Tokoname jars were made by piling coils of clay, smoothing the interior and exterior surfaces, and allowing the clay to dry before adding another section. The wide rim and mouth were then formed on a potter’s wheel and added to the top of the jar. The small base allowed the vessel to stand safely on a narrow step on the steep slope of a rising kiln floor; such kilns were built into the side of a hill and used wood for firing...

Serene 17th Century Japanese standing gold gilt Amida Buddha. Original gold gifting layered over beautifully hand carved gently wood. The buddha stands upon its original lotus base in which both feet sit and slot into the base. The golden rays rises from behind rising in all directions. Carved at a very high level with detail seen down to the smallest touch. In all, there are three removable section. Stunning natural patina that has age very well with Temple incense...

A large faience shoe, lady’s high heel model, the white ground decorated with floral ropes, roses in bunches, and the toe resembling embroidery. The painting is the palate and tone typical of late 19th century Le Nove at their best. It is 4 5/8 inches (12 cm) tall, 8 5/8 inches (22 cm) long and 2 7/8 inches (7.5 cm) wide...

A set of six hand painted porcelain plates with floral bouquets in the well and a gold band around the edge. The mark of KPM with the initials and the scepter in underglaze blue was used from 1837 to 1844. The size would indicate that they are dessert plates, though they are deeper than most. They are 7 inches diameter (18 cm) and 1 inch (2.5 cm) deep.

Condition: excellent, no chips, cracks, hairlines or repairs. Showing only some evidence of light use...

A powder blue ground cup with elaborate gilding and two reserved oval panels on opposite sides with a spray of European flowers. Unusual for Chinese Export porcelain the two panels are recess molded. Other examples of this period exist with molding in the body, this ground and elaborate gilding. The inspiration is European, probably German, perhaps Meissen. The cup is 2 inches (5 cm) tall and 3 ½ inches (9 cm) diameter.

Condition: No chips, cracks, hairlines or repairs...

An early 20th century souvenir photo album entitled "The Ceremonies of a Japanese Marriage". with green woven silk boards and nineteen hand coloured photographs with explanatory text.

On the final page "Published by Tamamura, Photographer, Kobe, Japan" and in Japanese,"published in the 38th year of Meiji (1905). . ...

Early 19th century Japanese kashira (metal pommel at the end of the hilt of a sword) with relief decoration of two shishi (Buddhist lions) frolicking among huge peony flowers. Superbly made piece with crisp metalwork, shakudo body with gilding, in excellent condition. Length 1 3/8 inches.

Very unusual 19th century Japanese multimetal pendant in a shape of standing geisha holding an umbrella. Definitely made by a metalsmith who was engaged in making sword parts such as menuki and fuchi / kashira. Very clever design, superb detailing both on front and back, great quality inlays and gilding, in excellent condition. Height 15/16 inches.

Unique Japanese Bronze Usubata (used for Ikebana flower display). Gently sloped open bowl of the large water drop ready to receive a flower arrangement. droplet drops down and bursts out in a well modeled droplet base. Sturdy with original patina consistent with age.

Aft Deco Circa 1930's

Dimensions 12" Wide x 12" High

19th century Chinese snuff dish in a shape of a round saucer with gently concave surface, decorated on the outside with designs seen on ancient Chinese bronzes. Beautiful patina, old age lines, wonderful feel of age. Diameter 1 5/16 inches.

Pair of beautifully hand carved dragon temple corbels. Each is made of solid keyaki hardwood and hand carved with great detail. Original pigment can be seen highlighted in red, gold and black tones. Each dragon is twisting and swirling both looking in different directions. These would have originally been mounted up high within a temple shrine...

Ointment bowl designed as a cartouche made out of black aswan granite 6,7cm.

Origin: Egypt

Condition: look at pictures

If you are interested, feel free to send me a offer a.v.d.b@egyptian-artefacts.de

Circa late 19th century needlework in cream and red, 11 3/4" by 9 3/4" plus Victorian style wood frame with grape leaves in the corners, wrapped around a board. The birds remind of those seen on American salt glaze cobalt ceramic pieces. Together with the folky framing, this makes for a very decorative work of Americana, and an interesting addition to your collection.

A American Federal era split column looking glass, retaining the original gold leaf finish. Early 19th century. Size: 32 in. ht. x 17.5 in. width. A desirable large size and in very good condition.

An antique Japanese Shinto Shrine (also known as a Kamidana, Yashiro or Omiya) housing the deities Ebisu and Daikoku. The shrine was made from Hinoki (Cypress) and Suginoki (Cryptomeria) while the deities were hand carved from Tsugenoki (Boxwood).

Ebisu is characterized by the lucky Sea Bream (Tai) fish that he holds under his arm. Sitting on a rocky shore, he looks to the water as a protector of fish, fisheries, seafood, fishermen, sea merchants and anything else that is related...

19th century kokutan (ebony) netsuke of a bronze wasp resting on an old rotten log. Rather unusual elegant subject in Japanese taste, beautiful crisp metalwork, dark wood with characteristic ebony sheen from wear. Length 1 3/4 inches.

Broad redware dish rim fragment depicting a very fine and detailed shrub with berries. The relief decoration was taken from a separate mold and applied to the almost flat rim.
The fragment belongs to the rim of a large dish with a calculated diameter of ca. 39 cm (15.4 in). A groove runs along the outer edge.
Ceramic
Roman, North Africa, 250-300 AD
L...

The rim is decorated with a facing Oceanus head showing bushy beards extending to both sides and goat-like ears. The lobster claws expected in the hair of Oceanus are mistakenly rendered as ram horns, the usual attribute for Zeus Ammon.
The Greeks believed Oceanus to be the titan of water, seas, lakes, rivers, oceans, streams and ponds. In the late Roman imagery of North Africa the head of Oceanus presides over displays of sea life.
Ceramic
Roman, North Africa, 350-400 AD ...