Rare Large Wooden Disciple, gilded and in-laid with small colored mirror pieces, good condition, origin: Northern Thailand, 19th Century, size: H. 42cm x W. 32 x D. 34cm. PAIR AVAILABLE. To see matching disciple please see our item # 1047180 (search box Home Page)

Antique Shan State Bronze RAIN BUDDHA on original Platform/Base. 18th Century, Burma. The Buddha is refined and serene with downcast eyes and both arms pendant by the sides in "Calling for Rain" position. Nice natural Verdigris patina and difficult to find. One of the back base supports has been repaired, but is inconsequential and unnoticeable. Size: H. 10cm x W. 3.5cm x D. 9 cm.

Hand carved painted wooden angel figure, 19th Century, Burma, good condition, size H. 32cm x W. 13cm x D. 20cm

Exceptionally large and serene lacquer antique Buddha dressed in royal robes, intricately inlaid with inset flat glass/mirror mosaics backed with colored foil and further decorated with moulded relief work forming beautiful spirals. The Buddha is seated in "bhumisparshamudra" (subduing Mara); his left hand rests palm upward, on his lap, and the right hand rests on his right knee, calling the Earth to witness...

Antique Yao Ceremonial God Scroll-Painting, 19th Century, Southern China, good condition, iconographically important in Daoist art. Size: H. 47" x W. 19"

Very decorative-high impact 19th Century gilt Woodcarving from Burma depicting 2 figures (one hand missing; some repair), size: H. 95cm x W.46cm. stunning and very fine workmanship!

A nice Griffin, Smith & Hill majolica pitcher in the "Wild Rose" pattern. The bulbous sides are decorated with yellow wild rose blossoms and green foliage against a stippled ivory background. The base has a medium-blue basketweave pattern and the lip is finished in a reeded pattern in the same shade. The pitcher has an applied twig handle and a butterfly forms the pouring spout. The interior is pink.

Origin: America, ca. 1875...

A terrific folding paper knife, the body covered in the colorful “Caledonia” tartan. The blade is carved from bone and has a locking mechanism just as any other pocket knife would have. These are sometimes called fruit knives, but I’m reasonably certain they were intended for use as paper knives or letter openers. Tartanware became popular after Queen Victoria caused a rage for all things Scottish through her love of Scotland.

Origin: Scotland, ca. 1860...

Gorgeous and dramatic antique Japanese Satsuma ware lidded container, stands on 3 legs, decorated with three lively fu-dogs, body is decorated with designs of noblemen on one side and children playing on the other, minor repair to one leg, Meiji Period (c. 1880's). Size: 17 1/2" high x 13" wide.

Rare and massive 4-colour (white, blue, black and red) hand painted porcelain Hibachi, top condition, Pine branch tips and Crane motif. This piece has smaller key fret designs encircling the top and the bottom as well as very elegant and decorative diaper patterns. Pre 1920, Japan, size: H. 24cm x 30cm diameter

A small eggshell-thin dish with a decoration of two birds and two fan-shaped panels - one with a landscape, the other with a poem (?), all in a variety of colours, 19th c. Wing of one bird has been painted as to conceal a glaze bubble, an indication of age. Overglaze red marks: Hirado san, Mikawachi. Diameter "5 ½/ 13 cm. Condition: fine.

A very nice pair of Staffordshire spaniels highlighted with gilt decoration. Each dog wears a collar with a padlock and a chain. The muzzles are decorated with pink and black overglaze enamel, and the eyes are set with glass eyes. Both have the whimsical "Joan Crawford" eyebrows. Spaniels with glass eyes, although a bit later than some of the other Staffordshire figures, are difficult to find.

Origin: England, ca. 1890...

A lovely Staffordshire pottery inkwell and quill holder in the form of a swan. The wings are painted vivid shades of pink with black and gilt accents. The bird rests on a colorful "confetti" nest. The hole in the swan's back served as the inkwell, while the two holes in the front were to hold quills. This swan is a particularly colorful example.

Origin: England, ca. 1840. Condition: excellent, no damage. Size: 3" x 2" x 3-1/4".

A nice Staffordshire inkwell or quill holder in the form of a recumbent deer. The naive painted decoration almost makes it look as if she's wearing a little black hat. The doe is posed on a white base molded as a rocky outcropping. The base is highlighted with a burnished gilt line.

Origin: England, ca. 1850. Condition: excellent, no damage. Size: 4-3/4" x 2" x 4".

A nice early Staffordshire pottery child's cup decorated with a transfer scenes of children playing leap frog on one side and "peg top" on the other. The black transfer is highlighted with red overglaze enamel. The cup is accented with a molded foot and a strap handle. Teh glaze has the slight bluish tint found in Staffordshire pottery of this period.

Origin: England, ca. 1850. Condition: normal crackling to glaze, a few small flakes at the rim and two tight hairlines. Size: 2-3/4" tall.

A wonderful Staffordshire pottery cow creamer standing on a oval base. The cow is decorated with rust spots on the white background and the horns are gilt. The oval base is decorated as a grassy outcropping. Cow creamers were very popular in the early 19th century and were produced by a number of potters in Staffodshire, Wales and southern Scotland. This example is from the Staffordshire region.

Origin: England, ca. 1850. Condition: excellent, no damage. Size: 6-3/8" x 3" x 4-3/4".

A delightful Bennington-type yellowware cow creamer with mottled brown glaze. The cow stands on a concave oval base. This example is more nicely potted than some, with good detailing in the ribcage area and a quirky facial expression. These creamers were made in both America and England, but the style of modelling suggests this is an American example. The tail has been reglued nicely, and a professional restorer could make the repair completely invisible.

Origin: America or England, ca...

I have seen weapons such as this one described as everything from ancient Roman, Celtic and Chinese to medieval and on and on. Though I have been unable to find much in the way of references, I am fairly certain that this spear and others like it are ceremonial polearms from the Qing Dynasty. They are most likely 18th or 19th century. They have crudely decorated brass collars between the socket and blade. This one and the three others I have listed are in good condition with no signs of repair...

I have seen weapons such as this one described as everything from ancient Roman, Celtic and Chinese to medieval and on and on. Though I have been unable to find much in the way of references, I am fairly certain that this spear and others like it are ceremonial polearms from the Qing Dynasty. They are most likely 18th or 19th century. They have crudely decorated brass collars between the socket and blade. This one and the three others I have listed are in good condition with no signs of repair...

I have seen weapons such as this one described as everything from ancient Roman, Celtic and Chinese to medieval and on and on. Though I have been unable to find much in the way of references, I am fairly certain that this spear and others like it are ceremonial polearms from the Qing Dynasty. They are most likely 18th or 19th century. They have crudely decorated brass collars between the socket and blade. This one and the three others I have listed are in good condition with no signs of repair...

I have seen weapons such as this one described as everything from ancient Roman, Celtic and Chinese to medieval and on and on. Though I have been unable to find much in the way of references, I am fairly certain that this spear and others like it are ceremonial polearms from the Qing Dynasty...

A marvelous and very rare Victorian patchbox, the body carved from a single piece of ivory and the cut crystal lid enclosing a cameo incrustation (“sulphide”) depicting a pansy. A ribbon tied around the flower’s stem reads “a moi”. This is a clever play on words. The French word for pansy is “pensé”, which is very nearly the same word used to mean “thought”. So, when combined with the words on the ribbon, the sulphide expresses the sentiment “Thoughts of me”. This is ...

A phenomenal Victorian sterling silver soup ladle in Whiting’s “No. 26” pattern. The top of the handle features incredibly detailed peony foliage. The twist stem leads to the fluted and scalloped bowl. At the junction of the bowl and stem, a full-blown peony blossom is delicately engraved into the silver. The bowl is parcel gilt. “No. 26” is an extremely rare pattern. It is always very finely made and exceptionally heavy, even by Whiting’s standards. The pattern is a multi-mot...

A phenomenal Victorian sterling silver cheese scoop in Whiting’s “No. 26” pattern. The tip of the handle features a gorgeous full-blown peony blossom and bud. The twist stem leads to the deeply curled bowl. “No. 26” is an extremely rare pattern. It is always very finely made and exceptionally heavy, even by Whiting’s standards. The pattern is a multi-motif design, so each piece has a slightly different, but related, decoration on the handle. The back is marked with Whiting’s o...

A nice tin tray with tole floral decoration. The center is painted with a colorful bouquet including roses, tulips, peonies, lilies and ferns. The bouquet is surrounded by a foliate border, and the edges of the tray are highlighted with an orange-gold sand paint. The tray is handmade with soldered seams and rolled edges.

Origin: America, ca. 1900. Condition: excellent original paint. Size: 18-5/8” x 12-5/8” x 1-3/16”.

Elegant crystal trivet with a sterling silver overlay in an orchid pattern. The piercing of the silver is highlighted with engraved details. The center has a silver reserve that was never monogrammed. The side is hallmarked by Webster Silver Co.

Origin: America, ca. 1920. Condition: excellent, no chips or cracks. Size: 6” diameter.

NOTE: We have four matching trivets in this size. One of the four has an elegant monogram "K". Each is priced at $185, except the monogramed trivet, whi...

Elegant crystal trivet with a sterling silver overlay in an orchid pattern. The piercing of the silver is highlighted with engraved details. The center has a silver reserve that was never monogrammed. The side is hallmarked by Webster Silver Co. This trivet is in the harder to find large size.

Origin: America, ca. 1920. Condition: excellent, no chips or cracks. Size: 8” diameter.

This lamp was made by the P & A Manufacturing Company of Waterbury, Connecticut.

Patented January 1890. What is unusual about this lamp is that it is a finger lamp, too. That is a safety feature.

This is an awesome ancient Persian sword with a bronze handle and iron blade. The iron blade is still largely intact and stable. It is truly incredible for an iron blade to last the nearly 3000 years since its manufacture in circa 900 BC. This exceptional piece is 46.7 cm in length. You can see the rivets in the handle where it is attached to the blade. This is an excellent opportunity to add a truly unique sword to your collection.

A 19th century English silver plated meat skewer. This large 14-1/4" skewer measures 1-1/8" across the beaded-edge loop; it has a Gothic B monogram and the pseudo hallmarks for an English silver plate company. This item is in excellent original condition with no scrapes, dents, corrosion, losses, damage or repairs other than a slight bend on the tip of the blade. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may h...

Large Repousse Gilded Bronze Standing Louhan, 19th Century

He is 18 inches (46 cm) tall, and 7 inches (18 cm) wide. He weighs 8.5 lb.

He is in good condition with no dents, repairs, cracks, or chips, except loss of gold and missing 2 nails near the bottom so his base is loose (as seen in the photos).

Large format photos available upon request.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us an...

A beautiful sterling silver vase in the Art Nouveau taste by Shreve & Co. The sinuous trumpet form body is decorated with gorgeous applied silver iris blossoms and buds accented with engraved foliage. The body rises to a ruffled rim that mimics the curvy lines of the floral decoration. The foot is decorated at compass points with iris blossoms, their stems forming the rolled bottom edge. The bottom is hallmarked by Shreve & Co. with the post-1894 mark.

Origin: America, ca. 1900. Condition...

An elegant sterling silver soup ladle in Whiting’s 1890 “Old King” pattern. The shell and acanthus leaf design elements of the handle appeared in many flatware variations since the Georgian era, and has become an established classic for its restrained elegance. The bowl is parcel gilt for nice contrast. The back of the ladle is stamped with the retailer’s mark for Theodore B. Starr. Starr had agreements with several major silversmiths who provided the store with fine silver to which ...

A Large Tiffany Zodiac Bronze Inkwell. Signed "Tiffany Studios New York 1072". Dimensions; 6.5" across x 4" high. Original glass insert. Circa 1915. Some surface wear.

A very nice folding corner shelf of lacquered papier-mache with metallic decoration of Chinese court scenes. One wall shows ladies riding in a rickshaw while the other shows ladies strolling in a court garden with their guardian. The scalloped edge of the shelf is decorated with a gilt edge.

Origin: England, ca. 1840. Condition: excellent, no cracks, bright coloring. Size: 5” wide; 7-3/8” tall.