Japonesque mixed metal copper tray. Made by Gorham in Providence in 1882. Lobed and rectangular with curved sides. Applied copper and silver ornament: Tree with blossoming branches and sinuous irregular trunk rooted in granulated soil; above a butterfly and bird. Ground engraved with wild grass in foreground and hills in background. Fully marked including maker’s stamp, no. B75, and date letter. Good condition with some spotting to copper.
Dimensions: H 7/8 x W 12 x D 9 1/8 in. #BY284
A German, domed top chest with ornamental hand wrought iron hardware, heavily oxidized and worn original surface and paint, and marked in white “T Adam Schuch reifst nach New York”. The chest looks like 17th century work. The name and destination likely added in the 18th century upon immigration. Reasonably good decoration considering the history. Length, 35 inches. Height, 17 1/2 inches. Depth, 18 1/2 to 19 inches (varying due to movement of the wood at the joinings).
19th century lacquered netsuke of an actor in a role of Kiyohime beginning her transformation into a demon, a bell striker in her hand. Kiyohime was a daughter of an innkeeper whose advances on a monk were not reciprocated, so her love turned into wrath, and she trapped him under a temple bell, turned into a demonic dragon and melted the bell killing the monk...
A set of six Spode porcelain Imari pattern coffee cans with saucer dishes. Late 18th century, reign oh George III. Excellent condition. Cans height, about 2 1/2 inches. Saucers diameter, about 5 5/8 inches.
19th century netsuke of four monkeys trying to contain three huge fogs that they caught and put in a tied bundle of lotus leaves. Very unusual (possibly unique) subject, beautifully carved, excellent faces of both types of creatures, eyes of the frogs are inlaid with light brown horn, wonderful hairwork, great patina. Signed cursively on the bottom - it appears to read ROSEI, but I am not entirely sure. Length 1.59 inches.
Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating guilloche enamel; each in different color (blue, red, and purple). Oval form for stealthy gliding. Fine craftsmanship and rich colors...
Plique à jour enamel and gilt sterling silver bowl. Made by David Andersen in Norway, ca 1925. Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating green guilloche enamel. Oval form for stealthy gliding. Fine craftsmanship and rich colors. Fully marked including maker’s stamp. Excellent condition.
Dimensions: H 2 5/8 x L 4 7/8 x W 1 1/2 in. #BY199
George III sterling silver salver. Made by Ebenezer Coker in London in 1765. Round with molded scrolled rim interspersed with alternating large and small shells. Armorial with lion rampant in lozenge frame with leafing and flowering branch surround. Three hoof supports. Fully marked. Very good condition.
Dimensions: H 1 1/4 x D 12 1/4 in. Weight: 23.6 troy ounces. #BY060
A finely made and carved Louis XV style side chair, 19th century. Upholstered with fragments from an 18th century hunt themed tapestry. A charming and atmospheric interior accent. The chair in good, serviceable condition with expected wear. The upholstery simply divine - showing it’s age with conservation preserving its decorative impact. Seat height, about 18 inches. Back height about 38 1/2 inches.
A rare late Koryo dynasty Punch’ong bottle vase. Olive toned green ware glaze simply but finely decorated with off-white skip within carved pattern. Height, about 3 5/8 inches. Excellent condition and conveying with Japanese collector’s box. 14th century
Chinese Tang Dynasty Painted Pottery Soldier Figure
This pottery figure was made during the Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a buff-coloured pottery that has been "cold painted" in a creamy-white pigment. It represents a warrior wearing armoured clothing and a hooded cloak.
It is of a good size with a height of 30 cm (12 inches)...
Sukhothai pottery jar with natural shell and barnacle from shipwreck.
Age: Thailand, Sukhothai Period, 14th-16th Century
Size: Height 31.6 C.M. / Width 16.8 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee
A Japanese dark patina boxwood netsuke depicting an articulated lotus flower.
The lotus is a symbol of purity and rebirth, as the flower emerges immaculate from the mud of the lakes...
A Japanese boxwood netsuke depicting a scene from Japanese mythology of a warrior called Nitta No Shiro riding a wild boar.
Nitta No shiro holds firmly in his hand a tanto, a traditional Japanese sword, with a sure and determined grip...
A pair of Japanese old bronze Hibachi brazier pots.
Hibachi is a traditional Japanese heating device.
Age: Japan, Showa Period, Early 20th Century
Size: Height 26 C.M. / Diameter 25.2 C.M.
Condition: Nice condition overall (some expected degradation due to their age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
Ancient Luristan bronze sword with green patina.
Luristan bronze comes from the province of Lorestan, a region of nowadays western Iran in the Zagros mountains.
With its rich and long history, Luristan culture is well-known for its fascinating bronze artifacts from the Early Iron Age.
Age: Iran, Luristan culture, 1000 - 600 B.C.
Size: Length 53.5 C.M...
19/20th C, finely rendered Chinese Shiwan (Shekwan) pottery statue of a seated man holding a bamboo pipe traditionally used for tobacco. Some nice crazing in the high gloss glazes on his shirt and pipe. This is a very good piece with excellent detailing, you won’t be disappointed. Measues 5.75” across, 7.5 deep, 6” high
Kyoto ceramic statuette of Guanyin. The clay is not earthenware, but rather stoneware fired at low temperature. An enamel decoration, applied to a cracked glaze, covers the entire statuette. The rock-base is enamelled in green and blue, stained with gold. The dress of the deity is enamelled with stylized flowers and scrolls in blue, green and red, but the whole is dominated by gold. This statuette is of excellent quality, elegant and rare...