Japanese 2 section kimono tansu. Made with Kiri (paulownia) wood, all natural finish. The upper section holds 8 drawers, which is considered an auspicious number. The bottom section contains 2 drawers with warabite pulls mounted on pierced metal plates. The piece also contains a secret hidden compartment beneath the bottom drawer.

Taisho period (1912-1925)

Dimensions: 39.5" x 17.75" x 66.75" H

One prominent Buddhist story tells of Avalokiteshvara vowing never to rest until he had freed all sentient beings from Samsara. Despite strenuous effort, he realizes that still many unhappy beings were yet to be saved. After struggling to comprehend the needs of so many, his head splits into 11 pieces. Amitabha, seeing his plight, gives him 11 heads with which to hear the cries of the suffering...

A kartika referred to in Tibetan as a "trigug" or "drigug" is a small crescent-shaped handheld ritual flaying knife, used in the tantric ceremonies of Vajrayana Buddhism. The kartika is said to be one of the quintessential attributes of the wrathful tantric deities. It is commonly known as the "knife of the dakinis"...

A Rare Group of 6 Korean Monster/Dragon/Louts Petal Roof Tiles-6th C.: Korea, Silla dynasty, 5th to 7th century. A rare three monster faces, two dragons and one lotus petal roof tiles from the Silla period, appear natural patina with old dark clay due to age. it’s in fare condition in their ages but one has a small chip on the edge, it measures 15.2cm d. and 15cm d. around each

This is a Chinese antique brocade dragon costume of blue and gold satin silk, which draws five nail dragons on the front and back featuring Chinese treasure, longevity sign. In a very good condition No stain, no damage, yarn is not loose. Almost perfect condition. This was brought to Japan in the Qing Dynasty era. It was rarely used c1890. Height about 129 cm Width of a garment - From sleeves to sleeves 199 cm (78.3 "50.7").

House-shaped box with copper hinged lids. Open frame design with copper hard mounts, handles, and Keyaki wood construction. The Kandouko compartments hold the copper rectangular brazier and a square copper water container with lid, spout and a handle. Fitted with the essentials of travel for a hot drink and food. The brazier has a vent hole in the Sakura motif...

Uji is between the two ancient capitals of Nara and Kyoto. The city sits on the Uji River, which has its source in Lake Biwa. The document box lid is decorated with the Hiramaki-e technique in gold and silver sprays of the Uji bridge and a cascade of Sakura blossoms on to a copper based nashiji ground. It’s complete with a black lacquer interior tray decorated in a minor composition of a riverside scene, with copper sprinkles throughout...

The forked arrowhead (karimata) was named after its resemblance to the V-formation flight of wild geese. Such arrows of different sizes were highly prized on the battlefield and for hunting large game. The Japanese arrowheads, many resembling miniature spears, were made in hundreds of varied shapes of folded, tempered steel.
They were attached to the bamboo shafts by means of long, thin tangs (Nakago)...

The three-sided style of the phurba comes from an ancient tool used to pin down sacrifices. The phurba has 3 segments to represent its power to transform negative energies. These energies are known as the "three poisons" and are attachment, ignorance, and aversion. The 3 sides of the phurba also represent the 3 spirit worlds and the phurba itself unites those worlds. The handle of the phurba represents "wisdom" while the blade represents "methods"...

Architectural element --- probably the end of a beam --- carved in the shape of a stylized lion. Wood, with fine dark brown patina. Nepal, 18th century, maybe earlier. Length: 22 cm. Height: 10.5 cm. The back of the element was partly attacked by insects, but there is no more danger. The element is nicely counted on a custom stand. Good condition.

Edo period Japanese lacquered leather covered munitions box for gun powder. The leather hinged top has a gilt edge, on center is a copper metal clasp closure, and an iron chain handle. Double stamped in red lacquer with the Omodaka mon, which belongs to the Mizuno family clan. The box is in good condition.

19th Century Edo Period (1603-1868)

Dimensions: 8.75" x 2.75" x 4.5" H

Japanese Negoro lacquer (red over black) shrine table with squared slated legs detailed with brass hard mounts. The table expresses wear true to its age.

19th Century Edo Period (1603-1868)

Dimensions: 20 ¼” x 9” x 10 ½”

The Japanese tantutu pistol has a octagonal russet iron barrel, with flat sighting plains on top and bore of 3/8". A stock dai of Keyaki wood and brass plate jiita of the arquebus's firing mechanism. Mounted for display on a custom museum iron mount.

Exhibition at the 2018 San Francisco Tribal Art & Textile Show

19th Century Edo Period (1603-1868)

Dimensions: 8"L x 1.5" (5.25" H on stand)

A pair of Chinese famille rose bowls, decorated with gourd and butterfly motifs on green grounds. Gourds and butterflies together have an auspicious hidden meaning of "Guadie Mianmian (瓜瓞绵绵)” - may there be ceaseless generations of sons and grandsons. There are six character "Daqing jiaqing nianzhi" marks inside the foot rims, and of the period. Condition: nearly perfect condition,the only flaw is one tiny chip on the rim. Please refer photos for details. Diameter:7"; Height: 3-1/2".

Relics of the Nile is proud to present this large and exceptional Egyptian wood and polychrome anthropoid mask. The face is carved with fine detail and is painted with red pigment over gesso with black eyebrows. It is important to note that this mask is complete with intact ears, which is rare to find. The cosmetic lines around the eyes, details in the right ear, and jawline from the right cheek to the chin are presented in a carbon-based black pigment...

Relics of the Nile is pleased to present this very large and impressive Ptah-Sokar-Osiris figure. The figure features much of the original white gesso as well as facial features detailed in black. The eyes as well as the chin strap to hold the Osiride beard to the face are painted onto the gesso using a carbon-based black pigment. The figure measures a very large 17.25" in height and is presented on a wooden base for ready display...

A very fine Chinese Imari saucer dish decorated with elaborate sprays of Chrysanthemums and Irises with a central motif of a Chrysanthemum all richly gilded with a minimum of underglaze blue elements in the design. The edge of the dish with a gilded brown glazed rim. The reverse painted with two prunus sprigs in iron red and underglaze blue. The dish dates to the early 18th century; late Kangxi to Yongzheng...

A Chinese porcelain moulded dish of sixteen petaloid form, (chrysanthemum form, kikugata) decorated with panels of flowers, Chrysanthemums, Plum Blossom, brocade bands and Tea flowers to the centre. The reverse painted with sprigs in iron red and underglaze blue. The dish dates to the late Kangxi circa 1700-1720. The dish measures 18.5cms in diameter...

A decorative and colourful Arita nagazara or long dish decorated with a central botan-mon, double Peony motif with alternating panels of Chrysanthemums and under-glaze blue Chrysanthemum leaf arabesques, and Shishi, lion dogs, set against an iron red Peony Petal ground. The dish is good condition, with the exception of a small shallow flake to the top left hand corner of one of the dishes. Dating circa 1760-90, Horeki to Meiwa, late Mid Edo, a similar dish is illustrated in the Complete Catal...

A finely painted Kakiemon dish of scalloped form painted in under-glaze blue with a pair of auspicious Hoo birds amongst clouds, harbingers of good fortune, with stylised Peony branches. The reverse painted with a classic lotus scroll and a square fuku seal. Dating circa 1680-1700 and a product of the Kama-no Tsuji (Kakiemon) kiln in the Nangawara valley, note the fine pin point spurs and carefully trimmed footrim. The dish measures approximately 21.5cm in diameter, seven suns. There is a fille...

Antique Japanese tall box made from Kiri (paulownia), natural finish wood. With 5 front drawers slightly recessed into the box, opened by round "kan" pulls with lotus pod style backplates. The edges are protected and reinforced with iron plates.

Taisho period (1912-1925)

Dimensions: 11.25" x 20" D x 24" H

Relics of the Nile is pleased to present this lovely ancient Egyptian boat figure. The figure features all original pigment and has beautiful traits. The hair is painted in black pigment and is the classic style from the early 11th Dynasty. The boat man wears white clothing with his exposed skin presented in red. His arms remain at his side with unclogged holes remaining in his hands that once held the boat's oars. Similar examples are found in major museums, such as #21.800 at the Boston M...

A rare dedicated souvenir "Turban Shell" (Latin: Turbo Marmoratus) hand engraved, onboard ship, "with a penknife" by C H Wood. This presentation piece was commisioned by the ship's Chief Engineer William Driver, for his brother Charles in 1866, to commemorate the laying of the transatlantc telegraph cable. The Great Eastern, designed by Isambard Kingdom Brunel, was an iron steam sailing ship which, from it's 1858 launch until 1899, was the largest ship ever built. The inscriptions, in a...

The expression of this armor, with its dragon and carp maedate transformation, sets the tone of its mythological meaning. The red armor has a Zunari Kabuto decorated with a Nichirin sun motif, which supports the dragon and carp conversion. The menpo is a Reisei-men with rabbit hair mustache, rendering a fierce warrior’s expression. The menpo is attached with four Kiritsuke yodare in blue and gold silk cords. The Renzan Dou is decorated with slivers of silver in the Ronin pattern from front to ...

A diminutive carved wooden Shishi, used as architectural elements placed under the eaves of Shinto and Buddhist temples to ward off evil spirits. Carved Hinoki wood with glass reverse-painted eyes. Mounted on custom steel metal display stand.

19th Century Meiji Period (1868-1912)

Dimensions: 8.5" x 7.5" x 4.25". Mounted on a step metal base 5 x 7".

Qianlong Underglaze Blue & Yellow Enameled Dragon Dish (QBW121602)
1735-96
Qianlong period, Qing dynasty
Porcelain with underglaze cobalt blue and overglaze yellow enamel; Jingdezhen ware
Diameter: 25.4 cm (10 in)
Height: 5 cm (2 in)
From a Paris, France metropolitan area estate

A video of this dish can be viewed on Youtube: https://youtu.be/ORnPnmWoqds

An imperial circular dish, Qianlong seal mark and of the period, reserve-painted with fierc...

Daoguang Famille Rose Jardiniere (DFM071703)
c. 1820-50s
Daoguang period, Qing dynasty
Porcelain with overglaze famille rose enamels; Jingdezhen ware
Height: 36 cm (14 in)
Diameter: 40.5 cm (16 in)
Weight: 12.6 kg (27.8 LB)
From a Miami, Florida estate

A splendid and large mid-Qing Daoguang period jardiniere, sumptuously painted with famille rose enamels throughout and bearing a panoramic scene of mandarin ducks, heron, and grasshopper in an aquatic ...

Famille Verte 'Four Concubines & Sixteen Sons' Jar (GWC111709)
18th / 19th century
Late Qing, or possibly Kangxi
Porcelain with overglaze famille verte enamels
Height: 33 cm
Width (at widest point): 26.5 cm From a Leeds, United Kingdom collection

A gorgeous and extremely well painted antique Chinese baluster jar, enameled in the famille verte palette with exactly four concubines and sixteen sons, a theme especially popular during the 18th and 19th centuries, ...

18th c Jun-type Flambe Quatrefoil Vase (LQF111705)
18th century
Early-Mid Qing Dynasty, probably Yongzheng/Qianlong
Porcelaineous stoneware with jun-type transmutation glaze
Height: 30 cm
Width (at widest point): 22 cm
From a Northern California private collection

A rare and unusual 18th century 'shiliu zun' quarefoil vase, glazed in a transmutation color belonging to the Jun type. The glaze is extremely thick, luminous, and creamy. The streaks and spla...

Kangxi Dehua Songzi Guanyin (DBC061705)
c. 1690 – 1710s
Kangxi period, Qing dynasty
Porcelain with white glaze; Dehua ware
Height: 20.5 cm (8 in)
Width: 12 cm (4.7 in)
From a Maryland, USA estate

An early Qing blanc-de-chine figure of Guanyin, produced by the Dehua kilns of Fujian, well-modeled with the boddhisatva seated atop a rocky plinth, draped in flowing robes, and bearing a downcast expression, conveying the Guanyin’s role as a merciful observe...

Japanese tall armoire made all of kiri (paulownia) wood. This single section cabinet opens with two hinged cabinet doors. The interior has it's original metal rod for hanging clothes, a smaller metal rod on the right hand door and it's original small rectangular mirror. At the base is a single large drawer. Conservative design, with the only decoration being metal handles on the cabinet doors which are cut in a scrolling vine motif.

Taisho Period (1912-1926)

Dimensions: ...

White Jade Qilong Belt Buckle (QHJ101607)
19th century
Qing dynasty
Khotan (Hetian) jade of a grayish white hue
Length: 8.6 cm
Width: 1.8 cm
Depth: 2 cm
Weight: 36.4 grams
From a New York estate

A nicely carved 19th c white jade belt buckle, of reticulated qilong dragon form. The tone of the jade is of a translucent grayish white.

Condition: Some minor age-related wear to the jade surface. The stone has some natural fissures and inc...

Blue and White 'Liuhai' Paste Box (RBW031706)
c. 1890-1900s
Late Qing - Republic
Porcelain with underglaze cobalt blue
Diameter: 8.5 cm Height: 3.7 cm
From a New York metropolitan area estate

A charming late Qing - Republic blue and white paste box, painted on the front with the Daoist immortal Liuhai riding his toad amongst waves. The reverse side is marked with an apocryphal four-character Qianlong seal mark.

Condition: The lower portion of the ...

19th c Peachbloom Vase (QPB031704)
19th century
Late Qing Dynasty
Porcelain with peachbloom glaze
Height: 36.7 cm
Width (at widest point): 16.7 cm
From a New York City metropolitan area estate

A lovely 19th century late Qing monochrome vase, glazed in a mottled red-green color typically called "peachbloom" or "jiangdou hong" by scholars and collectors. Invented during the Kangxi period, peachbloom glaze utilizes a copper base in its formula to achieve th...

Ruby-Ground 'Silkwork' Hu Vase (GMR101701)
c. 1890 - 1900
Guangxu Period, Qing Dynasty
Porcelain with overglaze ruby and famille verte enamels
Height: 21.7 cm
Width (at widest point): 13.5 cm
From a Toronto, Canada estate

A rare and unusual late Qing archaistic 'hu' vase, covered with a thick and bubbly ruby glaze, and decorated with cartouches of famille verte silkworms wiggling amongst mulberry leaves. The design and painting workmanship of this piece...

Late Qing Flambe Transmutation Vase (LQF071704)
19th century
Late Qing Dynasty
Porcelain with flambe transmutation glaze
Height: 35.5 cm
Diameter (at widest point): 21 cm
From an Argenteuil, France estate

A beautiful 19th century late Qing flambe vase, the glaze of a deep mysterious "jun" red that is a deep crimson at the body and flares out to streaks of purple and blue near the mouth rim. The vase is well-potted in a baluster "guanyin zun" shape with p...