A Pair of Large Chinese Early Tang Dynasty Painted Pottery Foreigners (with Oxford TL Test)

This impressive and imposing pair of pottery figures was made during the early Tang Dynasty (AD 618 - 906). They are "heavily-potted" and made from a fine-grained pale grey pottery...

A Pair of Large Chinese Early Tang Dynasty Painted Pottery Foreigners (with Oxford TL Test)

This impressive and imposing pair of pottery figures was made during the early Tang Dynasty (AD 618 - 906). They are "heavily-potted" and made from a fairly high-fired pale greyish-brown pottery...

Plum Tree. Painted with ink and pigments on silk. Signed Honen and sealed.

Mizutani Hounen(1898-1938) was a Nagoya born Japanese painter. He studied under Nakajima Yuunen(1833-?) and Ishikawa Yuurin(1870-1952). He was adept at painting of bird and flower, especially peacocks...

Antique Kano school inkwash Landscape/suiboku sansui. Painted with ink on silk. Sigend Kano Hakuen and sealed. The signature reads painted by Kano Hakuen at sixty-seven years of age(1710). It is a remounted and restored piece and in fine condition with accompanied by a paulownia wooden storage box.

Kano Hakuen(1642-1726)was a painter from the early to middle Edo period...

10th C. persian (Iran) duel handled red pitcher with flared rim and tapered foot. Condition is quite good with small losses to the rim. Custome secure mounted on a custom base for ease and safe display.
According to several tablets written in Babylon and Ashore calligraphy from 1700 and 5650 BC, we have some instructions about making color and enamel of clay...

This is a rare and exquisite antique Japanese Baku corbel carving from the Edo period (early 19th century). The Baku is a mythical spiritual creature that resides in the Buddhist realm and is known for devouring evil spirits and nightmares. This architectural sculpture is carved from one solid block of Keyaki (Zelkova) wood and has stood the test of time. It is a large example of an antique Japanese Baku corbel used in a temple or shrine...

A Chinese Pottery Figure of an Attendant. Circa, 8th Century, Tang Dynasty. Acquired from a Philippine private collection. Measurements: height (10"inches). Condition: the repairs on this figure are very well done and has been professionally restored...

Phoenix soar among golden clouds on this amazing Lacquer box made for holding a Tsuzumi drum by Miura Meiho (1900-1975) enclosed in the original signed wooden box titled Houn Maki-e Tuzumi Bako. It is bound with silk chord which is held to the box with solid silver hardware. Inside it is lined with brocade. The box is 30.5 x 24 x 24.5 cm (12 x 9-1/2 x 9-1/2 inches) an is in perfect condition.

Late 6th Century Northern Qi Dynasty (550 - 577) buddha carved of limestone. The three dimensional standing form is mounted in a custom weighted base for display. Right arm creates negative space between the torso as well between each feet. Textile is comfortably hangs with pleaded folds fans out around lower body. Tightly culded hair neatly formed. Losses to right shoulder and right hand at wrist...

Pair of painted Japanese interior sliding panels. Depicting wild sparrows amongst the rice fields. Sparrows are regarded as symbols of personal prosperity, rich fruit crops. Stocks of flowing rich reach out. The fields are said to represent providence, creation, blessing, and joy.
Speckled gold throughout the the images radiating warm glow off the paper. A scene of serenity.
Signed by the painter: Kishi Ganku, 1749–1839. Signature: 雅楽助岸駒寫 Utanosuke Ganku...

A Chinese, Jizhou kiln, bowl with an abstract ash-splashed decoration to the interior...

A slender shape patinated bronze vase depicting a naturalistic scene of a cricket sitting on iris leaves. Signed Joun in relief within an oval reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 26 x 7.5 cm. State of conservation: Very good

A Japanese ivory okimono depicting a pair of figs decorated in polychrome. One of the fruits is ripe and shows partial peeling, revealing the inside. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 5.8 x 4.5 cm. State of conservation: Very good

Length: 18.6 cm (7.7 in)
Height: 10 cm (4 in)

Fine and unusual Chinese coconut teapot; carved decoration showing shou characters, auspicious objects and clouds; fully zinc lined and in very good condition; circa 19th century

VOTIVE PHALLUS

Quite a simple and rustic Japanese wood carving phallus in the form of ultimate, once offered for pregnancy and smooth delivery, 19th - early 20th century, L 20.1 x 3.6 x 3.6 cm (7.91 x 1.41 x 1.41in). Aged deterioration as is.


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A yamatoe painting depicted an aristocratic man is about to go out for a night out on horseback. It is attributed to Hoyama Yuinen(Hananosha)(1823-1894).

Hoyama Yuinen(Hananosha)(1823-1894) was a painter monk at the end of the Edo period and Meiji period. He was a chief priest of Shinshu Rinshuji Temple. The first name was Hanado and later Hananosha. He studied painting with Watanabe Kiyoshi and Ukita Ikkei.

Some light marks and insigificant light crease are present on the painti...

Thai gold and silver foil repousséd Buddha, circa 14th-16thCE late Sukhothai or early Ayutthaya. Some restoration- please view enlargements. H: 7cm/2.8in x W: (base) 4.3m/1.6in. Provenance: Bonham’s, Sidney Australia, Dec 7, 2022, lot 136, previously Soo Tze Orientique, Melbourne, Sept. 6, 1991. Free shipping.

Lao or Lanna Thai, gold and silver foil repousséd Buddha, circa 14th-18thCE. No unisha some restoration- please view enlargements. H: 10cm/4in x W: (base) 7cm/2.8in. Provenance: Bonham’s Australia, Dec 7, 2022, lot 136, previously BC Galleries, Melbourne, Nov 18, 2013

Ancient Luristan bronze sword with green patina.

Luristan bronze comes from the province of Lorestan, a region of nowadays western Iran in the Zagros mountains.
With its rich and long history, Luristan culture is well-known for its fascinating bronze artifacts from the Early Iron Age.

Age: Iran, Luristan Culture, 1000 - 600 B.C.
Size of sword only: Length 53 C.M. / Width 4.5 C.M. / Thickness 5.5 C.M.
Height including stand: 66.5 C.M.
Condition: Nice condition ov...

19th century kokutan (ebony) netsuke of a sitting shishi (Buddhist lion), its tail up and its head turned to the left, mouth open in a wide grin. Represented beast is definitely male both because of its explicitely carved bottom and because its mouth is open emitting sound A (the first letter of Sanskrit alphabet), while the female shishi are depicted with closed mouth emitting sound N (the last letter). Wonderful expressive face, oversized powerful paws, superbly voluminous mane and bushy tail,...

19th century small black and red Japanese lacquer 4-compartment inro with two different carved scenes of two scholars in discussion under rocks (one with waterfall cascading off it) with bamboo gracefully growing on their surfaces. Top and bottom are carved differently with peony branches with leaves and buds. Elegant dignified design, very clever and striking use of red lacquer for figures, bamboo and and some peony details. Old silk cord, in excellent condition, no cracks or losses. Height 2 ...

19th century porcelain netsuke of a street entertiner - an acrobat / contortionist - performing on a low stand. Very well made, nice face, pleasant patina. Four feet of the stand are old kintsugi (gold lacquer) repairs. Height 2 inches.

Late 19th century porcelain netsuke of an old woman Uba with a broom in her hand. Uba and her companion Jo are an elderly couple living as spirits in pine trees in Takasago. Wonderful expressive face with wrinkles and hollow cheeks, beautiful wear and patina. Looks like old smoothed losses to the back of her robe by the bottom. Height 2.73 inches.

19th century small porcelain netsuke of standing Ebisu - one of the 7 Gods of Good Fortune, that of fishing and luck. Clever modeling reminiscent of ittobori (one cut) wood carving style, nice wear and patina. Height 1.4 inches.

A large and rare tablet stamp seal engraved with a depiction of temple-doors on each side, Levantine, Pre-Canaanite lands, Late 3rd. mill. BC.

The engravings on this nice rectangular seal in white calcite, was interpreted as being temple doors by the former owner, in any case a fine complicated image for the period. Special stone and rare for the culture.

Size: 40 mm. x 31 mm. c. 8 mm. thick. Very large for a tablet seal.

Condition: Very fine, attractive with so...

Solid cast, the bronze cobra with flaring hood and bulging eyes, curved along the back of the hood, its head crowned by a solar disk, the body once inlaid, with a tenon at the base. 5 1/4 inches high including the tenon. Suspension loop on back of head. V.G. Collection Brussels, 1975.

A pair of ancient Egyptian bronze and inlaid stone eyes. Late Period, 600-300 B.C. Right eye measures 2 inches wide. Left eye measures 1 3/4 inches wide. Originally, from a NYC private collection.

From the Greek colonies in southern Italy. Trefoil oinochoe depicting a nude satyr, also known as a silenus or silenos, typically portrayed as a male figure with ears and a tail, said to be resembling features of a horse, and with a large phallus, the sides decorated with floral design. 3rd/4th Century B.C. 5 1/4 inches high. Intact. From an old NYC collection.

A large bronze image, cast in two pieces, showing the Tamil deity Aiyanar riding on his horse. The bejewelled cavalier is holding a curved sword and a round shield, wearing decorated bloomers. The stallion with sumptuous harness. Condition: traces of usage. Dimension: c. 29.8 cm high, c. 24 cm long, c. 8.8 cm wide, weight: 3.4 kg.

A fine lot of two later bronze age military weapons, Ancinet Near East 2nd.-1st. millenium BC.

Lance of a type used by the armies of the great Empires in the Ancient Near East of the 1st. mill. BC., fine glossy patina, tiny piece of the tip lost, 28 cm. and 2) a sturdy attractive bronze dagger with central midrip and very broad triangular blade. Excellent metal and intact. 25 cm.

Ex. Danish Private collection.

A super lot of three ancient tanged Bronze daggers from Ancient Near East. Types of the 3rd.-2nd. mill. BC.

The lot consist of:
1) A choice and beautiful dagger, c. 26 cm, long with high shoulders and a prominent central midrib, 2nd. mill. BC. On this dagger you can see where the handle of bone or wood once was - very interesting!
2) A nice smaller dagger with rounded shoulders, 3rd. millenium BC, 17,8 cm. long.
3) A 23,1 cm. bronze dagger with early type of p...

Ivory netsuke, belonging to the Osaka school, portraying a tiger lying on a section of bamboo, with its head turned backwards and its tail to the side. It has an excellent patina, subject and shine. Origin: Japan Period: Edo late 18th century Dimensions: 4 x 4 x 1.5 cm. State of conservation: Very good

A nice lot of three interesting early ancient tanged Bronze daggers from Ancient Near East.

1) A type 2 dagger 23,5 cm, with rounded tip. low shoulders and tappering edges, c. 3rd. mill. BC. Intact.
2) A very early dagger of the type 1, 20,9cm., dating to the 4th.-3rd. mill. BC. Intact
3) A 18,8 cm dagger with low shoulders and pronounced central midrib, 3rd.-2nd mill BC. Small loss to tip.
All three daggers have holes for fastening rivets in the tang.

A Japanese Satsuma ceramic bowl adorned with relief glazes and gold details depicting a motif of Manchurian Cranes in flight, symbols of longevity and happiness in Japanese culture. Inside, the bowl features a dense motif of a thousand butterflies, often associated with symbols of transformation and rebirth. The bowl is signed Sozan under the base within a rectangular reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 8.5 x 16 cm. State of conservation: Very ...

Cloisonné potiche with a hexagonal shape, embellished with delicate floral decorations on reserves held by silver threads with geometric motifs. The lid features a spherical socket. Origin: Japan Period: Meiji end of 19th century. Dimensions: 13 x 9.5 cm. State of conservation: Very good

A Japanese Satsuma ceramic lobed bowl with curved corners and embellished with a refined scene of daily life along a watercourse on the outside. The interior is adorned with graceful butterflies, creating a harmonious blend of nature and craftsmanship. This bowl is signed Juzan under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.5 x 8 cm. State of conservation: Very good