Japanese silk obi, Nagoya style, dyed with the design of Chinese Empress and court attendants in the bamboo grove. It appears that this was converted to current Nagoya style obi (from kimono?). The design of this obi is unique. The wide and narrow area of this obi has different designs on both sides and all seams appear clean. By taking one side of the seam apart, you have a large fabric to work with (double in size with one seam in the center)...

Japanese antique Jizai or "J" hook, made for hanging a large kettle by rope from rafters over fire pit, made of keyaki (elm) wood, wonderfully rough hewn and sculptural, carved with eight sides, great patina from smoke and use, Meiji Period (1868-1912). Size: 30 1/4" high x 15" wide x 4" think (10" wide including small cross beam at top).

Japanese Edo period round-form bronze kagami (mirror) decorated in high relief with a finely detailed motif of crane and its young among pines. The perforated boss in the center, which holds a tassel, is in the form of a minogame (tortoise). There is an inscription at one side (see enlargement 6). We are unsure of the precise dating, but confirm it dates no later than Edo period (pre-1868). 4 3/4" diameter with a 3/4" high rim. Very good overall condition with typical wear for its age...

A Japanese leather tobacco pouch with pipe case (kiseruzutsu) and ojime made out of stag horn. The pipe case is finely carved in relief with an eagle on a pine branch above a waterfall; the ojime is engraved and decorated with a key fret design; the pouch with a patinated copper clasp modeled as a frog. All and all, it feel muscular (large) and detailed with quality. Pipe sold separately (Listed, item # 1036417). Meiji period (1868 - 1912)...

A Japanese tooled leather tobacco pouch decorated in low relief in gold and colors with shaped panels of boys at play, roosters, peonies, ducks, etc, silver peony shaped clasp; the pipe case in pressed fiber in imitation of rattan; agate ojime. Meiji period.

Japanese carved wooden NETSUKE. Beautifully carved wood figure of FUKUROKUJU resting against his money bag. Unsigned. 1 1/4" length, 1 3/8" width by 1 1/16" tall.

From our Japanese Collection, a very fine and early Gosu Blue satsuma vase, late Edo Period circa 1840-1860, signed Gyozan. There are four separate gilt-framed panels: Two depict shi-shi, one depicts scholar's table objects, and one depicts a flowering plant. Each panel is surmounted by birds in flight on the upper shoulder, probably phoenix...

Japanese late 19th century sleeve from a stage costume. The sleeve has design hand embroidered on front and back. The front has a large pearl with 3 dragon claws showing around the edge. There are also plum blossoms, bamboo leaves and stylized clouds. The reverse has the 3 friends, bamboo, plum and pine with cloud designs. There is also a fabric handle for the piece. This type of sleeve was not actually worn, but held against the body during a performance...

Beautiful Kutani ware porcelain standing figure of Kannon Bodhisatva (Quanyin), she stands in a relaxed pose with flowing black robes decorated with feathers, she has elaborate gold jewelry and crown with a small buddha in headdress, carefully sculpted and painted from her lovely face to her toes which rest on lotus leaves, late Meiji/early Taisho Period. Minor repairs. Size: 17 1/2" high x 5 1/2" wide

Japanese Satsuma cup and saucer finely decorated in overglaze enamels and heavy gilt highlights with alternating reserves featuring various activities of the noble classes and Buddhist arhats. The inner rim is decorated with a hanging lantern motif and the interior bottom with Buddhist arhats. The base of each piece bears a gold rectangular Satsuma mark and circular Satsuma family crest. Saucer: 4 7/8” diameter; cup: 2 1/2” diameter x 2 3/8” high. Meiji period (late 19th 20th century)...

Edo period, 1600s / early 1700s

The seated Buddha image has traces of gilding darkened from years of candle and incense smoke. The mandorla is thin metal repousse. There are chips, wear and losses to the lacquered wooden case.

Height: 9 ¼ in.

1600s or earlier

This figure has old losses to both forearms. The features are worn and it is blackened overall from incense and candle smoke, but it has a pleasant, soft patina. A metal nimbus was originally attached to the back with a small strip of metal that still remains. Acquired in Kyoto in the early 1970s.

Height: 6 in.

1700s / 1800s

The lacquered case opens to reveal a molded earthenware figure of Fudo Myoo, one of the 'five great kings of ligh.” The ceramic figure has an old, restuck break horizontally across the top of the base, otherwise it is in very good condition. The figure sits neatly into a carved recessed part of the interior base of the case. The case is lacquered a brownish black and is in good condition. Acquired in Kyoto in the early 1970s.

Height: 3 ¾ in.

Striking large Japanese ceramic Tokoname jar, wonderful irregular shape, large kiln fragments, thick ash glaze with unusual subtle blue and yellow striations, Momoyama Period (1573-1615). (The Tokoname Kiln is considered one of the "6 Ancient Kilns" and was located at Tokoname on the Chita Peninsula, bordering Ise Bay.)

Size: 181/2" high x 17 1/2" wide x 17" deep.

Momoyama Period (1573-1615)

1800s

Carved, lacquered and gilded wood. There are losses to the right hand and both feet, otherwise, it is in good condition. Acquired in Japan in the early 1970s.

Height: 12 ¼ in.

1700s or earlier

Classic Japanese Mingei folk art figure probably from a Buddhist altar or rural roadside Shinto shrine. The forearms are missing. It is darkened from incense and candle smoke. Acquired in Japan in the early 1970s.

Height: 7 ¾ in.

Edo period, 1700s / 1800s

A molded clay Buddha image encased in a lacquered wood shrine with a gilded interior. A small bronze ring on top allows attachment to the obi sash of an individual's kimono. There are some losses to the lacquer normal wear from use and handling. Acquired in Japan in the early 1970s.

Height: 3 3/8 in.

A lovely and cute Japanese pickle relish dish dated to the late Meiji period (1868-1912). The type is known as geisha ware due the subject matter so wonderfully represented. It is further without chips, cracks, or any damage whatsoever. It measures 9" long x 3.25" wide.

Early 1900s

Exterior is covered in black lacquer with silver rims encircling both the bottom and lid. The interior of the lid is decorated in very finely-painted gold and silver lacquer with a scene of fish swimming among seaweed. A small rectangular red lacquer signature in seal form is seen on the left margin of the painting. The base of the box is also signed by the artist in gold lacquer. The interior is covered overall with sprinkled gold...

Fantastic Meiji Period c.1885 earthenware storage jar from Shigaraki, one of Japan's pottery and cermics centers In Edo (17th, 18th) and Meiji Period 1868-1912. Wood fired in a 'nobori gama' climbing kiln, the natural ash glazes produce startling textures and patterns. The Shigaraki clays have 'choseki' or white stone which means long life. This tea leaf storage jar has a beautiful green glaze down the entire jar. Ask for a shipping quote. (H:30cm; diam.:23cm)

This is an uchikake robe (outer kimono gown) probably used as Kabuki stage costume. The bottom and the openings of sleeves are thickly padded with cotton stuffing. The design is large paulownia leaves and flowers...

Japanese Satsuma foliate form bowl decorated in overglaze pigments and gilt highlights with a large bird in a cherry tree at the foreground set against a landscape scene with beauties in a pavilion at the right and a waterfall at the left. The exterior features three flying female mythological figures. The base bears a gold on black square “Satsuma Hotoda” mark and circular Satsuma family crest. 4 1/4” diameter x 1 3/4” high. Meiji period (late 19th century). Very good overall condi...

A miniature vessel in the shape of a Japanese water bucket. Earthenware finely decorated in enamels and gold with iris flowers. Base signed below the Kinkozan Kyoto paper label next to an old price label. Condition: fine. Dimension: 6.5 cm high, weight: 32 g.

A miniature vessel in the shape of a Japanese water bucket. Earthenware finely decorated in enamels and gold with a flowering tree. Base signed below the Kinkozan Kyoto paper label next to an old price label. Condition: fine. Dimension: 6.4 cm high, weight: 28 g.

Antique 17th century (circa 1650-1680) Japanese Arita porcelain ewer of oval form with a waisted neck and loop handles, painted in underglaze-blue with panels of peonies reserved on karakusa, the neck is with stylized peonies. The top of the handle has two holes whilst one is pierced and the other is not; the holes were made prior to the firing process of the porcelain at the request of European merchants importing Japanese porcelain for European markets because many of these types of ewer w...

A pair of 19th century signed Japanese porcelain Imari bowls with covers. Each of rounded form decorated under glaze with blue, iron red enamels, panels of stylized bamboo and leaves on red ground and gilded.
MEASUREMENTS: 5 1/8 inches (13cm) in diameter. Height: 3 ½ inches (9cm).
CONDITION: in good condition except for one hairline crack in the interior of one bowl. No repairs or restoration.

ALL OUR ARTIFACTS ARE ACCOMPANIED BY A CERTIFICATION OF AUTHENTICITY

Beautiful and unusual Japanese antique kuruma tansu (storage chest on wheels), made all of heavy keyaki (elm) wood with iron hardware, front has sliding panels with horizontal slats, sides and back all have wooden bracing, interior left side has 4 drawers of different sizes with iron hardware, right side interior has hidden compartment that opens to reveal 2 secret boxes.

Late Edo Period

Size: 36 1/4" high x 38" wide x 23" deep.

Beautiful Japanese antique storage tansu with locking bar, made with all keyaki (elm) wood front and frame, iron hardware, top portion has three drawers covered by a vertical locking bar, bottom portion has sliding panels with horizontal slats, bottom right side opens to reveal two small interior drawers, deep red translucent lacquer finish, Edo Period. Size: 41" high x 38" wide x 19 1/2" deep.

Unusual Japanese antique gyosho bako (peddler's box), made of sugi (cryptomeria) wood, iron hardware including loops for rope so that peddler could carry box on his back, 4 drawers and a safe box, three interior drawers, Meiji Period. Size: 35 1/4" high x 11" wide x 16 1/4" deep.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 12.75 x 2.25 inches, 32.5 x 6 cm, Mounting: 17 x 6.5 inches, 43 x 16.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 6.5 x 4.75 inches, 16.5 x 12 cm, Mounting: 10.75 x 9 inches, 27.5 x 23 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9 x 8 inches, 22.5 x 20 cm, Mounting: 13 x 12.25 inches, 33 x 31 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.75 x 4.25 inches, 25 x 11 cm, Mounting: 14 x 8.5 inches, 35.5 x 21.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.5 x 3 inches, 24 x 7.5 cm, Mounting: 13.75 x 7.25 inches, 35 x 18.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 10.5 x 4.25 inches, 26.5 x 11 cm, Mounting: 14.75 x 8.5 inches, 37.5 x 21.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 10.75 x 6.25 inches, 27 x 16 cm, Mounting: 15 x 10.5 inches, 38 x 27 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.5 x 8 inches, 24 x 20 cm, Mounting: 13.75 x 12.25 inches, 35 x 31 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 11.5 x 5.75 inches, 29 x 14.5 cm, Mounting: 15.75 x 10 inches, 40 x 25 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 13.5 x 9 inches, 34 x 23 cm, Mounting: 17.75 x 13.25 inches, 45 x 33.5 cm.

Lovely antique Japanese large rectangular tray with a scene of a woman gazing at the moon (inlaid mother of pearl), she is sitting near a small stream with flowers and grasses, misty clouds above, the tray is made of kiri wood and the decoration is made of beautiful cherry wood bark, outer sides are also covered in cherry bark, Taisho Period. Size: 24 3/4" long x 15 1/4" wide x 3 1/2" deep.

This is an impressive set of Emperor and retainer dolls for the Japanese Boy's Day. The decorations for this day include Carps, Yoroi and Kabuto (Samurai's Armor and helmet), swords, arrows and some famous hero and legendary figures from the past. The Emperor doll is 17 inches tall and 15 inches wide (sleeves stretched as shown), the retainer is 11 inches tall. Circa Taisho to early Showa.

Sets of Emperor or Empress with the retainer dolls were particularly popular in the Meiji to Taisho pe...

Worn gilt over thick copper pair of Buddhist ritual vessels, one with a single spout and movable handle, the other with double spouts and a long footed handle bisecting the middle opening of the container, the design has etched bamboo, pine, cranes and turtle on body, the handle has scrolling vines done with impressed dots, the traditional stylized crane of the Nichiren sect is on the medallion. Edo Period, (1604-1868). Size A: 8.5"H 5.75"D 8.5"L Size B: 4.5"H 10.5"D 18"L

Japanese four prong Vajra or diamond thunderbolt form Chisakuin Temple, bronze with worn gilt, Edo age (over 200 years old). Very powerful ritual tool representing firmness of spirit and spiritual power. Worn gilt on one side, all over relief, double sided with lotus flower in center, trident prongs emerging from the four cardinal directions. Size: 6 1/8" long

An incredibly painted antique Japanese 6 panel screen painting depicting a scene of 3 red-crowned cranes flying low getting ready to land over the cresting waves crashing up against mountainside. Gold leaf layer down with hand painted mineral pigments on paper. A touch of young pine come through on the hill side. Beautifully painted and in excellent original condition.

Late Edo Period (circa early to mid 1800's)

Size: 68" high x 146" long

This charming round Japanese antique serving tray is 11 inches in diameter. A delicate gold leaf design is painted around the outside tray rim and extends down onto the 3 shapely legs. The top edge of the rim is gold and separates the outside black lacquer from the traditional red/orange lacquer interior of the the tray. The red, black and gold lacquer paints are somewhat dulled with age and exposure. An old type written label on the bottom of the tray dates the tray to 1830. Personally I wo...

From our Japanese Collection, a very fine satsuma vase, Meiji Period (1868-1912), most likely circa 1900 -1910, marvelously potted in an unusual but very elegant flared trumpet shape exhibiting definite Art Nouveau Period influences, and yet decorated in what would be considered restrained Japanese taste with simple and classic floral motifs. Signed Kizan with a Satsuma Kiln mark.

For collectors with a genuine appreciation for art history, this piece is a wonderful example of the blend of...

Takeda dolls are modeled after the popular characters from the theater play during the Edo period. They are known for their exaggerated posture and facial expressions of the puppet dolls and kabuki actors on stage. The dolls in this style, with the distinguished Kabuki actor’s makeup called ‘kumadori’ (first created by Danjyuro Ichikawa I, 1660-1704) were made in late Edo to early Meiji period. The dolls might have been sold in large cities such as Osaka and Edo(Tokyo) where the...

Japanese antique hand-carved keyaki wood badger with tally book, sake bottle and wearing a monk's hat, standing with enlarged scrotum, nice color and grain pattern, Taisho Period circa 1920s, Size: 15"H 16"W 11"D

Edo Period Japanese woodblock print by Toyokuni III (also known as Kunisada) dated 1854 depicting a beauty of the nobility practicing the art of painting. Signed at the left "Toyokuni ga" in a red cartouche surrounded with yellow snow." 14 3/8"V x 10"H. Very good color and in clean overall condition with lacquer and embossed highlights. The print is not backed and the baren marks and image are clearly visible on the back. No tape or tape stains. There is a tiny bit of thinning at the upper left...

The fabric is thick, silver brocade that appears to be taken from a Japanese woman's old obi from late Edo period. The liner is cotton. During the Edo period (1602-1868), there was a custom that the family of a deceased woman would donate her favorite kimono to the temple; some beautiful temple cloths were created from those wonderful fabrics. The custom was likely to have continued after the period. The design on the fabric is the four benevolent animals of Chinese mythology; qulin, drag...

This rare Edo period antique Japanese round box has 3 tiers, lid and plate. There is a column of small Gosan kiri family crests down one side and another column of small family crests on the other side. The inside is of each piece is red orange lacquer. The box fits into the rim of a plate which was use for serving. The gold lacquer paintings designs are all very fine.

The box on the plate stands approx 9.5 inches tall. and is approx 5.5 inches in diameter. The plate is 9 inches in diam...

This is a fine old Japanese Porcelain vase from a rare Artist. The vase is very heavy and it stands 12 inches tall. The vase is decorated in underglaze blues and reds much like some of the Makuzu Kozan Pieces. There is an unknown impressed signature on the bottom. Maybe someone in Japan will recognize the signature of this fine studio artist. The vase was once a lamp and the hole has been nicely restored.

Small flat Buddhist shrine, constructed as a triptych. When open, the middle section houses Amida Nyorai in raised carving, sitting on a lotus throne under a baldachin and surrounded by clouds. On the left panel Seishi bosatsu with his hands folded in prayer, on the right panel Kannon bosatsu with the lotus in his hands. Both bodhisattva surrounded by clouds as well. Sandalwood with details of garment and baldachin in gold. Background in lapis blue.
The outside decorated in makie: A lotus...

A very fine Japanese gilt blue and white charger decorated with phoenixes, dragons, peonies and other motifs. There is a six characters Chinese Chenghua mark inside the foot-rim, but I would date it to 18th or 19th century. The charger is in excellent condition besides some faded gilt and one kiln fault spot(see photo #2); no cracks or chips. Diameter: 15-7/8".

Description:
An iron kettle was in decent look.
In compressed form, the kettle was with limited decoration except on the surface of the cover. That made it in a simple and then casual mood.
Well preserved without any defects or restorations, the ewer was easy for use of pouring hot water for making tea.
Of course from the size, the quantity of water was ideally for two people over a chatting time.

Date: 19th century.

Provenance: Japan.

Width:18.5(including s...

The theme on this fukusa (Japanese gift cover) is “Kin ki Sho ga”, four accomplishments of noblemen. For a man to be well balanced and eventually become a good leader, practicing (and become good at) of “Kin ki Sho ga” was encouraged during their leisure time; ‘Kin’ (Jp. Koto, string music instrument), ‘ki’ (jp. ‘Go’, Chinese chess), ‘sho’ (calligraphy) and ‘ga’ (painting). This started in China and was brought back to Japan by traveling monks studying Buddhism...

Beautiful Kyoto Nishijin silk obi, decorated with flowers, ribbons and mirrors. Gold is genuine and used in two different methods; strips of gilt paper (machine cut) and gold leaf wrapped around the silk threads. Some gold leaf are natually missing from the strips of paper - this did not show up in most photos (see enlargement photo). This obi looks older (clean) than shown in the photos. Circa 1920-1940. Dimensions: 12 3/4" x 170"

This is a set of woman's tobacco case and pipe case which are made of deer skin and has fine katazome ( stencil-dyeing ) komon pattern. The motif is pine needle. It has beautiful clasp of green bean motif which shows prominent craftsmanship in this age. The set also has a pipe, but it seems that it is not an original one as it is shorter than the case. 19th century. In good condition except for some patina. Tobacco case: 12cm x 6.7cm Pipe case: 2.7cm x 20cm

This is possibly a card or ticket case made of rare piece of bingata cotton cloth. Bingata is katazome ( stencil-dyeing ) produced in Ryukyu islands ( now Okinawa ). This bingata was produced in 19th century, but this case might have been made later, early 20th century ( sewn by machine ). The lining is silk. In excellent condition. 13cm x 7.7cm

Exceptional Gonin Bayashi Five Musician set for the Hina Matsuri (Girl's Day) celebration. Just a wonderful grouping: a chanter, flute player, two hand drummers and a floor drummer, each with an expressive and well-modeled face, finely carved fingers and hands in precise gestures for their individual instruments, sumptuous silk brocade costumes, short swords, silk fiber hair, and large inset glass eyes. They are of the finest quality. 7 inches, 18 cm tall.