A dazzling Hagi-ware bowl with cherry petal and earthen tones made by one of Japan's great potters. The 14th potter of the Sakakura line of potters Sakakura Shinbei XIV (1917-1975) was designated an important human cultural treasure of Yamaguchi prefecture in 1972...

A captivating bowl created by Kyoto potter Kawai Zuiho, most likely in the early 70’s. This bowl features a red undercoat which is visible in places through the greenish overglaze. The effect is quite striking and sure to attract the eye. With a convenient indent on the side, this bowl fits comfortably in the hand.

Kyo-Yaki is high-fired ceramic and pottery that centers around the Higashiyama district of Kyoto...

A charming akaraku chawan done by third generation potter Kato Ryusei. This piece was fired at the Akahiko Kama which has produced pottery in Aichi prefecture since 1956 and who have the distinction of being commissioned not only by the Showa Emperor and Empress but also by the later Heisei Emperor.

With a soft luminance and subtle charm, this piece would be an valued addition to the collection of any budding tea practitioner...

A beautiful Hagi-yaki chawan done by well-known artist Kaneda Keien (1949-). Keien is an 8th generation potter who has been producing works for over 40 years and is the winner of several awards for excellence. A distinctive feature of his works is that they utilize an iron-rich soil collected on the island of Mishima in the Sea of Japan...

This chawan was fired in the kilns of one of Kyoto’s best known raku-yaki potters, Sasaki Shoraku III (1944-). The Shoraku line began when the grandfather of the current potter established a kiln near the famous Kiyomizu temple, nestled at the foot of the eastern mountains in Kyoto. In 1945, the kiln was moved to Kameoka near the Yada shrine where it remains today.

Raku teabowls are made by hand, without the use of a potter's wheel...

A mature work by an artist who’s career as a potter has spanned over 55 years. This beautiful white Hagi bowl by Takenouchi Akihiro (1937-) displays a quiet elegance that sets the mind at ease...

A captivating piece described on the box as “aka e sakana bun” which can be loosely translated as, Depiction of Fish with Red Overglaze. Okuda (1920-1999) was a student of both Hamada Shoji and Kawaii Kanjiro and his kiln was visited by a number of well-known artists including the likes of Bernard Leach...

An original piece by the second in the line of Choraku potters. This bowl is stamped twice on the side and once on the pedestal with the mark of Ogawa Choraku II (1912-1991).

The Choraku line began when a student of Kichizaemon XI (Keinyu) and Kichizaemon XII (Konyu) opened an independent kiln in Kyoto in 1904. The line was officially given the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association...

This attractive e-Shino bowl (“e†meaning picture) bears a pine-needle motif on the front surrounded by fields of dazzling ochre and white.

Fired in the kilns of Kato Kageaki (1899-1972), this Shino bowl is from one of the oldest traditions in Japanese pottery. Kageyaki was the 12th generation of Mino potters known for their distinctive styles of Shino and Oribe pottery...

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a white translucent overcoat that beads in areas.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery...

Ohara Shoson (Koson)
Little egret on the bough of a willow tree
Size: Chuban. Image size is approximately 9.75 x 6.75 inches.
Date: ca. 1930s.
Publisher: Watanabe Shozaburo.
Illustrated as S14.7 on page 207 of "Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland)."
Tipped at top edge to original cardstock.
Condition: Excellent.

Japanese framed woodblock print by sōsaku hanga artist Haku Maki (1924-2000). This print is titled "Hantou - 75", number 32 in its series and signed with a red cartouche. Depicted is a glossy, embossed vase with silver embossed flower buds. Size: (entire frame)14" height, 11.25" width (artwork only) 9" height, 6.25" width

Boro futonji whose ground cloth and most of the mending patches are hand-spun and natural indigo dyed cotton. It used to be a futon cover so that it still has cotton dust. Late 19th to mid 20th century. 63cm x 144cm

Hanging Scroll of Guanyin in a Gold Cloak Protected by Five Dragons by Zhang Daqian (1899-1983) 51 1/2 X 26 1/2 inches 130.8 X 67.3 cm Color & Gold on Silk Dated 1945 Inscribed and signed with two artist seals Condition Report: Hand-Painted, Good Condition Provenance: Property of a New York Collection Artist or Maker: Zhang Daqian (1899-1983) Medium: Color on Silk Date: 1945

A Rare Bronze Mirror with Archaic Motifs Diameter: 7 inches (17.8cm) Condition Report: Good Condition Provenance: Property of a MA Collection

Chinese cabinet from the Shandong province made from jumu wood (elm). The two front swinging doors open with brass pulls on long, brass panels. The shelved interior is very roomy. The sides of the cabinet have been lacquered in a muddled red. Dates from the 19th century. Very difficult to get these pieces. No export out of China. Size: 44.5" height, 34" width, 15.5" depth

A large framed woodblock print by artist Ouchi Makoto (1926-1989). Ukiyo-e style images of fierce warriors and a demon appear in the two front paper blocks, and have kanji that has been cut from the tops. A beautiful maiden appears in the third block, while a large wave appears in the last, a nod to the famous woodblock artist Hokusai. Ouchi has created great depth with his techniques of color gradation, shading, and perspective. The piece is signed at the bottom in pencil, and numbered 5/60...

A small Chinese porcelain vase delicately painted in fencai / famille rose enamels with a scene depicting two ladies on a river bank washing silk. The base carries an iron red four character Qianlong (1736 - 1795) reign mark but this vase was made later, in the early 20th Century, during the Republic period. Condition: excellent - no damages and no restoration. 12.5cm (5 inches) high.