An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422...

An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422...

A Chinese apple green Peking glass brush washer with a graduated lip and a globular , tessellating hexagonal body. The bottom on the brush washer is carved with a recessed foot.



19th century

Dimensions: 3" w x 2 1/4" h

Chinese pair of monochrome porcelain vases with a speckled raspberry glaze. They are of an elegant, elongated tapering form, the bases of each vase marked with Hongxian red seal. In the year 1916, Yuan Shikai attempted to reinstate monarchy by naming himself the Emperor of China after the Qing Dynasty was overthrown in 1911. Due to extreme backlash, his reign lasted for less than 100 days, ending on March 1916.

Dimensions: 3 1/4" w x 8 3/4" h

The Hannya (般若) mask in Noh theater represents a jealous female demon. She possesses two sharp bull-like horns, metallic gold eyes, and a leering mouth with jagged teeth. The mask is all hand-carved with open eyes, nostrils, and mouth so the Noh performer can see, breathe, and speak. There are also two pierced holes at the temples to be secured against the head with cord...

A moulded rinka-gata form dish decorated in underglaze blue with additional enamels in the so-called Kakiemon palette. The outer register painted in underglaze blue with repeating pattern of a landscape with small weathered rocks from which grow auspicious Pomegranates and Peonies. The centre painted with a Chrysanthemum spray. The reverse painted with a simple Karakusa scroll and a six character mark for the Ming Emperor Chenghua...

A good quality large Japanese porcelain mug or tankard decorated in under-glaze blue with iron red, green and yellow enamels with Peonies and Chrysanthemums. It weighs 444 grams and has a capacity of over a Pint. It stands 15.5cm high and has a mouth diameter of 7.8cm, foot-ring diameter of 7cm and a body diameter of approximately 10cm...

A Japanese porcelain wine ewer or Chosi of cylindrical form decorated in underglaze blue with alternating horizontal bands of flowers (auspicious gobenka)and pinnate leaves (resembling Asters). The design perhaps influenced by the Chinese Aster pattern of the Kangxi period and the later, Mid Qing, provincial Chrysanthemum pattern (see the Desaru Wreck). The ewer dates to the first half of the 19th Century. The Chosi measures 10.5cm in diameter and stands 15cm high. The foot-ring measures 7cm...

Diameter approximately 29 cm. In good condition.

Diameter approximately 29 cm. There is a soft chip at the rim. In good condition.

A framed Indonesian tapis, a woman's ceremonial skirt hand-woven with striped and scrolling motifs. Warp ikat, supplementary weft weave, and embroidery with silk thread, gold thread, and mica chip composition.

Late 19th / Early 20th century

Dimensions: 48" x 47 1/2"

A well-modeled figure measuring 8 inches in height. The figure is shown kneeling, with a cape or cloak draped over the left arm, the right hand resting on a knee. A twisted turban sits on the figures head, and prominent "ear-flares" are present. Intact, with losses and abrasions to the surface.

Antique Sino-Tibetan repousse hanging censer with iron chain. The hexagonal shaped body has the repeating image of a coiling serpentine dragon with lingzhi clouds of smoke, with inlaid turquoise on each side and touches of gold gilt. The base of the censer with a pomegranate form finial, the top of the censer with a finial in the shape of a fierce deity's head.

Dimensions: 10" w x 20" h (52 1/2" total length w/ chain)

Fine head of Harpocrates, wearing the sidelock, with prominent facial details, strong nose, creased forehead, and pleasant facial expression. 1st/2nd Century AD. 2 5/8 inches high. Intact as shown. Ex. old New Jersey art market.

This is a large, gilt terracotta head of an official, dating to the 15th-16th century. The face shows great character and was, evidently, meant to represent someone of importance, given the extensive gilding, much of which remains. The "beard" consists of (I believe) horsehair. The figure was attached to the body of the statue with a wooden peg, which remains...

This is a large fragment from a pink sandstone statue of Bhairava, a wrathful avatar of Shiva. The piece is in exceptional condition as a fragment with little or no wear. The darkened area on the tip of the nose is where worshipers have been touching the statue over the centuries, leaving a "sweat" residue. Very finely carved and, as noted, in excellent condition. The piece measures just over 4 inches in height. Mounted on a large clear plastic base (included)...

Japanese solid Keyaki isho tansu from the Sendai region. With original deep red lacquer finish. The interior of the drawers done in black lacquer...

Antique Tibetan Buddhist tsakli miniature painting, considered to be an important visual aid for monks in training when conferring empowerments. This tsakli painting depicts the fierce deity Mahakala, wearing a tiger's pelt and elephant skin, with decapitated heads strung around his waist. In his hands he holds a kapala skull cup containing the elixir of life and a kartika or ritual flaying knife. He also holds close to his body a khatvanga or ritual staff with three human heads at the upper end...