Interesting West-Mesopotamian stamp seal, bifacial amuletic type, Uruk period c. 4th.-3rd. mill. BC.

The drill-carved seal with human and animal on either side. Quite attractive!

Size: 20 x 17mm.

Condition: Good Very fine.

Comes with ID card and imprint.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections...

Attractive seal carved in the hemispheric-dome shape in a greenish-black hardstone, Early Achaemenid c. 7th.-5th. cent BC.

The seal engraved in the base with a fancy bird, probably a Peacock, which was a much favored bird among the Persians...

Offered are three, handsome, McGregor Brass head hickory shaft golf putters that are all different. All three clubs have a wonderful aged patina and solid straight shafts that include a stamp noting the following: "MADE BY THE CRAWFORD, McGREGOR, & CAMBY CO DAYTON, OHIO".

Club #1 sports sleek Art Deco styling with a milled flange on the base and a beveled edge on the top back of putter. The #60 stamped on the bevel indicates the model number...

A very rare western Mesopotamian scaraboid seal with an engraving of a seated king on Throne holding his sceptre as a sign of his status, Western Mesopotamia, 2nd. mill. BC.

Attractive translucent stone, rarely seen as a material for early period scaraboids. Finely polished with curving sides in a peculiar squarish shape. Quite nicely engraved motif, better than the imprint indicates...

Offered are two, very nice, circa 1915, smooth face, hickory shaft, golf clubs. Smooth face golf clubs fell out of fashion and perhaps function by the very early 1900s, but they were still offered in catalogues for a number of years beyond this date.

The 1st smooth face club is stamped on the back "M.S.J." owner with a faint maker's stamp "N.Y. and a tulip cleek stamp". It is a striking right handed model with original grip, straight hickory shaft, sporting a nice, aged patina...

Vintage teak Buddha, carved around 1980/90, traces of pigment and signed at the bottom in Burmese script, in the classical Pagan style. H: 14cm/5.5in and base W: 9.5cm/3.9in. Sculpturally very well proportioned. Free shipping

Sparrows in the wisteria trellis. Beautiful old calligraphy are also depicted. Painted with ink and pigments on paper. The artist is unknown. Circa 19th C.

Some insignificant light marks, traces of crease that has been restored on the back, and foxing are present on the painting, otherwise the painting is in very good condition for the age...

Antique English Silver Tea Caddy and Sugar Bowl in Shagreen Case by Samuel Taylor, London, 1758-59. The covered sugar bowl and tea canister were crafted by the prominent tea canister specialist and renowned Georgian silversmith Samuel Taylor. The box fittings are by another silversmith, probably J...

19th century netsuke of a toad, a snake and a slug on rockery with bamboo grass. The subject of the netsuke is sansukumi: a combination of a snake, which eats a toad, which eats a slug, whose slime is poisonous to a snake - thus forming the circle of deaths. Beautiful rendition of textures - the skin of toad and snake, bamboo and rock surfaces. Warm patina and very pleasant wear to the surface, himotoshi (cord openings) are very cleverly carved as irregular holes in the rock...

19th century netsuke depicting 2 boys mimicking Sambaso and Manzai performers, with one playing a drum, and the other wearing a theatrical mask of Hyottoko (perplexed peasant) and holding a fan and a rattle. Excellent detailed carving, wonderful faces, beautiful etching of textile patterns and hair tufts. Beautiful patina - mellow yellowing on the back, overall in great condition. Signed HOMIN with kakihan (monogram of the artist) on the bottom - the artist must have been a student of Hokei...

LATE GEORGE III W.&T.M...

The pair of bronze figurative candlesticks French circa 1800, the figures sitting on an Ormolu gold washed bronze base with ornate swags that sit upon a carved marble pedestal with bronze feet. The pair of figures are bookend facing each other each holding four candle holder in gold wash gilt bronze. Measuring 24” each in height

A very rare massive bronze mace head, Neo-Assyrian Empire, c. 9th.-8th. cent. BC.

More massive in construction than the typical 2nd.-1st. millenium BC mace heads with the solid socket being 4,5 cm. wide. Assyrian design, where the balance is at the very top of the mace head, which is ending in a wide hexagonal star of flat, sturdy projections. High quality weapon with finely detailed profiles and line engravings.

Size: Diameter of the star shape is 9,2 cm. the socket is ...

An attractive wooden jewelry box, with finely carved inlays of bone and Mother of Pearl, probably Levantine, 19th. century AD.

With a large carved central rose-bud projecting and interiour red velvet. no key present but unlocked.

Size: 21 cm. wide and 9 cm. tall (max)

Condition: Nice Very fine. basically Intact with tiny losses to inlay.

Kishi school neko tora tiger in the bamboo. Painted with ink and pigments on silk. Signed and sealed. Circa 19th C. Edo era.

In the 18th century, the activities of Maruyama Okyo (1733-95): Maruyama School painting and Matsumura Goshun (1752-1811) are well known. The Maruyama school had an easy-to-understand and decorative painting style based on sketching, and had a great influence. On the other hand, Ganku (1746 or 1856-1838), who is said to have been born in Iwasehama (Toyama City in Ja...

Tentosorkon – Tnt-sArknA Worker (2)

Bab el-Gasus Shabtis - Cache II - Tomb of the Priests of Amun.

Also known as Tjentosorkon, Tjentsarken, Tentserken, Tentsarkena, Tentosorkon

The name means ‘The (female) servant of Osorkon

Mistress of house, Chantress of Amen-Re, the king of the gods

Tentosorkon (That of Sorkon), a name of Libyan origin which appeared around the 21st dynasty in the Delta, and was popularised in the 22nd dynasty w...

A fine,large and very heavily cast Japanese bronze flower vase of shaped dodecagonal cross section, with central reticulated floral section and pierced galleried rim. 15 in. 38 cms. high and 29 cms across the top. Edo/Meiji period, mid 19th century. Signed on the base Gyoko. Weight in excess of 3kg.

Finely cast, with fine details, miniature statue of Bodhisattva Tara, the Buddhist Goddess of Compassion, wearing a diadem, a dhoti and jewelry, sitting on a lotus throne in "lila asana" posture with her right foot resting on a lotus flower. A lotus in full blossom is resting on each arm. Bronze, with nice age patina. Tibet, early 20th century. Height: 5.4 cm. Very good condition.