Frog on a water lily and a lotus root at the base. The whole is in bronze with a dark brown patina.

In the Japanese bestiary, the frog has a special place, carrying positive values. Both the frog and the toad, called kaeru, come back every year, no matter how far away they are from the pond where they were born. The word Kaeru is a synonym for "coming home". It is the protective animal for travelers and the symbol of hospitality...

Inrô with four lacquer compartments representing eagles: eight on one side, seven on the other, one on the upper side called ten; sometimes posed on a rocky promontory in takamaki-e and kirigane lacquer, sometimes in flight near the sea. Bamboo branches. Bottom in fundame and hiramaki-e lacquer. Interior in nashi-ji lacquer. The eagle motif is relatively rare in Japanese iconography. Most of its representations are found on older lacquerware. Ojime in red lacquer...

Golden patinated bronze representing a lying crane with its baby bird on its back.

The Japanese crane is also known as tanshozuru (丹頂鶴) which mean “red crowned crane”. It is known to be standing for longevity since the tale told this animal to be 100 years old...

Inrô with five compartments with lake landscape decoration in continuity on both sides, in gold lacquer hira maki-e, taka maki-e, kirigane and brown lacquer on a fundame gold background. The interior is in nashi-ji lacquer.

Wooden netsuke representing Daikoku, carrying in his right hand his wooden mallet and in his left hand his bag.

Daikoku, deity of wealth and trade, is part of the Seven Gods of Happiness...

A Very Rare/Fine/Korean Carved Wood Block Printing Panel (능화판菱花板)-19th C.: Korea, Joseon dynasty, 19th century...

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho)...

Revered Chinese scholar and tea master, Lù Yǔ is known as the “Sage of Tea” and is credited with advancing the practice of tea through the writing of his life’s work,The Classic of Tea. Here we see a masterful rendition of this historic figure done by one of the most iconic Kyoto painters—and founder of the Maruyama school—Maruyama Ōkyo...

Peacock in cast bronze and partially gilded shakudo in 2 shades of gold. Japanese work in the style of Miyao around 1900. No signature. Hardwood and boxwood plinth.Good condition, no welding and original patina. Very slight wear, insignificant for a century-old object. The body of the peacock is raven wing black which suggests that it is in shakudo which represented a significant additional cost, the shakudo alloy being obtained by adding gold to copper. Total height about 16cm.

Antique Amitayus Bronze Buddha, 150 years old from North India.

The Buddha of immeasurable life

Amitayus is considered the giver of a long life and in Buddhismus embodies a crowned and dignified Buddha from the lotus family.

He is depicted meditating on the lotus seat and holding his hands in the gesture of equanimity. In many depictions he holds an ambrosia vase in his hands filled with the nectar of longevity and immortality...

17th century scene of "Son Returns Home After Making His Fortune to the Surprise of His Family". Hand painted with inks on silk, we are dating this painting pre 1900. Not examined out of frame, it looks to be in excellent antique condition. Measures in frame 20" x 38" high, site size 14" 27" high.

A Very Beautiful Korean White Slip Inlaid Buncheoung Tea Bowl-15th C: . Korea, Joseon dynasty, 15th century. A very beautiful potted tea bowl or cup decorated full exterior and interior in white slip, with a central flower head medallion, surrounded by a wide band of “rope curtain” pattern, and a narrow band of an abstract design. beneath a pale celadon glaze, set on a raised ring foot unglazed. It’s in very fine condition, measures12.3cm x 5.2cm h.

An antique Japanese single section Sendai Tansu made entirely of Kirinoki (Paulownia) wood. All original hand forged iron hardware including the Hikute style handles. The lock plates feature an incised flying crane and a pine tree, both representing longevity and good luck. The corners on the drawer fronts have the raised turnip (Kabu) design and the handle back plates have incised Chrysanthemums...

An antique Japanese Kotansu made entirely of Kirinoki (Paulownia) wood. Made in a rare design to look like a miniature Kimono tansu. All original iron hardware including the Warabite style handles. Complete with front drawer corners. Straight dovetail joinery with hardened wooden nail construction. An unusual and unique personal storage chest.

Age: Meiji Period (1880-1890)

Dimensions: 25 1/4" Wide by 14 1/4" High by 13 1/8" Deep.

Statue of Hindu goddess Durga, standing on a circular base, with her multiple arms, killing the demons. Bronze, with fine age patina. India, 15th/16th century. Height: 10.2 cm. Right hand missing, abrasion due to great age, otherwise very good condition

11th generation Raku Kichizaemon Keinyu (1817-1902) White Raku Sake Bottle Tokkuri.

The mark of the potter is stamped at the bottom. Keinyu used this mark after his retirement.
The red clay was used which was glazed and fired. It is a rare work that depicts the standing cranes of parents and child. He often used crane decoration in his later years such as Fukurokuju tea bowl exhibited in Kyoto in autumn 2020. (Autumn Special Exhibition...

A Very Rare/Fine/Large Korean Imperial Peony 8 Panel Screen (宮牡丹圖)-19th C.: Korea, Joseon dynasty, 19th century. The spectacular large peony 8 panel screen painted in mineral and bright water colors on rocks, painted on paper, built in folding screen with a black dyed hemp for two outside panels and with all mounting silk brocades, painted with a nine large peony full flower heads on each panel...

Meticulously crafted from carefully woven strips of bamboo, this traditional “chabako” would typically contain all of the basic utensils for conducting tea ceremony. As the same name is commonly used to describe wood boxes used to store and transport tea leaves, the piece below could also be described as a “chakago” to avoid confusion—though the former descriptor is much more commonly used. In practice, the box would contain a tea bowl, kensui, chashaku, chasen, chaire and several othe...

A fragment of cotton cloth with tsutsugaki turtle and crane design which is an auspicious motif. The cloth is hand-spun cotton and natural dye. It is probably a fragment of nobori (banner). It has calligraphy in one of the hems, but not readable. In good condition. The first half of the 19th century. 32cm x 74.5cm