A very nice pair of nineteenth century Reverse Paintings on Glass, most probably showing the Qinanlong Emperor and one of its 3 Empresses. The Qianlong Emperor had 3 different Empresses in his life and many concubines. Size: 37,3 x 27,3 cm. Condition: Perfect. No damage in the glass and no damage in the very nice, original wooden frames.
The rare original Niello watch chain that you have been searching for. Fifty Six inches long, our chain has niello patterned fetter links and alternating triple gold links. The fetter link has a wonderful striped pattern wrapped around a gold link, the ends of which link to the triple gold links. An unusual construction, indeed.
Niello refers to the ancient technique of decorating silver which was revived in the 19th century and adopted by English jewelry artisans...
Hand carved giltwood letter "G", unusual for being an italic letter and for the sides having contrasting black sand paint decoration. Gilt letters and numbers from 19th century trade signs have great graphic appeal and offer a fun opportunity to try to put together your name or initials.
Origin: American, 19th century. Condition: very good, all original surface, 40% wear to the black paint along the sides. Size: 7-3/4" high.
19th century Japanese wooden nyoi - a Buddhist scepter - in a form of a branch with bulbous head. Nyoi, or Ruyi scepter is a traditional symbol of scholarship and transmission of knowledge. Natural tree branch with a growth forming the head of the scepter, no carving as such, wonderful patina to the surface from being handled, very pleasant to hold...
Width: 5.5 cm (2.2 in)
Depth: 0.5 cm (0.3 in)
Weight: 67 g (2.39 oz)
Quality antique Chinese white jade pendant; carved phoenix in a tree; later 82 cm green beaded jade and jasper chain attached; good condition
Fine Tall Chinese Tang Dynasty Painted Pottery Horse & Rider
This fine and elegant pottery model of a horse and rider was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in various coloured pigments. The horse stands alert with its head turned a little to its left. The riders sits leaning slightly forward with arms outstretched.
This is quite large example with a height of 39 cm (15.25 inches)...
A Chinese Export Armorial Lobed Dish.
Decorated to the centre with a coat of arms
within a bamboo and flowers border.
These arms are probably Swedish or possibly Dutch.
Qianlong C1750.
Diameter; 8″ (20.4 cm).
Condition: excellent just some wear to the gilt rim
A fantastic, extremely rare and important Edo Period Daki Ningyo, with a fine
shibori outer kimono, and a red chirimen silk crepe inner kimono with a
fawn-spot pattern. Featuring a beautifully sensitive life-like face.
Looks wonderful in a seated or standing pose. All aspects of this Daki
Ningyo are of the finest quality. We are confident that you have never before seen one of this age and quality offered for sale. Height: 25 inches, 63.5 cm.
Girl's kimono made of hamp, made in Ohmi region in Shiga prefecture, and it is called Ohmi-jofu. It has kasuri pattern, whose motifs are phoenix, cloud and flower. Warps are machine-spun and wefts are hand-plied. Red cloth inside is silk. Meiji period (1868~1912) In excellent condition. W:97cm, L:107cm
19th century wooden netsuke depicting standing Hotei (one of the 7 Gods of Good Luck, also considered to be the incarnation of Maitreya - the Buddha of the future) with a peach in one hand, and the other hand resting on his voluminous belly. Nice quality carving - see his face with a slight smile and beautiful flow of his long robe. Wonderful wear and patina, very pleasant feel of age. Signed SHIGEKAZU on the back - the artist is listed on p...
Nice pair of hand carved gilt wooden foo lions from China, 19th Century, good condition, size: 8" (20 cm.) x 3.5" (9 cm.)
Miniature umbrella made of bone and wood, Victorian, late 19th century. Either a toothpick or a bodkin/fid for punching holes in order to keep threads apart in English embroidery / Broderie Anglaise and for other sewing purposes. "2/ 5.7 cm. Condition: fine.
Boxwood netsuke depicting a woodcutter resting on a hollow and veined trunk with his ax resting at the end and the tobacco holder next to his hand.
Excellent color and signature patina engraved on a rectangular piece.
Origin: Japan
Period: Edo 19th century
Dimensions: 4.2 x 2.5 x 2 cm.
State of conservation: Very good
Japanese incense box in the form of a flattened drum with realistic wood grain pattern in gold flake togidashi maki-e lacquer and high relief lacquer to resemble iron studs along the sides. The top of the box is done in low-relief maki-e gold lacquer with the image of a mother hen and father rooster pecking for food with their three infant chicks. The crest and waddle of each rooster are done with touches of red lacquer. The interior box and bottom are done in dense nashiji lacquer gold flakes...
DESCRIPTION: A Chinese peach toggle (guajian) crafted from a flat piece of burl wood with large spreading leaves, representing longevity in Chinese iconography. Two holes on either side of the stem were used for threading a cord from which this toggle would have been suspended as a counterweight to some other object, such as a tobacco pouch. A nice example of Chinese folk art dating from the mid 1800’s or earlier, this toggle is in overall fine condition with aged patina...
Wearing an elaborate crested Corinthian helmet, wearing a sleeveless chiton, scaled breast plate, and aegis with Gorgon’s head. 1st Century BC/1st Century AD, 3 inches high. Mounted. From an old New Jersey private collection, purchased on the NYC art market in the early 1980s.
A gilt bronze Libation Cup decorated on the outside with auspicious symbols: Cranes, Bamboo,Prunus blossom and Lingzhi fungus and with some of the Buddhist Bajixiang ("eight precious emblems").
This item was made in China in the Ming dynasty (1368-1644) and is from the collection of a British Architect who was born in China and lived in Shanghai until 1931 when he migrated to the UK...
This is a Japanese Nishijin obi made in exceptionally high quality. The obi is old but almost in perfect condition. It is beautiful to look at even without using a magnifying glass. The soft colors have an earth tone and the use of the dyed threads tells us that this is a superior work of Kyoto Nishijin. The scenery is of the mountains of Kyoto but if you look closely, you might notice that there is a foreign look to some of the structures. The size of each structure is 1" to 2.5"...