Watercolor and gouache on paper scene of young trees along a bucolic dirt road in a hilly landscape, 12" by 15", (19 1/2" by 23" as framed), signed at lower right "C .GRANT DAVIDSON", and signed again in longhand in a margin area, dated there 1894. This is a work by CHARLES GRANT DAVIDSON (1865-1945), an American artist based out of New York who painted oil and watercolor scenes in the northeastern states. He is often confused with a British artist by the same name...

Watercolor on heavy paper of trees leaning over a lake, a swooping bird and small boat with primitive figures in the right lower portion, 12" by 21 1/2", signed at lower left "J. H. Dore" or "T. H. Dore". This is a late 19th century work with a primitive and folky touch. The green mat is too wide. Reframe this charming work with a smaller mat for optimum presentation.

Orlando Norie (1832–1901), artist of military subjects, perhaps the most prolific painter of the British army in the 19th century along with Richard Simkin. It has been estimated that Norie alone painted well over 5,000 pictures. Although his family were of Scottish descent, they had moved to the continent, and Orlando was born in Bruges, Belgium on 15 January 1832...

Watercolor on paper river fantasy scene set in the tropics, 10 1/2" by 22" and 3" wide circa early 20th century frame in very good condition, signed at lower right "W W COWELL" and dated 18(last two digits not easily discernible, possibly "189_" or could be "1879"). This is one of the rare works of painter WILLIAM WILSON COWELL (1819-1898), primarily an east coast artist who also was known to paint in the Great Lakes area, and, late in life, in Nova Scotia, Canada...

Lucien Whiting Powell (American 1846-1930)

Bayou Oil-on-canvas, signed lower left

Provenance: Senator John B. Henderson (1826-1913)

Painting: 23” x 37”
Frame: 27” x 41”

Born 1846 in Upperville, Lucien Whiting Powell served with the Virginia cavalry during the Civil War...

Watercolor painting of a lake and scenic mountains, 6" by 8 1/2" (10" by 12" in simple framing with no mat), apparently unsigned, circa mid 19th century, likely English. The gentleman from whom I purchased this makes regular trips to England and brings back drawings and paintings which he sells, so, that is why I am fairly confident that this is indeed English. The work needs a mat at least although frame could be retained...

Fine watercolor painting of the famous Chartres cathedral in central France, signed at lower right "G. Lefevre" and titled at lower right"Le Pont du Massacre a Chartres" at lower left. The work is by listed French artist GABRIEL ALBERT MARIE LEFEVRE. Not a lot of biographical information is available, but he painted landscapes and historical buildings in France in the 19th century. This work measures 6" by 8 3/4" inside the fine hand-drawn ornate mat, and 16 1/4" by 17 3/4" as framed...

A small gem of a watercolor painting, the subject a traditional house in a landscape with trees, signed at lower right "F Diday fecit", ("fecit" Latin for "did it" or "made it"), circa mid 19th century. The work on laid paper measures 3 1/4" by 5 1/8" inside the beautifully hand drawn lines mat. Presently this is unframed...

A plaster of Paris sculpture of St. John the Baptist as a child, sleeping. The boy dressed in camel skin is leaning on a rock, cross in hand and a lamb at his feet. France, mid-19th century, with nice patina and traces of a light blue colouring. Plaster of Paris was a gypsum or chalk mixture used for architectural and art purposes from the beginning of the 19th century and small sculptures, especially with religious themes, were widely exported. Height "3 ½/ 9 cm and width "3 1/3 / 8.5 cm...

19th Century American, "Landscape with Waterfalls". This is a very fine Hudson River School landscape, oil on academy board, 9 3/4 x 18 3/4 inches, c. 1880s, unsigned, in an ornate period gilt frame. Although this painting is unsigned it is quite well painted, evidently by a very competent artist.

A turn of the century oil of red roses, signed at lower right "Myrtle Crittenden". There is a "Miss M. Crittenden" listed in Hughes' dictionary of California artists, and she was noted there to have exhibited at the California state fair in 1881. This painting came out of the Sacramento area, so, that makes sense. Not dated but likely dates to early 20th century when such works were still especially popular, as they had since Victorian times...

A nineteenth century watercolor painting of high purple mountains looming above an arid landscape framed by two trees at right, unsigned, 6 1/2" by 9 1/2" plus 3/4" wide framing. Found in California, and I lean towards this being a view in that state, though it could be elsewhere in the West or even conceivably in a place like Italy. The houses at far left do not help to solve the riddle. The piece, glued to the backing board, is definitely quite old...

Atmospheric skilled watercolor painting of Venice and the famous lagoon at dawn or sunset, signed at lower right by the artist, GUIDO AGOSTINI (1870-1898, different dates are shown in different reference sources). The painting, 11 3/4" by 15 3/4" inside the present mat, 18" by 22" in simple modern frame, shows the skill of its creator, with fine detail in the architecture, gondola, and figure, and the pink-orange light suffusing the scene...

A finely carved wooded sculpture of a warrior with remnants of polychromed pigments from the Chinese period of the Qing Dynasty. More information coming soon

A total of FOUR watercolor paintings, framed as pairs, in two frames, each watercolor 10" by 4 7/8", each frame 17 3/4" by 17 3/4". All of the watercolors are signed at lower left with initials "FD". Judging from the scenes, these are likely Northern European and of late nineteenth century date. Condition is excellent, one frame has a little nick at top right. Some research may help determine the identity of the artist.

Oil on canvas painting of pink roses in a vase, circa 1890's, signed at lower left in red by listed American artist OSCAR MILLER (1867-1921). The 17" by 14" (27" by 24" framed) painting is beautifully executed by a talented hand. Oscar Miller was born in Manhattan and died in Providence, Rhode Island in 1921. He is known for a variety of subject matter including portraits, marine scenes, genre and still life. This painting has an 8" horizontal tear in the upper portion. It will need to be c...

Oil on canvas painting of a farmer by a water pump in an open field, two dray horses at center and left slaking their thirst. The work measures 11" by 12" and 15 1/2" by 16 1/2" in frame that may well be the original. The painting is signed faintly yet distinctly at lower left corner "S.S.C.", which is one of the known signatures of American artist SAMUEL SIMPSON CARR (1837-1908). Other known signatures include "S.S. CARR" and "S. CARR". Carr was born in England and for a time studied at the ...

A fine, highly finished and detailed watercolor painting of a seated lady on a patio, her large lute at her side. The setting is possibly a castle, as a tower in the background suggests. The artist signed at lower right and dated the work 1875. It measures 13 1/2" by 9 1/4" (16 1/2" by 12 1/4" in its attractive circa 1930's framing (note the old Jordan Marsh department store label from Boston on reverse--could have been purchased or framed there). Frame shows some wear on right hand side. T...

An antique truly American painting (not the more common similar-looking English scenes) with feathery tree at left, a few simple wooden houses, distant church steeple, and two tiny central figures, a manageable size at 22" by 30" (29 1/2" by 37 1/2" in the likely original framing), apparently unsigned. This old work came out of a dilapidated local home, having no doubt hung there for decades. When found it had a sheet of glass over the canvas. Despite the protection, over the past 150 or so y...

Alonzo Myron Kimball (August 14, 1874 – August 27, 1923) was an American portrait artist and illustrator. A native of Wisconsin, Kimball received his art training in Chicago, New York, and Paris. Early in his career he specialized in portraiture, especially paintings of female subjects, but during the first decade of the 20th century he also became one of the leading book illustrators in the United States as well a cover artist for national periodicals such as Scribner's Magazine, Collier's, a...

A classic work of 19th century American art: oil on artist's board painting of an elderly lady, apparently lost in thought, as she contemplates a bill and a paltry few coins in her palm, the proceeds from her sales of apples at two cents apiece (they seen in the right background). The 11 1/2" by 9 1/2" oval shaped painting (14" by 11 3/4" in the frame) is signed at right center "C. C. Markham" (CHARLES COLE MARKHAM, 1837-1907). The work is not dated but was likely created in the 1880's or 1890'...

PAIR of watercolor coastal scenes, unsigned, circa 1880, on heavy quality watercolor paper, 11" by 18" inside the old mats (18" by 25" in identical framing), found in Essex, Massachusetts. I purchased these for their inherent quality, despite a few condition issues, and hoped to find a signature when I opened them up, but, did not find either signature or any other inscriptions. I imagine these are by a listed artist who worked in the Cape Ann region or in that part of coastal New England. T...

Shan State Papier Mache Buddha with brown worn lacquer patina, 19th Century Burma, size: H. 57cm x W. 32cm x D. 20cm, both hands are missing, very serene expression

Watercolor on paper laid down long ago on a thin old board, the subject being fruit, including green and purple grapes as well as a melon, measuring 10 3/4" by 18 1/4" inside the mat (19" by 26 1/2" as framed), apparently unsigned, dating likely to the late nineteenth century. This is a fine example of American still life art of the period. I would imagine the unknown artist would be listed, due to the quality of the work. Condition is excellent, with fresh colors and no water stains or foxin...

Beautiful antique original Italian watercolor landscape painting of a waterfall and castle ruins by Vincent Blatter signed lower left. Presented matted and framed. Vincent Blatter (1843 - 1913) was active/lived in Italy. Vincent Blatter is known for painting landscapes. Overall framed size 15 x 20" excellent condition.

Watercolor on paper country road scene with figure and possibly a horse, 4" by 8 3/4" inside the mat, signed at lower right "Lauro" and inscribed "A mi querido cunado (brother-in-law) Daniel" and dated 1881. I have searched for a listed artist that could correspond to this name but have not come up with a compatible listing. Purchased this at a flea market in Buenos Aires, Argentina. The work is in reasonable condition considering that it is 140 years old...there is foxing, some browned areas...

A very well rendered watercolor painting on paper, of a Union officer. There is a large amount of background detailing, showing camp tents by a river, with the American flag flying. Superb condition. 8 1/4" by 6 1/4"

This is a very finely executed watercolor on paper of a young woman in the clothing of the old country. I've opened this up and see that the work is on paper laid on a board, and it is not signed. The measurements inside the gold mat are 9 1/4" by 7 1/4" (17" by 13" in ornate old frame). I am sure, given the quality of the work (note the care lavished on the eyes and face, in particular), that the artist would be someone recognized and listed. There is an old circa 1930 Hobbs & Sutphen (Chic...

Antique watercolor painting of familiar Venice, Italy scene with gondolas, and historic buildings lining the canal, luminous reflections completing the image. The drawing measures 9" by 13 1/4" (15 3/4" by 20 3/4" framed). It is signed at lower left "G Marini". Condition is excellent. The drawing was likely created for the tourist trade in Venice in the early years of the century.

A watercolor painting of raspberries in a small wicker basket, signed at lower right center with what appears as "J. L. Guinand", and dated there 1895. The work could be by a French artist or perhaps by an American with a French name. I do not see a listing for such an artist. The work measures 7 1/4" by 11 1/2" and 17 3/4" by 21 3/4" framed. The paper is slightly puckered and there is a small unexplained blue area at far right edge that seems out of place. The frame is a bit tired with som...

This is a work squarely in the Hudson River style by a talented landscape artist of the second half of the century, DANIEL CHARLES GROSE (1838-1900). The scene is a significant river winding among steep green bluffs, a feathery tree at left, the only sign of the hand of man a split rail fence. Signed at lower left and dated there 1874, the work measures 8" by 12" (12 3/4" by 17" in its original attractive old gilded frame). The work is smoky and could benefit greatly from professional cleanin...

A 19th century American folk art painting. Oil on canvas. Table top still life of bountiful agricultural harvest and a pineapple likely from port trade (pineapples were popular import produce in 19th century port cities and much can be read of pineapples in American tradition and design - most notably relating to hospitality.) Relined - otherwise good, clean and bright condition. Stretcher dimensions 30 1/2 inches x 25 1/4 inches. We acquired this in the late 90s from a long time Georgetown peri...

A fine early watercolor with gum arabic highlighting, the subject a stag in a landscape, by a well-listed English 19th century artist, NEWTON SMITH FIELDING (1799-1856). The work measures 5 3/8" by 8" and is laid on another piece of paper. Including the present mat, dimensions are 16" by 20". The signature is actually on that second piece of paper, in pencil, at lower center. Fielding was born in England and died in Paris. Evidently he showed early talent as his works were exhibited at the ...

Spanish Court Scene , Watercolor circa 1900 , MOLE, Rhode Island measuring 6 x 18“, frame size 12“ x 24“ English Court Scene sign Charles CATTERMOLE. Pre-Raphaelite Watercolor circa 1900 Watercolor 6 x 18“, frame size 12 x 24“ $4,000 for the Pair CATTERMOLE English Painter was born in 1832 and died August 21, 1900 he was the nephew of George Cattermole who’s painting is he occasionally copied and worked in London

Oil on canvas laid on board, 21" by 34" (26" by 39" as framed), unsigned, circa 1880 I would guess, the painting consisting of a classic Hudson River view with steep hills bordering a river, a boat completing the scenery. There is a very nice luminosity to this particular example, a very nice handling of the light in the leaves of the trees. The painting has an approximately 5" long horizontal old cut in lower portion as shown, not unusual for a work of this age. There is also considerable un...

Porcelain measuring 9 inches tall, 8 inches wide, and 5 inches deep. Karl Gerhardt was born in Boston, Massachusetts, on January 7, 1853.[1] He attended Phillips School in Boston. By 1870 he was apprenticed to a house painter in Chicopee, Massachusetts, where he later became a machinist at Ames Foundry. He showed considerable talent in mechanics, and later became a designer of machinery at Hartford, Connecticut.[2] In 1874, he went to California. By 1880, he had returned east to Hartford, and...

Circa 1870's watercolor, in Victorian or turn of the century gold frame, signed at lower left. Signed by an apparently little known artist, Carl H. Schmidt. The watercolor measures 9 1/2" by 13 1/4" (21" by 24 1/2" framed). The scenery portrayed is perhaps in the Northeast states. When I originally acquired this item, it was with a watercolor of Florida (copied from a Currier and Ives print), signed by the same artist. That piece, of the same age as this, was sold separately.

American School, Early 19th Century

Carib Indians Around a Jungle Campfire, with a Piton in the Background

Oil on canvas, signed indistinctly on the stretcher. Mid 19th century carved wood, compo and gilt frame

Painting Size: 9.25” x 12”
Frame Size: 13.5” x 16.5”

An impressive watercolor landscape with Italian looking tree at left and extensive vista at right with small figures visible, unsigned on the front, but on the reverse is written in old pencil hand "Childe Harold's Pilgrimage" after JMW Turner by J Glen". This is therefore a 19th century work after a famous painting of Turner by that title, first exhibited in 1832. That painting, now in the Tate Gallery in London, was created subsequent to the publication of the very popular, lengthy narrative...

Watercolor on paper, 5 1/8" by 6 1/4" (13 1/2" by 14 7/8" framed), unsigned, but with a charming old dedication on the reverse side in sepia ink, "Mount Hood/From Vancouver/Eternal Snow/For Mother". This would refer to Vancouver, Washington, across the Columbia River from the mountain. Still adhering to the reverse is printed tape from an old business going by the name Arthur Wayman, of Salem, New York. And this was found in interior Maine. So, the drawing has most definitely strayed far to ...

Late 19th century watercolor painting of the famous Spanish Steps in Rome, an historical church forming the backdrop to a scene still iconic today. The painting is signed at lower left "Conti"; it is possible it is a work of the listed artist Tito Conti (1842-1924) but I cannot say for certain that he was the artist. The piece, which measures 12 3/4" by 8 3/4" inside the mat, and 22 1/2" by 18" as framed. Note the exceptionally fine detail throughout; the traditional clothing of the foreground ...

Fine old marine art drawing, in compromised condition, as found in Rhode Island, unframed, 13" by 19 1/2", signed at lower left corner "F R Smith". This is almost certainly by late 19th century American artist F. ROLLIN SMITH, who painted watercolors and oils of marine scenes. Little seems to be known of the artist but works do appear at auction. This drawing is a survivor, found in a portfolio of drawings in Providence, Rhode Island. It likely dates to the late 1870's or the 1880's; many of ...

I thought this at first a print, the detail is so life-like and convincing, but closer examination revealed that it is indeed an original drawn work on paper, measuring 9 1/2" by 7" (15" by 13" framed). The artist must have had tremendous patience, or lots of time on his or her hands, to have created each leaf and flower. The work probably dates to the 19th century. As would be expected in art of this age, there are a few discolored areas at lower left and lower right, but they just add to th...

Gouache on paper painting (9 1/2" by 20", and 18" by 28" as framed) of the world-famous Rialto Bridge spanning the Grand Canal in Venice, Italy, signed at lower right and dated there 1889 by the well known American 19th century painter EDMUND DARCH LEWIS (1835-1910). The artist painted from Maryland to Maine, visited Cuba and Italy, and even apparently spent a short time on the Pacific coast at Monterey, California. Lewis came from a privileged background, and that enabled him to pursue his art...

Watercolor en grisaille drawing of the ornate entry area of a 19th century American home, complete with trellis, shutters, clapboard and fine woodwork, unsigned, measuring 18" by 14" (20 1/2" by 16 7/8" framed in brown wood frame. There is also a pencil study of the doorway on the reverse (see last photo). Any number of artists could have created this. It reminds me of a home you'd see in a watercolor by Edward Lamson Henry. I'd date this to about 1910 through 1930. Condition is very good a...

A 19thC framed watercolour picture of a child 1860-80. This late Victorian period unsigned framed water color on paper is a piece of early memorial folk art and it was possibly made by a family member as a reminder of a deceased child, with typical muted colours and austere pose. This Victorian picture is a lovingly made piece, most likely a memorial painting, with a hand-cut deep red velvet mat, a gilt paper mount from a photo-album page and a black and gilt frame with applied brass Coptic cro...

Works by ALBERT HORATIO SLADE (1843-1922) are quite rare in the marketplace. The few that have come to auction feature coastal scenes of Los Angeles, San Diego and Ventura Counties. Prices of $8,000 and even $12,000 have been achieved on several larger works that are site-specific. Some are of great historical interest, as they document early buildings and communities. Slade was born in England and had a photography studio in Toronto, Canada by 1879. He was in San Diego by 1887. He was kno...

Oil on canvas still life of peaches and compote in the East Coast style of the latter part of the 19th century, 21" by 27", presently unframed, signed at lower left "C H Harmon" and dated what appears to be 1880 (or, 1880 something, difficult to read last digit). This is a skillfully painted still life in the tradition of eastern masters like the Ream's, or members of the so-called Fall River School. The table appears to be Eastlake Victorian, with its marble top. This is a very impressionist...

For the eclectic collector of 19th century American folk art, this is an oil on canvas, as framed in the original gilt, measuring 26 1/2" by 37 1/2" overall. The work was purchased in coastal Maine, where it came directly out of an old farmhouse near Nobleboro. It had been the property of one family there for decades. From a folk art Americana standpoint, it is a most interesting and unusual work indeed. The previous seller's label described it as ".....Revivalist Period 1830-1840 unsigned dep...

From our European Collection, a beautiful mid-late 19th Century pastel under glass rendering of a young woman with a pensive gaze, flower in her hair, and time piece in hand, framed in a wonderful gilt-carved and gesso Period frame of the era, with very ornate ribboning at the top. Artist unknown and unsigned, but Continental School 19th century for certain.

Size and Condition: Framed dimensions are 38 inches tall by 31 inches wide, unframed image size is 26 inches tall by 22 inches wid...

Oil on canvas painting of a forest interior in browns and greens, 14" by 20", unframed, signed at lower left by the noted American late 19th century painter ARTHUR PARTON (1842-1914). Parton was born on the Hudson River and went on to become a well known painter of that river and the Adirondack and Catskill Mountains. He is described as a second generation Hudson River painter, who also moved into impressionism and Tonalism. After training with William Trost Richards at the Pennsylvania Acade...

Unsigned fine old nineteenth century ink and watercolor drawing of a great tree presiding over a pleasant forested landscape, two tiny figures at right and a small wooden structure at left providing the only evidence of human presence. The watercolor, 14 1/2" by 10 1/2" inside the mat, 24 1/2" by 21" framed, is probably English or continental European, and circa 1860's or thereabouts. The tiny figures are a woman gathering sticks for cooking, and her child. Condition is generally amazingly fr...

American School, Circa 1870
Oil-on-canvas

Painting Size: 15" x 10" Frame Size: 19.25" x 14.25"

Early landscape painting of a likely imaginary, idealized, pyramidal mountain peak of California, (doesn't really resemble Mt. Shasta, but I suppose it could be), 20" by 16" on the stretchers, painted on canvas, 25 3/4" by 21 3/4" in a fine old gold 19th century frame, signed at lower right by artist "C. A. Simpson" and dated there 1886. The painting is firmly in the luminous tradition of some of the eastern Hudson River artists, with a pinkish glow suffusing the sky. Note the tipis at left lo...

Artist William Brooke Thomas TREGO, “Dual between a union Calvary man and the confederate trooper“ The black-and-white oil on canvas was created for the century edition of battles and leaders of the Civil War of a true 1862 incident. And I witness testified that a desperate fight with sabers, during which both combatants were severely cut, federate ignore the rules of chivalry warfare, Drew his revolver, and shot his opponent dead. TREGO lived from 1859 to 1909 William Brooke Thomas Trego ...

For those seeking an early California painting featuring the Golden Gate, consider this circa 1900 (possibly as early as 1880's?) unsigned work on gray artist's board, 18" by 24" (22 1/2" by 28" as framed), the subject the Golden Gate looking north from approximately the Land's End area, Civil War-era Fort Point in the middle distance, and Mt. Tamalpais in the far distance in Marin County, a steam powered boat and a three masted ship in the channel. The world famous Golden Gate Bridge now spans...

Decorative old engraving of early New York, printed in Paris, circa 1850, with quality contemporary framing and hand drawn mat lines. This lovely print is ready to hang in your traditional fine interior. The print is exceptionally clean and fresh as is the mat (photo shows what appears as a scratch in glass at upper left, it was simply foreign matter I removed easily after the photo). The work bears a label of Summa Gallery, Brooklyn Heights, New York. Measurements 12 1/4" by 13 1/4".

Etching on paper, 6 1/8" by 9" inside the mat (13 1/8" by 15 1/2" as framed in attractive oak), the title "Emigrants on the Plains", bearing at lower left margin "F.O.C. Darley, fecit." and at lower center "Entered according to act of Congress, A.D. 1869, by D. Appleton & Co in the clerks' office of the district court for the southern district of N.Y.", and at lower right "H.B. Hall, Jr. sc.". This is an extremely clean and fresh example of this well known print by an artist called one of A...

Attractive old antique print titled "Public landing. Cincinnati", identified by writing on backing as having come from Ballou's Pictorial Companion, 1855. measuring 11" by 15" in its old dark (probably stained walnut) frame with gold fillet. Condition appears fresh and excellent overall. The coloring is hand-applied. An interesting addition to your historic Ohio River or Cincinnati home or office.

Fine decorative 19th century engraving print, titled at bottom margin "Philadelphia from Belmont (WEST PARK)", by English-born artist ROBERT HINSHELWOOD (1812-1879). Hinshelwood came to the United States in 1835 as a young man and pursued his art skills, in both painting and engraving. In this case he seems to have engraved after his own original painting---a fairly rare skill combination. Hinshelwood worked for Harpers and other publications of his day, and also as an engraver for Continenta...