Tall Chinese Ming Dynasty Glazed Pottery Figure

This pottery model of an official figure was made during the Ming Dynasty (1368 - 1644). It is quite highly-fired and made from a pale pinkish-brown pottery and includes an integral hexagonal plinth on which the figure stands. The head has been made separately and slots into the hole at the neck...

A boxwood netsuke depicting a snake coiled around a turtle, with eyes made of horn. Origin: Japan Period: Edo 19th century. Dimensions: 3.7 x 5.5 x 4.8 cm. State of conservation: Very good

Kodansu in ivory in the shape of an elephant, resting on four feet, enriched by refined inlay applications in the sophisticated Shibayama technique. The upper opening, facilitated by a bronze grip, reveals its interior. It bears the signature, engraved on the side. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 26 x 4.2 cm. State of conservation: Very good

A Japanese Satsuma ceramic vase with a globular body that captures attention thanks to its reserves of various shapes. Inside them, a narrative rich in detail is revealed, in which not only are fascinating scenes of daily life revealed with festive characters, but also spaces are opened up for evocative landscape depictions. Under the base, the Kizan signature in gold testifies to the authenticity and origin of this work of art. Origin: Japan Period: Meiji end of 19th century. Dim...

An E-karatsu Yobitsugi bowl made of various shards attached with wide bands of gold to a discarded base: the pieces dating from the Momoyama to early Edo periods. It is 22 x 20 x 6 cm 8-1/2 x 8 x 2-1/4 inches) and comes enclosed in a modern kiri-wood collectors box titled E-Karatsu Hachi.
This method of using pieces from multiple works with lacquer repair is called Yobitsugi...

Bichrome faience amulet of Udjat/Wedjat - eye of RA and Horus, Late Period, c. 712-332 BC.

Massive piece around a 1 cm. thick. with a fine relief.

Size: 25 mm. long and c. 10 mm. thick.

Condition Extremely fine.

Provenance: P. Treffz-Eichhöfer, Stuttgart collection, comes with a certificate from the nice gallery Artemission in london, june 2006.

Very pretty and rare boxes of a pair of gold and polychrome lacquered ducks in perfect condition. On a base of taka maki-e lacquer (feather reliefs) and nashiji (gold powder) inside. Period: Meiji (1868-1912). Length 14.5 cm x height 7.5 cm. Wooden box.

An attractive and scarcely seen cosmetic vessel, Egyptian, Middle-New Kingdom, early-mid 2nd. millenium BC.

The fine jar, ovoid in form with a pointed base and a collar at the mouth.

Size: c. 60 mm. tall.

Condition: Nice Very fine, small chips to the rim and minor wear, othervise intact.

Provenance: Peter Treffz-Eichoefer Collection

An Egyptian Cosmetic vessel, Middle to New Kingdom, 2nd. millenium BC.

An alabaster cosmetic vessel of squat baluster form, a rather substantial and attractive specimen with ancient remnants of Kohl inside!

Size: 56 mm. tall and 53 mm. wide.

Condition: Nice VF, the lip with some small edge chip, othervise superb and attractive for it's type.

Provenance: Peter Treffz-Eichoefer Collection.

Fine Egyptian Cosmetic vessel, c. 25th.-30th. dynasty, 712-332 BC.

The vessel of slender form and beautifully polished, the vessel tapering to a rounded base and circular disc rim, probably a cosmetic vessel.

Size: 52 mm. tall.

Condition: Extremely fine.

Provenance: Peter Treffz-Eichoefer Collection, Ex. MEDUSA Ancient Art, this vessel comes with a Certificate and invoice from Medusa Art from august 2007, ($475 total)...

Large Bronze UTHONG Buddha, 18/19th Century. Size: height 80 cm x width at base 58 cm. Knee to knee 52 cm.

A piece of hand-spun cotton cloth with chrysanthemum pattern, whose ground cloth in green is dyed with vegetable indigo and vegetable yellow, but the dye of the reddish-brown mum pattern is not clear. In excellent condition. 19th century. W:32.5cm, L:130cm

Balmy autumn day. Three men enjoy drinking on the boat under the autumn moon light. Painted with ink and light pigments on silk. Signed Shoko, the artist name of Tanomura Chokunyu, and sealed. It is dated on 1838. It is attributed to Tanomura Chokunyu(1814-1907).

Tanomura Chokunyu (1814-1907) was a Japanese nanga(literati) artist. He learnt painting under Tanomura Chikuden, and for his rare talent, he was later adapted as a son...

Antique Japanese Buddhist Painting depicted Amida Descent of Amida and Twenty-Five Attendants. They each have musical instruments in their hands and fly down while playing music. Finely painted with ink, pigments, and gold on silk...

This magnificent and striking tureen is made of cloisonne having a slightly mustard yellow ground and beautifully accented with green diaper around the mouth of the bowl. The body is decorated with traditional Chinese emblems of good luck, and auspicious symbols such as the bat decorated with speckled blue. The blue dragon scaled handle atop the lid is embellished with brass buttons...

Case: 7.125" x 3.125” Brass and beveled glass carriage clock in the Boite Riche design with a shaped carrying handle above the flat pediment with the glazed aperture to view the platform escapement (not shown in photos). The rectangular lacquered brass case has gilt brass repousse work in narrow frieze above and below the beveled glass panels as well as around the base in a broader band. The case sits on brass turned feet and has a door at the back for access to the movement compartment...

A massive corner stone sculpture carved in greyish schist, Gandhara, c. 400-600 AD.

Interesting Pilaster from a corner with two reliefs, on it, candelabra with Buddha and bodhisattva and lying bulls on both sides at the top.

Size: c. 51 cm. tall and c. 22-23 cm. wide. Verry deep as well and almost triangular in shape.

Condition: F-VF, basically intact and almost fully covered with sandy encrustations - uncleaned...

This monumental Japanese porcelain charger is painted in blue and white depicting buildings on stilts overlooking mountains, waters, and trees among a beautiful waterfall, situated at the banks of a calm body of water with a boat in the distance.

The scenery is surrounded with scrolls in a band upon which lay leaves and flowers...