Shide "拾得" is a Zen monk in Tang period China, he has been the theme of ink picture mainly together with Hanshan "寒山". They were They had been disengaging from the world and famous for poets. Shide had been cleaning the temple every day, so he was depicted with a bloom. This statue has made of clay and fired with specialized glaze by Sadamitsu Sugimoto well known as a great master in Japanese pottery scene. Accessory : wooden box signed by the potter.

Heavily textured Taiko, drum form vase covered in a complex Temmoku glaze with wonderful lustrous sheen

Stoneware and glaze

9.2" X 9.25" X 3.9"

This multi-color paper cut-out of bamboo is 8 ½” wide and 15” long; with mat is 14” wide and 21” long. It is designed and made by Pi-Ping Savage. The signature on the bottom right uses her Chinese name. Please read the more detailed information about Chinese paper cut-outs and her work. The calligraphy means “Though a bamboo may look as humble as a deep valley, it has its own determination in its heart”...

Keikan-ko (Chicken Head) Vase by Sachiko Furuya; Honolulu, HI. Inspired by a historical Chinese shape. Shino and Bamboo Ash glazes. Double neck with braid handle. H. 9"(23cm) x W. 6"(15.25cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

An incredible piece by legendary Abe Anjin in the artists most sought after style of saishoku colors intimating leaves, blossoms and Mount Fuji (all strikingly disproportionate to each other) enclosed in the original signed wooden box and original lacquered wooden box also stamped by the artist...

This large and imposing Oribe mizusashi was made by long time Mino potter, Hayashi Shotaro. Thrown out of a fine Mino clay, much of the surface was cut away to create a surface of wonderful flat planes and rough areas of faceted clay which was then glaze in Hayashi's rich Oribe glaze. The surface shows a wonderful array of tonal variations with areas of deep greens and thinner areas showing almost to the buff of the clay...

A modernist sterling silver pendant in the Zephyr design #500, by Regitze Overgaard for Georg Jensen, Denmark. This is the middle size.

Measures 1 5/8" high and 1/2" at the widest. Marked Georg Jensen in a dotted oval, 925S, Denmark and style 500. Currently suspended on a 23" sterling chain with a secure spring closure.

In fine condition with a little tarnish and some very minor surface scratches.

Classic Georg Jensen modernist design and quality.

Wood-fired Guinomi, Sake Cup, by John Benn; Harstine Island, WA. Shino Glaze. H. 2.00"(5cm) x Dia. 2.5"(6.5cm.) John Benn studied with F. Carleton Ball and Ken Stevens at the U. of Puget Sound in Tacoma, and with Howard Shapiro and Sandra Simon in the MFA Program at the School of the Art Institute of Chicago. In 1976, he built his first wood kiln...

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work painted rabbit pattern with as sake cup. His sake cup is very popular. SIZE: 4.2...

A large and rare work by Sueoka Nobuhiko enclosed in the original signed wooden box. It is decorated with huge magnolia flowers (in Japanese mokuren,the tree lotus) growing up one side, and hanging down the other like the traditional opposing dragons. The piece is 16 inches (40 cm) tall and in excellent condition
Nobuhiko was born in Fukuoka on Japans Main Sothern Island in 1948, and apprenticed under future Living National Treasure Fujimoto Yoshimichi in 1973...

A sizeable seihakuji vase by celadon master Fukami Sueharu (b. 1947) enclosed in the original signed wooden box dating circa 1985. Graceful lines drape from 8 points evenly distributed about the rim, creating a sense of geometry on the simple orb. The vase is roughly 8-1/2 inches tall, 9-3/4 inches diameter and in excellent condition. The name of Kyotos Sueharu is synonymous with seihakuji celadon...

A bowl deeply impressed with Jomon rope designs by Living National Treasure Shimaoka Tasuzo enclosed in the original signed wooden box. It is 7.5 (3 inches) tall, 13.5 cm (5-1/4 inches) diameter.
Shimaoka Tatsuzo (1919-2007) was born in Tokyo and enrolled in the Tokyo Kogei Daigaku Ceramics division in 1939. The following year he would meet Mashiko Mingei potter Hamada Shoji, and the course of his life was thought set, graduating in 1941...

A tea bowl with stunning glaze by the legendary Miyashita Zenji 宮下善爾 (1939-2012), one of the greatest contemporary Kyoto potters. This is an early work, when he focused on celadon-like glazes. At that time he was studying ancient Chinese pieces, and was influenced by his father who excelled in celadon...

Large and impressive Iga chawan by rising Iga-yaki star, Atarashi Manabu.The surface of this chawan is covered in a sheet of glass and there is wonderful bidoro drips and clam shell impressions where the chawan was fired on its side. The kodai, foot is wonderfully sculpted and fits well into the hand when in use.

Atarashi Manabu is one of the new generation of Iga and Shigaraki potters who is reinvigorating these ancient traditions. He studied with his father, Atarashi Kanji and uncle (?)...

A very unusual work by the challenging artist Nakata Atsushi covered in red lacquer with modern designs enclosed in the original signed wooden box titled URUSHI TEA BOWL. It is 11.5 x 13.5 x 9.5 cm (4-1/2 x 5-1/4 x 3-3/4 inches) and is in New condition.
Nakata Atsushi was born in Toyama in 1968, and studied in the blossoming field of videography at Osaka University of Art however chose the path of potter after working at a friends kiln while at school. He graduated in 1992, then apprent...

Shadows of flame exhume the granular qualities of the clay on this superb Sekki (unglazed) Bottle by Mihara Ken enclosed in the original signed wooden box.  Exquisite, on one side the clay is ash gray, the opposite lively earth tones, and between is an abrupt scorched-land of shadow and color, like that violent moment between awake and sleep. 
Size, W 11.6  cm ( 4-1/2 inches)  H 16.5  cm ( 6-1/2 inches) 
Condition, Excellent 
Mihara Ken was born in Shimane prefecture i...

Richly glazed cap jar with rozome ideogram style designs around the jar and on the lid. This glaze is very reminiscent of Old English or Fujina lead glazes without any lead!

Stoneware, slips and glazes

8" X 7"

A sculptural vessel by Yamaguchi Michie enclosed in the original signed wooden box titled heel. This is a fabulous representative work by this artist, in her signature peach glaze, something a little bit zesty. Yamaguchi sensei will tell you she is captivated by the beauty of the female form, and she seeks to imbue her works with that feminie grace. It could serve as a vase or simply be displayed on its own as an obje't. This piece is 8 x 23.5 x 14 cm (3 x 9 x 5-1/2 inches) and is in excellent ...

Fissured Jar, Wood-Fired, by George Gledhill; Payette, ID. Natural Clay, & Natural Ash Glazing caused by 3 days of Wood-firing in the fire box of George's Anagama Kiln in 2005. A large fissure had occurred in firing which turned out to be a serendipitous accident. H. 15"(38cm) x Dia. 11.5"(29cm.) The beauty of this piece is dynamic in depicting the force of the kiln fire, yet still quiet in its naturalness. It is truly a one-of-kind piece that demonstrates the spirit of Zen. It can stand alone ...

Double gourd form tokkuri, bottle with rich temmoku and tetsu-yu glazes. The foot is glazed and the remains of wad impressions are present on the foot, but smooth to the touch.

Stoneware and glazes

7.25" x 4.5"

Functional, decorative and food safe

Tony Papp post modernist sterling silver/gold wash, brooch.

C. 1980's.

2 3/8" in diameter.

Well crafted.

Strong three dimensional design.

Very good vintage condition.

Signed on verso.

Tony Papp, son of Joseph Papp NYC.

Studied at Parsons school of design.

His work was exhibited in galleries in New York, Boston and Philadelphia.

In 1986 he opened the Tony Papp Gallery in Trump Tower.

He also taught at seve...

Ao glazed tea ceremony set (Kaigu)including a matched teabowl all in the Jovian Storms neriage pattern. Mizusashi complete with custom lacquer lid

Porcelain and glazes

Mizusashi 7.25" X 5.5"
Kensui 5.5" X 3.2"
Shakutate 6.8" X 3.45"
Futaoki 3" X 2.4"
Chawan 5" X 4"

Three finger strokes create enigmatic shapes like bent autumn grass or the rushing of a water fall on the dark side of this vase by Living National Treasure Hamada Shoji enclosed in the original signed wooden box titled Kakeai-yu Kabin.  Above a pale millet dusts the rim, meetingthe dark glossy glaze at the shoulder. 
Size, D 11.5 cm ( 4.5 inches)  H 22.1  cm ( 8.7 inches) 
Condition, Excellent , The box with some age
Hamada Shoji was born in Tokyo, and enrolled in th...

Large ovoid baker form glazed in a classical Oribe pattern of "mon" gate devices. Thrown and altered with applied lug handles

Stoneware, slips and glazes

15.75" X 5.75" X 5"

Functional, decorative and food safe

Hanging Vase, Kakehanaire, by George Gledhill; Payette, ID. Saggar fired with grass. This pot experienced heavy charring on the bottom during firing (see enlargements.) H. 3.375"(8.5cm) x Dia. 3"(7.5cm.), with copper ring attached in back for hanging on a wall or post. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, h...

Modern temmoku and ash glazed chawan, teabowl with vivid hakeme (hakame) slip technigue

Stoneware

5.4" X 4"

Functional, decorative and food safe

Robust and classically medieval in origin, this Seto-Guro chawan was made by Toki Intangible Cultural property, Mizuno Takuzo. The deep black surface has a wetness to the glaze that adds to curdled surface of the chawan that gives way to the buff clay and well addressed kodai. The chawan is well animated by way of deep throwing marks made while the bowl was wet and on the wheel and then was ovalled slightly to create a pleasing form to the hand and the eye. Strong form, strong surface and well s...

With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi” or what we might call in English a “tribute piece.” Such pieces are typically made by all Raku potters, regardless of the kiln and tradition, and seek to emulate famous works from the early masters over 400 years ago—in this case, a tea bowl created by the brother of the second Kichizaemon, Tanaka Somi, born sometim...

Lee Seung O's innovative paper assemblage, 24 x 18 inches, 61 x 46 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind. While so many young Korean artists are looking to the ...

A pair of exquisite fluted porcelain bottles decorated in rich color by Tokuda Yasokichi II enclosed in the original signed wooden box. Flowers in various colors, red, yellow, purple blue and green rise up between patterned undulating bands of green and blue. Each is signed on the base in a yellow seal Kutani Yasokichi. They are 15 cm tall and in perfect condition.
The Tokuda family kiln was established by the first Yasokichi (1873-1956)、born into the house of a textile dying family....

Tea Bowl, Matcha Chawan, by Lee Love of Mashiko (& now Minnesota.) H.3.5"(9cm) x Dia.5"(12.5cm.) Mashiko black (mashiko- guro,) white (nami-jiro,) and brown/persimmon (kaki) glazes. Gas-fired, ca. 2005. This Ido-gata (well-shaped) bowl was fired in Mashiko, Tochigi Prefecture, where Lee had completed a 3-year apprenticeship to National Living Treasure Shimaoka Tatsuzo. It features a lustrous Mashiko-guro (Mashiko Black) glaze highlighted by areas of the traditional kaki (persimmon) glaze widely ...

A large work of overlapping strips of sheer porcelain by the demanding young female artist Lu Xueyun enclosed in the original signed wooden box. The vessel is made up of overlapping strips of thin porcelain, so thin in fact that light passes easily through it. Her works are truly exquisite, captivating in their frailty. I have been following the artist (known in Japan by the Japanese reading of her name, Ro-san) for nearly 5 years and waiting for the opportunity to introduce her to the outer w...

Strikingly bold patterns revealed through curtains of copper green play across the surface of this large cup by Ikeda Shogo enclosed in the original signed wooden box titled Sake Hai.
Size, D 9.2 cm H 8.6 cm
Condition, Excellent
Born in Kagoshima, the southern extreme of the Japanese main islands in 1976, Shogo would have been inundated with the traditions of Kyushu, a massive area with dozens of ancient kiln sites producing everything from porcelains of the highes...

An wavering shaped vessel in Mihara Ken’s most famous yakishime colors enclosed in the original signed wooden box titled Kei (Mindscape).
Size, D 42.1 cm H 24.2 cm
Condition, Excellent
Mihara Ken was born in Shimane prefecture in 1958, and apprenticed under Funaki Kenji at the age of 23. He has been exhibited and or prized at the All Japan Ceramic Exhibition (Nihon Togei Ten), Asahi Ceramic Exhibition, the National Traditional Crafts Exhibition (Nihon Dento Kogei T...

Guinomi, Sake Cup, Shino Glaze. John Miller; Portland, OR. H. 1.5" (3.75cm) x Dia. 2.375" (6cm.) Vol. 1.5oz (50cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying pottery in Japan,) he had the chance to...

An exquisite work of art like an opalized tear drop by Hashimoto Tomonari enclosed in the original signed wooden box. It is 54 cm (21-1/2 inches) tall, 26 cm (10 inches) diameter and in perfect condition.
Hashimoto Tomonari was born the son of a sculptor and has felt comfortable with the processes of creation since childhood. He graduated with a masters from the Kanazawa University of Art in March 2017, then relocated to Shigaraki. A visit to his humble home studio is eye opening. Althou...