Antique Japanese single section mizuya tansu (kitchen chest). Made of sugi (cryptomeria) wood with details in keyaki (elm). Two large sliding panels with vertical slats open to a large compartment with a shelf. Below this is a horizontal row of four small drawers with round, iron handles...

A yobitsugi Jar made up of various excavated kiln shards of central Japan dating from the Heian period (794–1185). It is roughly 32 cm diameter, the same height. Looking at the volume of debris and encrustations, it is likely that the upper most part of this tsubo, which is one piece, was buried in a kiln collapse, earth and stone fusing to the molten ash. During the Heian period, hole kilns were dug into hillsides, with a chimney bored down into the back...

A rare Seto Heishi (also read Heiji) bottle dating from the Kamakura period (1192-1333) wrapped in a custom made silk pouch with age darkened Kiri-wood box. Streaks of an unusual blue shidare glaze are visible on one side, Unlike the vast majority of Heishi bottles, this piece is no unearthed or excavated but has been passed down from generation to generation (as evidenced by the lack of inclusions or calcification)...

An exquisite bronze image of an ancient sage, a gnarled staff supporting his crooked frame with a golden fan capped with silver feathers clutched in his right hand. The Detail is superb, from the evocative expression to the minute details on his robe and accoutrements. It is signed on the foot Seiun (Hara Souemon), a top quality bronze, expressive and detailed. The figure is 10 inches (25.5 cm) tall and in excellent condition...

The Muromachi period in Japan, known for its artistic and cultural flourishing, produced exceptional pottery and ceramics, including this exquisite e-Shino incense burner. Crafted with meticulous attention to detail, this piece exemplifies the refined aesthetics of the time. Its elegant form, featuring gentle curves and a graceful silhouette, reflects the harmony between nature and art...

Vase in fine Satsuma earthenware enamelled in Osaka in Yabu Meizan's workshop at the end of the 19th century around 1890. The decoration is compartmentalized in 4 cartouches and represents the 4 seasons. The landscapes are meticulously painted, the details are surprisingly elegant and realistic. For winter, a snow-covered port is represented, the trees are heavy with snow, everything is motionless, padded. The cartouches are surrounded by a beautifully painted thousand-flower background...

The size of Covered Bowl: 4 1/4" Dia x 3 1/4" High. Pretty Japanese Ko Imari Iroe Polychrome Porcelain Covered Bowl. The covered bowl is made from fine quality procelain as well as fine glazing. It has sometsuke design finely painted at the border geometric design as well as the center design inside. the cover and bowl has pretty design of Marumon design with flower on large Marumon by the color of green, turquoise color, Japanese red and gold. turquoise color enamel is thickly painted...

Leather wallet embroidered with silver threads. The work is surprising, it is not an embroidery of the usual silver threads which are silk threads covered with a thin silver ribbon rolled up but real silver threads created by craftsmanship by stretching the metal at the "pulling bench". On the enlarged photos you can appreciate the work and the section of the wires. There are thousands of them, it was a colossal job, the wallet is heavy. The arabesque decor surrounds Islamic characters...

A nice seal carved in red jasper of the thick high relief style, popular in the later Uruk period.

The seal is carved with fleeing animals.

Size: 12 x 10 mm.

Condition: Nice Very fine.

Comes with hard impression and ID card from below collection.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections...

A carpet made of recycled washi fragments which were daifukucho (merchant's record book) or letters, and kakishibu (persimmon tannin) painted for strength and waterproof. It was generally put over tatami mats protecting them from sun beam or dust. It has letters "Kanei 6 (1853)", very late Edo period. It has rips, holes and moth bites. 204cm x 192cm

A sage, strikes a forever pose as he stares into the distance, robes billowing in the wind, contemplating the troubles of lesser beings, a fan clutched behind. This is a beautiful bronze sculpture dating from early 20th century Japan paying homage to the literati and Confucian traditions which formed the basis of Japanese ideology at the time. It is signed Kiyoshi with an engraved signature on the hem of his robes...

A Fine/Rare Korean Bird/Flower (花鳥圖) 8 Panel Paintings-19th C.: . Korea, Joseon dynasty, 19th century. The paintings removed from a frame. A group of 8 panel of bird and flower paintings are painted on silk, painted in ink and brilliant pholycrome colors, each painting painted with different birds and 4 seasonal flowers. It is in good condition but some darkened and stains with light cracks due to its age, the eight panel paintings removed from frames. It measures 96cm x 46cm. ***B...

A heavily cast Chinese gold splash bronze two-handled bombe censer on slightly flared foot. Some wear, good old patina. 13 cms wide. Mid Qing dynasty, probably 18th century, Xuande mark.

A carved lacquer box which pays homage to Chinese literary taste while presenting itself clearly in a modern, Japanese way (for turn of the century lacquerware at least) by 2nd generation lacquer artist Ishii Yusuke enclosed in the original signed wooden box. The tsuishu lacquer technique requires applying layer upon layer of lacquer which is then carved through and polished, a painstaking process. This piece is exquisitely crafted, carved and polished revealing the many layers of lacquer, it ...

A white bronze sculpture of crashing waves supporting three glass orbs; an elegant form carrying good fortune from old Japan. It is 49 cm (19-1/4 inches) long and in overall excellent condition. Set it in the window and watch the orbs blow colorful prisms across the room.

A Chinese cloisonne enamel cup-stand with unusual leafy mask decoration. Qianlong/Jiaqing, 1780-1820. 13.25 cms diam. Good condition.

This Edo-period bronze quail incense burner is a stunning piece of Japanese craftsmanship. The lifelike form of the quail, intricately detailed and gracefully curved, showcases the artistry of the era. With a beautifully patinated bronze surface and intricate feather patterns, it is both a functional incense burner and a work of art, capturing the essence of the aesthetics of the day.

According to an inscription on the underside of the lid, in the year 1861 this piece wa...

Sake cup in wood lacquered with gold, silver and cinnabar powder. On the outside on a rich thick kinji background, decorated with flowers in gold and silver leafs around the perimeter and in the center 2 stylized Chinese characters in thick lumpy cinnabar lacquer with the most beautiful aesthetic effect, probably the mark of the artist. The exterior is decorated with maple leaves in gold, red, green and brown lacquer on a black background. Note that polychrome lacquers are very rare. This is a c...

Small jade buckle cut with a grinding wheel, representing a dragon (chilong) curved on itself in the archaic style of the Han period. It is said that this type of buckle was used to suspend a sword on the belt. artist has excellently represented the small animal harmoniously curled up on itself and ready to pounce. The details are perfectly sculpted. The jade is slightly greyish-celadon white, not "fat sheep white". Photos are correctly representative of the color. It is difficult to date with c...

Composed by one of the most well-regarded and important figures within the Kanō tradition of painting, here we see a whimsical rendition of tiger and cub prancing through the forest. With its beautiful and well-preserved silk brocade to highlight the scene, the overall composition radiates a feeling of lightness and playful curiosity.

Oldest son to Kanō Takanobu, Tanyu was appointed as the first designated painter to the Tokugawa Shogunate. An enthusiast for Chinese style painting...

Three gods of fire which are unglazed earthenware made of clay. Fire has been thought as sacred and gods of fire have been put near furnaces, cooking stoves (kamado) and open fireplace (irori) for protecting from disasters and uncleanness. It is not clear where they are from, probably Tohoku district. All in good condition, no chip or crack.19th century. Height:20cm, Width:11 to 12cm

A Very Fine Big/Old Pine Tree by 소림 (小琳) 조석진 (趙錫晋) (1843년~1897)-19th C.: Korea, Joseon dynasty. A large single old pine stem and branched painted in ink and color, on silk, described, signed and two seals “小琳, 趙錫晋. This painting dedicated to Mr. Reid for his birthday gift, 1952. It is in very good condition but has some wears and a crease, it measures 37cm x 130cm painting only, or 48.5cm x 188cm overall.

Fish and water plants in blue with a crab in black decorate this vase by master of the subject Ono Bakufu enclosed in the original Tomobako wooden box from the Sosen Gama titled Sometsuke Kabin signed and sealed inside by Bakufu. The vase is 27 cm (roughly 11 inches) tall, 16.5 cm (6-1/2 inches) diameter and in excellent condition. Born in Tokyo, Ono Bakufu (1888-1976) relocated to central Japan after the great Kanto earthquake of 1923 where he became an honorary member of the Hyogo Prefectu...

An amazing small wooden figure covered in with glass eyes made in the hyper-real likeness of a Rakugo-shi Comic storyteller, dressed I traditional Hakama trousers and seated on a large cushion clutching a fan in his right hand. It is 19 cm (7-1/2 inches) tall, while the cushion upon which he sits is 19.5 x 15.5 cm (just under 8 x 6 inches) and the figure is in excellent condition. There is what appears to be a signature on the bottom; Ta?Saku. This caring is very much in the audacious style...

Statue of Buddha Amithaba or Amitayus, wearing an unusual diadem, jewelry and dhoti, sitting cross-legged on an elevated throne backed by a flaming mandorla, holding the elixir of immortality in his hands. Bronze, with a fine reddish-green patina. This statue is a Sino-Tibetan work, dating late 18th century/early 19th century. Height: 18.5 cm. Very good condition. Provenance: acquired from a Hong Kong antique dealer in 1978.

Rare and early mask, ca. 1st quarter of the 20th century. H. 43 cm. Ex coll. Patrick Lemaire, Brussels. Ex private collection Leeuwarden, The Netherlands.

Antique solitary Awara-yaki chawan by great artist Kuze Tensei 久世天声 (1878 - 1933) around 1915 (Meiji Period).

He studied art under Yamada Kei while working as a teacher at Ishikawa Technical Senior High School. In 1914, he moved to Awara Onsen in Fukui Prefecture (a classic hot spring town) where he set up a studio and kiln and created Awara-yaki using clay from the area to produce Kyo-ware style ceramics, which often won prizes in exhibitions.

The Kuze name is ...

Antique Japanese tall stone sekitō (pagoda) with five tiers. Made of granite and carved in 9 stacking pieces. The central square section is carved with a seated Buddha on four sides. The top spire is carved with 9 tiers between lotus petals. The surface has a beautiful patina and is covered with areas lichen and moss.

Age: Meiji Period (1868-1912)

Dimensions: 101 1/2" (8ft, 5in) high x 26" wide x 26" deep

Three Mandarin Hat Finials. A clear glass of the 5th rank. Two gilt of the 7/9th ranks. Chinese Qing 1644-1911. Height of clear finial; 4 1/8" (10.3 cm). Condition; minor faults, slight corrosion to small gilt finial.

Pair of Tiele (Chinese Ironwood) Weiqi boxes, carved from solid wood. Weiqi was the forerunner of the Japanese board game of Go, and one of the Four Arts, that someone from the "gentleman class" were supposed to know. These boxes are used to put the stone pieces in. There is cyclical date which probably doesn’t go further back than 1972 therefore they could be 1984, 1996, 2008, 2000, 2012. This has an artistic calligraphic style sometimes referred as “wild cursive”, which is considered mo...

Covered vase in nuanced ocher jade, decorated in relief with a grinding wheel with Taotie masks. Very good quality of sculpture. The stone is probably fire-patinated to imitate the color of archaic jade as was usually the case in the Ming Dynasty. It is impossible for me to date such an object. It is old, probably from the 18th century but could be earlier. Good condition, except for a few dents on the lid that can be seen on an enlarged photo. Height: 12cm.

Hard stone cup, probably Jadeite. The more or less pale nuanced ocher colored stone is stained with a pretty green and veined with rust. The cut is very thin which required good control. Uneven grinding and a soft sheen suggest that this cut is ancient, difficult to date with certainty. Chinese work from the 19th century or before. Size:85x68x15mm Good condition.

A copper alloy standing figure Amoghapasha Lokeshvara, well cast, six of the eight arms holding attributes, on half lotus base. Nepal, 18th/19th century. 19 cms. Private UK residence.

Antique Korean herbalist's medicine chest. Standing on low feet, this chest has 51 drawers and a small compartment at the very bottom opened by sliders. Each drawer is labeled in Korean and has a small metal ring for a drawer pull. The inside of the drawers are divided into two sections.

Age: 19th century

Dimensions: 36 1/4" high x 35 1/2" wide x 9 1/4" deep

A pair of finely cast Chinese bronze gu-shaped vases,17th/18th century, with gilt bronze mounted bases and liners, the mounts probably French, 18th/19th century. 16.5cms high.

Thick molten ash drivels over the shoulder of this fabulous 17th century Shigaraki Tsubo storage jar showing all the great attributes of Shigaraki ware. It has a large open ware (pronounced wa-ray) crack down the front, which does not go through to the inside, and the fire blasted front surface is shot with fine heat cracks. A large Kutsuki to the lower let shows where it adhered to something else in the kiln during the firing. Natural ash glaze in yellow and green slides down over the surfac...

A bowl, hachi, of kiku-gata, moulded Chrysanthemum form, decorated to the interior with low relief kiku-mon, stylised chrysanthemum flower heads. The narrow panels partly painted in underglaze blue with a gilt lozenge diaper pattern inset with swastikas, and brocades inset with various contrasting motifs of kiku-mon, hanabishi-mon, and matsu-mon (a view of the end of a Pine branch). The remaining four double panels with kiku-mons and Peony and Chrysanthemum sprays. The design an auspicious wish ...

This is a breathtaking work of art, a cherubic figure forms the finial of this later Edo period ceramic incense burner. Atop the lid strides a youth in purple robes wearing a lotus leaf as a hat and blowing a flue, a staff lays at his feet. About the square box of the ash pot are exquisite-colored designs lined with gold like precious jewels dangling from the edge. Two beast heads protrude from the sides and the entire is elevated on a square foot. The koro is 8 x 11 x 17 cm (3-1/4 x 4-1/2 x...

Ko Hagi Bajohai Chawan with Kintsugi Repair made in the Meiji Period (1868-1912)
Supplied with old wooden box with label "Ko Hagi Bajohai Chawan"


Size
Height 10.5cm
Width 13cm


Repaired with gold lacquer Kintsugi

Hagi ware, also known as Hagi-yaki, is a type of traditional Japanese pottery that originated in the town of Hagi, located in Yamaguchi Prefecture on the island of Kyushu, Japan. Renowned for its simple, rustic, and serene aestheti...

Rare Late Joseon Dynasty (18-19c) Mishima Tea Bowl with old box.
The beautiful scenery on the surface resembles white clouds.

Such bowls were highly prized in Japan during Edo period by local daimyo and tea ceremony masters.

Size
6cm in height
14cm in width

Condition No damage
Supplied with old shifuku bag and box labeled "Joseon Dynasty Mishima Chawan"

Excellent example of Nakano ware Blue and White Mukozuke bowl made in the early 18th century

Diameter 15.2cm
Height 8cm
Weight 335g

There are old repairs with staples.

Nakano ware kiln was opened in 1598 in Yamanaka-cho, Hirado city. In the early days, Nakano kiln made Kobiki tea bowls similar to the ones of Joseon Dynasty, but in the 18th century it began to produce ceramics similar to Imari Sometsuke. Nakano-yaki is characterized as half-pottery half-...

Antique Japanese Kuro Raku tea bowl made by Sen Sosa VI, Kakukakusai Genso (1678-1730) who was the 6th Iemoto of Omotesenke school.

Kakukakusai Genso, the son of Soei Hisada, was adopted by the 5th generation Zuiryusai Ryokyu, and inherited the Iemoto title of Grand Master of Omotesenke tea ceremony school.

He served Tokugawa Yoshimune (1684-1751) who was the eighth shogun of the Tokugawa shogunate of Japan, ruling from 1716 until his abdication in 1745. His three children ...

Antique hand carved turquoise figurine of Liu Hai with his 3 legged money toad on his shoulder. Dates Late Qing, circa 1910. The carving, details and overall appearance is wonderful. In perfect condition with superb age hues to the surfaces as well as the good colors, it measures: Figurine only, Height 4" x Width 2-3/4" x Depth 1-1/4". Height on Stand 4-3/4"

Five cases inro. Black lacquered wood. Decor powdered with gold representing a couple of tigers and their cubs. Gold mosaic details. Signature of the illustrious family of Kajikawa lacquerers in 3 characters or in relief followed by a drawing of a vase in red lacquer also in relief. Kyo-Ji-Ro (+1682) was the founder and the best of the line of Kaji-Kawa lacquerers, his descendants all bore the same name. The excellent quality of the lacquer, the rare and much appreciated decoration of tigers and...

An antique Khmer wood sculpture of Jayavarman VII /Mahā Paramasangata Pada), added to our family collection in 1930 from a private Japanese collection. It was made in mid 19th century.

Lacking any royal or divine attributes, this King Jayavarman VII statue represents a simple, spiritual man.

His facial expression is accentuated by semi-closed eyes, a slight smile, large forehead, lips that are neither thin nor thick, and long ear lobes. All of these traits represent the ...

Beautifully carved relief fragment representing the head of Bodhisattva Avalokiteshvara, wearing a diadem on which appears a small Buddha Amithaba in meditation sitting on a lotus throne and surrounded by foliage. Avalokiteshvara has a third eye, and a necklace. Stone, with some abrasion. Gandhara Graeco-Buddhist period (1st to 5th century). Height: 18.5 cm. The head is nicely mounted on a custom stand. Very good condition. Provenance: 1) collection of a French diplomat who stayed in Pakistan ...

An antique Khmer stone sculpture of Mahā Paramasangata Pada (Jayavarman VII), added to our family collection in 1930 from a private Japanese collection. It was made in mid 19th century.

Lacking any royal or divine attributes, this King Jayavarman VII statue represents Buddha as a simple, spiritual man.

His facial expression is accentuated by semi-closed eyes, a slight smile, large forehead, lips that are neither thin nor thick, and long ear lobes. All of these traits r...

Pair of hard porcelain vases, enamel decoration of butterflies, birds and flowers. Dragons chasing the sacred pearl surround the collar inside and out. Golden details. The flared shape is elegant and very rare, the enamels are of excellent quality, the patterns are well drawn and the presence of dragons is also rare on this type of porcelain which, almost always, was intended for Europe. Good general condition, no restoration. However one vase has a crack and the other a small chip, 2 photos sh...

An extremely rare seal made of solid silver c. late 2nd.-early 1st. millenium BC.

The seal of a familiar type of cone-formed seals, known in stone and bronze, as Western Mesopotamian types from Urartu and other Neo-Hittite / Neo-Assyrian client states further south. The seal engraved in the base with two figures.

Seals of silver are extremely rare from any of the ancient cultures, especially a seal this early. We've had only 3 other silver seals in stock for 25 years.

A Very Fine/Large/Heavy hard Wood Carved Korean Wedding Duck-19th C.: Korea, Joseon dynasty, 19th century. A good and large/heavy hard wood hand carved wedding duck, to set up with two parts, a head and body, traditionally used in wedding ceremonies, with old patina overall, its bottom square carved for holding. It’s in very good condition with old dark-brown patina due to its age,it measures 18.5cm high. and 32cm length, weight: 2.74 lbs.

Ko Imari Arita Koi-gata Fish Shaped Dish Nagazara Genroku 17C A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s. This example probably dates from the 1690’s, the Genroku era. Fish shaped dishes were a popular accompaniment of the tea ceremony, Chinese ko sometsuke examples made specifically for the Japanese market ...

Small cast bronze incense burner in the shape of a duck. The bird is lying on its folded legs and gracefully twists its neck to groom its plumage. There has never been a lid because the opening on its back is clean without grooves and without any trace of friction or wear. The carving is of good quality, the eyes and nostrils are particularly well executed. Chinese work from the 18th century or much earlier. Below, between the legs, the bronze cracked and was repaired with tin solder. Beautiful...

Chinese Qing to Republic period porcelain lion dog seated with an open mouth revealing ferocious teeth and a well-formed protruding tongue, covered overall with a golden amber glaze. 8 1/2" high x about 8" long. Early 20th century. An old price tag is adhered to the unglazed base. Very good overall condition with possibly a tiny loss or production flaw to the side of one tooth. From a Paradise Valley, Arizona estate.

Poutaï in porcelain enamelled mainly in yellow, details in blue, green, pink, white and gold enamels. The deity is represented seated, relaxed as usual. The jovial expression is well treated. The subject was executed in large quantities but the one we present here today is more interesting than usual because its yellow color is particularly appreciated in China, its expression is beautiful and it is in perfect condition. Underneath there is an intaglio stamp, probably a workshop mark? The clay ...

A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s. This example probably dates from the 1690’s, the Genroku era. Fish shaped dishes were a popular accompaniment of the tea ceremony, Chinese ko sometsuke examples made specifically for the Japanese market date from the early 17th century, Tianqi era. The Koi was ...

A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s. This example probably dates from the 1690’s, the Genroku era. Fish shaped dishes were a popular accompaniment of the tea ceremony, Chinese ko sometsuke examples made specifically for the Japanese market date from the early 17th century, Tianqi era. The Koi was...

Satzuma fine earthenware tea bowl by Nakamura Baikei (1868-1912). Decor of a palace or a temple rising in a snow-covered lake landscape and animated by numerous characters. Drawings very finely executed by Baikei who was one of the best artists in Satzuma. His works were widely copied. Its production was of irregular quality, sometimes weak, rarely excellent. The bowl presented here is one of his best creations, if not the best, because it is perfect. It is a bowl, moreover the shape is atypical...

Ko Imari Oranda-jin Hexagonal Hakukaku Mukuzuke c.1800 A deep octagonal bowl, mukuzuke, or choku, decorated with eight panels containing figures of orand-jin Dutchmen in various poses and involved in a number of activities. Some carry canes or cudgels and are perhaps involved in some sort of martial activity, whilst others carry a dove, a chatusbo (tea-jar) and a ruyi sceptre, auspicious objects. The Japanese were particular fascinated with the mysterious foreigners attachment to animals as pet...

Container in 2 parts. Rare form. Perhaps an incense burner or a container to keep a liquid warm? A small undecorated white porcelain bucket fits into a porcelain container decorated with enamel birds. Below mark of Tong-Zhi, one of the last Chinese Emperor. The porcelains of this reign are usually of very low quality, our porcelain is an exception, indeed the birds are well drawn, precision and elegance. Technically, the cooking is perfect, no flaws, no splits or lacks, well-cooked enamels. Unus...

Incense burner in copper alloy (cast bronze and embossed and cut brass). Oriental work from the 19th century or before. Probably Ottoman but maybe Syrian? The hinge was consolidated by a riveted piece of metal and one of the three feet was replaced as one of the photos shows? The three legs are fixed to the base by a system of finely executed 'butterfly' nuts. The assembly is slightly twisted as can be seen in the photos. Height: 25cm Diameter: 20cm