees blossom': Hanasaca Jiisan. Here, Hanasaca is shown in one of the scenes of the folk tale where he is chopping down a tree to make a mortar. Hanasaca's dog who appeared to him in a dream is showing him the location of the tree. Netsuke has a chimney himotoshi that starts on the bottom of the irregular platform where both characters stand, and...

Late Meiji Period C.1910 Shinto Shrine Festival Chochin Lantern. Black lacquer on wood with gold hawk feather crest. Copper metal fittings. Written in bold kanji characters, "Go Shin To" Sacred festival light. Very good condition; no tears. H: 30"; W: 7". Ask for shipping quote.

A big Samurai clay doll made of Fushimi clay of the Kyoto area. He is standing proud and strong in the position of drawing a sword.

It is a figure with pleasing and charming signs of time and rests of colours. The Samurai figure dates from the late 19th. century or probably earlier.

Normally all the clay dolls are somehow originated from the Fushimi clay of the Kyoto area. They have been sold as souvenirs to the pilgrims on the road of Fushimi Kaidou from Kyoto to Fushimi ...

Meiji Period (1868-1912) Japanese Shino Ware Mizusashi (Fresh Water Container) for Tea Ceremony

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size
5.7in. (14.5cm.) high;
5.4in. (14.5cm.) diameter;
1470g weight.
Condition
Good.
No chips, no cracks.

This amber Raku chawan was made in late Edo Period (1800-1868). Raku pottery is traditionally used in Japanese tea ceremony since as early as the 16th century. Size Width 4.0in (10.3cm) Length 4.1in (10.5cm) Height 3.4in (8.7cm) Weight 10.93oz + Box 6.35oz (310g + Box 180g) Condition Good considering the age. There is gold repair, please see the pictures for details.

Very Rare Goryeo Dynasty (12th/13th century) Korean Celadon Inlaid Crane Stoneware Oil Bottle

Provenance: Japanese private collection

Size
Diameter 7.5cm
Height 4.5cm
Weight 110g

Condition
There is excess of scree around the bottom occurred when firing.
Please see the pictures for reference.

17th century Karatsu ware Tea Bowl (Chawan) made in Kihara kiln in Kyushu region

Kihara kiln of Kyushu region was operating during the transition times between the decline of Karatsu tea ceremonial ware and the raise of Shoki-Imari ware (approx. 1624-1671).
While most of the Kihara Karatsu tea bowls are excavated pieces, and it is very rare to find a bowl in such good condition and generous painting.
The bowl has dedicated box with appraisal of tea ware expert "Kuroda Touto...

Antique Japanese wooden bucket with handle and iron rings around its body, use for taking measurements of rice. Within it is a large nokogiri saw with a wooden handle and a long, wooden blade cover, a thinner hand saw, and a small axe with engraved symbols and arrows pointing towards the blade. May be separated for individual purchase by request. Sizes and pricing: (bucket) 19.25" height, 13" width $150 (nokogiri saw) 30" length, 10" width $150 (small saw) 29.5" length, 4.5" width $...

Cherry blossoms. Painted with ink and pigments on silk. Signed Eitai and sealed.

Ito Eitai (1876-?) was a Japanese painter born in Nagasaki prefecture in Japan. He was a disciple of Migita Toshihide (1863-1925), Murase Gyokuden, and Kawabata Gyokusho. He specialized in portrait paintings, landscape paintings, and bird and flower paintings.

Some insignificant light marks are present on the painting itself, otherwise the painting and mounting are in fine condition. The piece is mounte...

Height: 6.6 cm (2.7 in)
Width: 7.5 cm (3 in)

Fine Japanese lobed Satsuma lidded koro by Kozan; shows three rotund cartouches of individuals in rural and domestic scenes, also showing birds amongst flowers; the lid is expertly decorated with florals surrounded by minute diaper-work; signed in gold, Kozan

This deep plate was fired with no glaze at the first, and the second fired pictured traditional pattern with blue glaze and the third colored picture depicted peachs and flowers, and the last painted with gold. Very sophisticated piece. Size: 28.8cm(D) 5.0cm(H)

This is a fine antique Japanese cloisonne vase with a midnight blue background and 11 flying sparrows. The birds are well done and there appears to be movement when looking at this piece. The vase looks great but it has a unique hard to see fill to a chip with a short line next to it(see the last image). The vase has not been sprayed. The vase stands 6 inches tall.

This is another example of a Mythical Animal or Demon. It has the body of a dragon with deep delineated scales and large claws instead of hands, a demon face with goat-styled horns, and lion-style hair. Its tail that wraps around its feet. It is signed. It measures 0.97 inches (2.4cm) wide, and 1.97 inches (5.0cm) tall. It is in excellent preserved condition.

Japanese Antique Iron Tetsubin with Bronze lid. Tetsubin has a Mount Fuji Shape. Kettle displays a fainted casting of a Japanese Kiri bird and phoenix on one side. A crane and turtle are also displayed along with a 5 character mark and cartouche medallion. Handle is thin, casted with bamboo nodes. Bottom of Tetsubin is in good condition. Meiji Period (1868-1912) Dimensions: 10" High, 8" Long

A letter open done in mixed metal with motif of cranes, chrysanthemums, magnolia-like flowers, and other flowering plants. The letter opener contains a signature that is difficult to read. Age: Meiji Period. Size: Length 13" Width 1.5"

Antique painting of Hotei/Budai/The Laughing Buddha, standing with a walking stick, and four seated people. They are all observing the sky as what appears to be another Buddha or deity floats on a heavenly cloud, who wears a beautiful robe with gold detailing. Set behind glass and framed, 17th/18th century. Size: (entire frame) 19" height, 16.25" width (painting only) 9.5" height, 7.75" width

This beautiful chawan (tea bowl) was made in the oribe style, a more than four hundred year old tradition from the central part of Japan in the ancient Mino province.

That tradition was in part influenced by tea master and warrior Furuta Oribe (1545-1615) who developed his own style of tea ceremony. The bowl is very well made and in perfect condition. It dates from the mid Edo Period and has no repairs or damages except inborn kiln cracks. The green glaze is very vivid and strong.

...

Special offer: very old Shigaraki Chawan, hand shaped around the early 19th century (Edo Period). It has a great wabi sabi aura without chips, cracks or repairs.

A wood box is available for 50 $, a shifuku (silk pouch) for 30 $, box and shifuku together for 60 USD.

Size: 7,5 cm height x 12,6 cm in diameter.

Shipping included

Late Edo Period (1603-1868) Iga Tetsuki Kashiki (手付 菓子器) dish with ash glazing.

It looks like the dish was produced with inborn kiln crack and generously repaired with kintsugi soon after that and it creates a truly unique appearance.
Kashiki is a dish for sweets used for Japanese tea ceremony.


Natural ash glazed Iga Pottery is traditionally produced in former Iga Province, the birthplace of ninja, in central Japan dating back to 7th century and it general...

A rare Arita export dish decorated in Kakiemon style with a pair of Hoo birds, (Fenghuang or Pheonixes) amongst rocks and flowers, Peonies and Chrysanthemums. The rim decorated with a Bird and vine pattern arabesque. Identical dishes exist painted in this pattern but enamelled in the classic Kakiemon palette. The “Bird bird and vine” pattern appears on “Kakiemon” export teapots of the same period. The curious blobs arranged in groups of three, represent Stars, Hoshi. The reverse is pl...

Antique Japanese Ningyo doll of a beautiful Geisha, fretting over a strand of beads. She wears an elaborate blue silk kimono with cherry blossoms, and patterns of trickling water in wonderful gold thread, paired with a bright orange obi with gold thread chrysanthemums. Her face is delicately hand-painted. Meiji age (1868-1912) Size: 14.5" H x 9" L x 8" D

Antique Japanese drum with handle. Lacquered black on sides and wooden handle. Decorated with Tachibana mon (Mandarin-orange flower) in red lacquer on one side and black lacquer on the other. Red characters on one side.

Edo Period (early 19th century)

Dimensions: 16" long x 8 1/2" wide diameter x 2 1/2" deep

It is a slightly larger size. Two layers of indigo-dyed cotton cloth are layered and he is sashiko-stitched with a soft feel noragi. In Akita prefecture, there are many soft sashiko compared to neighboring prefectures. This tendency is especially noticeable in mountainous areas. The sashiko method is also stabbed as if scooping a cloth slightly. This is the same sashiko method that is very common in the area, with some variations, but most are soft straight sashiko in the vertical...

A large, and heavy, Stick Stand, ( for holding walking sticks and umbrellas), profusely decorated, in Satsuma style, with a panapoly of historical scenes enclosed within elaborately enamelled textile (?) patterns and surmounted by a large coiled dragon amongst stylized clouds. This item was made in Japan for export to Europe or America during the late 19th or early 20th Century. Condition: there are chips to the rim, some cracks around the base and losses to the head and claws of the dragon...

Antique Japanese hirado porcelain brush washer in the form of a fu dog, laying on his backside and sporting a large, whimsical smile. The brush washer sits on three short legs. The form and detail in this little guy are wonderful. Size: 2.5" length, 2.25" height

Beautiful antique Japanese Saki Ori vest made out of cotton reinforced with hemp stitching. Areas of indigo with red stitching have an effect to appear purple. Sashiko-stitched inset in the shoulder traditionally added to strengthen this part of the garment. Trim and hems are in flat indigo cotton. This type of vest was intended to be used in the mountains, for cutting and carrying wood for household use for charcoal. Great Wall piece! Wonderful Original Condition. Age: Taisho Period (19...

Antique Japanese drum with handle. Lacquered black on sides and wooden handle. Decorated with Tachibana mon (Mandarin-orange flower) in red lacquer on one side and black lacquer on the other.

Age: Edo Period (early 19th century)

Dimensions: 15 3/4" long x 8" wide diameter x 2 1/4" deep