A highly collectible Sino-Tibetan Gilt Bronze Figure of Buddhist Diety. The Gilt Bronze Statue, with the principle Buddhist figure standing on backs of two recumbent elephant headed figures, on a lotus form base capped in patinated copper sheet, stamped with a lotus-floral motif. Height: 22” (55.88 cm) Width: 12 5/8" (32.1 cm)Depth: 8” (20.32 cm) Good condition, gilding rubbed, some oxidation.
Japanese four panel screen painting of two quail birds in tall grass. Bright matte green, yellow, orange, and brown pigments used. 20th century
Size: 59" L x 25.25" H (entire screen) 12.5" L x 20.5" H (each panel of artwork)
Chinese jadeite ring, made from natural and untreated jade, with beautiful deep forest green, apple green, and white hues in a cylindrical form, set in 18k gold with .750 mark etched into the band, and one row of six diamonds above and below the jadeite piece.
Size: (ring size 8.5) jadeite .75" long
1930's Chinese Celadon Blue & White Underglaze Copper Red Porcelain Elephant Vase with Boy
It is 15 inches (38.3 cm) tall by 10.2 inches (26 cm) wide. It is 6.1 Lb.
It has dark spots, skip glaze, and surface wears and scratches (as seen in the photos).
Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...
Beautiful example of SHowa Period C.1935 Japanese bronze craftsmanship. Two cranes in relief are flying in front of a Mt. Fuji also in relief against a patinated murashido mixed color finish. Great condition. With original paulownia wood box. 35cm tall and 8cm in diameter with wood stand. Ask for shipping quote.
Japanese framed print by Yoshitoshi Mori (October 31, 1898 - May 29, 1992). Depiction of a beautiful geisha combing her hair with bright pops of color. Number 18/50, signed and dated 1978 in pencil.
Size: (entire frame) 17" Wx 24.5" H (artwork only) 10.5" W x 17.25" H
Takahashi Shotei
Fuji from a restng-booth
Date: pre-1936.
Size: Approximately 7.75 x 5.25 inches.
Shotei seal at right.
Reference: S-6 in Shotei catalog.
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Condition: Very faint diagonal crease in sky. Pencil note on back.
The material of vase is crackle glazed eathenware. It is more Satsuma type body but not small crackle as Satsuma. Nice Gold design with the panoramaic landscape painting over the two section of vase. The vase itself is in square shape, but the two handles are located on the corner on each end which make more unique. Well design with the gold works with beaded and moriage gold. It is all handpainted. The backside of vase is with plain finish which give you for the change...
Hand carved celadon green jadeite brush pot, bǐtǒng with incised and bas relief design of blossoming branches and on stump-like incised lines on bottom. Some lighter inclusions to body. Overall very good condition.
A brush pot (Chinese: 笔筒; pinyin: bǐtǒng) is a container for holding the brushes used by scribes for Chinese calligraphy. These are typically carved from bamboo or jade with ornate motifs symbolizing concepts such as longevity...
This is a hinggi from east Sumba, probably dated to the mid to late 20th century. The weave technique is warp ikat, plain woven and hand spun cotton. It measures 132.08 x 274.32 cm and is in immaculate condition. Ikat is a resist-dye method of patterning textiles. Prior to weaving, the maker ties the warp and/or weft threads tightly and immerses them in a dye bath. The tied sections resist the dye...
Pair of golden yellow silk fukusa or gift covers, with diamond pattern with water birds design in brocade weave, over which is embroidered in different hues of pink and in goldthread. The larger fukusa is decorated with a lobster carrying a treasure boat, holding several of the treasures. The smaller fukusa is decorated with a treasure boat, as well. Reverse decorated in brocade technique with a family crest in white silk. Japan, Taisho or Showa era, ca...
Woodblock print by artist Ted Colyer, born 1947 in Nova Scotia, Canada. He graduated Fine Arts at Mt. Allison University and studied in Japan to perfect his woodblock techniques, where he remained for 17 years before returning to Canada. He became a professional artist in 1975 while residing in Japan. This woodblock, titled "Interior" dates from his first year as a professional artist and depicts a room with a central fire pit and tea kettle hanging above it...
PIG-HANDLED RICE CAKE MOLD WITH FLOWER PATTERN
Traditional Korean wood carving mold for making rice cake, late 20th century, approx. 24 x 6.4 x H 10 (9.44 x 2.51 x 3.93in)...
A wonderful hand-modelled Aka Raku tea bowl with compressed ring foot and covered with a red and black glaze - made by legendary 12th generation Kichizaemon Kônyû (1857-1932). His childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family business and became the generation master. In 1919 he retired and took the name as Kônyû...
This is a beautiful vintage kasuri kimono in new condition. The color is dark Japanese indigo blue (aizome) and white. The fabric is thicker and loosely woven, all hand sewn. Dimensions: 47 3/4" (sleeve to sleeve) x 52" long
The Chinese dragon, the most powerful symbol of good fortune, is predominately depicted on the lid of this marvelous Canton enamel box. A perfect size for displaying in your home, it measures about 5.5 inches diameter.
The tiny frog has black eyes and is made of bamboo.
The traditional embroidery of Kandahar ("khamak" in Pashto) is exquisitely fine and extremely labor intensive. A piece such as this one may take up to three months to complete due to the exceptionally detailed stitching technique...