1930's Chinese Jadeite Carved 14K Gold Plaque Pendant with Flower Marked "14K"

It is 28.3 inches (72 cm) in circumference by 12.6 inches (32 cm) long. The pendant is 2 inches (5 cm) in length by 1.18 inches (3 cm) wide and 4.68 mm thick. It is 27 gram.

It has tarnished metal, inclusions at the jade, and surface wears and scratches (as seen in the photos).

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This is a fabulous painting dated 1930 by Shirakura Niho enclosed in the original signed wooden box titled Ko-Ten-Bo-Setsu (Twilight Snow in the Bay). Viewing it one can hear the silence, the soft pattering of snow and the flap of wings as geese take flight in the distance. Shirakura Niho was from Niigata prefecture, so was a man who not only knew snow well, but was well known for his snowy landscapes...

SUCH A BOARD

Like a two-sided abstract painting with such unidentified Kanji characters or symbols drawn unintentionally in Indian ink, based on wooden board covered with old used paper coated in ‘kakishibu’ (persimmon tannin). Early 20th century, Japan. 26 x 48 x 1 cm (10.23 x 18.89 x 0.39in)...

A Japanese painting of a pair of songbirds perched atop a Peony Tree. Mounted single panel using a colored Sumie technique. Silk bordered on a silver leaf background.

Age: Taisho Period (1912-1926)

Dimensions: 70" High by 28 5/8" Wide

A river runs past deeply forested hills populated by rooftops in this naïve ink painting reflecting the charm of rural Japan by Shirakura Niho. Ink on paper mounted in a green cloth border extended with beige featuring Shunkei nuri lacquered wooden rollers which would instantly call to mind the mountain village of Takayama, home of the Shunkei style. It is 52.5 x 116.5 cm (20-1/2 x 46 inches) and comes in the original signed wooden box titled Satoyama Fukei (Mountain Village Scenery)...

The sage gazes out from his hermitage clinging to the hillside upon a sparse scene of falling water and precipitous climbing peaks dominating this painting by Shirakura Niho dating from the prime of his career. Ink and light color on silk mounted in blue cloth with thin piping terminating in white ceramic rollers. It is 40.5 x 187.5 (16 x 74 inches) and is in excellent condition; enclosed in a modern wooden storage box. A published version of the Niho Catalog will accompany the work...

Spring Landscape. Painted with ink on silk. Signed Chokugai and sealed. It is dated as painted in 1924 on the painting.

Tanomura Chokugai(1905-1997) was a Japanese painter born in Kyoto. Great-grandson of Tanomura Chokunyu(1814-1907). He studied under Tanaka Hakuin(1866-1934). He was a member of the Kyoto Japanese Painters Association and chairman of the Kyoto Shogain.

Some insignificant marks and foxing are present on the painting itself, and some marks, very light...

A peaceful cluster of homes blanketed in snow by Shirakura Niho enclosed in the original signed wooden box titled Kamo Sekkei (Kamo in Snow). This is likely an image from very close to the artists heart, he lived west of the Kamo River in Kyoto, and one can imagine this being one of the bridges spanning that river he has seen out on a winter day. Ink,Gofun & Light color on Silk bordered in light colored cloth...

Good bamboo handled knife with hand forged blade from the Karen ethnic group Northern Thai/Burma border. Total length 31cm/12in with good sharp edge- small nick at the tip off the blade which could be honed out, about 60 years old.

Antique Chinese bitong (brush pot) carved of hardwood with beautiful grain patterns. The mouth and foot of the container have a fine cusped edge. The bottom is carved with three low feet. The bitong has a pleasing overall shape with a slight flare towards the top.

Age: Early 20th century

Dimensions: 6 5/8" high x 6 3/8" wide

Republic period, 1940s or earlier, semi translucent jade brush washer, or possibly a snuff tray, in an unusual oval shape with a small carved flower button in the center. The jade has a lovely soft polished surface which is always rare to find. Color is best described as white jade with a pale celadon tint and, for presentation; we have it resting on a white jade bi from a later date. Both are included in the sale. Oval snuff tray/brush washer only measures: L 5" x D3" x H 5/8"...

Pair lovely vintage bamboo brush pots circa 1960-1980 The surface has been stained a darker color but the patina is a hand polish with no varnish. Excellent condition, with no splits are cracks. H: 14.2cm/5.6in and D: 8.4cm/3.2in.

A pair of Japanese bronze standing birds on the stand with artist sign.

Age: Japan, Showa Period, Early 20th Century
Size of birds only: Height 10.7 - 13.1 C.M. / Width 5.2 - 6 C.M. / Length 13.4 - 14.3 C.M.
Size of stand: Length 35.8 C.M. / Width 22.4 C.M. / Thickness 3.4 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost...

Antique Chinese large porcelain umbrella stand. Tall and with six sides. Glazed white with blue designs of various flowers.

Age: Early 20th century

Dimensions: 20 1/2" high x 13 1/2" wide

A wood brush pot was in nice form.
It was well preserved despite the bottom cover was lost and was replaced by an old plank of wood.
The surface was in kind of dry-feel and in pale tint. But I believe it can be transformed easily by rubbing with wood wax and changed to a beautifulcolor.

Date: late Qing to early republic periods, 19th/20th C.

Height: 15.5cm

An antique Japanese transom (Ranma) made of Hinoki (Cypress) wood. Hand carved image of a crouching tiger moving with stealth and grace in a bamboo forest...

A Hirado blue and white porcelain censer with pierced lattice work cover and sides. Lion masks in relief on opposing sides. Decoration of aromatic flowers and wisps of burning incense. Three feet elevate the censer above surfaces. Early Showa period. Good condition. Lion mask to Lion mask nearly 4 inches in length. Height, covered, just over 3 inches.

Rare Zo/Tedem "tawnok"- reference "The Art of the Zo: Philadelphia Museum of Art". The Tedum aka Tiddim are a subgroup of the Chin, who live mostly in Northern Burma, Chin State, as well India, and Bangladesh. This piece is circa 1950-1960, spun from commercial, hand dyed cotton thread with some single faced supplementary and diamond twill patterns. Please see enlargements to appreciate the complexity of this weave. There are a few pin holes but noting egregious (one small repair w...