Third son of the director of the Kano School of painting, Yasunobu was appointed head of the Kyoto branch at a young age after his father’s death. Meanwhile, his two older brothers went to Edo to take up prestigious positions painting for the Tokugawa Shogunate. In 1662 Yasunobu gained the honorific title of “Hogen,” and near the end of his life in his 70s he wrote a treatise on the art of painting that would server as a central doctrine for later generations of painters...
19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape with pink body and leaf and white cherry flowers. Beautiful surface, very pleasant patina, large central hole. Diameter 5/8 inches.
An ivory netsuke depicting Chinnan Sennin, an immortal hermit sage from Japanese mythology, with a serene smile as he controls the dragon Ryu.
This representation is of important dimensions. Ivory, with its colour, shine and patina, enhances the engraving.
Origin: Japan
Period: Edo 19th century.
Dimensions: 8.7 x 3.5 x 2.5 cm.
State of conservation: Very good
A good example of an “Ai Kutani” style dish decorated with a continuous scrolling vine of Peony flowers with Peony leaves and Buds set against a “frog spawn” type ground, which is typical of the period; see Volume II of the Shibata Collection no 347 for an identical border arabesque there dated circa 1670-80...
19th century Japanese Satsuma ware one half of a belt buckle decorated with cranes among flowers and leaves. Metal back stamped with the mon (crest) of the Shimazu samurai clan - they were daimyō (great lords) of the Satsuma han, which spread over Satsuma, Ōsumi and Hyūga provinces. Excellent quality painting, in superb condition. Size 1.9 inches square.
Japanese bronze vase.
Age: Japan, Showa Period, Early 20th Century
Measurement: Height 13.9 C.M. / Width 22 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please
e-mail us for the shipping fee.
The size of Covered Bowl: 4 1/4" Dia x 3 1/2"H top of bowl and Cover. 2 1/16" H top of bowl.
This is pretty Japanese Porcelain Covered bowl with the design of bamboo and vase, with flowers and other tree. It is nicely hand painted with thick polychrome as well as gold painted. It is dated from early to mid19c, 1830-1860. Late Edo period. Inside bowl and cover has finely painted design in blue and white. Each bowl and cover has flower design in BW with gold touch...
This late 19th or early 20th century carved ivory netsuke is 2 ¼” long, 1 5/8” wide and half an inch thick. It depicts a fish which has an inlaid eye wrapped in a bamboo leaf. The workmanship is realistic and superb. The signature “Hokutai” is on the bottom. It is in excellent condition.
Antique Japanese suiseki on base. Suiseki (sui=water, seki=stone). This natural stone formation resembles a mountain and has pleasing fine quartz striations. It sits on a low wooden base.
Age: Taisho Period (1912-1926)
Dimensions: 11 1/8" high x 17" long x 7 1/2" wide
A Japanese porcelain blue and white decorated flower pot, setting on three legs, and with a drainage hole. The pot is from Arita or Imari and was made during the Meiji Period. The pot measures about 9 3/4" high x 12 1/4" in diameter, and is in excellent condition. There are water and dirt stains that can be removed. The asking price includes shipping within the USA.
18th century boxwood netsuke of minogame (turtle with dragon head and bushy tail, usually associated with longevity) sitting on water lily leaf. Strong early carving, great detailing of the turtle, its carapace, tail and head. Length 2.1 inches.
An antique Japanese Yosegi Kobako (marquetry personal drawer box) from the Hakone region made of various natural colored woods with a Hinoki (Cypress) structure and drawer backs. The expert craftsmanship is quite evident by how the front marquetry design flows seamlessly across all of the drawers. Made with various woods including Keyaki (Zelkova), Kakinoki (Persimmon) and Tochinoki (Horse Chestnut). The box has 5 drawers with Mokko shaped drawer pulls...
Incense burner in lacquer, hexagonal and curved shaped, decorated with hira and takamaki-e in gold and silver lacquer on a nashi-ji background, peonies along the banks of a river and a mount. The lid has a cruciform opening.
A mon is affixed to one side of the diffuser. It is the mon of the family Ōkubo (大久保氏)a family belonging to the Fudai-Daimyo house (the vassals of the Tokugawa family).
The head of the family was created Daimyo by the Tokugawa family in 1684...
Antique Japanese Karatsu ware chawan (tea bowl) with crackle glaze and kintsugi. Beautifully crafted with a small flattened area for the hand to grasp
and a magical elegance to the touch. Evaluation done in the 1930's by TZ Shiota when the family was inheriting the collection from their great grandfather, Federic Torrey...
Rare boxwood netsuke depicting two turtles. This netsuke beautifully captures the moment when the baby climbs onto the mother's shell, conveying a feeling of security and family bond.
Signed Shunsui 春水 in an oval reserve under the base.
Origin: Japan
Period: Edo 19th century
Dimensions: 2 x 3.5 x 3cm.
State of conservation: Very good
Hand made more than hundred years ago in Iga, a small tow in the mountains of Mie prefecture, famous as the birthplace of Iga ninja.
Items like ours gave big inspiration to one of the worlds famous potter Tsujimura Shiro.
Iga-yaki is a style of pottery where the ceramic is fired at high temperatures causing it to crystallize in a red hue, with brown-grey burn marks caused by log ashes, and the melting effect of the vidro (feldspatic glass)...
Unusual 19th century Japanese bronze scroll weight in a shape of a crouching toad. Very nice work, wonderful rendition of its warty back, eyes are lacquered in gold and black giving it lifelike quality. Appropriately heavy as a scroll weight, beautiful patina. Length 2.67 inches.
19th century Japanese small lacquered wood netsuke representing a theatrical mask of an oni. Uncommon image, excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.11 inches.
A very rare Momoyama Period masterpiece Japanese two-panel screen with chrysanthemum and other flowers and foliage. Exquisitely painted on gold leaf, with original sumptuous silk brocade. 72w x 21h inches, 183w x 53h cm.
Fine and rare early example of a Jomon Period Dogu Clay Figure, the earliest
known Japanese figures. The Dogu acted as effigies of people. They
manifested some kind of sympathetic magic. For example, it may have been
believed that illnesses could be transferred into the Dogu, and then
destroyed, clearing the illness, or any other misfortune. Because of the
ritual destruction of Dogu, they are quite rare. This primitive abstract
fertility figure has a futuristic look...
A beautiful Edo Period Scroll attributed to Kano Insenin Naganobu (1775-1828), depicting "WHITE KANA", 18th Century, Japan. Seal and Characters on bottom right. Provenance: From an old Berlin, Germany, collection belonging to a Lecturer. Good condition. Size: H. 180 cm. x W. 50 cm.
Antique Japanese fan painting of a single bat in sumi-e ink on paper. Signed by the artist. The painting is 18th century, later mounted as a scroll. The surface of the painting is very unusual and has a slight opalescent quality.
Size of scroll: 48" high x 24" wide (26" wide including scroll ends). Size of fan painting: 9" high x 19" wide.
Japanese Meiji period woodblock print triptych by Utagawa Kokunimasa (1874-1944), aka Ryua, titled “The battle between Japan and Russia at Seoul” depicting troops landing on the Korean peninsula at the start of the Russo-Japanese War. The print was published by Fukuda Hatsujiro and is dated in the cartouche at the lower left 2/1904. Signed at the lower right "Ryua" and with the artist's red "Edokko" seal below. Each of the three panels measures 14 1/2" - 14 5/8" x 9 3/4" (paper size)...
Large and only slightly distorted full cylinder shaped Tsutsu (hight is bigger than diameter) tea bowl with a rounded brim, made of reddish, unrefined Mino clay with clearly visible finger marks on the wall.
The expertly thrown body was trimmed with a potter's knife around the regular food ring. In the style of Seto-Kuro bowls this bowl was covered with a black glaze.
On three sides a round space was spared from black glaze...
A stunning 19th century Japanese Imari charger with rich vibrant blues featuring crane scenes with alternating floral panels. Some age related wear to the gold gilt on the rim but considered to be in excellent antique condition, it measures 14 inches in diameter. Circa 1880.
This is an Early 19th Century, Dear Horn Antler Netsuke in the form of a Recumbent Ox with a rope attached to its head that is laying on top of its body. Excellent detail and powerful compacted form on a material that is very difficult to carve. unsigned.
Netsuke measures 1.75inches (4.5cm) wide, 1.16 inches (3.0cm) deep, and 0.79 inches (2.0cm) tall. Ox's right rear hoof has been repaired, but, its otherwise, in excellent condition, as may be seen in the posted photos.
A Japanese Arita deep dish, early 19th century. The dish is decorated with Ho-o birds and branches of flowering paulownia. The back with clouds and bats and a single spur mark. The Dutch refer to this palette of red and gold on white porcelain as ‘Milk & Blood’.
There is the remains of a collectors mark on the back
Approximately 20 cm diameter. Perfect condition.
Please study the photographs.
For new customers resident in China sadly I have to state that...
This is made with crepe embroidery of the Edo era, printing silk, Akita silk.
The time when this was made is the latter period of the Meiji. There is no stain dirt. The condition is good. The embroidery of four attractive cherry blossoms is impressive.
Size: 89cm x 120cm (35 "x 47.2")
Height: 20 cm (8 in)
Width: 5.8 cm (2.4 in)
Depth: 5 cm (2 in)
Fine Japanese carved okimono of Gamma Sennin, the Sage Liu Hai supporting a toad on his back; excellent carving throughout; natural material; signed on the base; good condition
This is a really nicely painted antique Japanese Arita porcelain covered bowl, sometimes called a chawan, dating to the Meiji era, circa 1870s-90s. It measures about 13.2 cm across the lid, and about 8.5 cm high including the lid. It is entirely hand painted, with garden scenes and a pair of plovers. The mark on the inside of the foot of the lid is a kakutomi mark, associated with one or more of the kilns of the Meiji era. This piece is in very good condition, with no cracks, chips or repairs, a...
A silver wired dragon on a black field. This 12" charger is in fine condition with only minor pitting usual to the period.
An exceptional web of gold interspersed with nishiki-cloth patterned designs on gold lacquer fuses this once broken 16th-17th century Koro with ami-me net patterned solid silver lid. This was likely originally made as a tea cup, considering that the entire interior is glazed. Broken and reassembled using the Kintsugi gold technique and placing unusual patterns on the missing portions, this is an exceptional work of art. The silver lid was likely made when it was repaired and repurposed as an ...
Pair of Carved Wooden Koma Inu Temple Dog Figures, each seated in the traditional posture. These are a very rare find from the
early Heain Period, and could be even earlier, possibly Nara Period. The wood is aged to a beautiful patina. There are not many works of art of the period that come
up for sale. There has been some conservation and restoration to stabilize these fantastic and rare pieces.
18.75 and 17.5 inches (47.5 and 44.5 cm) H, 13 and 12 inches (33 and 30.5 cm) W, 10 and 9 inches ...
Japanese Silver Teapot w Irises Marked & Signed
Description & Size: 22.86 x 15.24 x 16.51 x 13.33 cm (9" x 6" x 6.5" x 5.25")
Weight: 591 gram (20.84 oz)
Age: Meiji Period 19th Century
Production: Handcrafted
This is a superb & beautiful handcrafted Japanese silver teapot with irises in water pond throughout the silver teapot body. The teapot has a flower or rose opening on the top rim. The silver lid is decorated with an iris finial....
A beautiful original large Buddhist temple sitting lantern called Koshi Tsuridoro. These lanterns are placed in front of the entrance to the temple itself. The verdigris copper and wood construction is decorated with 8 panels of scrolling arabesque designs of lotuses. The front pair panels are hinged and they are secured with a lock and sliding flat pin.
The diminutive transom panels of swirling cloud cut-outs sets the square domed roof on 4 piers. The panels are perforated with swirl...
Beautiful Japanese 19th century gilt copper Keman with lotuses. This keman once hung from beams above the altar of a Japanese Buddhist temple. Traditionally, keman are decorated with floral designs originally derived from the use of flower garlands in temples in India. This keman has rare and very old blue glass beads and is remarkably intact. Translation writes that an honored donor named Demura Kojiro presented to temple in city of Wakayama in January Meiji 23 (c1890). It is tastefully susp...
Wooden saddle, "kura" made of wood and iron fittings. Meiji Era (1868-1912,) but the top board is a later addition. This flat board makes it ideal for display items, especially for flowers. H. 44cm(17.25") x W.68cm(26.75") x D. 32cm(12.5").
A beautiful example of Shigaraki pottery—the result of techniques perfected over centuries by dedicated artisans residing in the provinces east of Kyoto. This piece achieves a kind of asymmetrical balance of both form and color, displaying classic Shigaraki markings of emerald green, red ochre, and pale ash.
The Shigaraki kilns in Shiga prefecture have been an active pottery centre since the Kamakura period (1185–1333) and continue to produce pottery up to the present day. Like...
Finely carving of a charming Pigeon resting on its characteristic true-to-form bird feet, just as shown in the book 'NETSUKE 100 Miniature Masterpieces from Japan', by Noriko Tsuchiya, that displays netsuke pieces from the The British Museum in London.
Fine cohesive composition partly stained to enhance its form. Eyes inlaid with dark horn.
The signature of MITSUHIRO 光廣 is intricately carved under the pigeon feet, as shown in the book's picture.
This is Kuge-Costume silk nishijin textile the last part of Edo era is rare(1800-1867).This does not have damage. There is a thin stain to the string of hakama. However, it is excellent condition.The kuge was a Japanese aristocratic class that dominated the Japanese imperial court in Kyoto from its establishment as the capital in the late 8th century until the rise of the Shogunate in the 12th century, at which point it was eclipsed by the daimyo. The kuge still provided a weak court around the...
An incredible pair of Inari (Japanese fox's) made of pottery.
Original patina consistent with age. No major damage.
No two Kitsune are exactly alike, and all of them are complex characters! Their high intelligence and boundless creativity make them hard to predict.
Foxes and humans lived close together in ancient Japan; this companionship gave rise to legends about the creatures. Kitsune have become closely associated with Inari, a Shinto kami or spirit, and serve as its messengers. T...
Porcelain cat. Pink and black enamel details. Gilding spot. Japanese work probably from Kyushu at the beginning of the 20th century. Mark hand painted in red: "made in japan".
Height:115mm
From our great collection of Japanese tea pots we offer you a superb Hobin tea pot, made during the Meiji period at the end of the 19th century.
It is slightly deformed, covered with rough Oni Hagi glaze and has fine crackle look with natural kiln cracks. It is signed on the bottom
Great antique condition with no cracks or repairs.
Ready to use.
Size: 3,4'' height, 3,9'' width.
Shipping included
Vintage Japanese hibachi (brazier) made of beautiful Keyaki (elm) wood, with built in stand. The front features three long drawers with incised metal pulls. The interior is copper lined with natural patina.
Showa Period c1980
Dimensions: 33.75" L x 22" D x 19" H
Height: 4.6 cm (1.8 in)
Width: 2.5 cm (1.0 in)
Depth: 2.3 cm (0.9 in)
Fine netsuke of two figures wrestling - one is an Oni; natural material; excellent detail; signed Mitsusada to the foot; good condition
This playful image of a Japanese raccoon dog (tanuki) enjoying a flask of saké was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).
Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces. Due to her rumored great beauty, she soon married but after the death of her hu...
Antique Japanese teshoku candle holder made of bronze. A long handle makes it easy to carry a candle around for light as well as very stable when set down. Cut-out design is of a Hoju, the Buddhist wish granting ball. History of the HoJu: Known as the hōju 宝珠 or hōju-no-tama 宝珠の玉 or nyoi houju 如意宝珠 in Japan, this jewel signifies the bestowal of blessings on all who suffer, for it grants wishes, pacifies desires, and brings clear understanding of the Dharma Buddhist law ...
A small Japanese Arita kilns blue and white porcelain sauce dish, or mamezara, of mokko-gata form. Namban (or Nanban, Southern barbarian) decoration of a foreign figure, with dog, falconing in picturesque landscape. Painterly shironuki decoration in the cavetto of cranes flying among clouds. Edo period, Circa 1800. Good condition for its age, with two small chips inside the foot rim and a small glaze abrasion just above the foot rim. About 3 15/16 inches (10 cm) square.
Patinated bronze sculpture depicting a roaring lion of excellent quality evident in the details of the muzzle, in the energetic expression, in the muscles and in the thick mane.
The eyes have a golden outline that stands out against the dark background of the bronze and gives the animal an even more truthful expression.
This bronze sculpture is signed Gyōkō 暁光 (Akasofu Gyōkō 赤祖父暁光) under the belly within a rectangular reserve.
Origin: Japan
Period: Meiji second half...
Another historical masterpiece in the development of Japanese culture: grey Shino Chawan, distorted cylindrical shape - hanzutsu, covered with a whitish Shino glaze over an iron oxide engobe, resulting in a beautiful grey shino glaze, which partly turns to red shino (aka shino).
A decoration of a branch with a leaf and berries on the front and a criss cross grass pattern on the back has been incised into the engobe resulting in white shino colored lines. The regularly cut double fe...
19th century Japanese raku ceramic box for use in tea ceremony potted and painted to represent yuzu citron with leaves. Could serve as chaire (tea caddy for powdered tea) or kogo (box for incense). Wonderful hand potting, excellent depiction of fruit skin texture. Stamped with RAKU character on the body by the foot. Comes with newer kiriwood box and wrapping cloth. Very pleasant feel of age, well-used, in great condition. Diameter 3 1/4 inches, height with cover 2 5/8 inches.
Signed Adachi Kinjiro, this 6" vase features colorful silver wire enamel hydrangea and leaves over a base of emerald foil chips. A stunning example of different styles of cloisonne workmanship, the piece is in excellent condition.
A late 18th century Ko Seto stoneware dish, 5" in diameter, decorated tastefully in a traditional horse eye and cobweb design.
Condition:There are two small rim chips as illustrated in the sixth photograph. The first and more serious is to the far left, the second is to the far right. The dish is otherwise excellent.
An interesting kaku nagazara, rectangular dish designed for use in the Kaiseki meal. It is decorated primarily in a three colour Imari palette, more typically found on porcelain produced for export to the West. The central reserve is decorated in kinsai style with gilt and gilt outlined enamels with a “winter” landscape incorporating Bamboo, Take, Pawlonia, Kiri and Suisen, Japanese Narcissus partially obscured by cloud like ground fog, and finger form kuomo style clouds. The cavetto of the ...
A silver wired rooster, hen and chick on an olive green ground decorate this signed 7.25" vase. Rims are silvered, the bottom is black enamel.
Condition: Excellent. No chips, cracks or repairs.
Antique Japanese scroll painting of a tiger. Every strand of his striped fur is painted. The tiger stands under a pine tree, facing the viewer. His mouth is open, displaying large teeth. Painted in ink and light colors on paper. With artist's seals.
Age: Meiji Period (1868-1912)
Dimensions: Total size: 74" high x 24 1/2" wide (76 1/2" wide including rollers). Size of art: 46" high x 18 1/4" wide.
An antique Japanese 2 part Usubata in bronze featuring a Minogame (age old turtle) base. Mounted to the shell is a flanged cloud rendering with four terminating columns that undulates to a removable wide rim water receptacle. Artist signed at the base of the receptacle. Beautiful craftsmanship including the fine stimple work to the underside of the turtle.
In Japan, the turtle is a good luck animal symbolizing 10,000 years of long life. It is considered the chief amongst all shelled c...
Antique Japanese iron tsuba (samurai sword hand guard) decorated on both sides with cresting waves. Unusual octagonal form and detail to each wave.
Age: Edo Period (1603-1867)
Dimensions: 2 3/4" wide
19th century mixed material netsuke in kagamibuta (mirror lid) form. The top is mounted with a bronze or shakudo galloping horse, gilding to the eye and spots on its body, superb crisp work. Beautifully captured sense of motion, great patina, old age lines, swinging metal loop on the back for the cord, compressed dust on the surface. Length 1 3/8 inches.
19th century netsuke in square manju (rice cake) shape with relief carving of a man wearing a straw hat and holding a spouted kettle by a handle, falling maple leaves on the back. of a samurai subduing a rough looking man. the subject is Tadamori capturing an oil thief. Taira no Tadamori (lived 1096 – 1153) was the samurai who presided over the rise of the Taira clan: he was sent to fight a what was thought to be a ghost wondering the temple grounds, only to discover that it was a man stealing...