Each plate has the design of a single chrysanthemum (kiku) shifted towards the left side of the plate … but they were carved in a way that each has a life of its own. None of them look the same. The design is sharply cut into thick layers of black urushi lacquer – tsuikoku. It is known to be a difficult job – this later lead to Kamakura bori(carving) which is a technique of lacquering on carved wood. The plates are very light. It indicates a high quality, matured wood inside...

A pieces wine cup, thinly and finely potted, decorated with Chilong or sea dragon among clouds to exterior body and with a character mark on the base. Perfect condition, no chips, cracks, hairlines or restoratios. Wanly Ming 17th century. Diameter: 8.7 cm, high: 6 cm.

Decorated with a sanscript character in the center and on the outside. W=10 cm. Early Ming 1368-1398. Condition : excellent, no chips, cracks, hairline or restoration.

Decorated with a flower medallion in the center and lotus petal on the outside. W=10 cm. Early Ming 1368-1398. Condition : excellent, no chips, cracks, hairline or restoration.

Musha Ningyo of Shoki the Demon Queller, mid-19th Century late Edo early Meiji Period. An unusually large and early version holding a captured Oni (demon). This is a rare find for this subject. He is powerful and majestic. His face carved of wood with crystal eyes and massive beard and hair made of silk is a masterwork. He wears a Chinese cap and a robe with gorgeous, sumptuous brocades. According to Japanese folklore, the spirit of Shōki is able to scare away demons...

Tumulus Period (AD 250-552) Clay Haniwa (Haniwa means “circle of clay”) forms were installed in the tumuli (burial mounds) that were built throughout Japan from the Third to the Sixth centuries. The Haniwa formed part of the rites used in sending off the dead. Today, these Haniwa, made in the shape of buildings and possessions which do not exist now, and also in the form of animals and even people, show us what things were like in those times...

Japanese Meiji Period Blue and White Arita Porcelain Sculpture of Jo and Uba, an old and wrinkled couple who care for the pine trees and gather needles in Takasago, (based on a Noh play). Jo is depicted with a rake and Uba with a broom of twigs. This famous couple symbolizes Marital Love and Fidelity, and were created by Arita porcelain masters to bring marital bliss to a home. Male: 14.5 inches (37cm) high, Female: 13 inches (33cm) high.

This porcelain saucer was made during the Song Dynasty (AD 960 - 1279) covered with white glaze, unglazed base. Condition : glaze degradation and a tiny chip on th rim. Size: 11 cm diamater.

Ming Blue and White bowl in great color. Showing a decoration of six symbols "Ju-i Scepter". Has been in the John Allen Tabor collection. Clear resonant bell tone when tapped. Condition: Good condition. A small ship at the rim and two small hairlines in the bottom. Measurement: Width 14.7 cm = 5.8 in Hight 5.5 cm = 2.2 in Weight 194 gram

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A rare Ming white glazed Dehua porcelain jar with floral scroll carved to the exterior and character mark on the base. Ming Dynasty, c. 1640. Diameter = 5.5 cm, H= 4.2 cm Condition : two hairlines, no chips, cracks or restoration.

DUE TO RECENTLY ANNOUNCED CHANGES, AND FURTHER PROPOSED CHANGES THAT HAVE NOT YET BEEN FULLY IMPLEMENTED OR PROMULGATED BY THE US GOVERNMENT, IT IS NOT CLEAR TO US AND MOST ANTIQUE IVORY DEALERS, EXACTLY WHERE (WHAT JURISDICTIONS), TO WHOM, UNDER WHAT CIRCUMSTANCES, AND WHAT TYPE OF NEW PERMITS MIGHT BE REQUIRED FOR US TO CONTINUE MARKETING ANY OF OUR ANTIQUE IVORY PIECES FOR SALE...

From our Chinese Blue and White Collection, an exceptional and large Transitional Period (1635 - 1650) kraakware porcelain bowl of the rare Border IX Type. The center well depicts a scholar being served tea, three trapezoidal-shaped panels on the bowl's inner wall depict figures in various landscape settings, and the outside of the bowl is decorated with six additional panels of figures in various landscape settings...

This is a thinly potted tea cup depicting the Buddhist's eight auspicious signs which is found on the sole of Buddha's feet. They are the mystic knot, fish, wheel of the law, lotus, canopy, unbrella, conch shell and the jar. The tea cup stand on a short recessed foot-rim and into a U-shaped body and then with an everted mouth rim. On the cover of the tea cup, it is surrounded by the ruyi motive all around and four emblem of the auspicious signs...

Japanese kiri (paulownia) wood trunk, original deep red lacquer finish, iron hardware, trunk has curved lid and 2 drawers along the bottom (one large and one small), Edo Period (early 1800's). Size: 26 3/4" high x 34 1/2" wide x 16 3/4" deep.

Elegant bronze sake pourers with superb metal craftmanship and mythical dragons in raised relief. The edge of the pourers and the lid has detailed diaper patterns also in raised relief. Wonderful bronze workmanship. C. 1920 Taisho Period. Excellent condition. Ask shiping quote. (h:6 1/2"; w: 7 1/2" )

A very large,well potted, and finely decorated Satsuma earthenware vase made in Japan during the Meiji period (1868-1911). The foot-rim carries an impressed seal mark which reads - "Kozan". Condition - excellent - no damages and no restoration...

From our Japanese Collection, an exquisite Meiji Period (1868-1912) satsuma vase of tapered ovoid form, depicting several scenes of figures including an Empress with her attendants, all very finely executed with lavish use of raised gilding, moriage enameling, and intricately detailed shoulder work. Like all of our satsuma offerings, this piece is of the highest quality. Signed Kinkozan, circa 1880-1890...

East Indiaman tankard showing a Great Britain ship from the British East India Company. The oldest among several similarly formed European East India Companies, the Company was granted an English Royal Charter, under the name Governor and Company of Merchants of London Trading into the East Indies, by Elizabeth I on 31 December 1600...