Small iron in cast bronze, relief decoration in the traditional archaic style, exceptionally part of the handle is in jadeite. Usually these irons are simply made of bronze because they were utilitarian objects, which is why it is curious that this one has this precious contribution. The tip fits perfectly and seems to be well 'origin. It must be an iron used in an important family...

The cigarette holder is made of iron decorated with a damascened dragon in gold, silver and sentoku (copper alloy). On the reverse is represented Mount Fuji damascened in silver, at the bottom right the mint mark as well as the "24 carat gold" guarantee...

A marine ivory okimono, depicting a Ryu dragon fleeing upwards into the clouds passing under the arm of a character sitting on the tatami. Signature 'Gekko (?) tō' 月古かたな engraved under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 20 x 8 x 6 cm. State of conservation: Very good

Bronze okimono depicting a player of the biwa (琵琶), a short-necked Japanese stringed musical instrument, portrayed in a sitting position. Signature engraved under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 15.5 x 14 x 12 cm. – Weight: 1.2 kg. State of conservation: Very good

A finely preserved small inscribed foundation cylinder, Neo-Babylonian Empire, c. 8th-6th. century BC.

The barrel shaped piece fully inscribed in Babylonian cuneiform. Untranslated but such cylinders usually has been attributed to Nebucadnezzar II, 604-562 B.C. They were stuck into buidings walls and is often long texts with praises to the builder and the gods, usually a king, just like foundation bricks.

Size: 60 mm. long and c. 25-26 mm...

Ivory okimono depicting a Japanese farmer tying three daikon turnips with a rope. The details of the farmer are finely engraved and sculpted, testifying to the artist's mastery. Origin: Japan Period: Meiji end of 19th century. Dimensions: 10 x 12.5 x 9.5 cm. Ivory dimensions: 7 x 8.5 x 5 cm. State of conservation: Very good

Kogo box 香合, incense and perfume holder, in polychrome enamels in the cloisonné technique with a turquoise background depicting a mandarin duck. On the sides there are floral motifs of bamboo and lotus flowers. The turquoise background evokes the image of crystal clear waters and clear skies. The interior is covered with an original fabric. Origin: Japan Period: Meiji end of 19th century. Dimensions: 3.3 x 6 x 4.5 cm. State of conservation: Very good

Table screen composed of four cloisonné panels worked in the ginbari technique with translucent enamels on a red background decorated with polychrome irises. The red background provides a contrast for the polychrome irises, which represent the rebirth and beauty of nature. On the back of the screen the swallows are engraved on silver metal. Origin: Japan Period: Taisho-Showa 1920 ca. Dimensions: 18 x 33 x 0.3 cm. State of conservation: Very good

Bronze okimono from the Tokyo school, depicting a farmer with a basket, which contains seeds. The farmer is represented in a working position, intent on sowing seeds. Signed Seiya six within square reserve on the relief base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 26.5 x 13.5 x 13.5 cm. State of conservation: Very good

Ivory okimono depicting Hotei, one of the seven Sages of Good Luck. He is depicted smiling and sitting on his sack, while he holds the stick. Next to him there is a child who hugs the end of the sack. Signed Tomihiro under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.5 x 17 x 4 cm. State of conservation: Very good

A very rare and interesting large fragment of a sculptural torquise blue faience vessel with moulded decoration, Egypt, probably Amarna period, 14th. century BC.

The fragment represent up to 40% of what was once a hemispheric low bowl with pseudo handles and black and torquise glaze. Moulded decoration of large snake and the tail of another which would have adorned the other side.

Size: 13-14 cm. long.

Ex. Cristian Spinu collection, ex old European collection...

A very early archaic bronze figure of seated Kore, Italic bronzeage, Etruscan, c. 7th. century BC.

A lovely figure with fine details of Kores archaic features, the elaborate gown and the wonderful expression. She wears a spiked diadem holding her long hair.
Very unusual depiction of Kore half seated, where the usual depiction is a motionless standing image.

Size: c. 69 mm. for the figure alone and 120 mm. incl. the vintage stepped podium.

Ex...

Burmese wooden sitting boy.

Age: Burma, Early Mandalay Period, Early 19th Century
Size: Height 54 C.M. / Width 31 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese wooden lotus Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base with gilded gold.

Age: Burma, Mandalay Period, 19th Century
Size: Height 21 C.M. / Width 12 C.M. / Depth 6.7 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Lovely bronze figure of Hercules in a typical youthful Etruscan style with no beard, Late Etruscan or Gallo-Etruscan, c. 4th.-2nd. century BC.

Herakles, the mythological hero, is depicted standing in contrapposto, his weight resting on his right leg while his left leg is slightly bent...

Rare Burmese wooden seated crowned Buddha, or sometimes known as 'King Buddha', wearing diadem-crowns and ornaments of king instead of ordinary monk's robes.

Crowned Buddha represents the Buddha's role as a universal sovereign.

Age: Burma, Ava Period, 16th Century
Size: Height 66 C.M. / Width 25 C.M. / Depth 19.5 CM.
Condition: Some expected degradation due to its age including old wears. Please refer to the enlargement photos for more details...

A fabulous Rootwood stand of dark red hardwood with a web of interlacing root-legs beneath. It is 48 x 32 x 8 cm (19 x 12-1/2 x 3 inches) and is in overall fine condition, dating from the first half of the 20th century.

Rice bag made of fragments of hand-spun cotton with stripes, checks and katazome (stencil-resist-dye), all vegetable indigo and brown dye. The cord is hemp. The square cloth in the bottom is fine and beautiful katazome with "two cranes facing" motif. Kome-bukuro was used when people dedicated rice to temples or shrines. In excellent condition except for a few holes and mending patches. The latter half of the 19th to early 20th century. W:57cm, H:28cm, Bottom:30cm x 28cm.