Ca. 1890-1905, 19th century
Guangxu period, Qing Dynasty
Porcelain with sang de boeuf / oxblood copper glaze
H: 23 cm, W: 22 cm (at widest point)
From a Portland, Oregon estate; old B. Altman & Co (New York) sticker with inventory number to base

A late Qing oxblood / Sang de Boeuf vase of transmutational copper red, heavily potted in the “zun” shape. The glaze is thick, glassy, and intensely red, with light crazing to surface and a dense texture...

Late 19th century
Guangxu period, Qing dynasty
Porcelain with overglaze enamels
H: 24.8 cm (vase 1), 23.9 cm (vase 2)
From a Denver, Colorado estate

A pair of late Qing reticulated square baluster vases, featuring the eight immortals rising against clouds and colored with famille noire enamels against unglazed porcelain biscuit.

Condition: both vases are drilled on the bottom, and one has a small shallow chip to the base...

Ca. 1700-1720, early 18th century
Kangxi period, Qing period
Porcelain with underglaze cobalt blue
D: 21.2 cm
From a Dutch collection

A matching pair of Kangxi period blue and white plates, of a charming design featuring several well-known Kangxi patterns: prunus against crackled ice, the honeycomb diaper, and hibiscus (furong) floral scrolls. The base is marked with an interesting floral mark within double circles...

19th century
Mid – late Qing dynasty
Porcelain with cobalt blue glaze
D: 37 cm, H: 5.6 cm
From a Long Island, NY area estate

A huge 19th century monochrome charger, glazed in cobalt blue of a intense hue. This piece is thickly potted and quite heavy.

Condition: great antique condition, with only minor flaws at the rim (fleabite chips and glaze fritting) [Please view all pictures carefully, as they are part of the condition report.]

Original antique painting by artist "Old Tosa" of a late scene from the Japanese fable "Hachikatsugi Hime" or "The Princess with the Magic Bowl". The tale tells of a princess, daughter of a Samurai warrior, whose mother placed a wooden bowl upon her head before passing away. She could not remove the bowl and faced ridicule from the local children. She ran away from home and eventually found love and acceptance...

Original antique painting by artist "Old Tosa" of an early scene from the Japanese fable "Hachikatsugi Hime" or "The Princess with the Magic Bowl". The tale tells of a princess, daughter of a Samurai warrior, whose mother placed a wooden bowl upon her head before passing away. She could not remove the bowl and faced ridicule from the local children. She ran away from home and eventually found love and acceptance...

The rare shape of this bowl is so to say a forerunner of a shape which was common during the Yuan Dynasty. In his book "Chinese blue and white Porcelain" Duncan Macintosh calls the shape of such a bowl: a "bowl in traditional "shufu" shape."( page 18 ). White stoneware body, glazed with an pale ivory white, fine crackled glaze. The unglazed foot with an old owners-mark ( which was common during the Song Dynasty ). Song - Yuan Dynasty ( 12th to 13th centuries ) Diameter : 12 cm. H.: 4,1 cm...

2 genuine Indian Kalighat paintings. 1860/70. paints and silver on european paper backed onto cloth. 40 x 28 cm. Old inscriptions in ink on reverse. Good condition for age.

Mask which was used for the protection of a household against evil spirits. Wood, fine dark brown glossy patina. Nepal, early 19th century. 11 3/16" (28,4 cm). Old accidents (visible on photos), otherwise good condition.

Japanese Buddhist temple stand for a bell bowl with a beautiful red lacquer, black lacquer bottom, and gold lacquered accenting. Bell bowls (or singing bowls) are played by striking the rim with a padded mallet. The sound is used for relaxation and meditation. Meiji period (1867-1912) Size: 8.5" height, 9" width

Japanese candy apple red under-kimono with a simple, yet beautiful shibori style design of flowers. Shibori is a method of fabric dying in which bits of cloth are tied, sewn, folded, twisted, etc. to create patterns, similar to the Western method of tie-dye. It is lined with red cotton and has a white cotton collar and sleeves. Taisho period (1912-1925) Size: 46.75" height, 45" width

A two drawer Japanese box done in a kinji or gold background with fine paintings of pine and flowers with a family crest set in the open areas of the piece. The box has metal fittings for the drawers and a handle to carry the chest. Often lacquer works with family crests were made for dowries for high ranking samurai families. Age: 19th century Size: length 10.75" width 10.75" height 10.25"

A fine Unusual tray carved in the form of a banana leaf made from Kuwa wood. The banana leaf is stylistically carved with various folds and the slight tears often seen naturally with banana leaves. In the literati tradition, banana leaves were used by scholar recluses as paper to write calligraphy. Later, this motif was incorporated into other forms of art making the image one of the symbols of the literati aesthetics, signed Shozan with box...

A Very Rare Korean Heavy Wood-Root Carved Seated Tiger/Painted in Polychrome Pigments-19th C./ Korea, Joseon dynasty, 19th century...

This is a profusely decorated ultra fine Japanese cloisonne vase. It is in perfect condition and panel vases like this one do not come any better. The quality matches many early Hayashi vases. he rims are silver. It stands 6 inches tall and is signed Ota Kichisaburo. A few years ago we had a similar pair signed by Shibata that were of the same quality. See the last image.

This is a fabulous Japanese cloisonne vase. It is done in a combination of traditional cloisonne and sculpted silver basse-taille work. The vase stands 6 inches tall and is 5 1/2 wide. It displays great but does have some damage or imperfections to the translucent enamel. This worst can be seen in the last image. There is a feathering in the enamel at the bottom rim. It is much more attractive in hand. The vase has silver rims and is signed Ota Jinnoei.

Beautifully hand carved jade pendant of the mystical fenghuang, or phoenix, with a blooming lotus beside it. The fenghuang symbolizes the union of yin and yang, and each part of its body represents a different word: its head is for virtue, wings are duty, back is propriety, abdomen for credibility, and chest for mercy. Carving has a small hole drilled through the top for wearing on a necklace. 20th century Size: 2.25" height, 1.75" height

Beautiful Korean screen with six rice paper panels depicting people amidst gorgeous scenes of nature. Each panel is mostly monochromatic with conservative usage of color in muted shades of yellow, pink, blue, and purple. There are large blooming flowers with a sparrow flying overheard in every panel. Size: (entire screen) 61" height, 106" width, (artwork only) 27.75" height, 12" length