A very rare a beautiful micro necklace made of micro ceramic and glass beads from the very early Pyu Dynasty. Condition: Very good. Size: 29m X 2 or 23 inches end to end.

A Japanese silvered and polychrome enamels okimono pair of manchurian cranes on a natural wooden base. Finely chiseled and engraved, they are supported by a natural root base creating a unique elegance and harmony. The cranes represent conjugal fidelity, the couple lives together all their lives, it is also known as the red-crowned crane, it is sacred and seen as a symbol of loyalty, good luck, love and long life in the East. It is also the second rarest crane species in the world...

A Tang Dynasty White Glaze Melon Box with lobed vertically carved lines eminating from the lid. Hair line in the glaze on lid appears to be in the glaze only. Crack in lid from time of manufacture. Height is 3 inches.

This is a beautiful wire and wireless Japanese cloisonne vase. Though it is not signed, it was made by Gonda Hirosuke during the Meiji Era, circa 1910. Other identical pieces exist that are signed Gonda. Very few of these wireless fish vases were made by Gonda. The vase is in excellent condition and has silver rims. It was created before Japan began stamping rims with the "jun gin' silver mark in the early 1900's. It stands 7 inches tall and is 7 inches wide.

Pvt. Zentner family Collection

Antique Japanese two section Kiri (Paulownia) wood tansu in original medium brown finish. From the Niigata region. Attractive iron locks on each drawer with floral motifs, squared "kakute" style handles on pierced backplates. Pierced Iron corner hardware. Original Keys included.
Edo age circa 1850s
Size: 34.75" L x 16.75" W x 39.5" H

An Italian "800" Silver Ewer and Underplate (or basin) with Mounted Carnelians on Each Piece. From Milano, Italy, late 19th century. Excellent condition and Very elegant. Dimensions; ewer 4.5" high, underplate 5" in diameter.

19th century netsuke carved as a cluster of eight theatrical masks, those of Okina, Hannya, Hyottoko, Bishamon, Oni, Ikkaku Sennin, Okame and O-Tobide. Excellent faces, very pleasant feel to the surface, compressed dust in crevices. Signed ISSAI on a plaque on the back that serves as himotoshi - for information on this rare artist see p. 517 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Excellent detailed carving, wonderful work by the master carver...

A fine faience stoneware vessel, probably for oil or wine circa 1820 measuring 7” width

This celadon glaze alms bowl is from Northern Sung era or earlier, condition is good except the ond area with the gold leaf repair as seen on photos No crack just the one chip

Chinese circular porcelain plaque with enamel scene of Qingao in a green robe mounted on a carp. With calligraphy and red chop. Titled "Qingao kea li". The face of the plaque is on a step pedestal with a bare, textured backside.

Dimensions: 11 1/4" x 1/2" H

A fine Chinese Southern and Northern Dynasties celadon cup. Ht. 4cm. Condition: minor glaze deterioration, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

A magnificent Song dynasty Chizhou large basin, rounded side with flattened rim and unglazed base, basin decorated with painted iron brown of large fish motif at the center, also there is flower and weave motif, outer wall covered with iron brown motif.
Basin is in good condition with fine star crack to the rim, no chip, no restoration. few very minor glaze fritt / nick.
Size: 47 cm diameter, 12.7 cm height.

This is a finely hand-carved netsuke in Ebony wood of a Nasube (Aubergine or eggplant). Netsuke was carved by an unknown artist from the Iwami Province sometime during the 19th century. The carving exhibits similar material and carving characteristics of a netsuke (Photo #7) made by Kyokusui; item 133* of Bonhams catalog. Observe the smoothness of the surface, and the realistic form of the piece. Netsuke is unsigned. It measures 2.44 inches (6.2cm) tall...

A dish of square form with slightly upturned corners decorated with a central motif of a Shochikubai mon. Here an interwoven symmetrical arrangement of the three elements of the Three Friends of Winter, rather than the more common ring format. This style of shochiku-mon appears to date from the Kyoho to the Horeki era. The remainder of the dish decorated with stylised dragons set against a ground of lightening and auspicious clouds and cash...

This porcelain plate was produced in Germany by Meissen in the 1880s. It has the first quality, underglaze crossed swords mark with pommels. The plate is made of the finest quality hard paste porcelain ever produced in the Western Hemisphere. It measures 9 ½ inches in diameter. The reticulated border is cut out by hand. The center of the plate has a hand painted scene of Galileo reading a book and inventing the geometric compass. The painting is after the artist Byieu, Dutch master...

Japanese woodblock print depicting a beauty lighting a floor lamp titled “Kakinomoto no Hitomaro” (image no. 3) from the series “One Hundred Poems by One Hundred Poets” (Hyakunin-isshu Emyo) by Utagawa Kunisada (1786-1865) published by Sanoya Kihei in 1844. The image is signed “Kunisada changing his name to Toyokuni II” with the red Toshidama seal below. The two cartouches in the shape of playing cards at the upper left hold a picture of a poet and his poem...

A Chinese polychrome fencai vase portraying a courtly scene of two women and a child set in a courtyard scene with a table and large rock formations. The view is surrounded by Chinese patterns with various auspicious objects often representing fortune or wealth. The neck of the vase contains a view of chrysanthemums and bamboo. Age 18th century. Size: height 10.5" diameter 4.25"

A very richly decorated Famille Noire jar. ( Famille Noire is actually Famille Verte with a black background.) There is not only a pair of peacocks, there are also cranes, ducks and flying birds and a lot of Lotus flowers and plants. Apocryphal underglaze blue Ming mark. Probably 19th. century or older. On the base of the jar is an old inventory Number which probably indicates that the piece comes from an old German collection. H : 26,8 cm. Condition : Perfect