This is a rare example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines which were made around the turn of the 20th century in foundries in Austria and Vienna. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of a special and secretive type of enamel paint, resulting in very detailed and life like miniature figures...

A good example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of paint. This rare painted butterfly is approximately 1 inch long and 1 1/4 inches wide. A perfect collection for the entomologist or botany professor in your life...

This is a good example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines which were made around the turn of the 20th century in foundries in Austria and Vienna. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of a special and secretive type of enamel paint, resulting in very detailed and life like miniature figures...

A good example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines, made in the late nineteenth century. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several and secretive colors of enamel paints, known as "dust" paints. This resulted in very fine and realistic studies of the different models...

1900's Chinese Silver Repousse Center Bowl with Chrysanthemum Marked "Yat Sun Shanghai"

It is 2.36 inches (6 cm) tall by 11.8 inches (30 cm) wide. It is 548 gram.

It is tarnished and has 3 areas that may have missing silver pieces and surface wears and scratches (as seen in the photos).

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Antique bronze hand of Buddha on wooden stand. Hand displays the Abhyaya Mudra, the have-no-fear gesture representing peace, benevolence, and reassurance. Beautiful long tapered fingers. Patina consistent with age.

Age: Ayuthaya Period (17th/18th century)

Dimensions: Hand only: 4" high x 1 1/2" wide x 3" deep. (7" high with stand)

1920's Yoshijirō (Mokuchu) Urushibara Woodblock Print "Messina Life Amongst the Ruins" design by Frank Brangwyn, Pencil Signed

It is 15 inches (38.1 cm) in length by 11.4 inches (29 cm) wide.

It has browning, creases, a tear at a corner's edge, fading, wear, and discoloration (as seen in the photos).

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Sentimental sterling bangle bracelet bearing the biblical Mizpah inscription, signifying an emotional bond between two people physically separated due to acts of war or other calamities. It would typically be given by a lover about to be parted from his beloved. The word "Mizpah" is in raised lettering while the engraved inscription "The Lord When Between We are Me & Absent One Thee From Another" is inscribed beneath...

Substantial silver bangle bracelet with an elliptical border of open cutwork featuring delicate daisies and swirl designs. The delicate openwork border surrounds smaller raised ellipse at center which with a delicate carved composition of a bird and a bee together in flight. An arabesque design flanks each side of the elipse to complete the symmetrical arrangement...

The symbolism and motifs behind the Victorian bangle bracelets, with their quaint floral bouquets and plants and trails of leaves well known. Our Sterling silver bangle has two carved stylized vases of flowers on either side, a vertical array of flowers next to each and at center, what appears to be two vertical daisies and leaf tendrils. This bracelets are quintessentially Victorian; sentimental jewelry always had associated meanings behind different flowers...

Our silver bangle is decorated with a five bands of repeating patterns of arabesques and scrolls. The center band is the focal point while the surrounding bands are each repeated once. The Victorians loved geometric patterns, and silver bangles, brooches and the like were affordable to the middle class and could appeal to a broader segment of the jewelry market and thus achieved great popularity around this time...

Antique Japanese ceramic figure of the moon faced Otafuku. Her name was once Uzume and evolved into Okame which means "tortoise", a symbol of longevity. Otafuku or Okame is considered the goddess of mirth, a cheerful woman who's name means "abundant good fortune". A bringer of victory and success, she is good-natured, good-humored, good-hearted, generous, kind, serene, and patient. She is smart, strong-willed and competent as well as powerful enough to easily frighten away evil spirits...

18th Century Chinese Kangxi-Yongzheng Period Famille Rose Porcelain Teapot with Relief Lotus Flower

It is 4 inches (10.2 cm) tall by 6.65 inches (17 cm) wide. It is 0.7 Lb.

It has chips at the leaves, stems, and inner rim of teapot, dark spots, firing holes and cracks, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

19th century small Chinese scholar’s rock in a shape of a long mountain range. The piece gives a very strong feeling of weathered rock shaped by water and time, and overpowering energy of the mountain range. Beautiful black Qilian limestone (Mount Qilian, Gansu province) with rich texture, provides excellent views from both sides, great patina. Fixed on newer ebony stand, superb object for contemplation on scholar’s desk. Length with stand 5 inches.

Finely carving of a charming Pigeon resting on its characteristic true-to-form bird feet, just as shown in the book 'NETSUKE 100 Miniature Masterpieces from Japan', by Noriko Tsuchiya, that displays netsuke pieces from the The British Museum in London. Fine cohesive composition partly stained to enhance its form. Eyes inlaid with dark horn. The signature of MITSUHIRO 光廣 is intricately carved under the pigeon feet, as shown in the book's picture.

This is a finely hand-carved Ebony Netsuke attributed to Jikan Ganbun, depicting a Tree Stump. Nicely detailed rendering of a tree stump with its rough textured exterior contrasting with a smooth top and bottom that are styled in a star shaped manner. The concave stump is slightly hollowed out, with a smaller stump on its side. There is a tiny ant looking figure that has been carved inside the stump. Netsuke is unsigned. It measures 1.25 inches in diameter and 0.50 inch tall. Netsuke is in...

This 19th Century, finely hand-carved Iwami Ebony Netsuke that shares similar carving and material characteristics as the Tree Stump attibuted to Jikan Ganbun depicts a Toad that also provides a functionality of an Ashtray. This toad is also remarkably similar to the toad that the Gamma Sennin (item 98 of Bonhams Iwami Catalog* – photo # 6) is sitting on. Nicely detailed rendering of the rough textured skin on the back and sides of the toad, which contrasts with the smooth extended throat and...

Late 18th C. Early 19th C. Japanese Iwami Kurogaki Netsuke: Gama Sennin with Toad This is a finely hand-carved netsuke in Kurogaki (Black Persimmon) wood of a Gama Sennin with a Toad on top of his shoulders, by an unknown artist from the Iwami Province carved sometime during the late 18th and early 19th centuries. The carving exhibits similar material and carving characteristics of the region. Observe the Ukibori work on the sennin's toad (photo #3) that resembles the finish of the toad s...