A rare antique Japanese Choba Kotansu (merchant small chest) made of Hinoki (Cypress) and Suginoki (Cryptomeria) woods. All original hand forged iron hardware. Removable hinge doors behind which hides a removable horizontal bar that securely latches the left door in place. Spacious storage behind the doors where the merchant kept his store books and records. Two upper drawers were used to keep money and valuables. Beautiful original calligraphy on the sides and back of the tansu...

, 19th century, finely hand painted on a wooden panel, Russian Orthodox Icon, The Mother of God of Smolensk "Smolenskaya" (Hodigitria or Patron of the wayfarers).  

MEASUREMENTS: 29 cm x 21 cm ( 11 3/8 in x 8 1/4 in).

CONDITION: The icon is in the original good condition with a nice old patina. The border with remains of the iron nails. No repairs or restorations...

Boxwood netsuke depicting a professional sneezer, imaginary character or Japanese folk hero known for his ability to induce sneezes, seated with a feather in his hand, the main implement of the professional sneezer. Signed Gyokkei 玉珪 on an ivory dowel. Origin: Japan Period: Edo 19th century Dimensions: 4 x 3.7 x 2.4cm. State of conservation: Very good

Kato Shuntai (1802-1877) Japanese Antique Seto Ware bowl. The seal of the potter is stamped on the bottom.

Kato Shuntai is a notable potter from Seto area, Aichi prefecture who lived in the late Edo period...

A pair of superlatives. The size of this pair of Song - Yuan jarlets is extraordinary large. The body of the pieces is very well potted. The very desired bluegreen Celadon colour of the " Guan-crackled " glaze is rare. All in all this impressive, very decorative pair would be a true enrichment for any Longquan collection. Song - Yuan Dynasty (thirteenth to fourteenth centuries) Longquan ware, Zhejiang. Excavated in Kalimantan ( Borneo ) Indonesia. Diameter : 11,4 cm...

Authentic antique 18th -19th century finely painted on cloth Tibetan Tangka – Thanka of Chenrezig -Avalokiteshvara - Buddha of compassion.

The deity, with white skin, is seated majestically on a grand throne, elegantly dressed in a traditional dhoti, and adorned with an array of ribbons and intricate jewelry, which adds to the overall grandeur of the scene. The deity is surrounded by a radiant nimbus and aureole, which further emphasizes the deity's divine nature...

A beautiful late 19th C. Chinese enamel cloisonne dragon motif bronze bowl with Ming dynasty marking but it's late Qing. It has a damage on the rim please see the photo, otherwise in good condition. D: 8-5/2"

A small Chinese gilded silver dish standing on four splayed feet, with pierced design of dragons, bamboo chrysanthemum and prunus among rocaille. Base with maker's mark in Chinese characters. Condition: one foot with a tiny loss (see photo no. 11), maybe later gilding. Dimension: diameter: 13.7 cm, 4.1 cm high, weight: 122 g.

From our European Collection, a superb Empire style side-cabinet or "meuble-a-hauteur d'appui," 3rd quarter 19th century circa 1850-1875, constructed of richly finished mahogany surmounted by a white-veined, dark green marble top, and with a key-locked central door (with original key) which opens to interior shelving, all decorated with exquisite ormolu bronze / dore bronze castings which are an absolute tour de force in metalwork...

A massive sub-rectangular seal with high handle and perforation, in black large grained stone, Halaf period, 6th. millenium BC.

The seal is beautifully engraved with a leaf design with a central line and diagonal strokes off it.

Size: 38-39 mm...

This is Indigo dye cotton tsutsugaki furoshiki textile of the Edo era(1800-1867). It is a very beautiful crane and a lucky design of the tortoises.It is a characteristic of tsutsugaki of the Edo era that the ear of the tortoise is expressed like a dragon. There is a thin stain. There is not damage. It is in a very good state. It is made of hand-spun cotton and natural dyed. size:141cm x 142cm (55.5" x 55.9")

An antique ceramic figure from the Jama-Coaque culture of present-day Ecuador, dating back to 300 BC - 400 AD, is a remarkable pre-Columbian artifact.

It depicts a standing tall female figure with outstretched arms as if she welcomes the viewer...

Description: A small and elegant ewer dated to the Song dynasty. It is finely potted and the glazing is right to the bottom of the ewer. It has a recessed footrim.

Dimension. The dimension of the ewer, the height is 15.1cm and the width is 14.5cm.

Condition: The condition is generaly good. There is no repair, restoration, crack or chip. Minor glaze crazing. Item sold as is.

An impressive and hard to come by pair of Japanese architectural lanterns that once flanked a Japanese Buddhist temple...

Antique Japanese light summer kesa (Buddhist Priest's vestment). Made with a sheer layer of black silk embroidered with silver crayfish medallions and lined with white silk.

Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. Meant as a reminder of the Buddha's own simple patched garment, kesa are formed from many fragments of cloth...

Hand painted brush and ink Chinese painting, classically mounted on a scroll, depicting Bamboo and Rocks with apocryphal attribution to Zheng Xie鄭燮 This is a homage, painted in the 20th century, and is of an impressive size H: 165cm/64in and W: 68cm/24in. Mounted dimensions L: 2.4m/94in and W: 83cm/32.5in.

A beautifully and well shaped Song Dynasty (960 - 1276 A.D) jarlet with glazed lobed body and two ear handle at the top. The right ear is not well glazed

Some firing faults, expected degradation, chips & minor losses, abrasions, as a consequence of long period of burial and subsequent cleaning.

The measurement of the stem cup is: Height 10.3cm and the diameter (base) is 5.2cm

Austrian. Porcelain urns with hand-painted classical scenes on cobalt blue ground with gilt highlights. Both marked and artist signed Kaufmann; Size: 12.5 inches high. Condition Report: Great condition from 19th century era, one of the finial is darker than the other and that could be the indication that it could have been repaired and painted over.