Marked "Pure Silver" 3 Tiers Jewelry Box with Wood Inside, Meiji Period (1868-1912)

The box is 3.25 inches (8 cm) tall, and 4.5 inches (12 cm) by 3.25 inches (8 cm) wide.

It is in good condition with no dents, repairs, chips, or cracks.

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Khmer brown glazed pottery lime-pot in the form of owl with a stepped, moulded beak, eyes and tailbrown glaze stopped at the foot. This kind of lime-pot was mainly used in Khmer people's daily life in the ancient time, as can be seen on the stone sculpture on the wall of Bayon and Angkor Vat Prasart (Temple).

Age: Khmer, Bayon Period, 12th - 13th Century
Size: Height 10.5 C.M. / Width 11.6 C.M...

Japanese Meiji Period bronze vase. The vase has a poet on the front and bamboo and plum blossoms on the reverse. The handles are done in the shape of stylized elephant heads. Beautifully done with gold, silver and SHAKUDO inlays. Unsigned. The vase measures 13" tall and 8" wide at the handles.

Japanese Late 19th or Early 20th Century FUKAGAWA large vase. Beautifully done with the design of Mt. Fuji and mist. No storage box. The vase stands 12" tall by 11" wide.

Japanese late 19th or early 20th Century porcelain vase. Made by artist SUWA SOZAN. Stamp of artist on bottom of vase. Comes with TOMOBAKO, original artist's box. The side of the vase has small raised rectangular areas which have design of fish, snail, chrysanthemums, peaches, shellfish, butterfly, phoenix and Japanese shishi lion. The vase is 10" tall and 9 1/2" in diameter.

This is an ANTIQUE VERMEIL STERLING LORGNETTE and was a gift to someone's Mother ca. 1880 - 1900. Designed with Baroque curls around the Case that holds the Glasses. The Handle is hollow with a Ring to suspend this piece from a Chain or Necklace. Opens and Closes smoothly ...EXCELLENT Condition. Measurements 4 3/4" X 1 3/8" at the top X 7/16" case width. Clearly marked STERLING on the side. DESIRABLE and Hard to Find ANTIQUE LORGNETTE

This late 19th century Chinese overlay Peking glass vase is 10 ¾ inches high and 5 ½ inches on the widest part. It depicts a well known Chinese story “The goddess of Luo River.” A groom drives a dragon cart over the river while the goddess Luo sits in the cart. Two maids are following them. The workmanship is precise and elegant. It is in excellent condition.

This rare Ming Dynasty (1368 ~ 1615) green, brown and yellow burial sedan chair is 12 inches high, 4 ½” wide and 3 ¾ inches deep. Two curved parts on the roof have been reattached. It is quite possible that the top of the roof is an old replacement.

This late 19th century Chinese carved bamboo arm rest is 6 ¾ inches long and 2 ¼ inches wide. It depicts an autumn scene; three frogs resting behind lotus leaf and dry lotus pod. The poem on the top translate as: “When crabs are growing to maturity and yellow mums are withering away, I am drinking wine beneath a blue autumn sky.” The workmanship of the picture and calligraphy are just elegant. It has nice patina and is in excellent condition.

This early 20th century Chinese table screen is 18 inches high (11 ¼ inches without stand), 18 ½ inches wide (16 ¾ inches without stand) and 9 inches deep. Aside from a few light scratches on the surface of the marble, it is in excellent condition.

A Spode soup plate in their Cracked ice and Prunus pattern, with inspiration from the blue and white Chinese pattern from the Kangxi period. Black transfer printed cracked ice border and flowers in polychrome enamels and gilt. Printed and impressed Spode marks for c 1820-30. The pattern is known as number 3950 (not visible on this piece). Diameter “9 ¾ /24,5 cm. Condition: slight wear to the well and back.

A pair of Staffordhire copper lustre creamers or milk jugs / pitchers. Early Victorian Rococo revival shape and pretty decoration of vines against an orange background. Height: "4 3/4/12 cm. Condition: one with some crackling to the glaze (cf. pics).

Breathtakingly beautiful Japanese silk wedding kimono gown, Meiji/Taisho period, lined with the contrasting color red, very soft silk. It has a beautiful, rich texture woven in a mixture of flat, diagonal and shusu satin ori (weave). Under the sun, you can see the diagonal lines of woven gold threads crossing inside (photo #5). Gowns made in the early Meiji period are not only shorter but the colors are darker with a combination of earth tones (Shibui) comparing to brighter modern gowns...

Antique Japanese wedding kimono gown, black silk brocade with flying cranes over pine, plum and bamboo (Sho Chiku Bai). They are celebrative motifs that are almost always seen in the Japanese wedding and New Year. The beautiful color combination of gold threads (wrapped in real gold leaf) and white shiny silk threads are woven into the background of black Shusu, satin silk with the contrasting color of a red silk liner. This is an absolutely gorgeous wedding gown...

A beautifully proportioned and executed multi-spiral air twist (MSAT) glass featuring a pan top above a stem with a swelled medial knop; 7 1/8" tall, 2.75" diameter bowl, 2.9" diameter foot; conical foot. Excellent condition.

A Round Brass Inkwell from the Victorian Period, with Underplate. Dimensions; 9" diameter tray (5" inkwell) x 5.5" high. Late 19th century. Pin Replaced, but in Very Good Condition.

Pair of blue and white Chinese Export coffee cups. Gilded borders and strap handles with leaves. Qianlong (1736-95).Height:“2 ¼ / 6 cm.Condition: fine

Chinese Export octagonal tea bowl and saucer with foliate rims, Kangxi, c 1700. Iron red and gilt decoration of "Lange Lijzen" - long Lizas - a nickname for the slim ladies often found on the porcelain of the time. Diameter of saucer “4½/11,5 cm and of cup ”2¾/7 cm. Condition: minimal chip and hairline to the saucer, otherwise fine