Pair of painted Japanese interior sliding panels. Depicting wild sparrows amongst the rice fields. Sparrows are regarded as symbols of personal prosperity, rich fruit crops. Stocks of flowing rich reach out. The fields are said to represent providence, creation, blessing, and joy.
Speckled gold throughout the the images radiating warm glow off the paper. A scene of serenity.
Signed by the painter: Kishi Ganku, 1749–1839. Signature: 雅楽助岸駒寫 Utanosuke Ganku...

A Chinese, Jizhou kiln, bowl with an abstract ash-splashed decoration to the interior. Southern Song; C12-13th. The variagated, brown glaze stops above the well-cutt foot, exposing the pale-buff coloured paste. Diameter, 11 cm. Provenance: from the deceased estate of a North Yorkshire collector; acquired in China in the first half of the C20th. Condition: There is an old area of repair to the inner rim; approx 2 cm long...

A slender shape patinated bronze vase depicting a naturalistic scene of a cricket sitting on iris leaves. Signed Joun in relief within an oval reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 26 x 7.5 cm. State of conservation: Very good

A Japanese ivory okimono depicting a pair of figs decorated in polychrome. One of the fruits is ripe and shows partial peeling, revealing the inside. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 5.8 x 4.5 cm. State of conservation: Very good

Length: 18.6 cm (7.7 in)
Height: 10 cm (4 in)

Fine and unusual Chinese coconut teapot; carved decoration showing shou characters, auspicious objects and clouds; fully zinc lined and in very good condition; circa 19th century

VOTIVE PHALLUS

Quite a simple and rustic Japanese wood carving phallus in the form of ultimate, once offered for pregnancy and smooth delivery, 19th - early 20th century, L 20.1 x 3.6 x 3.6 cm (7.91 x 1.41 x 1.41in)...

A yamatoe painting depicted an aristocratic man is about to go out for a night out on horseback. It is attributed to Hoyama Yuinen(Hananosha)(1823-1894).

Hoyama Yuinen(Hananosha)(1823-1894) was a painter monk at the end of the Edo period and Meiji period. He was a chief priest of Shinshu Rinshuji Temple...

Thai gold and silver foil repousséd Buddha, circa 14th-16thCE late Sukhothai or early Ayutthaya. Some restoration- please view enlargements. H: 7cm/2.8in x W: (base) 4.3m/1.6in. Provenance: Bonham’s, Sidney Australia, Dec 7, 2022, lot 136, previously Soo Tze Orientique, Melbourne, Sept. 6, 1991. Free shipping.

Lao or Lanna Thai, gold and silver foil repousséd Buddha, circa 14th-18thCE. No unisha some restoration- please view enlargements. H: 10cm/4in x W: (base) 7cm/2.8in. Provenance: Bonham’s Australia, Dec 7, 2022, lot 136, previously BC Galleries, Melbourne, Nov 18, 2013

Ancient Luristan bronze sword with green patina.

Luristan bronze comes from the province of Lorestan, a region of nowadays western Iran in the Zagros mountains.
With its rich and long history, Luristan culture is well-known for its fascinating bronze artifacts from the Early Iron Age.

Age: Iran, Luristan Culture, 1000 - 600 B.C.
Size of sword only: Length 53 C.M. / Width 4.5 C.M...

19th century kokutan (ebony) netsuke of a sitting shishi (Buddhist lion), its tail up and its head turned to the left, mouth open in a wide grin. Represented beast is definitely male both because of its explicitely carved bottom and because its mouth is open emitting sound A (the first letter of Sanskrit alphabet), while the female shishi are depicted with closed mouth emitting sound N (the last letter)...

19th century small black and red Japanese lacquer 4-compartment inro with two different carved scenes of two scholars in discussion under rocks (one with waterfall cascading off it) with bamboo gracefully growing on their surfaces. Top and bottom are carved differently with peony branches with leaves and buds. Elegant dignified design, very clever and striking use of red lacquer for figures, bamboo and and some peony details. Old silk cord, in excellent condition, no cracks or losses...

19th century porcelain netsuke of a street entertiner - an acrobat / contortionist - performing on a low stand. Very well made, nice face, pleasant patina. Four feet of the stand are old kintsugi (gold lacquer) repairs. Height 2 inches.

Late 19th century porcelain netsuke of an old woman Uba with a broom in her hand. Uba and her companion Jo are an elderly couple living as spirits in pine trees in Takasago. Wonderful expressive face with wrinkles and hollow cheeks, beautiful wear and patina. Looks like old smoothed losses to the back of her robe by the bottom. Height 2.73 inches.

19th century small porcelain netsuke of standing Ebisu - one of the 7 Gods of Good Fortune, that of fishing and luck. Clever modeling reminiscent of ittobori (one cut) wood carving style, nice wear and patina. Height 1.4 inches.

A large and rare tablet stamp seal engraved with a depiction of temple-doors on each side, Levantine, Pre-Canaanite lands, Late 3rd. mill. BC.

The engravings on this nice rectangular seal in white calcite, was interpreted as being temple doors by the former owner, in any case a fine complicated image for the period. Special stone and rare for the culture.

Size: 40 mm. x 31 mm. c. 8 mm. thick...

Solid cast, the bronze cobra with flaring hood and bulging eyes, curved along the back of the hood, its head crowned by a solar disk, the body once inlaid, with a tenon at the base. 5 1/4 inches high including the tenon. Suspension loop on back of head. V.G. Collection Brussels, 1975.

A pair of ancient Egyptian bronze and inlaid stone eyes. Late Period, 600-300 B.C. Right eye measures 2 inches wide. Left eye measures 1 3/4 inches wide. Originally, from a NYC private collection.

From the Greek colonies in southern Italy. Trefoil oinochoe depicting a nude satyr, also known as a silenus or silenos, typically portrayed as a male figure with ears and a tail, said to be resembling features of a horse, and with a large phallus, the sides decorated with floral design. 3rd/4th Century B.C. 5 1/4 inches high. Intact. From an old NYC collection.

A large bronze image, cast in two pieces, showing the Tamil deity Aiyanar riding on his horse. The bejewelled cavalier is holding a curved sword and a round shield, wearing decorated bloomers. The stallion with sumptuous harness. Condition: traces of usage. Dimension: c. 29.8 cm high, c. 24 cm long, c. 8.8 cm wide, weight: 3.4 kg.

A fine lot of two later bronze age military weapons, Ancinet Near East 2nd.-1st. millenium BC.

Lance of a type used by the armies of the great Empires in the Ancient Near East of the 1st. mill. BC., fine glossy patina, tiny piece of the tip lost, 28 cm. and 2) a sturdy attractive bronze dagger with central midrip and very broad triangular blade. Excellent metal and intact. 25 cm.

Ex. Danish Private collection.

A super lot of three ancient tanged Bronze daggers from Ancient Near East. Types of the 3rd.-2nd. mill. BC.

The lot consist of:
1) A choice and beautiful dagger, c. 26 cm, long with high shoulders and a prominent central midrib, 2nd. mill. BC. On this dagger you can see where the handle of bone or wood once was - very interesting!
2) A nice smaller dagger with rounded shoulders, 3rd...

Ivory netsuke, belonging to the Osaka school, portraying a tiger lying on a section of bamboo, with its head turned backwards and its tail to the side. It has an excellent patina, subject and shine. Origin: Japan Period: Edo late 18th century Dimensions: 4 x 4 x 1.5 cm. State of conservation: Very good

A nice lot of three interesting early ancient tanged Bronze daggers from Ancient Near East.

1) A type 2 dagger 23,5 cm, with rounded tip. low shoulders and tappering edges, c. 3rd. mill. BC. Intact.
2) A very early dagger of the type 1, 20,9cm., dating to the 4th.-3rd. mill. BC. Intact
3) A 18,8 cm dagger with low shoulders and pronounced central midrib, 3rd.-2nd mill BC. Small loss to tip.
All three daggers have holes for fastening rivets in the tang.

A Japanese Satsuma ceramic bowl adorned with relief glazes and gold details depicting a motif of Manchurian Cranes in flight, symbols of longevity and happiness in Japanese culture. Inside, the bowl features a dense motif of a thousand butterflies, often associated with symbols of transformation and rebirth. The bowl is signed Sozan under the base within a rectangular reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 8.5 x 16 cm. State of conservation: Very ...

Cloisonné potiche with a hexagonal shape, embellished with delicate floral decorations on reserves held by silver threads with geometric motifs. The lid features a spherical socket. Origin: Japan Period: Meiji end of 19th century. Dimensions: 13 x 9.5 cm. State of conservation: Very good

A Japanese Satsuma ceramic lobed bowl with curved corners and embellished with a refined scene of daily life along a watercourse on the outside. The interior is adorned with graceful butterflies, creating a harmonious blend of nature and craftsmanship. This bowl is signed Juzan under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.5 x 8 cm. State of conservation: Very good

Fine, Rare Joseon Dynasty Silver Inlaid Box with ancient Longevity Symbols of Deer, Cranes, key fret pattern, floral and tortoise shell pattern. Double Happiness symbol on the lid. Beautiful Condition. 5.25 x 3.5 x 3.5 inches, 13.5 x 9 x9 cm.

Scarce Joseon Dynasty Fish Form Silver Inlaid Iron Box Wonderfully Designed. The form and design are sublime and feature an exquisitely arranged silver inlaid face and fish scales. 6.5 x 2.25 x 1.25 inches, 16.5 x 6 x3 cm.

Rare Joseon Dynasty Small Inlaid Silver Iron Box with Gorgeous Floral Designs, with two compartments. A fine and one-of-a-kind 19th Century Korean collectible. 3.75 x 2.25 x 1.5 inches, 9.5 x 6 x 4 cm.

This piece has beautiful color development of glaze and repaired with minute silverwork on the ridge of mouth. YouTube movie/ https://www.youtube.com/watch?v=o4kEByQCGcY Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan. Size: 9.0cm(D)/ 4.2cm(H)

The size of Ko Imari Dish: 7 1/4" Long x 4 1/4" W x 1 3/16" H
185 mm x 110 mm x 30 mm.
This is very attractive Ko Imari Dish from Mid 18th century, Kanen to early Horeki period. 1750’s.
The plate has the design of Japanese Princess (Hime). She is dressed with 12 Hitoes Kimono.
A junihitoe is a twelve-layered kimono worn by noblewomen during the Heian Era.
The workmanship of polychrome design are elaborately decorated with
green, gold and black. She wear the design ...

19/18th Century Chinese White Jade Carved Plaque with Boy Figure Wood Frame Table Screen

It is 10.5 inches (26.7 cm) tall by 5.9 inches (15 cm) wide. The jade plaque is 4.3 inches (11 cm) in length by 2.55 inches (6.5 cm) wide and 0.19 inch (0.5 cm) thick. The jade plaque is 92.8 gram. The wood stand is 0.8 lb.

The jade plaque has inclusions and surface wears. The wood stand has hairline cracks, glue residue and surface wears (as seen in the photos).

Our Guarantee: We s...

19th Century Japanese Wood Carved Netsuke Figure

It is 2.2 inches (5.7 cm) tall by 1.1 inches (2.8 cm) wide. It is 8.8 gram.

It has repairs at the foot, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the item to us within 10 ...

Japanese Nippon Coralene Porcelain Vase with Flower Marked

It is 11.65 inches (29.6 cm) tall by 7.3 inches (18.6 cm) wide. It is 4.3 Lb.

It has rubbing gold, dark spots, missing beads, surface wears and scratches ( as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is ...

A rare Chinese double snuff bottle made of porcelain, painted in underglaze blue with lotus flowers on white background surrounded of a cream-colored crackled glaze. The stoppers made of agate-imitating glass with bone spoons. Condition: traces of usage. Dimension: c. 5.3 x 4.1 cm.

Single-handled vase with cushion-shaped body and an inward folding rim to prevent the liquid from spilling out. Standing on a ring foot.
The black glaze turned red on the inside and around the foot. The shape is also known as kothon or plemochoe (on hight foot).
Ceramic
Greek, 5th century BC
D. 13.8 cm (5.4 cm)
W. over handle 16.7 cm (6.6 in)
H. 5.7 cm (2.2 in)
Intact and fine, black glaze worn in places, surface on the inside partially chipped. ...

Single handled kyathos with incurving rounded bowl. The outside of the rim is decorated with red-brown and umber bands. The same colors are used for the hourglass symbol inside the bowl. Standing on a flat base.
For a related example, cf. vase no. 119, p. 34, pl. 41 in: Filli Rossi. Ceramica Geometrica Daunia della Collezione Ceci Macrini. Bari 1979.
Ceramic
Daunian, Sub Geometric II, 550-400 BC
D. 13.7 cm (5.4 in)
H. to handle 9.1 cm (3.6 in)
Fair con...

Brown-glazed Apulian plate with gently raised, shallow floor. The low sloping rim with a flat top. Standing on a low ring foot. Faint traces of fingertips around the foot where held when dipped into the glaze medium. Covered with a red-brown glaze.
For a related plate, cf. item no. 107 in: John Hayes. Greek and Italian Black-Gloss Wares and Related Wares in the Royal Ontario Museum. Toronto 1984.
Ceramic
Apulian, 350-300 BC
D. 14.9 cm (5.9 in)
H. to rim 4.2 cm...

Well modeled plate of shallow floor and upcurving rim. The bulged outside of the rim with a marked groove below. Standing on a ring foot which shows two pierced holes for suspension.
Faint traces of fingertips around the foot where held when dipped into the glaze medium. Covered with black glaze that turns into a warm red-brown color.
Ceramic
Greek South Italian, 3rd century BC
D. 15.4 cm (6.1 in)
H. to rim 4.1 cm (1.6 in)
Swiss private collection, acqui...

Shallow plate nicely decorated with red-orange banding, contrasting well with the pale brown clay.
The center and the edge to the slightly raised rim with neatly incised grooves. Concentric ridges also on the outside face. Standing on a low ring foot.
Ceramic
Daunian, Sub Geometric III, 4th century BC
D. 19.3 cm (7.6 in)
Intact and fine. Fresh preservation of the applied colors with minor wear in places.
Swiss private collection.

The authe...

Apulian plate of shallow floor with a low sloping rim with flattened top. Impression from the foot of another dish on the floor. Standing on a low foot with beveled molding.
Faint traces of fingertips around the foot where the plate was held when dipped into the black glaze. Covered with a dense black glaze.
For related examples, cf. nos. 39-41 in: CVA Ostschweiz Ticino, Switzerland 5, pl. 43.39-41. Beazley archive vase no. 1009741.
Ceramic
Apulian, 350-300 BC
...

Antique Indian miniature painting of Shrinathji, the 7-year-old manifestation of Krishna. He stands on a small platform with an umbrella over his head. A married couple offers food and drink. The architecture of the house is wealthy with intricately painted details. In the distance, clouds form. Undoubtedly this is a scene from one of Krishna's many stories. From the temple city of Nethdwara, Rajasthan, where Shrinathji is the central presiding deity of the Vaishnava sect known as Pushtim...

An antique Burmese Buddha dry lacquer statue. Black lacquer with gold gilt and traces of red lacquer on the Ushnisha. Wearing a flowing Kasaya venerated with wear. A consecrated Buddha that has a headband with micro glass inlay.

Age: 19th Century

Dimensions: 31" Wide by 37 3/4" High by 16" Deep

This is a beautifully carved nephrite jade ring whose exterior is encircled by a sinuous dragon. The interior diameter is one-inch (1"); exterior diameter is 1-3/4" at the widest point. The stone is a medium celadon color with tiny areas of a darker inclusion. This is an authentic product of the Qing dynasty, not a later product misleadingly labeled "Qing," and it is guaranteed to be of the period. PLEASE NOTE: the true color is somewhat paler than the photos; if you would like additional photos...

A pale celadon nephrite "heart shaped" jade carving, done entirely by hand. The piece measures 4-1/2" in length and 2-3/4" at its widest point. The raised carving is approximately 3/4" in height. The design is of a coiled dragon, as shown in the photos. Evident signs of alteration/calcification in the stone. This is not a modern piece and is guaranteed to be no later than the 19th century and possibly earlier. A genuine and substantial carving, beautifully done.

Fine Large Tang Dynasty White Pottery Female Courtier with Oxford TL Test

One of the most desirable and collectable form of pottery sculpture from ancient China is, of course, the female courtier, or "fat lady", from the Tang Dynasty (AD 618 - 906). This exceptional example, with a height of 43 cm, is considerably larger than most known Tang dynasty "fat ladies". She wears a voluminous robe with long sleeves, her right hand raised and held across her stomach, her feet protruding from the hem...

Fine Tall Chinese Han Dynasty Painted Pottery "Stick" Figure with Oxford TL Test

This tall and impressive pottery "stick" figure was made during the Western Han Dynasty (206 BC - AD 8), more specifically, the 2nd century BC. It is "heavily-potted" and made from a dense fine-grained pale grey pottery. It has been "cold painted" with a pink/brown flesh-coloured pigment. Note the detail of the facial features and the hairstyle, worn with a top knot.

Various types of "stick" figures have b...

Rare Chinese Warring States Covered Pottery Stem Jar (475 - 221 BC)

This attractively-shaped pottery vessel with its flared foot and pear-shaped body was made during the Warring States period (475 - 221 BC). It is "heavily-potted", made from a fine-grained grey pottery and has a smooth burnished surface. The surface colour varies a little in places from pale to dark grey due to uneven conditions during firing. Although not immediately obvious, the outer wall of the body has been lightly deco...

Rare Chinese Warring States Covered Pottery Stem Jar (475 - 221 BC)

This attractively-shaped pottery vessel with its flared foot and pear-shaped body was made during the Warring States period (475 - 221 BC). It is "heavily-potted", made from a fine-grained grey pottery and has a smooth burnished surface. Although not immediately obvious, the outer wall of the cover has been lightly decorated with thin lightly incised or polished bands.

Height 16 cm. It is in very good condition and has n...

Rare Chinese Warring States Small Pottery Bottle / Vase (475 - 221 BC)

This attractively-shaped bottle, with its wide body, constricted neck, and wide mouth, was made during the Warring States period (475 - 221 BC). It is "heavily-potted" and made from a fine-grained grey pottery with a smooth burnished surface..

Height 14 cm. Overall condition is very good although there is what appears to be a filled firing crack to the shoulder of the bottle.  

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Fine Large Chinese Warring States Impressed Pottery Jar (475 - 221 BC)

This large and attractive pottery jar was made during the Warring States period (475 - 221 BC). It is made from quite a high-fired grey pottery. It has wide globular body and a short flared out neck. The outer surface below the rim has been attractively "textured" with the pattern "spiralling" downwards from the mouth to around the waist where the impression are then more horizontal.

Diameter 38 cm (15 inches), height...

Large Chinese Warring States Impressed Pottery Jar (475 - 221 BC)

This large and attractive pottery jar was made during the Warring States period (475 - 221 BC). It is made from quite a high-fired grey pottery. It has wide globular body and a short flared out neck. The outer surface below the shoulder has been decorated with repeated impressed geometric patterns comprising, at the top of each impression, two horizontal lines below which are many vertical lines. In places on the surface are f...

Large Chinese Warring States Impressed Pottery Jar with Oxford TL Test (475 - 221 BC)

This large and attractive pottery jar was made during the Warring States period (475 - 221 BC). It is made from quite a high-fired pale grey pottery the colour of which has fired to a pale pinkish-brown in places. It has an unusual wide mouth with a flat rim. The whole outer surface has been decorated with repeated impressed geometric patterns comprising, at the top of each impression, two horizontal lines ...

Large Chinese Warring States Impressed Pottery jar (475 - 221 BC)

This large and attractive pottery jar was made during the Warring States period (475 - 221 BC). It is fairly "heavily-potted" and made from quite a high-fired pale grey pottery the surface of which has fired to a dark reddish-brown in places. It has an unusual wide mouth with a flat rim. The whole outer surface has been decorated with repeated impressed geometric patterns comprising, at the top of each impression, two horizont...

LARGE Chinese Warring States Pottery Jar with Oxford TL Test (475 - 221 BC)

This exceptionally large and impressive pottery jar was made during the Warring States period (475 - 221 BC). It is made from a fine-grained grey pottery, relatively highly-fired, having a distinct ring to it when tapped. It has a wide mouth with a thick rolled rim. It is decorated simply, yet effectively, with raised bands surrounding the body just above its waist. Just above the concave base is a small purpose-ma...

LARGE Chinese Warring States Impressed Pottery Jar with Oxford TL Test (475 - 221 BC)

This large and impressive pottery jar was made during the Warring States period (475 - 221 BC). It is made from a fine-grained grey pottery and has a smooth surface with bands of lightly incised/burnished lines surrounding the shoulder and the upper body. Around its middle are two bands of impressed decoration. Unusually, the whole of the outer surface has been cold painted with a thick white pigment that...

Fine Chinese Warring States / Western Han Dynasty Pottery Jar

This impressive pottery jar was made during the late Warring States period (475 - 221 BC) or possibly the early Western Han Dynasty (206 BC - AD 8). It is made from a relatively highly-fired fine-grained grey pottery and has a nice smooth surface. The body is decorated with two raised bands around the waist that have been impressed with geometric patterns. Around the shoulder there are two bands of impressed lines. Above the short...

Fine LARGE Chinese Western Han Dynasty Glazed Stoneware Jar (206 BC - AD 8)

This large stoneware jar, of the type often referred to as "proto-porcelain", dates to the latter part of the Western Han Dynasty (206 BC - AD 8). The upper body, and inner mouth, are coated with an attractive olive-green glaze that is very finely-crackled. The unglazed neck and lower body have fired to varying shades of reddish-brown. To the upper and lower neck are bands of impressed wavy lines. On opposing sides a...

Chinese Song / Yuan Dynasty Glazed Stoneware Jar

This sturdy storage jar dates to the 12th - 14th centuries. It is quite "heavily-potted" and has a rolled rim with four loo-handles speared equidistant around the shoulder. The streaky yellowish-brown glaze falls short of the unglazed base. Most likely it was made for export to south-east Asia.

Height 15.5 cm. There is an old crack to the mouth that has been stabilised; otherwise it is in good condition.

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