This old Japanese Noh theater mask has the expressive face of an old man. The mask is carved from paulownia wood and dates to middle Edo period, around 1750. The patina is wonderful.

Mask measures approx 8 inches high and 6 inches wide

Nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords were all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parents' wish to inspire their sons in manliness, discipline, bravery and the honor codes which are associated with them.

Originally, nobori were used on the battlefield to identify the troops; some were to show the warriors where their taisho (general) was, others were used to shift the troops. ...

A fine Japanese incense burner, made of wood with pierced gilt copper lid, the interior with copper lining. On a black lacquer ground slightly raised decoration showing a landscape with rockwork and trees in different gold lacquer techniques. Condition: please look at the photos carefully, traces of age and usage, few small lacquer losses, rim with two cracks, lid slightly distorted. Dimension: c. 8.4 cm high, c. 4.8 cm long and wide.

Japanese Meiji to Showa period oval form ikebana basket (hanakago) hand-woven from reddish bamboo with natural gnarled wood branches incorporated. Four strips rise from each side of the shoulder and are twisted together to form the high loop handle. Round mouth and base. 18” high with handle (9 1/4" high excluding handle); about 10” diameter. Late 19th to early 20th century. Very good overall condition with minor wear. From a Scottsdale, Arizona estate.

STATUE OF BUDDHA

Buddhist wood carving image, Edo-Meiji period, late 19th century, Japan. H 23 x W 8.5 x D 5cm (9.05 x 3.34 x 1.96in). Been more aesthetic and attractive with such defective but refined withered condition. Wabi-Sabi.


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Japanese two(2) section Tansu, Cedar and Cypress Wood, Chest on chest, Meiji period before 1910's, 42"high, 34" wide, 17" deep, 2 large long graduated size drawers on upper section above one long drawer above shorter drawer next to 2 small drawers on the right side, lacquer painted Crane on the black iron round back plates, and pulls. Some of the small upper section black iron pieces are broken off and one top round black iron back plate has no crane design, maybe replaced later date some time ...

Japanese Kiri wood two(2) section Tansu, Kiri and Cedar chest on chest, Meiji period, before 1900, 42" high, 33" wide, 17" deep with 5 graduated size long drawers, and carved and engraved floral shape black iron back plates have different motif carvings, and black iron handles. Pine wood used in the back and split in some areas caused by dryness and old age, shows wear and tear in original condition, as found condition from Japan.

Japanese Cedar, Cyprus wood two(2) section Tansu, Ca. Meiji period 1890's, 42" high, 35 1/2" wide, 16 1/2" deep, 2 graduated size long drawers above 2 long drawers in lower section, total 4 long drawers. Old red lacquer on black iron back plates are still visible. Small hole on the lower left side of bottom frame. The condition is original as found condition.

Munga Ningyo of a Samurai in Court Attire by Toyotomi Hideyoshi. Late Edo Period. Height: 10 inches, 25.5 cm.

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...

Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era. The quality of the artwork tells us that this nobori is likely to have been done ...

Japanese Marquetry inlaid Table, mid 1800's, beautifully detailed various design and color of wood Marquetry works are displayed in this three(3) functional table, all in one(1) table as a Book Stand, a Chess table and a Sewing or Work Table, 33 1/2" high, 13" deep, 35 1/2" wide when it is open, 17 1/2" wide when two(2) leaves are closed, with inlaid 4 side brackets support leaves on both sides. This multiple purpose table comes in two(2) parts, separate stand with curved black lacquered legs ...

The size of Screen: 277cm Wide x 138 cm High (109 " x 54 3/8")
The both side Left/Right Panel size: 47.2 cm x 138 cm (18 1/2" x 54 3/8")
4 panels in between size: 45.5 cm x 138 cm (17 7/8" x 54 3/8")
Each Fan design size: 55 cm (21 5/8") wide.

This is wonderful 6 panels Japanese Byobu screen from 1750's middle 18th Century with 21 Ougi (fans) design with gold leaf background. This type of painting properly called, "Senmenga" with fan design Byobu called "Senmen Byobu". Th...

Japanese two(2) section Tansu, chest on chest, Ca. Meiji period, late 1800's, 41" high, 41" wide, 17" deep, Black Iron round Back Plate with floral Mon design, beautiful shaped heavy black iron handles. Two(2) small drawers behind black iron mounted small blind door on lower right side. Two(2) small drawers are "as is", one(1) missing small round ring and damaged wooden area in front.

Exquisite set of Japanese Dairi bina (hina), the emperor and the empress dolls from early to mid Showa period. This is not a large set of dolls. The measurements of the wood box are 17” wide x 12 3/4” tall x 13 1/2” deep. We should add the approximate sizes of dolls. The label indicates that they are from Matsuzaka-ya, a major department store. Matsuzaka-ya started as a kimono store in late 16th century, pre Edo period. The beautiful details are packed in the small dolls - photos could n...

Japanese antique Funa Tansu (merchant's safe), all made of very heavy quarter sawn Keyaki (Zelkova) wood. The door opens to 3 interior drawers also with Keyaki wood fronts (interior of each drawer made with Kirinoki (Paulownia) wood, wooden bracing on the bottom, heavy iron hardware including double locks on the outer doors and each of the three interior drawers has a large lock as well, two handles on top of safe, 2 iron reinforced holes at the bottom of each side to allow the safe to be...

A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.

The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.

This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.

Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...

There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits. ...

A female dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated ...

A male dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated fr...

Luxurious 19th Century Meiji Period Japanese Dragon Painting on Gold Silk Scroll. A grand six-feet-tall painting of ink and colors on paper. In Japan, the dragon is a benefactor and protector. The dragon in this painting is exploding with protective power and the energy of good fortune. Scroll: 70 x 26 inches (178 x 66 cm), Painting: 55 x 21 inches (140 x 53 cm).

STONE INCENSE BURNER FOR THE DEAD

Used for memorial service in the hilly area of Miyagi, Tohoku region, since Late Edo period, 19th century. H 13.3 x 21 x 14.5 cm (5.23 x 8.26 x 5.70in). One leg chipped due to aging but still stable as is.


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RIMPA SCHOOL INKSTONE CASE WITH BAMBOO FOREST IN MAKIE

Bold and refined gold and silver three-dimensional makie lacquer design with the black background in the style of 'Rimpa (Rinpa)' (ref. https://www.metmuseum.org/toah/hd/rinp/hd_rinp.htm). Edo period, Japan. 21.8 x 16.5 x 5 cm (8.58 x 6.49 x 1.96in). Some scratches in places and slight bend at lid due to age, but considered in generally very good condition for such aged lacquerware.


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First edition Taisho period Japanese woodblock print titled “The Snow Maiden Umekawa” (aka “The Heroine Umekawa in the Snow”) from the supplements of “The Complete Works of Chikamatsu Manzaemon" by Kitano Tsunetomi (1880-1947) published in 1923. First edition with mica and silver highlights, hand applied gofun, black ink Tsunetomi seal at the upper right, and Yamagishi Kazue (carver) and Nishimura Kumakichi (printer) seals at the lower edge. Paper: 17 3/4" x 11 3/8." Very good overa...

The warrior’s armor and helmet, samurai sword, spears, banners and paper carps (later cloth) in the sky are all tools used to showcase boy’s day in Japan. This tradition started early Edo period (1603-1868) by samurai families wishing their son’s good health and studies to be honorable samurai.

This set is made in Kyoto, Japan and is called “Kyo-armor”. Kyoto had been the capital of Japan for over 1000 years. The culture there was developed to serve the best for the emperor...

TRAY OF RYOKAN

Large wooden tray actually used at old 'ryokan' (Japanese‐style hotel), Showa period, early-mid 20th century, D 35.6-34.8cm (14.01-13.70in), H 5.8cm (2.28in). Aesthetic grain expression and calm comfort for use. Expected some fine scratches due to aging with use. *Only a tray is available to purchase, as the other stuff (cups) of usage example are not attached.


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Chinese late Qing to Republic period guanpixiang table-top chest with a mansard-style hinged top that lifts to expose a single shallow tray above a pair of doors opening to five drawers with metal pulls all upon an attached base. A circular lockplate with ruyi-form clasp is on the front. Two side carrying handles. These chests were typically utilized by men to hold seals and related accessories while women were known to use them for cosmetics storage. Early 20th century. 15” high x 14 1/2” ...

OKEGATA

Various patterns of wooden rulers for measuring various parts of side face of wooden bucket or barrel so-called ‘Okegata’ (also called ‘Shojiki’, which means ‘Honesty’) as Japanese craftsman’s tool, Showa period, early-mid 20th century, Japan. Largest: 29 x 6 x 0.5 cm (11.41 x 2.36 x 0.19in), Smallest: 13.5 x 3.5 x 0.5 cm (5.31 x 1.37 x 0.19in).


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A large and very expressive, ceramic figure of sitting shishi, lion-dog, with turned head. It is covered in a creamy, white crackled glaze. The open, staring eyes made of inserted glass are rendered with gold. Unsigned. Japan, late Edo, before 1850. H. 35 cm, L. 25 cm, W. 16 cm. Condition: good, but for a few chips, fire cracks and minor area of repair on underside.

A 10.8" square tray signed Teizan and sealed Kinzan, mid Meiji period, depicting an unfortunate encounter between a hawk and a goose.

Condition: Quite good overall condition, There is a faint nick and short enamel crack to the front of the tray, two small areas of enamel cracking to the reverse, and pitting usual to the period. No dents or restoration.

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as the "Yui-noh" which is held prior to a wedding. The evergreen pine symbolizes the strength and devotion of men; the plum blossoms represent purity, subtle beauty and the inner strength of women. Bamboo is often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bam...

ANDROGYNY PERSONIFIED

Massive hermaphrodite sculpture that applies the original form of natural wood as is based on the essence of Japanese polytheism, 20th century, Height 73 cm.


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REMAINS OF HANIWA

Large remains of the ornament part of ancient Japanese hollow unglazed terracotta figure from the Kofun period (3rd-7th century) so-called ‘Haniwa'. 20 x 14 x 4.5 cm (7.87 x 5.51 x 1.77in). Still left original paint as a rare piece. Bonded repair as seen. (Clearly from the back side but not from the front side.) Handmade removable wire hanging hook is attached.


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The size of Large Imari Bowl: 15 1/8" Dia x 5 1/2" High, 38.5 cm x 14 cm
This is top quality Japanese Ko Imari Porcelain Bowl from early Meiji
Period, 1868-1912, circa around 1860-1880's. It has main background
design of Kasane Noshi and Dragon design. Noshi is happy blessing
symbols Ribbon design for the well wish when peoples getting marry.
More Noshi you have more blessing you are getting happiness.
There also total 8 crane origami design decorated in the Noshi...

Japanese Isho Ningyo of a Noh Actor, Meiji Period, late 19th Century. Height: 13.75 inches, 35 cm.

19C Chinese Imperial Famille Rose Porcelain Snuff Bottle Xianfeng Mark and Period The bottle is decorated with medallions of various floral, foliate and geometric designs. The base is inscribed with a four-character seal mark. Xianfeng seal mark and of the period. It comes with a silver stopper with turquoise adornment. Size: 6.8 cm tall, 5.3 cm wide, 3 cm thick. Condition: Good condition considering its age.

Wonderful antique Japanese okimono of the mythical characters Ashinaga and Tenaga. The two friends live on the beach and survive on fish. Tenaga catches them with his long arms while sitting on the back of Ashinaga who wades out into the water with his long legs. Carved with great detail and whimsy out of boxwood. Meiji Period (1868-1912). Size: 14 1/4" high x 4 3/4" wide

Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...

DESCRIPTION: A skillfully lacquered suzuri-bako (writing box) from the Meiji Period, early 1900’s. The lid of the rectangular box is decorated with a takamakie floral design in gold, silver and shu (a hue of red-orange) lacquer on a black ro-iro ground. The interior of the lid and box are sprinkled in a nashiji cloud motif. This suzuri-bako is a complete set, fitted with the original water dropper and inkstone and its original kiri (paulownia) wood box with inscription. Excellent conditio...

Cedar wooden ‘post-hide’ or hashira kakushi that is used as a decoration of the vertical post in a room that is not a corner post, or the vertical post of the tokonoma (niche). The post-hide is the same width as the the vertical pillar posts in a Japanese house, hiding it thus almost completely in width.
Dark stained cedar wood, the sides covered in black lacquer, the front inlaid in ceramic with Raiden the thunder god who is angling with an anchor for one of his thunder drums that dro...

A pair small Chinese porcelain jars with lids, each decorated with two foo dogs among peony flowers and scrolls in the "wucai" palette with underglaze blue. Bases without glaze. Rare to find a pair with matching lids and with so fresh colors. Including two later reticulated wooden stands. Dimension with lid: 14.3 cm high, on stand: 17.3 cm high. Condition: one cover with glued area and rim chips. One jarlet with minor kiln dust and the other jar with negligible rim fritting. The wood stands with...

Antique Japanese silver kanzashi, the upper design part is gold plated with finely engraved three oak leaves. *This was one of the most popular crests among the warrior samurai class particularily among close devotees of Shinto. Top quality hand cut metal work. Circa (we think) Meiji period (1868-1912). 6 3/4" long and 1 3/8" in width.

*The Elements of Japanese Desgn by John W. Dower

Beautiful Japanese Wajima lacquer stand with gold maki-e painting on a nashi-ji (pear skin) background. The designs are scrolling vines with stylized chrysanthemums and paulonias, which are the crests of the emperor and empress. The style of sparkling nashiji lacquer work and the theme were popular in the Taisho period (1912-1926) to the beginning of the Showa era, sometime after the return of the throne to the emperor.

The stand was made for a Tokonoma as a base for a flower arrangement...

Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months. Antique gold repairs...

24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...

A stunning pair of sake cups depicting monkeys by the famous Kutani potter Matsumoto Saiichi 松本佐一 (b. 1930), using his signature technique, porcelain with underglaze gold leaf. Title: Sake Cups (sakazuki 坏) Medium: porcelain with underglaze gold leaf and overglaze enamel Size: Wider: 3.2 x 8.5 cm and Taller: 5.9 x 5.4 cm Signature in enamel on the bottom of both pieces: Saiichi (佐一) Date: Heisei Period, 2003 for 2004 Condition: no flaws: no cracks or r...

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

Description:

A wood water basin was nicely carved in shape of a lotus leaf with a lotus pond.
It was preserved in very good condition by nice brownish patina.
Some of the seeds in the lotus pond were still movable when some were sticked but nothing is missing.
It was a charming and very rare piece by this type.
Most of the old wood pieces were made as brush pots in relief carving.
This piece was carved in delicate workmanship to imitate the lotus leaf by thin wall a...

A large and very impressive tomb pottery horseman, Chinese, 1368-1644 AD. The type has been thoroughly tested and was burnt approx 500 years ago, placing it in the mid Ming period, c. early-mid 16th. century.

The pottery horseman, a higher-ranking officer, was probably originally equipped with a standard of wood, that has now decayed. He is clad in body armor in blue and torquise and wears a cone- shaped helmet. He is riding a white horse with details in torquise.

A rare to...

The painting depicted court musicians playing divine music called Bugaku. Bugaku is a Japanese court music accompanied by dancing. Here one of the players plays shen (a bamboo instrument first produced in China in 7th century) and the other one sounds a massive drum with mitsudomoe crest (three comma-shaped figures in a circle). Bugaku carries a ritualistic implication and is usually played at the start before dance performance begins. Bugaku purifies the stage. Painted with ink and pigments. Si...

A fine and rare 19th century Japanese cloisonne bi-fold table screen in the Kyoto school of Namikawa, depicting a ho bird and dragon. The finely coiled wiring is gilded, as are the back panels of the screen. Each cloisonne panel is wood framed, joined with hinges of silver. Fully opened, the screen measures 8" high and 9" wide.

Condition: Quite fine, with only wear commensurate with age.

This is an extremely rare spear point crafted from pottery and dating at least to the Han period of ancient China (circa 200 BC). It could be older than that but I am having difficulty locating references on these items. Stylistically the piece is likely from one of the minority cultures in Southeast Asian and the only other ones I have seen were attributed to the Dong Son. An interesting attribute of these pottery points is that when suspended from a string they make a very melodic tone when st...

Please feel free to enjoy this Chinese wood carving of a seated Guanyin, early Qing dynasty. The Guanyin is seated in rajalitasana, royal ease, on a pierced rockwork base with one leg lowered and the other with knee raised supporting the right arm, the face carved with a poised and calm expression, wearing a tiara and loose robes falling over the shoulders and open at the chest to reveal an elaborate beaded necklace.

There are no repairs visible, but pieces of laquer had been chipped...

An excellent Palace jar from the Kangxi period. A top quality design and in an ovoid shape with ribbed middle sections. Three lines in brown making the jar very sophisticated. The scenery showing two windows with a four clewed dragon and two windows with a carps. An excellent rare jar in a quality that even very few museums can show from their collections. The jar has been in the Wayland Wieslander Collection. Condition: The rim has a polished area (probably a restored ship). And the bottom has ...

A Zuni Polychromed Wood Kachina Group, depciting three Koyemsi, or Mud Heads, of classic articulated form and decoration, one, carrying Kianakwe Shikan’ona, White Kianakwe of the East on its back, dressed in a cloth manta, the white painted case mask with concentric bands in numerous colors with white dotted details, the other, carrying a bowl in his hand; possibly a depiction of the Kianakwe Ceremony. Heights: from 10" tp 13.75".

Beautiful arts & crafts handmade sterling and wood tea set, comprising of 6 pieces, c.1910. Every piece is marked "STERLING" except for the sugar. The design is classically arts & crafts and each piece is hand hammered which produces a wonderful texture, very representational of the period. The pieces are: TRAY - 13" long by 9 1/2" wide by 3/4" high. TEAPOT - 5" high by 10 1/4" wide by 4 1/2' deep. CREAMER - 2 1/4" high by 6 1/4' wide by 31/2' deep. SUGAR - 3" high and 3 3/8" in diameter. DISH ...

Additional Photos for Japanese Screen, 1750's
Each Fan painting size, 21 5/8" Long(55 cm).
1. Kuge servant carrying princess on his back trying to cross the water.
2. Three Sparrows and Bamboo.
3. Six Chinese Boys paying around at the study table, parent observing.
4. Tiger and Dog glaring each other.
5. Pretty Japanese Kikyo, Bellflower and other flowers.
6. Sumie Landscape, ...

Folk Art Portrait by American Artist, attributed to Sheldon Peck (1797-1868). This Portrait was purchased at a North Carolina auction from the Larew Collection. The 19th century oil on canvas portrait of a gentleman was said to be Thomas Johnston from Concord, NC (Sept. 1850). It was marked on the original canvas (relined) bought in Davie County. It is mounted in a mahogany veneer frame with yellow pine backing. Canvas 29" 24" and the Frame is 38" x 33". The portrait was restored in 1973 by Hen...

A wild boar kōgo by famous Kyoto potter Imai Masayuki 今井政之 (1930-2023). Decoration is a stylized version of the ancient Chinese character for wild boar. Masayuki used his famous inlaid colored clay technique in producing this piece. Imai Masayuki and the late Miyashita Zenji are considered the two masters of the colored clay technique in Japan. Title: Inlaid Zodiac Wild Boar Incense Container (Zōgan kanshi i kōgo 象嵌干支亥香盒) Colored and inlaid stoneware, 3.8 cm high a...