19th century netsuke carved as a theatrical mask of Bishamon - one of the 7 Gods of Good Fortune. He is a God of riches, an equivalent of Vaishravana, and thus is the protector of the Northern direction. Wonderful face with a touch of madness, made in saishiki technique - the wood is covered with gesso, which in turn is painted in bright colors, some of them in low relief layers. Very well carved and painted, obvious losses to paint, wonderful feel of age. Height 1 9/16 inches.

Late Meiji (1890s - 1910s) lacquered wood netsuke representing a theatrical mask of Oto (Okame) smiling widely and mockingly sticking out her tongue. Wonderful crisp detailing, beautifully painted, nice warm patina. Signed SANYU on the back. Height 1 13/16 inches.

Early 19th century decent size wooden netsuke representing a theatrical mask of horned demon Hannya. Wonderful crisp detailing, eyes are inlaid with brass giving them an eery intensity, beautiful lustrous patina from wear. Height 2 3/8 inches.

19th century boxwood netsuke representing a theatrical mask of Buaku type. Wonderful quality detailed carving, lighter wood (probably ichii - Japanese yew wood), excellent staining and patina. The signature on the back bar appears to read GENRYO followed by kakihan (carved monogram) of the artist. Height 1 1/4 inches.

19th century netsuke representing theatrical mask of Shojo. Shojo are mythical creatures living near the sea, and are particularly fond of sake. Made in saishiki technique - the wood is covered with gesso, which in turn is painted in bright colors. Some obvious losses to paint from wear. Great modeling, wonderful depiction of its face and hair. Inscribed or signed on the back bar, but impossible to read because of paint losses . Height 1 1/2 inches.

19th century wooden netsuke of a theatrical mask, traces of painted mustache identifies the character as Chujo. Made in saishiki technique - the wood is covered with gesso, which in turn is painted in bright colors. A lot of wear to the surface, but still has good presence. Height 1 9/16 inches.

19th century netsuke carved as a theatrical mask of a SHOJO - mythical creatures living near the sea who are particularly fond of sake. Wonderful quality carving on ichii (Japanese yew wood) with clever use of wood texture to add to the charm of the piece, that being typical for the Hida school of netsuke carvers. Very nice tranquil face, beautiful staining and patina, old losses by its left eyebrow and on the right upper side on the back as can be seen on photos...

Small silver vase with flared and hemmed neck. A finely chiseled snake is wrapped around the neck and an enameled chrysanthemum. The lower body is enamelled in polychromy by silver wire partitions. Under a round base there is a signature in a golden cartouche of Mitsu Shige. Period: Meiji. Height: 10cm (4")

This is an original Antique (Pre-1900 / 1900) Gadget Cane, with an Ebony Ball with Coin Handle. The Coin is stamped with the frase "Docendo Discimus Exnihilo Nihil Fit" which translated means: "We learn by teaching. Out of nothing comes nothing."...

19th Century Chinese Solid Silver Coral Carved Bracelet with Flower & Bird Marked "China Silver"

It is 6.6 inches (16.7 cm) in inner circumference by 1.6 inches (4 cm) wide. The coral plaques range from 25.2 mm to 26.5 mm long by 13.3 mm to 14.4 mm wide. It is 35.9 gram.

The silver is tarnished and has surface wears and scratches. The coral plaque have trace of glue at the back and inclusions (as seen in the photos)...

1900's Chinese Malachite Mixed Metal Silver Inlay Box with Chirography

It is 2.15 inches (5.5 cm) tall by 1.15 inches (3 cm) wide. It is 58.7 gram.

It has a hairline crack and small chips at the malachite, oxidation, tarnished, surface wears and scratches at the metal (as seen in the photos).

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A peepal tree leaf finely painted in ink, colour and gold, depicting two Buddhist disciples in a landscape setting. Pasted on grey cardboard, with inscription in gold and red seal on the left side. Mounted in a lotus leaf shaped frame and base, carved from hardwood. Condition: lower left corner with a stain, some traces of usage. Dimension: total height: c. 25.8 cm, 19.3 cm wide, Bodhi leaf: c. 16 x 13 cm, weight: 352 g.

Antique Japanese mokugyo, fish bell, carved of keyaki (zelkova, elm) wood with traces of red and white lacquer. This wooden temple bell was used by Buddhist priest during religious ceremonies and chants. Laid on it's side on a pillow, the bell was struck to a rhythm to match the cadence of the chant. The carving on the bell is of two fish embracing a pearl, a symbol of unity. The fish themselves symbolize wakefulness, in this case to remind the chanters to focus on the sutra...

Height: 6.4 cm (2.5 in)
Width: 5 cm (2 in)
Depth: 2.4 cm (0.9 in)

Fine Chinese cloisonné snuff bottle on bronze; shows two main panels featuring dragons chasing pearls; sides and knop decorated with very fine wire scrolled lotus plants; marked on the base; good condition

Charming antique Chinese pewter gourd shaped container with labels on body. Diamond etched design with floral and shou symbols on banding. Stem lid cover. Makers manufacturing mark stamped on bottom.

Age: 19th century

Size: 6"H 3.5"D

Antique Japanese jizai-kagi in the form of a catfish. In a Japanese home, water in a kettle or pot is heated over an irori (sunken hearth). The jizai hook hangs from a strong ceiling beam. From this, a long device is suspended with a hook on the end that can be adjusted up or down by moving the jizai-kagi. This unusual jizai-kagi is carved of kayaki (zelkova elm) wood and has patination from hearth smoke. A portion of it's original iron chain is still attached...

Antique Japanese stoneware kame (wide mouthed bowl) from Shigaraki kiln. Made using the local sandy clay from the bed of Lake Biwa, Shigaraki ware is identified by the embedded granules of feldspar. Mineral and ash glaze is dribbled and spattered over the surface leaving long, uneven drips...

Good size late 19th century Chinese glass seal made in a shape of 3/4 sphere with flat top and faceted sides, the facets producing multiple reflections of the characters of the bottom within the volume of the seal. The impression of the seal is shown on the first photo (image is flipped left to right to present the image as it will actually print on paper)...