DUE TO RECENTLY ANNOUNCED CHANGES, AND FURTHER PROPOSED CHANGES THAT HAVE NOT YET BEEN FULLY IMPLEMENTED OR PROMULGATED BY THE US GOVERNMENT, IT IS NOT CLEAR TO US AND MOST ANTIQUE IVORY DEALERS, EXACTLY WHERE (WHAT JURISDICTIONS), TO WHOM, UNDER WHAT CIRCUMSTANCES, AND WHAT TYPE OF NEW PERMITS MIGHT BE REQUIRED FOR US TO CONTINUE MARKETING ANY OF OUR ANTIQUE IVORY PIECES FOR SALE...
mysterious piece h 5.5 w 8 d 4
Fantastic 18th Century Edo Period Saga Ningyo of a young boy
holding a bird. His head bobs while his tongue goes in and
out. Carved entirely of wood, his gorgeous robes are built up with pigments
in a technique called 'moriage'. He has an outer robe decorated with a foliate
scroll with other beautiful designs and geometric patterns raised in relief. This rarest of all Ningyo forms almost never comes up for sale and are
almost never seen except in museums or important private collections...
DUE TO RECENTLY ANNOUNCED CHANGES, AND FURTHER PROPOSED CHANGES THAT HAVE NOT YET BEEN FULLY IMPLEMENTED OR PROMULGATED BY THE US GOVERNMENT, IT IS NOT CLEAR TO US AND MOST ANTIQUE IVORY DEALERS, EXACTLY WHERE (WHAT JURISDICTIONS), TO WHOM, UNDER WHAT CIRCUMSTANCES, AND WHAT TYPE OF NEW PERMITS MIGHT BE REQUIRED FOR US TO CONTINUE MARKETING ANY OF OUR ANTIQUE IVORY PIECES FOR SALE...
Ginbari and Musen enamelled silver vase Fish decor. Japan Meiji late 19th century.The lower part enamelled in celestial blue, decorated with fish in ginbari (incisions on the base metal) and musen (enameling without wires of much more complex realization). A dragon wraps around the collar. In the middle a finely damascened gold ring. Artist's mark below, signed with 2 characters incised in a gold cartridge...
15th Century Japanese Gilt Wood Amida Nyorai Buddha. His hands are held in the vitarka mudra, the gesture of discussion and transmission of Buddhist teaching.
Amida is captured here in his welcoming descent from Heaven to greet the soul of a faithful devotee at death. Images of his
descent to earth illustrate the nineteenth of forty-eight vows made by Amida
in a previous life, in which he promises to appear at the moment of death to
all beings who devoutly desire rebirth in his paradise...
Ni-Mai do complete armour, (tosei gussoku), the helmet (kabuto) of the hoshi suji bachi type (visible rivets) with 62 lames. Signed inside the bowl but illegible. Tehen in gilded and chiseled copper. Maedate with demon head (oni) and gilt lacquered wakidate. The mabizashi and the 5-lame shikoro are made of black lacquered iron. The menpo in brown lacquered iron and mustache is of the ressei type. The teeth are silver lacquered. The gorget (yodarekake) of 4-lame...
A very rare Giant Size Dry Lacquer Buddha Head on a custom made base (can be removed), Shan State, Burma, 19th Century. Very nice smooth Patina, some inconsequential wear, especially to individual hair curls, but excellent overall condition as shown. The Ushnisha or Flame on the top of the head is removable and most likely from a later date as is typical of such venerated Buddha images. Guaranteed 19th Century. Size: H. 76 cm. x W. 61 cm. x D. 41 cm. (30" x 24" x 16" inches)...
An antique Satsuma figural group of a prone bull with a guardian. The bull with crackled cream ground, gilt noseguard and retaining rope and with polychrome painted and gilt backcover. The young man in a gilt and multicolor painted traditional Japanese garment resting on the animal while holding a book in his hand. 11.5" long, 6" high. An exceptional piece.
Condition: Flawless, ex-Christie's
Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho)...
Porcelain ewer from the Kyushu Arita oven second part of the 17th century. We only know a few identical models, one, with its lid, is kept in the British museum, another is housed in Tokyo at the Idemitsu Museum and happens to be one of the major pieces of the collection, finally a last one, damaged and without a lid, was sold by Sothebys London on June 1, 1981. To our knowledge there are no others...
Late 19th Century Japanese Kazari-Uma (Battle Horse). This deluxe extraordinary example is
attributed to Marurei, one of the most important Ningyô artists. He now has
Japanese National Treasure status. This handsomely adorned military horse is
displayed on a Boys Day stand. The body hair is done by a technique called
Ke-Ue-Saiku "fine work of fur planting" in which silk hairs are pasted on.
It has gorgeous silk and lacquer trappings. It is positioned
on a fine lacquered stand. This wonder...
A large, rarest of rare Japanese 18th century Bijin Saga Ningyo, depicting a standing female holding her flowing kimono.
Saga Ningyo are the most sought after
of all Japanese Ningyo. They are almost never seen on the market, and only rarely enter Western collections, public or private. This is a once-in-a
-lifetime opportunity for the serious connoisseur of Japanese art.
This finely carved and sculpted figure is a masterpiece from all angles. The rich
pigmentation of the robes are built u...
Big group Tang dynasty yue type green glaze large jar 100 pieces, good condition please see picture for detail,
A very rare Momoyama Period masterpiece Japanese two-panel screen with chrysanthemum and other flowers and foliage. Exquisitely painted on gold leaf, with original sumptuous silk brocade. 72w x 21h inches, 183w x 53h cm.
Pair of 6-panel screens; ink, colors, gofun (crushed calcified crustacean shell) and gold on paper framed by a double silk brocade border.
The screen on the right represents numerous geese (14), some flying down in front of a black moon, others in search of food or resting among the grass at the edge of a body of water with a background of a mountain.
The left screen depicts egrets (7), three of which are perched on the trunk of a majestic weeping willow, covered in a white pigment represent...
A large-size Native American pottery olla from Acoma pueblo, Zuni tribe, New Mexico. The pot is hand-coiled and shard fired and painted in red and black on white with encircling bands of stylized figures of deer and roadrunners. Circa 1910-1915. Size: 19.5 inches ht. x 16.5 inches in diameter. Very good condition with no chips, cracks or repairs. Name of the original owner written in light pencil on the inside of the rim. Rare to find an olla of this large a size and in such wonderful condition....
Ancient, circa 3rd century A.D. Gray schist stone head of Buddha, Ancient region of Gandhara, Kushan Empire period.
The elegantly carved head in highly polished gray schist with stylized curls drawn up over the ushnisha at crown of head, with a distinctive widow’s peak above the broad forehead and urna, finely chiselled eyebrows curving into the strong aquiline nose, the lowered eyes serene and downcast, with a bow-shaped mouth and pendulous earlobes signifying Buddha’s renunciation, wi...