A PAIR of old engravings from the Passion of Christ series of 14, engraved originally in 1521 by Dutch old master engraver LUCAS VAN LEYDEN (1494-1533). My research leads me to believe these two are apparently later impressions printed on wove rather than laid paper, by noted Flemish engraver Jan Harmansz Muller (1571-1628). (Wove, as opposed to "laid" paper, was not invented until the mid 18th century). The talented Muller made skilled and faithful copies after earlier artists' works...

A contemporary oil on canvas painting of a handsome rooster, in the style of a traditional Chinese watercolor scroll painting, approximately 23" by 23" in black strip frame, with Chinese calligraphy at top left and right and one red artist seal. The work is by a competent hand. I am told by a Chinese reader that the family name of the artist is "Zhang" but cannot provide any more information other than the perhaps circa 1970's or 1980's New York framer's sticker...

Oil on canvas painting of a mill adjacent to a pond, 28" by 22", (33 1/2" by 27 1/4" framed) possibly signed at lower right, but affixed on reverse is an old handwritten slip of paper, with name of artist, subject identification ("Red House, Milltown"), her addresses, and 1924 Pennsylvania Academy of Fine Arts 119th annual exhibition info, apparently item #95 in that exhibition. The artist is identified thereon as IRENA FRANKEBERGER...

Contemporary watercolor on paper painting of iris or similar flowers, 18" by 12" (23 1/4" by 17 1/4" in metal frame), signed J. London under artist's red stamp. The work shows the skill of the artist. I see no information on an artist by this name. Condition is excellent.

Antique, circa 1850 watercolor of a coastal scene in the British Isles, signed somewhat illegibly at lower right with what might be "Johnson", "Imson", or similar. The watercolor measures 10 3/4" by 16 1/2" inside the mat and 18 1/2" by 23 1/2" in nondescript modern frame (not pictured)...

A modernistic oil thin canvas, laid on plywood, signed at lower left in Hebrew script. The subject is a still life including cup and saucer, what appears to be a pitcher, and other table top items arranged in an intentionally shallow space. The work measures 18 1/2" by 22" and is unframed. The wood panel has warped with time, causing the work to be concave. A restorer could likely remove from the wood and place it on another canvas but of course that would come at a cost...

A circa 1950's watercolor on heavy paper featuring a brick 19th century home on an orderly property including white split rail fencing, and a barn at right. Perhaps this is a gentleman's farm property in the eastern states, anywhere from Virginia through Ohio and up to New England. The artist, WILLIAM NETHERY, signed the watercolor at lower left and wrote "Passing Storm" on the mat at lower left, while also signing the mat again at lower right...

In the style of popular Thomas Kinkade or Marty Bell, this is an original oil on canvas, 11" by 14" (17" by 20" framed), the subject a cozy cottage-like house set in a flowering garden, the welcoming lights all on. The painting is signed at lower left "N LaFond". If you enjoy the Kinkade style but would like an original work instead of a print, you may well like this piece. Condition is excellent, frame has a little wear.

Coastal watercolor and gouache painting, the scene likely of the New England shoreline, perhaps near Boston, waves breaking on a beach with rocky outcroppings, signed at lower right corner by artist SHARP. The painted area of the work measures 6" by 12", the sheet on which it is painted 8 3/4" by 14 3/4". The painted area is not a separate sheet laid down to a backing----it is all one sheet...

A scene of an adobe with the classic protruding wooden beams, a low wall, springtime pink/white flowering trees and a split rail fence completing the composition. The work is apparently unsigned. It is laid down (glued) to Masonite panel. It shows signs of having been rolled in the past--long parallel vertical cracks in the paint, as shown in several images. Most certainly it is by a listed artist but this one is a mystery...

A lovely hand colored scene, "City of Providence", engraved by listed American 19th century artist ASA COOLIDGE WARREN (1819-1904) after an apparent painting by artist R. Hinshelwood (see lower right margin for that name). Robert Hinshelwood (1812-1879) came from England circa 1835; he was an engraver, etcher and painter. The panoramic view is from a high point, and some tiny figures in the composition add human interest...

A well-drawn pencil scene of the French coast of western Brittany, titled on reverse "Pecheurs a Douarnenez", signed at lower right by living French artist BRUNO DU TERTRE D'ELMARCQ. Douarnenez is one of the scenic towns much favored by artists since the 19th century. When I first saw this work I was reminded of the beach scenes of Eugene Boudin, the famed late 19th century French artist. The tiny figures, sails, and poetry all remind of that French master...

An interesting contemporary painting of a middle-aged man sitting on a stool in a homey, cozy interior, a fireplace, paned window and painting set off by orange pastel colored walls. The unsigned work, by a trained hand, reminds of some of the interior paintings with figures by David Hockney. The oil on canvas, unframed, measures 30" by 24". It is in excellent condition. A silvery, or simple blond wood strip frame might be complementary.

A rare opportunity to acquire a print by California master artist JESSIE ARMS BOTKE (1883-1971), known for her distinctive, highly decorative, finished works in oil and watercolor, often featuring exotic birds, with gold and silver leaf backgrounds. Her prints rarely encountered. This example is titled "Fish Shacks" at lower left margin, and is pencil signed at lower right margin. The work measures 8 3/4" by 11" inside the existing mat (the sheet approximately 13" by 15")...

Small oil landscape, 13 1/2" by 9 1/2" framed, signed at lower right corner with initials N.A.M., with canvas stencil on the reverse of Winsor & Newton, London. This is a scene of autumn or early spring perhaps, the tree without leaves. There is a small irrigation channel with sluice gate at center left. The work is a quiet and pleasant scene focusing on a peaceful time of the year. A gold frame would enhance the painting. Condition is good, the canvas not perfectly flat.

Oil on Masonite painting of one of the dramatic red eroded formations in Monument Valley, in far northeastern Arizona. The impressionist work is good enough to be by someone listed but there is no signature. Probably dates to about the early 1950's. Measures 9 1/2" by 11 1/2" (16" by 18" nicely framed, with some wear on the frame that could likely be smoothed out).

Color etching titled at lower left "St. Philips Charleston, S.C.". signed in pencil just outside the plate line at lower right by the listed English-born artist who worked in a number of geographical areas of the United States, LEON PESCHERET (1892-1971). States in which the artist worked include Louisiana, Virginia, Tennessee, South Carolina, Wisconsin (where he lived for quite some time), Illinois, and notably, Arizona and the Southwest. This is a fine etching by a talented graphic artist who ...

A lithograph print of a typical northern New Mexican adobe house of the Santa Fe and Taos region, signed in the plate at lower center with what appears as "J Hill" and dated nearby 48. The black and white image measures 6 1/4" by 9 1/4" inside the mat, 15" by 17 1/2" in simple black wood strip frame. Not examined out of frame but appears very clean and fresh. I have not been able to locate a listed artist by this name that would correspond to this work.

An elegant, black ink on white paper drawing of the heart of Montmartre in Paris, the famous Place du Tertre, where to this day artists endure ten year waiting lists to secure a spot outdoors to create the works tourists love to buy. This beautiful drawing is signed at lower right with what appears as "Dieter Gly(xx)" and is dated there 1958. It is in excellent condition, considering it is over sixty years old. Simply framed in black strip, it is ready for the wall. The drawing itself measur...

Old circa 1940's chalk portrait drawing of a young woman with red hair and striking light eyes, 22" by 16" (27" by 20 1/2" framed in green metal strip frame), apparently unsigned. This is one of several drawings I encountered by (I believe) the same artist. Two other drawings were signed, but illegibly, so the identity of the artist is a mystery. I think the paper might have been rolled at one time as under certain raking light conditions one can see soft horizontal, roughly parallel creases....

A fine example of the etcher's art---an original etching titled in lower margin "The Smoker", signed in plate at lower left "Meissonier" (and date that looks like 1818), signed again at extreme lower right corner by Paul Adolphe Rajon (1843-1888). This is after a circa 1850's original painting by the important 19th century French painter JEAN-LOUIS-ERNEST-MEISSONIER (1815-1891). Rajon created the etching after the painting, in the 1870's. Meissonier, born in Lyon, was a very well known and so...

An antique oil on canvas landscape of a distant snow capped mountain range framed by bright late autumn foliage, 15 1/2" by 30" (21 1/2" by 35" in likely the original frame), signed in red at lower right by artist ADELE BRACY and dated there what appears to be 1898 or 1896 (or, in that vicinity towards the earlier side). This is apparently a copy by a talented amateur of an image well-known in the mid 19th century. An original painting "Late Autumn in the White Mountains" by important American...

Pastel drawing of a young girl seated in a chair, signed at lower right by American 20th century artist from Long Island, New York, Muriel Kahn, and dated 1967. The sheet measures 12" by 8 3/4". An inexpensive modern frame that would fit this is available at no extra charge, but the drawing will be sent between boards/paper. The signature resembling that of important American artist Wolf Kahn, and the medium being the medium for which he is best known, I looked into whether this might be by h...

A wild crayon and pencil on paper drawing of bizarre abstracted forms that might be described as "organic", the drawing tacked at four corners to a larger board that is itself painted decoratively. The work, 22" by 18" framed, is signed with initials at lower right that could be "BK" and the date is "02". This was found in Southern California. The artist worked a lot of hours to produce this. Both drawing and gold frame are in very good condition.

Etching, 4 3/4" by 6 5/8" inside the mat, 10" by 12 1/2" in simple black strip frame, titled in pencil at left margin "A Bermuda Lane" and signed in margin in pencil at lower right by artist RAY ALLEN. I do not see a listing for an artist of this name. The work likely dates to about the 1950's I would think, and is probably still in its original frame. The impression is strong, with a distinct plate mark. Disregard false yellow colors in some of the photos, which are an effect of the camera....

Something of a frustrating, mystery painting.......oil on canvas, 36" by 23 1/2" (44" by 31 1/2" framed), apparently unsigned, probably American but could also be European, the subject a view onto a small inner courtyard or air shaft, seen through an interior doorway. The work certainly exhibits a modernist touch in some spiky passages in the vegetation, and the choice of red/orange color contrasting with the other more somber tones. It could possibly be cut down from an originally larger canv...

A poetic and dreamy watercolor titled on reverse "The Tail of St. John's Lake", (and original 32 Pound Sterling price) signed at lower right with what appears as "H Vaux" or similar. The mid 20th century watercolor is by a masterful hand. Painted in muted colors, it measures 7 1/4" by 12 1/2" inside the present mat, and 14 1/2" by 19 1/2" in modern simple framing. Could be shipped without the non-glare glass and frame. Further research could result in positive identification of the artist. ...

PAIR of framed Chinese or Japanese landscape watercolor paintings in traditional style, each featuring a mountain landscape, a small river in one and a waterfall in the other running into the lake or ocean. Blue-roofed buildings pine trees add to the beauty of the scenes. Each has a red chop mark and some calligraphy at lower right, presumably the name of the artist. Measurements 12 3/4" by 9 3/4" each (23 1/4" by 15 1/2" framed).

**NOT PRINTS**----A PAIR of fabulous original antique botanical drawings or paintings as they might be described, in watercolor, each 12" by 15 1/2" (and 19" by 25" as identically framed), both bearing old 1958 framing labels from the legendary Goodspeed's Book Shop on Beacon Hill in Boston. These drawings, found in Connecticut, are of the first half of the 19th century. The fruits depicted are the Large Jambu, otherwise commonly known as the Rose Apple; and the Rambutan (from the Malay "rambu...

Naive, or slightly primitive, almost folk art painting of clapboard 19th century style buildings next to an inlet of the sea, signed at lower right by artist Martha Crosmer. I see a listing for an artist by that name, born 1909, deceased 1995, last known address in Monrovia in Southern California, with earlier roots to Montana, but this painting does not resemble the desert plein air works that artist apparently painted. This scene to me looks more like coastal Maine, the Canadian Maritimes, o...

A nicely executed Italian antique pencil and watercolor drawing of classical temple ruins (Doric capitals) with figures, 11 1/2" by 9", in an interesting 19th century frame measuring 15 1/2" by 13". The work appears unsigned, though there is a "G.F." in a rectangle at lower right......likely a collector stamp. On the reverse is written in Italian "rosso matlorio/pass e conire" or similar; also in ink below that, a dedication in Italian: "Alla cara Fra. Virginia ni ricordo di mi Padre Adele La...

A **PAIR** of mid century offset prints after earlier works by the famous Russian-French Jewish artist MARC CHAGALL (1887-1985) These prints are both hand signed in blue ballpoint pen in margins by Chagall at lower right (considered what is called a "complimentary signature"), perhaps at a special gallery or printer event. They appear to have been framed in the 1950's or 1960's at latest and remain sealed since then. I believe the signatures to be authentic and will stand by that being the case...

A well-painted work featuring an interior, perhaps a residence, perhaps a restaurant or other public space, a table with fruit in a bowl, a chair, and sofa filling the space. The oil on canvas, 17 1/2" by 21" (20 1/2" by 24" in old frame, likely the original), is signed somewhat indecipherably at lower left and dated there "Berlin 1909". The name appears at first glance to be "B. Geis(xxxx)" or "B. Geism(xxxx)". Surprisingly, given the inherent quality of the painting, I do not see a listed n...

Gouache and pencil abstract drawing on paper, 7 1/4" by 11 1/4" (14" by 18" in metal frame of the period), signed on the reverse of the inner backing with what appears as "Richard Chinn(xxx)/gouache/pencil/fall '77". This is an elegant modern little work with attractive colors and composition. I at first thought it unsigned, and was ready to sell it as such, but decided to dig just a bit further, laboriously disassembling the framing, in search of any writing. Once again, it appeared there wa...

A vintage impressionist oil on canvas painting of a sunny fenced meadow, signed with initials "FB" at lower right, 10" by 14" (14 1/4" by 18 1/4" framed). The work came from a German-American family which had brought much art from the old country, suggesting a European origin. The painting is pleasant and easy to live with. A cleaning to remove light surface dirt would be beneficial, as would a new gold frame, the present wood one not flattering to the work.

An oil on canvas painting of beach dunes with three small row boats, (25 1/2" by 31 1/2", 33" by 39 1/2" framed), signed at lower right by listed contemporary French artist MARC CHAPAUD (1941-). The work is titled on the reverse "Dunes" and is dated there 1968, making it one of the earlier works of the artist. Chapaud's works have sold at auctions in France (in 2017, a work brought nearly $4,000 at auction). The artist's most recent paintings deal with French chateaux of the Loire Valley. Th...