A fabulous cabinet covered in polished black lacquer inlayed with mother of pearl designs in the style of Nagasaki containing various boxes, trays and dishes for an outing. To allow any steam to escape, it has windows which were once lined with silk. Brass hardware secures the hinged doors which swing out with small boxes and trays in one side, a square sake bottle with brass spout encased in a wooden stand on the other...

A delicate kiri-wood tray decorated with a fledgling among grass puffed up against the cold by important 20th century artist Domoto Insho enclosed in the original signed wooden box titled Kosuzume Seifu (Small Sparrow, Pure Wind) and signed inside Insho Saku. It is 19 x 19 x 2.5 cm (7-1/2 x 7-1/2 x 1 inch) and is in excellent condition.

Small scholar's chinese table in precious wood. The table is cut from a single plank of wood. The shape is simple and elegant. The wood is very hard, dark brown in color with red highlights, its grain is very fine, similar to mahogany or rosewood. When touched, the surface is slightly irregular, indicating the use of careful manual finishing with a scraper. Good condition. Very heavy. 3400g. 543x322x62mm Can be used as a base.China early 20th century or before.

Japanese Kutani porcelain bowl decorated in gilt and overglaze polychrome enamels with a scene depicting two figures seated outdoors conversing under a tree. A geometric band interspersed with white flowers decorates the interior rim. There are fine "ao tsubu" (green dot) accents. The exterior is decorated on opposing sides with a prominent yellow flower and ribbon pattern. The base is signed in red "Kutani made." Believed to date from the early Showa Period (circa 1926 - 1935)...

A large bronze seal with a loop on the back and elaborate cross designs, Bactria, 3rd. millenium BC.

A round seal with a solid cross in the center and a circle around in the openwork style. The seal belongs to the group of varied mostly circular metal stamp seals relief cast in bronze or copper alloy, classified as so-called compartmented seals (a term first used in 1943 by the British archaeologist Stuart Pigott – 1943. P. 179–180, fig. 4) Reff...

A large bronze seal with a loop on the back and elaborate cross designs, Bactria, 3rd. millenium BC.

A round seal with a solid cross in the center and a circle around in the openwork style. The seal belongs to the group of varied mostly circular metal stamp seals relief cast in bronze or copper alloy, classified as so-called compartmented seals (a term first used in 1943 by the British archaeologist Stuart Pigott – 1943. P. 179–180, fig. 4) Reff...

Excellent opium pipe stem cleaner, fine condition and all original parts. Bamboo sheath, iron cleaning rod and copper opium poppy pod shaped finial handle. Circa late Qing Dynasty. Total length 54cm/21.2in.

A large Persian book cover made of papier-mâché with leather-binding. Both sides hand-painted in polychrome gouache and gold under lacquered varnish. The outsides showing a dignitary with consort on a throne surrounded by musicians and a festival with horsemen, musicians and veiled women, both depictions framed by inscriptions. The interior with scrolls of tendrils in gold on red ground. Condition: some craquelure, flaking and wear, traces of age, some retouchings...

Reddish limestone. Animal battle scene with crossing bulls and crescent moon standard, worshippers in between. A larger seal in an attractive red-orange stone. Isin-Larsa period, Old Babylonian, ca. 2002-1594 BC.

Height 26 mm and diameter is 13 cm., so fairly thick.

Condition: Very fine, smooth wear but intact with a nice patina.

Provenance: The Karl Müller collection, Germany 1950-1977. Comes with COA and his imprint.

An interesting amulethic stamp seal, dating back to the Neolithic period of Mesopotamia/Anatolia, c. 7th.-6th. millenium BC.

Shaped as a triangular amulet with a grit-pattern carved in the base.

Size: 26 x 23 mm...

A rectagular bifacial stamp seal with a large handle in a black serpentine stone. The seal is carved with an impression of an animal in the handle as well as a larger depiction in the base of a deity standing on the back of a four-legged animal. Unidentified objects on either side of the deity, perhaps symbolizing weapons. Northern Mesopotamia, and probably later 2nd. millenium BC.

Size: 21-22 mm. long x 18 mm. wide, c. 16 mm...

A substantial and nicely carved stamp seal in a black serpentine stone, carved as a tall pyramid, North-West Mesopotamian city states, after the colapse of the Hittite Empire, late 2nd.- Early 1st...

Japanese bronze peacock with artist sign.

Age: Japan, Showa Period, 20th Century
Size: Length 33.3 C.M. / Width 11.7 C.M. / Height 16.8 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

First edition Japanese Meiji Period woodblock print titled "Otsu Inari" from the series "The Calendar of Events in Edo Theater" by Adachi Ginko (1874-1897). Three editions of this series are known...

Two antique steel-line engravings drawn by Thomas Allom (1804-1872) and engraved by Arthur Willmore (1814-1888) titled “Chinese Boatman Economizing Time & Labour, Poo-kou” and "The Fortress of Terror, Ting-hai" from “China in a Series of Views” published in London in 1843 and reprinted through 1859. The images were derived from sketches executed on the spot by Captain Stoddart, R. N. Purchased from Teresa Coleman Fine Arts in Hong Kong, with the certificate of authentication included. ...

Chinese porcelain jar. On a very beautiful underglaze lavender blue background are painted, in dark cobalt blue also underglaze and in white enamels, characters Shou (happiness) and Swastika (eternity) surrounded by fumaroles, around the base and the neck are represented respectively friezes of waves and stylized clouds. Below the mark of Emperor Qianlong in underglaze blue. This jar was a vase whose neck was certainly damaged. It was transformed into a pot probably during the 19th century in Ch...

Partly gilt wood statue of Buddhist goddess Sho Kannon Bosatsu (one of the many forms of Bodhisattva Avalokiteshvara), wearing formal robes, and a diadem with a small stylised Amithaba on the front, standing, her hands joined to hold a bowl. The goddess face reflects a profound meditation. Fine age patina. Japan, Edo period, early 19th century, maybe earlier. Height: 24.2 cm. Old insect attack on the right side (no more danger), otherwise very good condition.

An attractive large stamp seal of the stylized scaraboid form, oval with a round back and carved in the base in deep relief with a standing lion, tail lifted and a bird with spread wings above it's back, Mesopotamia, Middle-Assyrian period, later 2nd. millenium BC.

Size: 26 x 22 mm.

Condition: VF, intact with some wear and patina.

This seal comes with hard impression and COA to the below collection.

Provenance: Gustav Oberländer (1926-2012), Oberlä...