Vest made of tiny bamboo beads and all hand-strung with cotton threads. It was worn till early 20th century (Quin Dynasty) as an underwear of silk garments, especially in the southern China or neighboring countries. It made a wearer keep cool and avoid the outer garment wetting by sweat. Generally in good condition but almost 30 beads are missing. 19th to early 20th century. 48cm x 52cm

Featuring rich earthy tones and intricate hand-drawn stencil designs of passion flowers resting on a string of vines, this bowl would be perfect for displaying an ikebana flower arrangement. A kintsugi (gold) repair attest to the age and care that went into maintaining this piece through generations. The label on the lid of the box reads “e-Seto Karatsumon O-wan” indicating a large Seto bowl with arabesque hand drawings (絵瀬戸 唐草文 大鉢)...

Antique Japanese 2 section isho tansu (clothing chest) constructed of Kiri (paulownia) and Sugi (cedar) wood. With hand-forged iron lock plates, hardware, and handles. The upper section of the piece holds two open compartments side by side, and five shallow drawers of various size. One side of the chest has a lift-away door and the other with pair of sliding door panels framed with shou sugi ban panels...

Japanese Buddhist scroll depicting the Legendary Sixteen Arhats. The Arhats are described as sage beings who have attained enlightenment, yet have not become a full Buddha. The Sixteen Arhats are traditionally worshipped for they are said to have renounced Nirvana out of compassion to help relieve human suffering on earth...

Japanese small amber carving of a frog resting on a leaf. The golden yellow amber has natural inclusions.

Dimensions: 1 3/4" x 1 3/4" x 1" H

A cultural treasure - our oldest and most important mizusashi: wonderful Chosen Karatsu Tataki Mizusashi from the Momoyama Period (1573 - 1603). It was perfectly thrown first into a cylinder shape and then squeezed and paddled into a distorted pear. Iron oxide glaze has been poured inside and out.

On the rim a blueish rice straw ash glaze has been applied in the typical Chosen Karatsu fashion. The mizusashi is supplied with a tailor made lacquer lid of a somewhat later date...

Chinese ceramic arrow form vase, with thick green crackle celadon glaze and wide squared mouth. An arrow vase is a type of vessel used for the game Touhu in which players would throw arrows into the cylinders attached to the sides of the neck.

Dimensions: 3" x 2 1/2" x 5" H

A Large/Rare/Fine Korean Copper-Red/Bue Hae-Tae Water Dropper-19th C.: Korea, Joseon dynasty, late 19th century. An unusual large carved in the form of Hae-Tae (sea lion) with curling tail and hairs, its open round jaw forming the spout, decorated in coppter-red on the mane, and in blue on the ears, its neck wearing a large neck belt with bell, the body glazed thick white with slight tinges of blue, unglazed on the flat base. It’s in very fine condition without any repairs or cracks...

Chinese Qing dynasty Bronze censer with xuande mark. 19,5 cm wide, 15 cm mouth diameter. 1,2 Kg weight. Censer has single dent (Please see on the photos).

What a great Chawan! Cylinder shaped (hanzutsu) tea bowl thrown on a kick wheel. The little iron oxide bearing clay has been fully (except the footring and its surrounding) covered with a wood ash glaze which reacted with the iron oxide in the clay.

The thick and glossy glaze (guinomi-de) has a fine beautiful crazing...

Chinese antique trunk. Rectangular form with beautifully woven dark and light color rattan. Iron and brass hardware with nice patina. The inside of the trunk is made of wood with black lacquer, old calligraphy paper, and patterned cotton on the underside of the lid. Ring hinges.

Early 19th century

13 3/4" high x 27 3/4" long x 10 3/4" deep.

The shape of the this tea bowl is known as “tsutsu” in Japanese and is regarded as being especially attractive. Tsutsu bowls are used mainly in the depths of winter to keep in the heat and prevent the tea from cooling too quickly. Though most tsutsu bowls are defined by their smooth, curved edges and contoured clay bodies, this piece is distinct in having more defined edges and straight sides...

Cotton Kurume kasuri futonji with bold kasuri with asagi (light blue). Kurume in Fukuoka Pref. in Kyushu has been one of the main product places of indigo dyed cotton kasuri since late Edo period (early 19th century). It is made of hand-spun cotton and vegetable indigo dyed. Late 19th to early 20th century. In excellent condition. 134cm x 150cm

Japanese half section Mizuya or kitchen buffet tansu. Constructed of Hinoki (cypress) and Sugi (cedar) wood. The piece opens by two large front sliding panels to the large interior with 2 recessed shelves. The sides of the chest have horizontal bracing slats for reinforcement.

Dimensions: 69 1/4" L x 19 1/2" D x 32 1/4" H

The censer is cast with twin upright handles and the body is decorated with three taotie panels divided by flanges. It is raised on three tall supports each decorated with a stylised mask and a flange. Late Ming Dynasty, 16th - 17th century. H : 25,9 cm. There is an old inventory Number to the base of the body. Ex Christie´s London.

Really finely carved husband and wife in hand sewn clothes from Tennessee. They are from the 1930's and you can tell that the carver was experienced. You can actually see wrinkles in their faces and the great protruding chins. Her bonnet is lovely but her hair is carved beautifully. They are fully jointed and the joints actually work. They are 9 1/2" tall...

A Very Rare/Fine/Korean Both Sides Carved Wood Block Printing Panel (능화판菱花板)-19th C.: Korea, Joseon dynasty, 19th century. This wood block printer carved both side panels for printing was done a very experienced skilled carver carved delicately on the both sides with geometric patterns, and the other back side carved with a same motif decoration of patterns in 60 diamond shapes boxes,. It was crack in center, otherwise good condition...

In the world of Japanese ceramics, Tamamizu-ware has almost a mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominence, both being endorsed by the major tea schools of Kyoto and both being favored by the Imperial household. The first in the line was an illegitimate son of Kichizaemon Ichinyu (Yahē) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho)...