From our Southeast Asia Collection, a fine and complete Burmese Kammavaca Manuscript, late 19th - early 20th century, containing all 16 leaves and the original teak wood covers.

Kammavaca manuscripts are a quintessentially Burmese artifact that reflect the general reverence afforded to the monastic system in that country. To Western eyes, they are usually just highly decorative ethnic handicrafts from an isolated and exotic culture...

Antique Japanese hirado porcelain brush washer in the form of a fu dog, laying on his backside and sporting a large, whimsical smile. The brush washer sits on three short legs. The form and detail in this little guy are wonderful. Size: 2.5" length, 2.25" height

A fine pair of Fukugawa vases dating to the late Meji period of wasted baluster handled form standing on tripod bases. A traditional Japanese form, vases with similar tripod bases date from the late 17th century. The vases are decorated with a dark underglaze blue ground with gilt dots inset with auspicious dragons and clouds painted with enamels in doucai style, whilst the feet are decorated with stylised rocks emerging from waves, a representation of the Isles of the Immortals...

Antique Japanese porcelain figure of Manjushri. The bodhisattva is seated on a moss covered rock with one hand on a sword and scroll and the other on the fu-dog in his lap. Manju is usually seen riding on a large fu-dog, this image is a sweet departure from that tradition. The fu-dog look up admiringly. Mulit color glaze and gold details.

Age: Late Meiji Period

Dimensions: 18" high x 9" wide x 7" deep.

A small Hirado porcelain koro with reticulated kagome basket weave panels, salamander form handles, and small scroll feet. Decorated in underglaze blue with floral scrolls and auspicious clouds set against pink and turquoise enamel grounds inset with chrysanthemum motifs enriched with gilding. Dating probably to the late Meji era circa 1880-1910. The koro and cover are in excellent condition with no chaps, chips or restoration...

This beautiful vase is a truly Japanese expression of a classical Chinese form. Fashioned after Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the fine Kinuta celadon glaze is masterfully recreated by one of the most skilled Kyoto potters of the Meiji period. The outer ring of the foot is unglazed showing the fine porcelain clay this piece is constructed from and the glazed center bears the seal of the Imperial Court Artist who fashioned this piece...

Antique Chinese cloisonné round container with enamel floral and "Shou" designs. The top of the lid has a round, flat jade finial. The inside top and bottom of the container has a center lotus design with inlaid metal scrolling vine patterns upon light blue enamel. Republic Period (Circa 1912) Size: 7.5" height, 11" width

Antique Japanese Kyo-yaki, low-fired raku ceramic kogo ( an incense container used in tea ceremonies) in the form of an adorable fat bunny with shallow eyes and long ears with pink enamel and a creamy tan crackle glaze all over its body. Chop impressed on bottom is illegible. Size: 2.25" height, 2.25" width

Antique Chinese cloisonne box decorated with a beautiful floral pattern of chrysanthemums, peonies, and other flowers. The lid of the box is hinged, it has an auspicious symbol in the middle of the box. The box is supported by four small round metal feet, the underside is sky blue. The interior of the box is lined with wood and has two compartments. Republic Period (Circa 1912) It measures 5.75" deep 4" tall 9.25" wide.

This early 20th century Japanese Mokugyo (Buddhist wood drum) is 6 ½ inches long, 5 ½ inches wide and 4 ¼ inches high. It is signed ¡°Gyokurin¡±. It came with a square 8 ½ inch red cushion and a wood mallet (quite possibly, it is a replacement). It is in good condition.

This captivating bin-kake, or traditional brazier for tea ceremony, is crafted from fine celadon porcelain using methods first perfected in the southern Song Dynasty. The outside is decorated with low-relief Peony flowers which display a vivid sheen, owing mainly to the expert craftsmanship of the Meiji period Imperial Court artist Suwa Sozan who created this wonderful masterpiece...

Ca. 1900

This slightly-waisted bottle vase is of a rich lavender red tone infused with overall speckling of deep red. The red glaze drains to a buff colored ring around the lip and continues into the interior for an inch or two. The glaze stops very evenly just above the neatly trimmed footring. A four-character seal mark in underglaze colbalt blue is centered within a circle of clear glaze that is bordered with two incised concentric rings...

Handsome pair of sterling silver ice tongs in the "John Winthrop" pattern by International Silver Co. This is one of the classic American Colonial patterns developed during the early 20th century when people were first beginning to be interested in American antiques. Curiously, the simple design was also a perfect match for the upcoming Art Deco styles of the 20s and 30s. Ice tongs were an uncommon serving piece and are very difficult to find today...

Uniquely shaped Galle vase with his signature. Floral inspired design. This acid etched cameo vase contains several layers of glass. The base color is a frosted olive green. The acorns and stems are shades of plum and lavender. The top portion of the vase contains lighter tones of olive green. Signed Galle. Circa 1900.
Measures: 8.6" (approx. 22 cm) height.
Diameter: 7.6" (approx. 19.5 cm) at widest point and 4.30" (approx. 11 cm) at the base.

Were one to describe THE piece which epitomizes the vase aesthetic of Suwa Sozan I, it would be this epochal Red Fish design flaring celadon bottle. This is a superlative example, exquisite detail and come enclosed in the original signed wooden box. It is 29.5 cm (11-1/2 inches) tall and in excellent condition.
Suwa Sozan I (1852-1922) was born in Kutani country, present day Ishikawa prefecture, where he initially studied before moving to Tokyo in 1875...

A "宣" seal mark on the bottoms. Size: 12 cm high, 12 cm long, 4 cm wide. Condition: Excellent.

A very fine example of Burmese lacquer ware, dating from the Mandalay period, ca. late 19th/early 20th century. Apart from sone minor chips to the lacquer and normal age wear, this offering bowl is in excellent condition. H. 58 cm. Diameter 31 cm.

Polychrome celadon ceramic four-lobed tray with two fish yôkai dressed in yukata, a light kimono worn in summer. The yôkai are supernatural creatures from Japanese folklore. Most of the ceramic is glazed, except for the brown skin of yôkai which has a matte finish.
Unidentified mark.

Japan - Taishô era (1912-1926)
Height: 1.2 in. (3.4 cm) - diameter: 6.3 in. (16.3 cm)