The horizontal inscription reads: “Illuminate the Osiris of the priest of the goddess Smentet, PA-DI-USIR”. He was a priest of the goddess Smentet and priest of the sanctuary of Ptah-Un! His moters name is given as Irbinat.

This ushabti figurine is depicted as a worker holding two hoes for work in the fields of Osiris in the afterlife. He is wearing a tripartite wig which falls down between the shoulders. He has an Osiris-type beard which ends in a tight forward curl...

Shabti for Mehy - Kha 2

Origin: Egypt

Period: New Kingdom, late 18th-early 19th Dynasty Date: c. 1300 B.C.

Material: White glazed Fayence

Dimension: 11,3 cm...

Agata cup of a beautiful yellow and amber color. Decorated in hight relief of Chilong, Lingzhi and Fenghuang (dragon, mushrooms and Phoenix) with highly symbolic value, in fact the male principle chilong and the female fenghuang should signify a marriage, the presence of immortal Lingzhi making the union eternal. The artist used a part of the stone which is different, naturally spotted and cracked to cut the Chilong which is thus subtly spotted like a leopard...

Offered is a very handsome circa 1920-1930 era, hickory shaft, BRASSIE golf club sporting a fancy 7 DOT face.

This delightful club is marked "MAJESTIC" on the crown and is likely a Macgregor made club based on its quality plus the configuration of the seven dot designed face, which is a Macgregor feature.

This attractive club appears all original and is in very good condition considering its nearly 100 year existence...

Offered are two, circa 1920 - 1930 era, hickory shaft golf clubs.

The first club, dating to 1925, has "TED RAY SEVENTY-TWO" "LADIES - SPECIAL - HAND FORGED and PUTTER" stamped on the back of the face. This WILSON-made club measures 33" from the heel to the top of the shaft and appears minimally used. The sturdy hickory shaft has a mild bend from front to back on the lower shaft...

Tall Chinese Ming Dynasty Glazed Pottery Figure

This pottery model of an official figure was made during the Ming Dynasty (1368 - 1644). It is quite highly-fired and made from a pale pinkish-brown pottery and includes an integral hexagonal plinth on which the figure stands. The head has been made separately and slots into the hole at the neck...

Kodansu in ivory in the shape of an elephant, resting on four feet, enriched by refined inlay applications in the sophisticated Shibayama technique. The upper opening, facilitated by a bronze grip, reveals its interior. It bears the signature, engraved on the side. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 26 x 4.2 cm. State of conservation: Very good

A Japanese Satsuma ceramic vase with a globular body that captures attention thanks to its reserves of various shapes. Inside them, a narrative rich in detail is revealed, in which not only are fascinating scenes of daily life revealed with festive characters, but also spaces are opened up for evocative landscape depictions. Under the base, the Kizan signature in gold testifies to the authenticity and origin of this work of art. Origin: Japan Period: Meiji end of 19th century. Dim...

An E-karatsu Yobitsugi bowl made of various shards attached with wide bands of gold to a discarded base: the pieces dating from the Momoyama to early Edo periods. It is 22 x 20 x 6 cm 8-1/2 x 8 x 2-1/4 inches) and comes enclosed in a modern kiri-wood collectors box titled E-Karatsu Hachi.
This method of using pieces from multiple works with lacquer repair is called Yobitsugi...

Bichrome faience amulet of Udjat/Wedjat - eye of RA and Horus, Late Period, c. 712-332 BC.

Massive piece around a 1 cm. thick. with a fine relief.

Size: 25 mm. long and c. 10 mm. thick.

Condition Extremely fine.

Provenance: P. Treffz-Eichhöfer, Stuttgart collection, comes with a certificate from the nice gallery Artemission in london, june 2006.

Very pretty and rare boxes of a pair of gold and polychrome lacquered ducks in perfect condition. On a base of taka maki-e lacquer (feather reliefs) and nashiji (gold powder) inside. Period: Meiji (1868-1912). Length 14.5 cm x height 7.5 cm. Wooden box.

An attractive and scarcely seen cosmetic vessel, Egyptian, Middle-New Kingdom, early-mid 2nd. millenium BC.

The fine jar, ovoid in form with a pointed base and a collar at the mouth.

Size: c. 60 mm. tall.

Condition: Nice Very fine, small chips to the rim and minor wear, othervise intact.

Provenance: Peter Treffz-Eichoefer Collection

An Egyptian Cosmetic vessel, Middle to New Kingdom, 2nd. millenium BC.

An alabaster cosmetic vessel of squat baluster form, a rather substantial and attractive specimen with ancient remnants of Kohl inside!

Size: 56 mm. tall and 53 mm. wide.

Condition: Nice VF, the lip with some small edge chip, othervise superb and attractive for it's type.

Provenance: Peter Treffz-Eichoefer Collection.

Fine Egyptian Cosmetic vessel, c. 25th.-30th. dynasty, 712-332 BC.

The vessel of slender form and beautifully polished, the vessel tapering to a rounded base and circular disc rim, probably a cosmetic vessel.

Size: 52 mm. tall.

Condition: Extremely fine.

Provenance: Peter Treffz-Eichoefer Collection, Ex. MEDUSA Ancient Art, this vessel comes with a Certificate and invoice from Medusa Art from august 2007, ($475 total)...

Large Bronze UTHONG Buddha, 18/19th Century. Size: height 80 cm x width at base 58 cm. Knee to knee 52 cm.

A piece of hand-spun cotton cloth with chrysanthemum pattern, whose ground cloth in green is dyed with vegetable indigo and vegetable yellow, but the dye of the reddish-brown mum pattern is not clear. In excellent condition. 19th century. W:32.5cm, L:130cm

Balmy autumn day. Three men enjoy drinking on the boat under the autumn moon light. Painted with ink and light pigments on silk. Signed Shoko, the artist name of Tanomura Chokunyu, and sealed. It is dated on 1838. It is attributed to Tanomura Chokunyu(1814-1907).

Tanomura Chokunyu (1814-1907) was a Japanese nanga(literati) artist. He learnt painting under Tanomura Chikuden, and for his rare talent, he was later adapted as a son...

Antique Japanese Buddhist Painting depicted Amida Descent of Amida and Twenty-Five Attendants...