Chinese porcelain vase, ovoid form, with painted over glazed scene of figures including ladies sitting at a table, another lady with flower and a child, signed on bottom with four character mark, mid 20th century. Size: 5 1/4" high

LARGE SQUID MOLD

Vintage wooden mold for making traditional Japanese confectionery specially for auspicious occasion called ‘Kashigata’ with such unique detailed carvings of squid, Showa period, 1950s, 34 x 16 x 4 cm (13.38 x 6.29 x 1.57in)...

This 20th century Long-Quan style seated Guan Yin with dragon is 9 ½ inches tall. The entirety of the statue is covered with green glaze except for the face, hand and foot which are covered with a brown matte glaze. It is in good condition.

Pair Himalayan Tibetan Stupa shape Brass Chops, Seals, Stupa Altar pieces, 2 1/4" high, 1" to 1 1/8" wide on the bottom, carved double fish and other Buddhist symbols inside hexagonal shape bottom, the condition is good.

STONE INARI FOX HEAD

Tochigi, Northern Kanto region, Japan, early 20th century, H 16.5 x W 9.5 x D 11 cm (6.49 x 3.74 x 4.33in). Stands on its own.


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A Famille-Rose Porcelain Snuff-Bottle with Figure-Motifs and a Qing Dynasty Emperor Qianlong Mark Height: 2 1/2 inches (6.4 cm) Condition Report: Good Condition Provenance: Property of a MA Collecter

An Old Jade Fish Ornament Length: 4 5/8 inches (11.75 cm) Width: 1 5/8 inches (4.13 cm) Condition Report: Hand-Carved, Good Condition

Nokyojiku, hanging scroll with stamps and inscriptions (shuin) collected at temples visited at the Saigoku pilgrimage circuit. At each temple the pilgrim asks the custodian of the temple to stamp and inscribe his scroll. These scrolls are carried mostly by pilgrims who travel along the 88 holy sites of Shikoku, by pilgrims who complete a circuit of Kannon temples, and/or of Fudo Myo-o temples.

Hanging scroll with gold brocade mounting and gilded hardware, as used for Buddhist paintings...

Ohara Koson
Wild Geese Over the Sea
Size: Approximately 17 cm x 12 cm. 6.625 x 4.625 inches.
Date: ca. 1910.
Koson signature and seal at lower right.
Publisher: Matsumoto (no. 441). Tag on back.
Medium: Japanese woodblock print.
Condition: Excellent. Two dashes in left sky.
An early and rarely seen design similar to K11.21 "Two white-fronted geese flying above water" in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).

A nicely painted fan painting of waterfall landscape by an unknown japanese artist to me, an old piece taken out of a real fan that was used

Yoshimoto Gesso
Cherry Blossoms
Date: 1930s.
Print size: Approximately 10 x 5 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso)
Artist's signature lower right.
Medium: Japanese woodblock print.
Condition: Back top edge has paper residue.

Good Karen basket waterproofed with natural tree lacquer, good condition- i.e. no damage. Circa 40 to 50 years- purchased in the 1990s in Mae Hong Song, along the Thai/Burmese border. I was back there recently and old baskets have all sold out. See last enlargement for reference.

Japanese Kiri wood and lacquered floral decorated Hibachi with copper lining, 9 1/4" high, 10 1/4" diameter-outside, and 5" high, 8 1/4" diameter-inside polished copper liner, with 3" wide Lacquer band on the lower area. Low relief lacquer decoration on both sides. The condition is good, one small area about 1" long old separation in the natural Kiri wood.

A woven wool sash from Tibet, circa mid to late 20th century. Measuring 15.3 x 300 cm including the fringes, it is in overall good condition, but with some fraying. These sashes are used by Tibetans to tie their traditional attire (chuba for women, lokpa for men) and also to secure knives, bundles etc. Enlargement #6 shows the use of these sashes in traditional Tibetan nomadic culture (© 1995 East of Lo Manthang by Peter Matthiessen and Thomas Laird).

SHOTENGAI 1952

Early postwar Japanese oil painting on canvas, 'Town of Wakamatsu', May, 1952, by Ueno Haruka (1896-1978), 53 x 45.5 x 2 cm (20.86 x 17.91 x 0.78in), probably as a rare scene of vibrant retro local market street of Wakamatsu in Kita-Kyushu region well-known for the biggest domestic coal shipping port at that time...

A fine 20th century studio lacquer charger. Persimmon orange-red lacquer with decoration of peony blossoms incised to an under layer of black lacquer in the Kamakura manner (and possibly from one of the ateliers in that town which can still be seen and visited when trekking up the main street to the temples.) Gilt lacquered rim. Black lacquer also singularly exposed inside the foot rim. Good condition with light wear. Diameter 15 1/2 inches (39.37 cm)

FOOT TALISMANS

Pair of tin sandals made and didicated to temple/shrine to pray for the safety of practitioners (shugenja) or itinerant Buddhist monks (yamabushi) who do the Shugen-do mountaineering ascetic, with the Indian-ink sign of a Japanese four-character idiom as "Realisation of Great ambition". Showa period, 20th century, Japan. approx. 25 x 9 x 6 cm (9.84 x 3.54 x 2.36in)...

SASHIKO DUSTCLOTH WITH CRANE DESIGN

Unused dustcloth of recycled handspun cotton fabric with ‘sashiko’ (ref. https://en.wikipedia.org/wiki/Sashiko) once originally used for cloth (kimono) or bedclothes for celebration (because of its auspicious design of cranes). Early 20th century, Japan...