This porcelain plate was produced in England by Wedgwood around 1850. It has the name “Wedgwood” impressed in block letters. It measures 8 ½ inches in diameter. It is made of fine bone china that has the design molded in high relief. The design has stylized fruits and berries hand painted in metallic colors and colorful enamel. The fruits are superimposed over the basket weave background...

This porcelain plate was produced in England by Aynsley in the mid 19th century. It is not marked but we recognize the specific style of design on the border that Aynsley used. The plate measures 9 inches in diameter. It is made of fine bone china. The center of the plate is hand painted with a landscape of the English countryside. The view of mountains, water and suggestion of buildings is dreamlike with a lone figure sitting in the forefront...

This porcelain plate was produced in Germany by the Ambrosius Lamm Dresden studio in the 1880s. It is titled “Vierte Nachtstunde” or Fourth Hour of the Night after Raphael. The plate is 9 ½ inches in diameter. It is hand painted with the night goddess holding an owl while suspended on clouds. The hand painting is finely detailed and the coloring is vivid. The border is hand gilded with an elaborate design containing lyres...

Wedgwood between 1878 and 1890. They are 4 ½ inches high with a diameter of 9 ½ inches. The design is from the aesthetic period in Imari style. Rich gilding, rust red florals and cobalt blue trim are combined to create these elegant porcelain serving pieces. The octagonal shape is uniquely suited to the pattern of decorated panels of cream and gold. Having the opportunity to own a pair of these compotes for perfect balance on a table or breakfront is rare...

This porcelain trinket box was produced in Germany by the Koniglich Porzellan Manufactur, or KPM, in the 1890s. The box is signed under the glaze with a blue scepter and a red orb over the glaze. There are hand painted numbers and a symbol. The porcelain is framed with gilt bronze ormolu. The lid is hinged to the bottom portion. It is decorated with an Art Nouveau design of swirling gilding and translucent enamel jewels in shades of peach and amber...

A Thai polychrome enamel decorated stoneware offering dish. Similar porcelains were made in China for the Thai market. Primitively painted decoration in yellow, green white, red and blue enamels. It is not clear to us whether this is imported production or domestic production. Two Chinese characters appear within rectangular, impressed seal mark on the base. Diameter, about 9 1/8 inches. Height, about 3 5/8 inches.

Very rare cast bronze sculpture of the Chinese monk Xuanzang with a pile of Buddhist scriptures rolled up and stacked in the pack on his back and a lotus leaf over his head from which dangles an incense burner, as he returns to China from India.
In his hands he was holding a scroll and a fly whisk that are now missing. Figure stands on an irregularly shaped base. Japan, mid Edo period, 18th century.
Height incl. base ca. 5.25 inches (13.3 cm)...

19th century Japanese ceramic chawan (tea bowl) for tea ceremony with light cream glaze and underglaze blue decoration of a moon rising over a Buddhist mountain temple. Inscribed in underglaze black with 3 characters which translate as ISHIYAMA-DERA (“Stone Mountain Temple”) - a Shingon temple in Otsu (Shiga Prefecture) and the thirteenth stop of the Kansai Kannon Pilgrimage. Superb free painting with strong Zen feeling, wonderful potting of shiro Raku (white Raku) body...

19th century Japanese ceramic chawan (tea bowl) for tea ceremony with crackled orange / cream glaze and underglaze blue decoration of torii gates among pines and birds in flight. Superb free painting, Raku pottery produced in the Kyoto region...

American sterling silver inkwell, ca 1880. Four gently curved sides on corner block supports. Cut ornament including scrolls, flowers, and chevrons. Sterling silver neck collar with imbricated leaf borders. Hinged bun cover same; top has chased garland, ribbon, crisscrossing horns of plenty, and laurel wreath surmounted by crown engraved with interlaced script monogram. Marked “Sterling” and Shreve, Crump & Low stamp. Very good condition.

Dimensions: H 5 x W 2 1/2 x D 2 1/2 in. #BS209 ...

1900-1920s (late Meiji - early Taisho) Japanese ceramic tea ceremony kashiki (dish for holding sweets served along with the tea) modeled in modified lozenge shape. Shino ware with stoneware body and thick glaze with a texture of small holes originated in the 16th century in Mino Province (present-day Gifu Prefecture) and has been popular ever since. Wonderful free potting, elegant grey nezumi (“mouse”) glaze with underglaze iron painting of a long leaf and tendrils with smaller leaves, beau...

Porcelain hand painted figure of a musician playing a lute(?). The original by Bustelli was modeled in the mid-18th century. This is a later copy, after 1887 when the factory was taken over by Albert Baumi and the old models revived. Nymphenburg shield and the numbers 59 and 0 impressed on the underside. 4 5/8 inches (11.7 cm) tall and 5 3/8 inches (13.5 cm) across the base.

Condition: undamaged except for three of the four tuning pegs and part of the red bow on his left shoe missing.

With the purchase of the lease on the Nymphenburg factory by Albert Baumi in 1887 the factory started to re-produce figures that had been originally made in the 18th century. This figure of a Turk, originally modeled by Bustelli, is one of those. Like many of the 18th century figures this one is not decorated with colors. 4 ¾ inches (12 cm) tall and 5 ¼ inches (13.5 cm) across the base. Shield mark and the numbers 192 and 0 impressed on the underside.

Condition: other than the loss of th...

A molded porcelain figure of a man in 18th century dress turned slightly to his right to warm his hands over a flaming brazier, emblematic of winter. The figure is marked on the base with the underglaze blue “F.” for Furstenberg. It also has the impressed marks A.a.M for a later production of the model which has the impressed number 85. 7 3/8 inches (19 cm) tall.

Condition: excellent except for the amputation of the fingertips of the right hand.

Height approximately 22.5 cm (only the jar). In good condition.

19th century Edo period (before 1867) Japanese porcelain Hirado plate with scalloped edge and underglaze blue decoration of a dragon in pursuit of a tama (Sacred Gem). Excellent potting, milky white body and clear glaze. Great early painting with charming freedom, wonderful dynamic design - see the flames issuing from the body of the dragon. Some surface wear as to be expected, overall in great condition. Diameter 7 1/4 inches.

Width approximately 17.3 cm (across the handles). In good condition.

Diameter approximately 26 cm. In good condition.

Late 19th century Chinese Canton enamel footed shallow dish painted in polychrome enamels with 2 different stands holding various archaic bronze vessels with leaves and flowers, and bamboo tubes tied with a knot - one of the Emblems of the Eight Immortals. Cavetto with painted flowers on yellow background, outside is enameled light green. Beautifully painted, few faint lines of crazing, overall in great condition. Wonderful item for a scholar’s desk. Length 4 1/2 inches.

Late Qing Dynasty (1890s to 1911) small Chinese Canton enamel covered box for seal paste painted on the top with polychrome enamels depicting a Chinese lady with a fan in a garden, border of flower spray reserves and scrolling vines. Nice quality painting with famille rose colors, all dark spots are original pitting marks. Quiet item for a scholar’s desk. Height 1 inch, diameter 2 1/4 inches.

Diameter approximately 22 cm. There are some cracks at the body. Ge-type inside the bowl. There are no missing parts.

Width approximately 18 cm(across the masks). In good condition.

Width approximately 20 cm (across the masks). In good condition.

Height approximately 20 cm. Crack glazes aren't appear at the other side. The cover, probably 19th century. In good condition.

A beautiful larger silver bowl, Sassanian Empire, 300-600 AD.

The Sassanid Dynasty, was the the last native Persian Kingdom to rule Ancient Near East before the Islamic conquest.

An attractive hammered silver bowl, with an scetchy incised animal in the center of the interior and multible concenthric lines around. It looks like a simple bird, but it needs more cleaning to be certain!

Size: ca. 17 cm. wide and 6 cm. tall.

Condition: Choice! A small plug...

Antique Thai gilt cast bronze figure of a recumbent temple deer. These sika deer are closely associated with the Buddha because of his "Teaching in the Deer Park" in Sarnath. Buddha's teaching, or "Spinning the Wheel of the Law" further links the deer to this sacred event. Thus deer are often depicted with the Wheel of the Law, or Dharmachakra in a temple setting. With one leg bent under his body and one outstretched, the deer turns a long, graceful neck to look back over it's shoulder. ...

A pair of coffee cans, English, Staffordshire c 1810. Lavender blue and gilt with a vase and palmetto scroll motif. The edge of one can is slightly flaring and the lavender tone is a little lighter. Still, they are intended as a pair as proved by the gilders mark, which is the same on both cans, three plus one dot. Height "2 ½ / 6.5 cm. Condition: fine.

Stunning 18K gold and diamond cufflinks, c1900, depicting eagles, a great gift for that special French Cuff Guy. Stunning 18K gold and diamond cufflinks, c1900, depicting eagles. Eagles are often scene in mythological scenes w Zeus, the King of the gods, as a symbol of his strength and power. The cufflinks are hallmarked w the initials FC, referring to Frederick Courthope, a master goldsmith who worked in the Arts and Crafts tradition. Courthope took over the business of the respected Georg...

Essex crystal carving of a horse and jockey surrounded by rose diamonds. Perhaps they are symbolic of the winners wreath. The crystals are carved in reverse or intaglio into the flat back to create a three-dimension trompe l'oeil effect. The image is then painted in realistic detail. The pin measures 15/16 in diameter.

Lovely early Victorian bow pin of white woven hair set with turquoise in 15K gold. Hair jewelry was primarily of a romantic or loving nature. Queen Victoria was given a brooch made from her mother's hair for her 16th birthday. This pin measures 1 3/4" wide by 1 3/4" high by 1/4" deep.

Lovely drop rose cut diamond earrings in the pendeloque or pear shape. The pendeloque earring shape is a pear-shaped design used for diamonds and was a popular shape for both 17th and 18th-century French earrings. The earrings are day/night, meaning the tops and bottoms can be separated and the tops worn for conservative day time wear, and top and bottom together for special occasion wear. These lovely earrings, which glittered so beautifully in candlelight, are as beautiful today as they were ...

A charming painting in ink and colors on silk depicting a young, long-haired girl in traditional dress with her back turned to the viewer. Signed: Nobumaru (Mitsubumi 1812–1879), a late Tosa School painter in the Nihonga tradition. Exquisite mounting. Meiji, c. 1865–1875. L 182 cm, W 60 cm. Picture frame: L 109 cm, W 42.5 cm. Condition: Very good.

Antique Chinese large 12-panel Coromandel screen. Decorated with dramatic scene of men on horseback. Bordered by red dragons. The reverse is a quiet scene of trees and flowers. Made of kuan cai (incised colors) lacquer on wood.

Age: Republic Period

Dimensions: 96" high x 222" long x 3/4" deep

A beautiful and rare Shiebler sterling serving piece in the "Maintenon" pattern. Adding to the overall graceful form of the piece is the greenish-blue and white enameling on the handle and the white and pale lavender enameling on the gently curved bowl. While this form is quite uncommon it is generally found in plain silver and the addition of the enameling raises this to a rarity level. (It is generally acknowledged that some of the best enameling work done in the United States in this period c...

19th century small votive Indian bronze sculpture of Ganesha sitting on a square base. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking. He bestows good luck on his worshippers, and is invoked in marriage ceremonies and in some forms of Tantric worship. This Ganesha has his trunk turned to the left, and it is strongly advisable for worshippers to keep left sided Ganesha statue at home. They are believed to be representing Ida Nadi (lunar energy) with its moonli...

This wonderful lava ring was sold in Naples to travelers on the Grand Tour as souvenir jewelry in the 1820’s to 40's after the discovery of the ruins of Pompeii and Herculaneum in the 18th century. Made by Pompeian stone cutters, each of the seven round heads of the ring is distinctly carved and is of a different hue as well as a different mythological figure and comes from a different organic material sourced from Vesuvius. The cameos represent the days of the week, The grey cameo represents ...