Later Qing dynasty “Zisha” Yixing incense burner. It is preserved intact, with traces of soot, use and wear. In inscription 心淘 (Digging Inside of the heart) was carved by a craftsman or collector in a conspicuous place. The meaning implies: Remove the bad, leave the good and sincere or like rice, removing the husk to leave its essence. Dimensions 18 cm long 13 cm wide 8 cm high

Rare 13th Century Chinese Bronze Cong. Beautiful Yuan Dynasty flower vase. Its size and decoration are typical for the period. Dimensions 25 cm high and 7 cm wide

A large terracotta idol figurine of astarte, Syro-Hittite, dating to the mid-later period of the 3rd. millenium BC.

The pillar figure of Astarte with large round eyes and a bird-like presence. Angular shoulders and a monolithic body with her hands and delineated fingers placed over her breasts.

Size: 16 cm.

Condition: Very fine for type, the details still present with no losses, a repaired hairline through the neck, minor chips and losses

Ex...

An interesting large terracotta idol figurine of either astarte or a priest´(?), Syro-Hittite, dating to the mid-later period of the 3rd. millenium BC.

The pillar figure with large round eyes with slits and applied details of mouth and beak-like nose. Angular shoulders and a monolithic body with her hands and delineated fingers placed over the breast and a necklace. The figure also wears an interesting conical cap or hat, a rarer feature for these figures.

Size: 15,8 cm...

Chinese Neolithic high fired, well potted jar with side lugs. Very good condition with original pigment and no repair- just some small chips on the mouthrim- please examine enlargements. Majiayao culture circa 3000BCE. D: 12cm/4.8in and H: 12cm/4.8in

Bird and flower painting depicted a Japanese bush warbler rests in plum blossom tree. Painted with ink on silk. Signed and sealed.

Matsumura Keibun(1779-1843) was a Japanese painter active during the late Edo period(1603-1868). He was a leading figure in the Shijo school established by his half-brother, Matsumura Goshun (1752-1811). Keibun mastered the techniques of painting taught at Goshun’s studio at Shijo-Sakaimachi in Kyoto...

A Fine Genuine SINO-THAI Famille Noire Porcelain BENCHARONG-BENJARONG Bowl depicting THEPANOM & KINAREE BUDDHIST DEITIES, 18/19th Century. Bencharong signifies 5 colors. Very good condition with signs of usage due to considerable age.No hairlines, no chips nor restorations whatsoever. The inside of the bowl is Emerald Green with a Flower Medallion centre. Size: 6" diameter x 3" height.

A Genuine Antique 18/19th Century Famille Noire SINO-THAI BENCHARONG-BENJARONG BOWL depicting Thepanom and Kinaree Buddhist Deities. Made to order in China for the Thai Court and Nobility.The interior of the bowl is Emerald Green and has a Flower Medallion. Benjarong means 5 Colors. Size: 6" diameter x height 3". Condition good with two hardly noticeable short hairlines on top rim.

Antique Japanese ikebana basket. Wild and natural appearance with gnarled wisteria branches making up the frame of the basket including a tall arching handle. The small, neatly woven body of the basket is made of split bamboo and is nestled between the knotted wisteria branches.

Age: Meiji Period (1868-1912)

Dimensions: 14" high x 15" long x 9" wide

Antique Chinese small zitan wood stand. Rectangular shape with low feet and apron carved with a scrolling cloud motif. Nice grain and patina.

Dimensions: 4" high x 13" long x 7" deep

A well carved intaglio seal in a black stone depicting the swirwling Sea monster Ketos, Greek or early Roman c. 2nd.-1st. cent. BC.

. The seal is set in a 22 carats (916 stamp) modern gold ring in an ancient style.

A solid 5 grams gold ring for it's smaller ringsize of only 14 mm.

Ex. Dutch Private Collection.

Height: 4.2 cm (1.6 in)
Width: 3.2 cm (1.3 in)
Depth: 1.8 cm (0.7 in)

Very high quality wooden mask netsuke depicting Okame; fine carved modelling throughout; signed to the reverse, Ryukei; good condition

Length: 4.1 cm (1.6 in)
Height: 2.9 cm (1.2 in)
Depth: 3.8 cm (1.4 in)

Fine Japanese wooden triple mask netsuke; depicts characters showing Beshimi, Oni and Tenkaichi; a very good example of this style; good condition

Exquisite Chinese satin silk hand embroidered and hand sewn jacket and pleated skirt with drawstring waistband. Pristine condition, circa 1930s or 1940s, see last enlargement for reference. Jacket dimensions- sleeve to sleeve width at shoulder: 127cm/50in, length shoulder to bottom : 68cm/26in and width in the middle: 92cm/36in. Skirt length: 82cm/32in (not including fringe) and waist: 72cm/28in. Still very wearable!

Chinese burnished Neolithic bowl with side lugs, there is a repair on the edge noted in last enlargement and some of the black pigment in the design is not original. Majiayao culture circa 3000BCE. D: 12cm/4.8in and H: 6.8cm/2.6in.

Circa 1900, solid bronze Chinese staff terminals formed as a dynamic toad. These toads would have been mounted at the top of a pole or staff. We have 2 available, but the price is for just one. Measures 4" long x 2" high.

Antique Chinese carved bamboo bitong (brushpot). Carved with scenes of mountain landscapes and bamboo groves with figures engaged in various rural activities. The rim is carved with a scrolling key motif.

Dimensions: 6 5/8" high x 5" wide x 4" wide

African antique mbulu ngulu reliquary guardian figure carved of wood and plated with textured copper. This figure is made by the Bakota (or Kota) people, a Bantu ethnic group from Gabon and Congo. Bakota people are known for these reliquary figures which were part of a powerful mystical order known as Bwete. This figure stands on a custom metal base.

Dimensions: 29 1/2" high x 13 1/4" wide x 6" deep (on stand)

Two handled Amphora

twohandled amphora, black mass with applied brown-yellow thread, looks like heavily glazed clay

(see Coll. Niessen, no. 102 color plate)

Origin: Syria

Period: c. 6th - 4th Century B.C.

Material: Glass

Dimension: 5,2 cm...

This is a Qing dynasty blue and white plate

Powerful Buddha image from the Tai Lue ethnic group from the Burma, Lao, Thai border region AKA “Golden Triangle”. Superficially these “folk images” lack the grace and serenity of the urban classical styles, but speak more from the heart of the people, as personal devotional merit making acts. This piece dates to around the 18th century; the “waisted” pedestal is typical of this period...

This is a perfect celadon longquan kiln waterpot or jacket from Song Yuan era

This a Ming longquan celadon brushwasher, in good condition except glaze corrosion

Landscape with Mt. Fuji. Painted with ink and light pigments on silk. Signed and sealed.

Kano Isen（1775-1828）was a painter of the late Edo period and the master of the early modern Kano school. He was a son and pupil of Kano Yosen'in Korenobu, whom he succeeded as seventh-generation head of the Kobikicho branch of the Edo Kano school that had been founded by Kano Naonobu (1607-50) His name was Eishin and his artist name was Genshosai...

An interesting and rare stamp seal of a triangular form with a carved base and loop, Mesopotamia, c. 2nd. millenium BC.

The seal is particularly finely engraved with a horned animal and some interesting 'glyphs' in a freese above. With Egyptian inspiration and probably from the Middle Assyrian period, made close to the Egypt border.

Size: 14 x 11 mm.

Condition: Extremely fine...

A wonderful matching pair of Chinese pottery figures of male and female attendants. The figures date to Ming Dynasty 1368-1644 AD.

They are both dressed in robes glazed matching torqouise and dark blue colors. They are placed on plints and each carry a box in front of the chest. He wewars a black hat, and shea has an artfully styled hairdress. The heads are attachable.

Facial details were made with fragile pigment colors of which some remains.

Height: 32-33 cm - c...

A superb quality large pottery figure of a male attendant or official, dating to the Ming Dynasty, 1368-1644.

The figure is placed on a high hexagonal plint and wears a fine two-colour blue and turquoise glazed robe. The unglazed areas have pigmented colors in red, black and white. Finely painted facial details.

The head is attachable as often seen on the largest figures from this period.

The figure is carrying a tray in front of his chest.

Size: c. 4...

Boro small rug or a part of it which is made of almost countless fragments of vegetable indigo dye cotton. In cold districts, such as Tohoku and along the Japan Sea area, cultivation of cotton was difficult and cotton cloth was precious in old days, so that people bought fragments of cotton and made them to noragi, futonji, rugs and so on. This one has 7 to 8 layers of cloth. The late 19th to early 20th century. 91cm x 96cm. 1550gm

A Song Qingbai vase with tall cover, in fairly good condition except some minute chips on the cover

This mini Ming era Yuhuchun blue and white vase is with the lotus flower design. In good condition

This Ming tea bowl is with the calligraphy word Fu, meaning happiness. In good condition

A small Chinese blue and white soft paste porcelain seal paste box and cover. "Hundred Boys" motif and an artemisia leaf blue underglaze mark centered within the biscuit ring foot. Qing dynasty - presumed late in the period. Good condition on the exterior. A chip along interior biscuit rim of the shallow bowl - fully concealed when the cover is in place. See images. 1 3/4 inches diameter. With cover in place, about 3/4 inches high.

Late Qing hand carved turquoise snuff bottle with bok choy and radish along with an ant, cicada, grasshopper and cricket. The workmanship and details is superbly done including the insects, having very fine details to the legs, antennae and bodies. Presented on a rosewood stand, this snuff bottle has a wonderful color and patina and is one of the coolest bug type carved snuff bottles that we have encountered in some time. In excellent condition, a later spoon and cork was applied. Measures: H...

A completely hand formed and detailed fresh water coup in the form of a highly stylized archaic duck. This sancai water pot dates late Qing, circa 1880, and is pattern after the porcelains of the Song dynasty. A great item for the collector of scholar items. Measures 3" long x 2.5" high at head.

Rare Attic red-figure cup-skyphos with draped young men.
The athletes on the left wear the spiked wreath for the winner of the torch-race and stand opposite draped youths.
Some hold a strigilis in their outstretched right hand.
The scene represents a ceremony performed after winning the torch-race.
In this type of race, a torch was passed in a relay. The goal was to finish the race with the torch still burning. As a reward the winning team was allowed to light the f...

Intriguing Daunian kyathos featuring an incurving shallow bowl and a handle that widens towards the top to form stylized horns, a tiny animal head inserted in between.
The cream-hued surface shows a delicate linear decoration, both on the handle and on the outside of the bowl.
For a kyathos from the same workshop, cf. vase no 202 in: Electa Napoli. L'Art des Peoples Italiques. Geneva 1993.
Ceramic
North Daunian, Sub Geometric II, 550-400 BC
H. to handle 10.7 c...

Daunian kyathos with wide flat floor and slightly flared rim, the tall strap handle attached at one end.
Decorated (inside and out) with bands and linear patterns in umber and brick red on a buff ground. The floor enhanced with a central flower device.
The floor of vase suffered a shrinkage crack during the drying process. The kyathos was nevertheless fired and reserved for ritual/funerary purposes.
For a related example, cf. Beazley Archive vase no. 1002425.
Ceramic...

Etruscan bucchero olpe with ovoid body, truncated conical neck and lightly flared lip. The strap handle arching from rim to shoulder. Standing on a low ring base.
Bucchero ware was the distinct local pottery type of ancient Etruria. The black clay was created reducing the supply of oxygen in the smoke-filled atmosphere of the kiln.
Rasmussen type 1b. The shape is fairly popular in bucchero for a short time period.
Ceramic
Etruscan, 625-575 BC
H. to handle 16....

Black-glazed jug with flared rim lip and low strap handle. The tapering wall slightly offset from the flat base. The flat underside reserved.
Covered inside and outside with a glossy black glaze.
For a related example, cf. Beazley Archive vase no. 9032269.
Ceramic
Apulian, 375-350 BC
H. 8.8 cm (3.5 in)
Intact with lustrous black glaze. Surface wear in places. Indentation in the wall.
Swiss private collection.

The authenticity of the o...

Glazed jug of ovoid body and steep shoulder. Arching strap handle, standing on a flat base.
Covered with a greenish brown glaze. Traces of fingertips around the base from dipping the vase into the glaze.
The shape connects to form 5221a1 in: Jean-Paul Morel. Céramique Campanienne: Les Formes. Rome 1981.
Ceramic
Apulian, 400-350 BC
H. to handle 7 cm (2.8 in)
H. to rim 6 cm (2.4 in)
Intact, the greenish brown glaze with worn areas.
Swiss pr...

Glazed jug of ovoid body and steep shoulder. Arching strap handle, standing on a flat base.
Covered with a greenish brown glaze. Traces of fingertips around the base resulting from dipping the vase into the glaze.
The shape corresponds to form 5221a1 in: Jean-Paul Morel. Céramique Campanienne: Les Formes. Rome 1981.
Ceramic
Apulian, 400-350 BC
H. to handle 7.3 cm (2.9 in)
H. to rim 6.5 cm (2.6 in)
Intact, the greenish brown glaze with worn areas...

This a is blue and white Qing dynasty wine pot, probably Qianlong era. In good condition

Small Chinese Bi-form white jade ornament in the Mughal manner with cupped chrysanthemum petals in three, concentric, graduated circles surrounding a cross-hatched, pierced center. The flat verso cupped slightly toward the face along the rim, with small drilling (exhibiting hand craftsmanship) either side of the central aperture and with the surface exhibiting natural texture of the hand worked surface. Qing dynasty. Good condition. Diameter 2 1/8 inches.

Sensational Late Meiji Period Ca. 1910 bronze flower vase. Used of Ikebana flower arrangements. Featuring two round mythical kirin handles and a unusual textured bronze finish. 23cm tall x 32cm wide x 29cm deep. Great condition. Ask for shipping quote.

Glas Spherical flask free – blown blue glass with ribs

(cf. Morell collection, M212 purple)

Origin: Eastern Mediterranean

Period: 1st century B.C.

Material: Glass

Dimension: 6,4 cm.

You can find the 360° video in 4k on my Youtube chanel:

https://youtu.be/p-VDiVWhTwY

You can find my full collection here:

https://www.instagram.com/v.d.b_egyptian_artefacts/

And here:

Pair of 18th Century Chinese Lac Burgaute Mother of Pearl Inlay Lacquer Panel with Calligraphy & Figures

They are 9.8 inches (25 cm) long by 5.2 inches (13.3 cm) wide. They are 0.6 Lb.

They have chips, peeling of lacquer, minor missing inlays, discoloration, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return ...

1930's Japanese Satsuma Incense Burner Koro with Samurai & Geisha Marked

It is 5.1 inches (13 cm) Tall by 4.7 inches (12 cm) wide. It is 0.9 Lb.

It has minor rubbing of gold and paint, flea bite chips at the finial and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you origin...

Large Natural Qing Dynasty Gourd. Original ring and cap with tassel. Dimensions 50 cm high and 27 cm wide.

A Ming dynasty blue and white bowl with peach design painted in very spontaneous and lively way . In very good condition except some glaze corrosion

A Ming Blue and white jar with the Lion dog among peonies flower. The glaze is with some soil permeated stains, in very good condition

Dehua Brush holder in the form of Pine tree and with the crane , in very good condition

Well painted depicting generals and horse . Qing era Ginger jar in crackle glaze , marked Cheng Hua Nian Zhi , in very good condition

Miniature Korean antique bandaji (trunk) for storing small personal items. Made of elm wood with beautiful hardware. The upper portion has door that opens from the front to reveal two small interior drawers. The bottom portion has two small doors which open to a single compartment. The chest stands on curved feet. Comes with a traditional Korean fish lock and key.

Age: early 20th century

Dimensions: 13 1/2" high x 13 1/2" wide x 7 1/2" deep

Late Meiji period (1890s to 1912) good size Japanese woven bamboo ikebana basket with round body cleverly tapering down to a square base. Beautiful piece for presenting flowers woven mostly in Karamono (Chinese) style, which is more formal than Japanese and is usually associated with Kansai region. The shape and execution of the body weave in regular rows is in Chinese style, while details such as knots around the rim are very Japanese. Finely woven smoked narrow bamboo strips, rich warm patina ...

Japanese antique large Buddhist shinto shrine, made of hinoki wood. Constructed like a life size shrine complete with slanting copper roof. A small stair case leads to a pair of doors. The railing has copper post tops. The underside of the roof is made of many beams and columns, some with corbels carved in the form of fudogs and baku. Beautiful age and patina. Comes with contemporary custom metal stand.

Age: Edo Period (1603-1868)

Dimensions: including stand: 91" high (...

Budai is the Chinese "Père Noël" ,the Japanese calls him Hoteï. He carries toys in a big bag and distributes them to children who adore him and are sometimes represented at his side. The god is seated, his half-open robe reveals his large belly, a symbol of his generosity. He holds his rosary in his hand. Oddly enough his big bag is missing. It is sculpted from a beige steatite ( soap stone) stained with pink, on the skull appear red veins of the stone. The artist knew how to breathe life int...

Large Japanese porcelain dish, Arita kiln, compartmentalized decoration inspired by Chinese models from the end of the Ming dynasty. In the center a flowered basket and on the edge, cartouches containing flowers and emblems are boldly drawn in underglaze cobalt blue. The reverse left without decoration. The firing was perfect, the blue is bright, the glass is uniform. There is a big chip. Curiously this flake is covered with glassure which means that it was made between the first firing of the ...

A Chinese White Glazed Melon Shaped Covered Box. Circa, 12th Century, Nan-an Kiln, Southern Fujian, Northern Song Dynasty. Found in the Philippines. Covered box with an elongated melon shaped body with a depressed button top and incised vertical lines. It is covered overall in a white glaze, except for the base. Some similar examples of elongated melon shaped covered boxes with depressed bottom tops and incised vertical lines can be seen in the book ‘Fujian Ware Found in the Philipp...

A Chinese Qingbai Glazed Lobbed Ewer with Lug Handles. Circa, 960-1279, Song Dynasty. Found in the Philippines. Featuring a six-sided lobbed body supported by a short straight foot, tapering to its shoulders onto a cupped mouth with two lug handles and a curved spout, opposite a flat handle. It is covered overall in a green-white ‘Qingbai-type’ glaze, except for the base. Measurements: height (4.1”inches or 10.3cm), length (4.3”inches or 11.3cm) from handle to nozzle tip. ...

A Chinese Celadon Glazed Ribbed Jar and Cover. Circa, 14th Century, Yuan Dynasty. Found in the Philippines. Jar carved with vertical petal-like ribs and is topped with a round cover that has undulating edges and a ribbed petal-like dome. It is covered overall in a green celadon glaze, except for the base. Measurements: height (3.5”inches or 9cm), width (3.9”inches or 10cm). Condition: in perfect condition. No restorations. UV light checked. Photos by: The Oriental Room® ...