Antique Chinese coin purse made of brass and enameled with cloisonne during the Republic period of around 1920. The purse is beautifully enameled with a colorful design that includes a central lotus flower and vines. It still has its original brown braided silk suspension cord and two fringed tassels.

CONDITION: Shows age and use. Overall, it is in excellent condition, with no cracks, chips, restorations, or repairs.

DIMENSIONS: 8.5 cm x 8 cm (3.35 x 3.15 inches)

Republic period, circa 1950, Chinese carved jaded miniature of a carpe fish seating on a lotus leaf with beautiful carved details. It measures 3.5" long, 1.5" wide .75" deep.

A Chinese banded amethyst sculpture, shaped as an egg and carved with the head of an Immortal with large pendant ears . The carving is beautifully rendered and the unusual form makes it original and desirable. In very good condition, it measures 2 3/4 inches (7.25 cm ) long and dates from the Republican period.

A Blue-White Porcelain Snuff-Bottle with Floral-Bird Motifs Height: 3 1/2 inches (8.3 cm) Condition Report: Good Condition Provenance: Property of a NY Collector

Women’s skirt from the Bahnar (Ba Na) ethnic group from the Central Highlands of Vietnam, woven from fine handspun cotton using all natural dyes. The weaving is very intricate and refined, note the use of narrow warp ikat bands throughout this piece. This is one single panel which would have used to make three other skirts. See last enlargement for a complete example. L: 2.9meter/9.5feet and W: 66cm/26in. I have two complete skirts- please contact if interested.

The pendant depicts the Happy Buddha, also known as the Laughing Buddha, in a joyous and tranquil pose. It is made of natural Jadeite Jade stone, renowned for its rich green color and impeccable quality. The intricate carving and attention to detail bring the pendant to life, making it a true work of art. Whether worn for its spiritual significance or simply as a stunning piece of jewelry, this pendant will surely bring joy and beauty to anyone who wears it...

Wonderful pair of horse prints by Japanese artist Urushibara Mokuchu 1888-1953). These Zen style horses are beautifully designed and printed with calligraphic line work similar to traditional sumi ink paintings. A classic Japanese subject rendered in bold black, crisp white, and soft tones of grey. Pencil signatures at lower right, red seal on both. Undated, estimated to be circa 1940's. Both under glass in period frames

CAKE MOLDS

Two pieces set of Chinese wood carving molds for rice cake, with fish and landscape-like designs, early 20th century. approx. 24.5 x 7.5 x 2 cm (9.64 x 2.95 x 0.78in), 23 x 11.5 x 2 cm (9.05 x 4.52 x 0.78in)...

Rectangular cover for over a gift, called fukusa made of green (front) and purple (back) silk satin. On the front is an image of three turtles walking towards the water, with a bamboo grove in the back of them...

SPICE JAR

Pottery, early 20th century, Korea, approx. 13.5 x 12.5 x H 10.5cm (5.31 x 4.92 x 4.13in). Some expected cracks and chips due to aging as is.


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TENGU HEAD

Unique Japanese okimono of the head of 'Tengu' (Long-nosed goblin), originally an wooden mold used for making a paper-mache tengu head (because of such back cutting scar for removing paper-mache head out), then vermilion-painted after retired to lead a second life, Taisho-Showa period, early-mid 20th century, approx. 18 x 18 x Depth 19cm (7.08 x 7.08 x 7.48in). Aged deterioration, uneven paint appearance, crack, exfoliation, etc...

Wonderfully carved wooden Lanna Tiger, the hole in the mouth means this could be worn as amulet or placed on an altar. On the bottom is a lightly incised spiral glyph underneath the base indicate this was meant to be protect the owner. Bear in mind that amulets are very popular in Thailand and most are mass produced in either as terra cotta tablet or cast in metal- this is a one of a kind piece. H: 7.5cm/3in and W: 4.8cm/1.9in.

Traditional pipe made of bamboo and copper used by the minorities in the south of China (Dong, Miao, Yao...)to smoke either tobacco and opium.
Very decorated bowl made of metals of different colors, with bats on the side; beautiful patina. 43 cms.

Ohara Koson
A Hawk on a Snow-Covered Pine Tree
Date: ca. 1910
Publisher: Matsumoto Print Works.
Size: Ko-tanzaku. Approximately 8.875 x 3.875 inches. 20 x 9.5 cm.
Koson signature and seal at lower left.
References: Matsumoto #109(tag on back)...

Chinese Bamboo woven Food Basket with Bamboo handle, 19" high with handle, 13 1/2" x 7 1/2" wide, made later part of 1800's to early part of 1900's, with three(3) tiered compartments. Some of the Brass decorative buttons are missing. Bottom of the handles on both sides have carved Monogram "S" and very fine Bamboo weaving with many detailed different patterns on the entire surface.

THREE LASTS

Lasts for 'Yuki-gutsu' as traditional Japanese snow boots made of straw.
Rustic and beautiful. Well-used and warmhearted 'mingei' tools as seen.

Large: approx. L 48cm (18.89in), W 10cm (3.93in)
Small: approx...

This hand-embroidered Uzbek textile from northern Afghanistan measuring 27 x 28 cm is in great condition. Cross stitch in silk thread on a cotton background. Circa mid to late 20th century.

MONKEY PARENT AND CHILD

Minimal ceramic figure of monkey parent and child in such beautiful silhouette, Showa period, 20th century, Japan, approx...

A pair of decorative table cloths made by Pashtun women, with mirrored, beaded discs ("gul-i-peron") on each corner which serve as protective amulets. The blue bead edging is typical of Pashtun textiles, and is used extensively on purses and clothing as a prophylactic against the evil eye. Silk thread in vibrant colors has been applied in mostly herringbone stitch on a pink cotton background with cording. Each panel measures 26.5 x 26.5 cm. Condition of the pair is excellent...

Four eight-pointed stars are the central theme of this gorgeous textile made by Hazara women, dated to the mid 20th century. Hand-embroidered in extremely fine cross stitch in silk thread on a tan cotton linen, it is the workmanship that marvels. The cross stitch on this textile can be more properly appreciated under a loupe. Each of the four eight-pointed stars is echoed by more eight-pointed stars and accented by triangular hooked motifs down the middle of the piece...

Measuring 13 1/2 x 19 1/4 inches this textile from Maqur district in Ghazni province is embroidered in silk thread on a fine linen background. The textile was intended to be made into a man or a woman's shirt. There is only one small brown stain, otherwise its condition is nearly perfect. Estimated age: mid 20th century. The embroidery technique is an extremely detailed ladder stitch.

INSULATORS

Ceramic devices for insulating electric wire called insulator, once installed to an old house with straw‐thatched roof, late 20th century, Korea, approx. D 4.2 x H 6.5cm (1.65 x 2.55in) each...

OH MY GOD

Incomplete remains of the face of a monk who is crying when Buddha died, originated from 'Nehan-zu' (Nirvana painting). Pottery. Showa period, early-mid 20th century, Japan...

This later, stoutly potted porcelain hexagonal Ao-Kutani censer may be Meiji or as late as Taisho era. But the six biscuit panels with relief depictions of sages are noteworthy each with an associated animal from Chinese lore. Green yellow and red enameled decoration of blossoms and clouds. The cover with Shishi also in blue and aubergine (cover only fits one way.) Rims with chocolate brown glaze. All raised on six shaped feet. The bottom also unglazed biscuit. A bit more weight than one might e...

HOLES AND GEARS

Set of a reeling machine's bangboard and gears made of wood. Showa period, mid 20th century, Japan. Board: 26.5 x 16cm (10.43 x 6.29in), Large gear: D 12cm (4.72in), Small gear: D 5cm (1.96in). Such specific holes made intentionally for some usage turn to geometrically abstract when unexpectedly combined with other objects as a part (fragment) as it is, which is interesting and fun.


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RICE SCOOP

Old Korean folk wood carving scoop for rice or grain used in Jeju island, early 20th century, approx. 34.5 x 21.5 x H 10-7cm (13.58 x 8.46 x 3.93-2.75in). Lighter weight than its looks. Some expected stains, scratches, and chips due to aging as is as seen.


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Japanese scroll painted with ink and colors on paper depicting the Rokkasen (Six Famous Poets of Japan that lived in 9-10th century) seated on the ground in different attitudes. Wonderful Zen quality to the brushwork, great composition, beautiful use of color. Brocade silk mounts, lacquered wood scroll ends. Inscribed with a short poem, signed KEIZAN, and marked with red paste seal and another seal lower on the painting. Scroll size 60x15 inches, painting size 26.5x10.5 inches.

Antique early 20th-century Indian padlock entirely made of brass and adorned with the Hindu god Hanuman on the front plate.

Please note that this lock is entirely made of brass, including body and shackle. The later Indian brass padlocks have an iron shackle instead of a flat brass shackle like this padlock.

MEASUREMENTS: Height: 10.3 cm (4.06 inches).

Chinese scroll calligraphy by the poet and calligrapher, Shen Yin-mo (1883-1971). Ink on paper. Hanging scroll. Signed “Yin-mo”, with one seal of the artist. Contemporary mounting by the previous owner. Excellent condition.

An antique Lakai Uzbek V-shaped panel (saye gosha/segusha) from northern Afghanistan, early to mid 20th century. The surface is embroidered in polychrome solar and volute motifs in silk thread on a faded red cotton ground, with a star medallion at the apex, edged with metallic couching and crocheted wool fringe. Each side measures 162.6 x 61 cm including the fringe. In very good condition, appropriate for its age and origin.

The use of long and short stitch in this Hazara textile from central Afghanistan gives a more detailed surface that better reflects the light than satin stitch. Silk thread on a fine cotton ground, the overall design alternates densely embroidered areas with others left unworked. This napkin measures 32.5 x 34.8 cm and is in excellent condition. Estimated age: late 20th century. The continuous supplementary-weft technique makes this textile reversible and either face may be used as the front.

Metallic thread is used to optimal effect in this Pashtun nomad's purse from southern Afghanistan. The thread is not taken through the magenta silk background but applied onto it in couched threads, laid parallel to each other and caught down by a small stitch in colored cotton. The small fastening stitches in cotton contribute to form a surface pattern of a neat grid of lines which in themselves create geometric and curvilinear motifs in relief (the technique is called "pokhtaduzi", or Romani...

Embroidered in cotton and acrylic thread on a light blue cotton background with sequins and white bead fringing, this child's hat from Indus Kohistan ("Land of mountains") in Pakistan measures: circumference: 50 inches (127 cm); diameter: 6 inches (15.24 cm). Condition is excellent. Estimated age: mid 20th century. The peak of the crown is achieved with wood gathered from the local forests, expertly woven to make the crown. Embroidery technique is a combination of cross stitch, tent stitch and...

This vintage textile is from Bamiyan province, Afghanistan and measures 25.5 x 26 cm. Embroidered in pastel-colored silk thread on a fine white linen, it depicts in satin stitch the triangular shapes that are typical of Hazara embroidery. The continuous supplementary-weft technique makes this textile reversible and either face may be used as the front. Condition: Excellent (e.g., no tears, holes, stains). Estimated age: probably 1950-1960.

A densely beaded woman's dress panel made by Kuchi nomads from Afghanistan, probably dating to the mid to late 20th century. Woven glass seed beads attached to a cloth background at the top, overlaid by a second layer with twisted acrylic threads and beaded tassles. Several layers of fabric at the top make this piece stiff and sturdy. This panel measures 11¼ x 21 inches. Kuchis (from the Persian word "koch" meaning migration) are Pashtun nomads, primarily from the Ghilzai, Kakarh, Lodi, Ahmad...

A pair of puttees from northern Afghanistan, hand-embroidered by Uzbek women. Each puttee measures 8.4 cm x 48 cm (3 1/4 x 19 inches)and is hand-embroidered in silk thread on a red cotton ground. The embroidery technique is long and short stitch, typical of Uzbek embroidery. Condition: excellent, no stains, no flaws of any kind. The puttee with the braided thread measures 48 cm x 47 cm.