Superb museum quality carved Chinese wood brise fan with deeply worked guard sticks and finely done inner sticks carved equally to both sides of lovely scenes. Larger than most brise fans, it also still has its original hand carved presentation box fitted in silk. Made in Canton, China for the export market, the fan and box dates circa 1870-1880. Condition is wonderful to both and a must have for the collector. Fan length 9.5" x fully opened 16.5" with case being 12.5" long x 2.5" x 2.5"

This is a diminutive portrayal of a crowned Buddhist figure, most likely a Bodhisattva, dating to circa the 6th century AD, Northern Qi dynasty. Note that the nose and areas of the forehead are darker than the rest of the stone, indicating that they have been rubbed by the hands of worshippers over the centuries, creating a "sweat stain" darkening of the stone...

A magnificent set of five wooden bowls lacquered red with a net design enclosed in the original wooden box titled Shu-nuri Amime Hashiaraiwan dating from the first half of the 20th century. Excluding the lid each is 7.5 cm (3 inches) tall, roughly the same diameter at the rim, and all are in excellent condition. Repeated use of lacquer tends to see the black acquire a brown tinge. These remain jet black, and it is likely they have been virtually unused for the better part of a century...

Fine example of Woodlands Indian beadwork, in the form of a Glengarry cap, with heavy beading depicting flowers, foliage and geometric lines, with additional sewn thread embroidery, on velvet backing, heavy cloth interior, ca 1850. Measures 11 1/2" on each side of cap at bottom edge, 23" around, and is 4" deep, the top panel is 5" wide. The beadwork is found throughout many of the Northeaster Woodlands Indian tribes, including the Iroquois, Wabanaki, Mohawk, and Tuscarora, and these caps wer...

Hupa basket, California, in large size and in beautiful condition, with open gallery edge at top, a woven foot that enables it to sit flat, the sides decorated with zig zag designs in cream color with dark edge on bottom band. Measures 10 7/8" on one side, 10 1/8" on the other and is roughly 4 3/4" high (a bit higher on one side than the other). The condition is remarkable, very little wear, no fading or losses, has been well cared for...

Gold dragons prance about the vermillion surface of this exquisite vessel by important Meiji potter Eiraku Zengoro XIV (Tokuzen) enclosed in the original signed wooden box which is in turn enclosed in an outer box also annotated by a later generation Eiraku. Remembered specifically for his mastery of Aka-e Kinsai ware, this is a museum worthy example of this important potters work. It is 43 cm (17 inches) tall and in excellent condition...

A rare antique Japanese Okidoko (display stand for a Tokonoma room) made of Keyaki (Zelkova) wood. The top is one thick solid long piece of this rare wood...

A fine Chinese Jin / Yuan dynasty Cizhou painted bottle with 4 lugs. Ht. 28.5cm. Condition: few chips to the body and mouth rim, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please inquire before ordering. Duration of shipment may take up to a month due to the pandemic.

A Chinese bronze vase with dragon head handles, well cast with two bands of taotie masks above a band of blade shaped panels of further masks, the details and eyes of the beasts picked out in gold and silver. Height 12in, 31cms. Heavily cast, weight 2500g. Mid Qing dynasty, 18th/early 19th century.

Up for sale is a pair of antique Chinese silk rank badges, woven with a peacock on each badge, together with bats, Buddhist auspicious objects, seawaves, and sun disc. They are meant to be wore on the front and back of a Mandarin official's surcoat. Measurements : 10-1/4" x 11" each Overall, it is in very good condition, See pictures for details. Please ask if you have questions

A black bird sporting a tufted beak shelters among the thick foliage of fresh bamboo by the easily identifiable and quite rare artist Sakakibara Shiho performed with pigment on silk in the original signed double wood box titled Mosochiku Hakkacho (Crested Myna Bird in Moso Bamboo), a favorite motif by the artist dating from the Taisho period. It is bordered in fine pattered silk threaded with gold and is appointed with solid ivory rollers (these will be changed if exporting)...

Box in gilded bronze, in the shape of two superimposed fans finely decorated with lake landscapes, flowers and birds. The shape is complicated and rare. Inside very beautiful gilding, carved with birds and plants. The black patinated underside bearing the workshop's signature in gold. The box rests on three short legs. There are 2 shades of gilding, yellow and greenish. Good condition, no repairs. 62mm x 28mm

Japanese rare antique 3-panel screen painting of Raigo Zu: Amida Buddha in Raigo pose. The screen has three panels with the two outer panels half the width of the central panel so they open like shrine doors. A bronze butsudan latch keeps the doors closed. The screen opens to reveal a central panel with a large image of Amida Buddha painted in mineral colors and gold on silk and framed with silk brocade of golden clouds. The outer frame is lacquered red...

Late Edo period (19cc) Shino ware Chawan for tea ceremony Wabi Sabi

The fine crackle look with natural kiln vivid cracks gives the bowl an authentic wabi sabi feel.
Overall, it is a great example of an old, beautifully crafted Shino tea bowl.

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size:
Height 7 cm
Width 11 cm

Conditio...

Small deer in cast bronze. The animal is shown lying down. It's a roe,stag or maybe a deer. Very good quality of sculpture. The perfection of the volumes, the search for detail and the neat finish are similar to those that we admire on the Netsuké. This little deer must be a Japanese work rather than a Chinese one, it is impossible to date it with exactness. Probably Edo or earlier. The deer was the protector of Buddhism. 85mm x 54mm The base pierced with a square hole...

An antique Japanese Zushi (portable altar) with standing Amida Buddha within. Urushi lacquer over wood. Original bronze ornamentation features a large clasp with stylized arabesque Lotus blossoms on either side and the Dharma wheel above and below. Makie lacquer crossed feathers Mon (family crest). Opening the doors of the altar reveals the Buddha in its original patina and a hand painted upper apron with lotus blossoms...

Considered with remained white slip and shape of bottom, it is seemed this piece would be made in early Ryao, has Tang -style. It has very clean green glaze. Certification: by Noriki Shimazu the famous researcher with Asian antique in Japan. Size: 11.5cm(D) 9.4cm(H)