Small octagonal hard porcelain vase. Decor enamelled with a landscape fenced with hedges of dry branches, there are a prunus, a pine and on the ground young bamboo shoots which would signify the symbolic presence of the "three friends", on the collar is represented a Ho-ho (phoenix) which in Japan symbolizes the Empress. Some details are gold. The style is kakiemon but this small vase is atypical. It is difficult to date and also to locate with precision...

The size of Shigaraki Vase: 13 3/4" High x 9 5/8" Dia 350 mm x 245 mm
This is very old and rare Japanese Shigaraki Vase from Early Edo (Edo Zenki) 17th Century. Please see the history of Shigaraki and what is Shigaraki at separate paragraph. The condition of Vase, please note there are two Kizu (damage spot) at the top rim area as photo showing.The lower body of line indentation is Hera (spatula) marking.and Kama kizu (kiln flaw). Otherwise great shape for the age from 17th century...

Late Meiji (1890s to 1912) Japanese temple boxwood seal of square section. Excellent quality crisp carving in seal script, old red seal paste in the grooves. Gentle horizontal groove on one side indicates the position of the top of the imprint. Beautiful patina on the surface of wood, signs of use adding to the presence of the object. The impression of the seal is shown on Enlargement 3 (photo is flipped left to right to present the image as it will print on paper)...

Late Meiji (1890s to 1912) Japanese temple boxwood seal of round section with original boxwood cover. Excellent quality crisp carving in seal script, old red seal paste in the grooves. Plastic peg indicates the position of the top of the imprint. Beautiful patina on the surface of wood, signs of use adding to the presence of the object. The impression of the seal is shown on Enlargement 4 (photo is flipped left to right to present the image as it will print on paper)...

Unusual 1890s - 1910s (late Meiji - early Taisho) Japanese wooden nyoi - a Buddhist scepter - made out of a natural branch or root, its head with wonderful pattern of roiling clouds. Nyoi, or Ruyi scepter is a traditional symbol of scholarship and transmission of knowledge. Lacquered in Negoro style with bright red body and black patch on the head. Nice striated wood surface texture of the branch, wonderful patina, very pleasant to the touch...

NETSUKE – Old man and his dog. Good and rare model of an old man, figure of chinese sage, standing and leaning to the right,, his hand on his beard and smiling wearing a beautiful large patterned robe. A dog is sitting at his feet. In the Behrens catalogue by Henri Joly, a similar exemple is represented as Wei Peh-Yang, from the Han dynasty. Also the same subject in the old collection Carlo Monzino. Beautiful patina, finely carved. Japan Edo (1603-1868) 18th century. CIC n°FR2207514904-K

Square-shaped ivory netsuke manju depicting four lacquered frogs in different positions. It has a cavity inside where the himotoshi hole is located. Origin: Japan Period: Edo 19th century Dimensions: 4 x 4 x 1cm. State of conservation: Very good

Sought after high quality ivory netsuke depicting six ginkgo nuts with a beautiful ivory patina and luster. The six ginkgo nuts of this netsuke, famously strong and symbolic in Japanese culture, are strategically placed to form a natural hole in the center. Origin: Japan Period: Edo 19th century Dimensions: 5 x 3 x 2.5cm. State of conservation: Very good

Ivory netsuke depicting a quail crouching on millet, carved with attention to detail on its feathers and body. The eyes are in horn. This netsuke is signed under the base in an oval reserve and has a natural himotoshi. Origin: Japan Period: Edo 19th century Dimensions: 2.8 x 3.5 x 2.3cm. State of conservation: Very good

Ryusa Manju type ivory netsuke with openwork decoration and in the center a shishi, a Japanese mythological creature representing a lion or a lion dog, looking backwards. The frame around the Shishi features an accurate karakusa 唐草 decoration, a motif of stylized branches and leaves of Chinese origin. Origin: Japan Period: Edo 19th century Dimensions: 4.5 x 4.5 x 1.5cm. State of conservation: Very good

Stag horn netsuke depicting a Gama Sennin, a legendary figure of Japanese folklore, with a toad on his shoulder. Gama Sennin is represented in a pose with his left hand holding the hind leg of the toad, while the latter rests on his shoulders. Origin: Japan Period: Edo 19th century Dimensions: 5 x 2.3 x 2.2cm. State of conservation: Very good

A Japanese boxwood netsuke depicting Hotei 布袋, one of the Seven Gods of Good Luck, seated with his fan in his hands and a child embracing him. Hotei's face is plump, smiling, and conveys a sense of peace and tranquility. He is commonly referred to as the protector of children. Behind Hotei, there is a child, depicted with great sweetness, who embraces him. The carving lines are sharp and precise, creating an effect of three-dimensionality and depth...

Fine ivory netsuke depicting a playful scene where a monkey emerges from a giant chestnut. The monkey is depicted in a perky attitude. His muzzle expression and body posture convey a sense of joy in coming out of the chestnut. The giant chestnut creates a surprising and imaginative effect...

Square-shaped ivory netsuke manju depicting various objects, among which some fans stand out. The sculpture depicts kitchen tools, work tools and everyday objects. This netsuke features a silver bronze hook in the center. Origin: Japan Period: Edo 19th century Dimensions: 4 x 4 x 1cm. State of conservation: Very good

Ivory netsuke in the form of a small school table with a book and hat resting on the desk. The netsuke is finely carved, showing great attention to detail. The sides of the table are decorated with engraved geometric patterns, adding a touch of sophistication. Himotoshi under the base, signed Hideshige 秀重. Origin: Japan Period: Edo 19th century Dimensions: 3.3 x 3 x 2cm. State of conservation: Very good

A Japanese large boxwood netsuke depicting a fascinating scene, represented with great detail, holding the bridle of his noble steed with his hands. Next to the sage, a child approaches, holding a scroll. The use of boxwood in the making of this netsuke with wise man on horseback gives a natural and warm touch to the work...

Rather unusual 19th century Asakusa school staghorn netsuke of a fly with spread wings on a folded leaf of a lotus plant with stem, root and 2 tiny bulbs by the bottom. For some reason flies are not common in netsuke. Superb design and excellent quality carving - see the elegant shape of the folded leaf with its veins and delicately incised wing patterns of the insect. Extraordinary warm patina, beautiful darker porous areas and patches of antler outer texture adding charm to the piece...

Late Meiji (1900s) good size netsuke of 3 mushrooms growing on a bamboo stump. Carved out of a section of bambooExcellent realistic carving, beautiful staining and patina. Wonderful sense of volume, very pleasant to hold. Height 3.42 inches.

Late Meiji (1900s) netsuke of a bamboo shoot. Excellent realistic carving capturing the essence of the object. Wonderful sense of volume, very pleasant to hold. Length 2.34 inches.

Late 19th century wooden netsuke of an awabi - an abalone shell with edible mollusk in it forming the bottom. Skillfully carved out of chosen matsu (Korean pine wood) inmodified ittobori (one cut) style characteristic of Hida school of netsuke carvers with clever use of wood grain as element of design. Wonderful piece in Japanese taste (both aesthetic and culinary), superb quality carving of hard shell and soft animal tissue, beautiful patina. Length 1.44 inches.

A wonderful modelled Kuro Raku tea bowl covered with a beautiful black glaze - made by legendary 12th generation Kichizaemon Kônyû (1857-1932) in the style of the 8th TOKUNYU, Kichizaemon Raku. The seal of the potter is stamped on the bottom. The original wooden box with his sign and signature is also included.

childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master...

Japanese Meiji period bronze censer or pot decorated in high relief with two opposing panels, one featuring Chinese scholars in a pine grove and a second with an old man and child under cherry trees. Lion head relief handles at the two sides. Circa 1900. 7" high x 7 1/4" diameter. Weighs 5 lbs. Very good overall condition with a nice patina.

This is a japanese antique boro patched of dark brown hemp Mosquito net fabric. It is an old mosquito net textile from the meiji era (1868-1911). The beautiful color of the persimmon tannin dye is slightly soft to the touch. The brown color of persimmon dyeing has changed beautifully over time. Size::Length::161cm (63.3inch) Width:: 35cm ( 13.7inch)

1900's Japanese Iron Mixed Metal Vase with Grape

It is 9.5 inches (24.2 cm) long by 3.5 inches (8.9 cm) wide. It is 3.6 Lb.

It has loss of gold, oxidation, missing mixed metal inlays, rust, tarnished metals, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All ...

Masterpiece large bronze kannon bodhisattva buddhist deity. Standing 27" tall by 9" wide. This Ca.1925 bronze deity has a wonderful tranquil, calming expression. Holding the heart sutra scroll. Great condition. Ask for shipping quote rom CA warehouse.

Netsuke - Nice model of the Shichifukujin Takarabune (The famous boat loaded with treasures of the 7 gods of happiness) in carved boxwood. Nice carving details of the whole composition. The 7 deities are all identifiable, the boat itself is ornate, the waves and a small Minogame turtle sculpted on the base. The cartridge signature has disappeared over time. Very nice natural patina. Height: 3.5cm. Japan Edo (1603-1868) 19th century.

Netsuke – A lovely model of boxwood group of chestnuts, one of which reveals the passage of a small worm, in carved bone. The natural chestnut color and wear to the wood provides a very naturalistic depiction. Wide himotoshi at the back. Beautiful natural patina. Nice finesse of sculpture. Probably former Carlo Monzino collection, n°191 sold at Sothebys London in 1995. Dimensions: 5 cm Edo period late 18th century

Netsuke - A mask carver, by Masayuki. The carver is holding his lasted creation, a chisel resting in his other hand. Evidently satisfied with his work, the carver twists his face into the same expression of that of this subject- a kyogen mask of the "liar" (usofuki) type, one eye closed and the lips pursed into a sideways whistle. Japan, Asakusa, Edo (1603-1868) 19th century.

Small light brown patina bronze okimono of a mouse with head and tail erect, paws spread.
Bears the stamp « Masu » (ます) on its belly.

Japan – Meiji era (1868-1912)
Height: 2 ¾ in (7 cm) – width: 1 in (2.5 cm) – depth: 2 ½ in (6.2 cm)

Netsuke – Nice model representing a fox, in Japanese Kitsune, in carved wood, represented seated, wearing a long coat, disguised as a priest, leaning on a base on which rests an open book. Nice model with a beautiful natural patina. Himotoshi in the back. Dimensions: 4 x 3.7 cm. Japan Edo (1603-1868) late 18th century.

Netsuke – Good size model of a toad with a rather strong expression, crouched down, about to jump, its legs folded under its belly. His eyes are encrusted with brown horn. Nice natural patina of the wood. Japan Edo (1603-1868) 18th century.

Kobako box decorated with stylized foliage in black and gold hiramaki-e lacquer. The motif is karakusa, a growing plant extending in all directions. It symbols prosperity and longevity. Interior is lined with a floral fabric and topped with a pewter border.

Japan – Meiji era (1868-1912)
Height: 2.5 in / 6.5 cm – width: 3.5 in / 9 cm – depth: 3 in / 7.5 cm

Inro – A amusing and beautiful model of a black japanese urushi lacquer Inro, open by 4 cases and a lid, showing mice and a rat playing together on shells.  Brown, black, gold and silver lacquers of maki-e. H : 5,7 cm. Japan Edo (1603-1868) 18th century.

Sculpture - Inari. Symbolized by a pair of Japanese fox - Shinto kami. The foxes are represented seated on pedestals and take their place in a sort of painted wooden temple entrance door. Japan late Edo (1603-1868) 19th century. Dimensions of the wooden shelter: 24 cm x 25 cm. Dimensions of foxes: 14 cm x 6.5 cm. Inari is one of the main kami of Shintoism, mainly associated with agriculture, revered to protect the rice fields and provide an abundant harvest, a symbol of fertility. Japanese foxes...

A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...

A bronze plate with shaped rim, beautifully decorated, in gold lacquer with sparrows among bamboo and plants. Base signed "Kyoto Okuda sei". Dimension: diameter: c. 20.3 cm, c. 1.2 cm high. Condition: fine, only minor wear and lacquer loss.

Kobako – Lovely and interesting little model of rectangular urushi gold lacquer box, opening with a lid. It offers a delightful decoration in gold in mak-ie on a black background, of two pretty rabbits in a landscape of foliage. Interior and underside in nashiji lacquer. The inside of the lid is decorated with butterflies. Beautiful border in gyobu lacquer (gold flakes). Sides in fundame lacquer. Length: 8.1cm x Width: 7.4cm. Japan Edo (1603-1868) 18th century.

Large and wide tray, in Japanese lacquer, black, gold and silver according to the techniques of hiramaki-e and takamaki-e. It offers a setting of two large rabbits in autumn grass looking at the sky, under a large silver crescent moon, on a black background. Length: 66cm x Width: 44cm. With a base. Japan Edo (1603-1868) 19th Century

Kogo in Japanese lacquer urushi, decorated on maki-e with a dog playing with a fan. The interior is Nashiji. Diameter : Inches. Japan Edo (1603-1868), End of 17th, early 18th century.

A pair of Japanese old bronze Hibachi brazier pots.

Hibachi is a traditional Japanese heating device.

Age: Japan, Showa Period, Early 20th Century
Size: Height 26.4 C.M. / Diameter 27.7 C.M. / Width 32 C.M. (handle to handle)
Condition: Nice condition overall (some expected degradation due to their age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Special Offer- free shipping! Lovely Japanese presentation or tea tray, made from a naturally hollowed out section of the bottom of a tree trunk “cat face”. This should be mid 20th century. I think it would make a stunning planter (see enlargement #9). D: 28cm/11in and H: 17cm/6.8in.

This exquisite teapot is a true masterpiece of Japanese craftsmanship from the Maji period. It is a handmade miniature Banko ceramic teapot, designed in the shape of a bag and adorned with intricate hand-enameled relief work. The flying cranes and delicate flowers depicted on the teapot are a testament to the skill and artistry of the maker. This antique piece is a rare find and a valuable addition to any collection.

MEASUREMENTS:

Height from the bottom to the top of the handle: 10 cm (3...

1920s Japanese ceramic tokkuri - sake bottle - with body pinched on 3 sides, one indent containing a low relief figure of standing Hotei (one of the 7 Gods of Good Luck and incarnation of Maitreya - the Buddha of the future). The piece was made at Bizen kilns, characteristic brown clay body, beautiful patina. Clever design, very pleasant to hold, in excellent condition. Height 7 1/8 inches.

Very unusual Ca. 1930 iron lantern in the shape of a Shinto Shrine Drum with the 'mitsu tomoe' (three commas) which symbolized Raijin the god of thunder and lightning. Often this symbol is on the end of temple roof tiles as protection against thunder and lightning. Great condition. 9" in diameter and 9" tall. Ask for shipping quote.

19th century Japanese woven bamboo ikebana basket to be used as a wall vase for tea ceremony. Superb piece made in free Japanese (as opposed to Karamono - more formal Chinese) style, metal fixture on the back for hanging, bamboo insert. Beautifully woven small bamboo branches cut in half lengthwise - rather unusual technique. Excellent deep brown color due to smoking process. Nice rhythm to the weaving of the bottom, extraordinary warm patina with great feel of age. The basket is in perfect cond...

Late Taisho (1920s) Japanese woven bamboo ikebana basket, can be used both as a free standing vase and as a wall vase for tea ceremony. Superb piece made in free Japanese (as opposed to Karamono - more formal Chinese) style, woven loop on the back for hanging. Finely woven lightly smoked narrow strips made from awesomely beautiful finely spotted bamboo, which grows in Kyoto region. Perfect symmetry to weaving of the bottom, wonderful warm patina, black lacquered bamboo insert. The basket is in p...

Japanese tonkotsu, traditional box used to contain tobacco powder, aromas or medicines, made in root and decorated with mother-of-pearl floral applications. Floral applications made of mother of pearl are applied to the surface of the box, creating a contrast with the color of the root. In addition, a butterfly is also present on the tonkotsu. The netsuke ryusa manju, carved, is decorated with floral details while the ojime is in green stone. Period: Edo 19th cent. Dimensions: 7,5...

19th century boxwood netsuke of the Zen Patriarch Daruma sitting in meditative pose enveloped in his monastic robe with cape. Great carving, fantastic face, beautiful flow to the lines of his robe, superb staining and patina. Differently sized himotoshi lined with light and black buffalo horn. Signed SHUMIN on the bottom for Hara Shumin - this excellent artist is listed on p. 995 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Wonderful sculpture. Height 1.43 inch...

19th century lacquered wood netsuke of a standing boy wearing in shishi head piece and beating a drum with strikers. Wood is lacquered in Negoro style - red lacquer over black, so as it wears the black and later wood start showing. Very well carved, excellent detailing - see the ferocious mask, old loss to the tip of the left ear, beautiful patina. Does not stand on its own, but hangs well. Height 2 inches.

Meiji (1868-1912) Japanese Silvered Ground Satsuma Earthenware Vase with Geisha and Samurai by Kinkozan

It is 7 inches (17.78 cm) tall by 4 inches (10.1 cm) wide. It is 0.7 Lb.

It has tarnished silver and has rubbing of paint and gold, a hairline crack, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100%...

Antique Japanese tall rectangular form basket for ikebana flower arrangements. Made of split bamboo woven tightly in a vertical zigzag pattern. The corners have larger sections of bamboo that end in four feet. The bamboo has been left it's natural color and acquired an attractive patina over time.

Age: Meiji Period (circa early 1900's)

Dimensions: 15" high x 5 3/4" wide x 5 1/2" wide

Antique Japanese lacquer suzuri bako (writing box) and matching large stationary box inspired by Korin Ogata of the Rinpa School tradition. The larger box was used for writing paper while the smaller box was used for writing implements. Inside the suzuri bako is an ink stone and a metal water dropper. Both boxes are decorated entirely with a highly raised design of blossoming cherry branches on a gold lacquer ground. Each flower is made of inlaid shell. The interiors of both boxes are lacquere...

Antique Japanese rectangular box decorated with gold and silver dragonflies on a black lacquer ground. The lid is fastened on by a green chord. Inside is a removable tray lacquered with gold and silver crickets in wisps of golden grass. This box comes in a cedar tomobako.

Age: Meiji Period (1868-1912)

Dimensions: 5 1/8" high x 7 3/4" long x 5 1/2" wide

Matched pair of Satsuma vases with cobalt ground, each depicting two large panels with Japanese women and children in a landscape with a lakeside village and mountains in the background, flowering trees on outcroppings, gilding highlights over clothing of women and children, both signed with Shimazu crest and Kinkozan mark. Measure 12" high, 7" wide at shoulder, and 4 3/8" at base. Well painted and detailed vignettes of lovely women and children in an idyllic landscape, the images very similar...

Japanese bronze representing two mice, one of them pulling a treasure bag.

The mouse or the rat (both called nezumi in Japanese), one of the zodiac signs, is a symbol of fortune. This bag can be compared to the treasure bag of Hotei, one of the seven gods of Happiness. A figure of prosperity, he is also the god of joy, abundance and the guardian of children. His bag contains everything a person needs in his daily life.

Unidentified seal below.

Japan - M...

Late Meiji to early Taisho (1910s)) netsuke of himono (dried fish, this one appears to be salmon) on top of a woven bamboo basket. Well captured essence of the objects, beautifully realistic desiccated texture of the fish. Cursively signed on the bottom - possibly reads KAWAYUKI. Excellent sense of volume, wonderful patina. Length 2.3 inches.

Late 18th to early 19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape with multicolored streaks. Beautifully made, wonderful feel of age, very pleasant patina. Diameter 0.75 Inches.

DECORATIVE HORSE ROPE

Tied-up rope made of twisting white and organic indigo dyed cotton once used for ritual horse-decoration, early 20th century, Japan. Tied as seen: approx. 30 x 90 x D 18 cm (11.81 x 35.43 x 7.08 in), Untied: approx. 1000 cm (393.70in). Slight discoloration due to aging as is.


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Antique Japanese makie lacquer suzuri bako (writing box) and matching large stationary box signed with bold signatures on the bottom reading: 光琳　青々Kо̄rin Seisei, an artist name used by Ogata Kōrin (1658 – 1716).
Both boxes have domed lids and are decorated entirely in gold lacquer with highly raised designs of flowers and silver pine branches. The flowers are further embellished with inlaid shell. Inside the boxes are motifs of swirling water.
The larger box was u...

19th century Japanese wooden nyoi - a Buddhist scepter - in a form of a branch with bulbous head. Nyoi, or Ruyi scepter is a traditional symbol of scholarship and transmission of knowledge. Natural tree branch with a growth forming the head of the scepter, no carving as such, wonderful patina to the surface from being handled, very pleasant to hold. Excellent subtle piece for a scholar’s desk, or a practicing Buddhist, and is indispensable for hitting acolytes who have fallen asleep during med...